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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32753A it is the complementary color #CD8AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32753A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32753A shade: #377535, #488748, #59995B, #6AAB6E and #7BBD81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32753A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32753A shade: #32753A, #216327, #105114, #003F01 and #002D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32753A shade: #32753A, #3C7532, #4E7532, #607532 and #737532

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32753A shade: #32753A, #32754C, #32755E, #327570 and #326875

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32753A shade matches the following richer shades: #32753A, #248330, #179125 and #099E1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32753A shade: #32753A, #406844, #4D5A4F, #5B4C59 and #683F63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32753A shade: #4E7532, #3C7532, #32753A, #32754C and #32755E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32753A shade: #193C1D, #26582C, #32753A, #3E9248 and #4BAF57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32753A shade: #32753A, #326075 and #753245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32753A shade: #32753A, #3A3275 and #753A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32753A shade: #32753A, #326075, #75326D and #754732

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32753A shade: #32753A, #324C75, #75326D and #755C32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

Complementary color

CMYK 0 / 33 / 4 / 20

HEX #CD8AC5

RGB 205 138 197

HSL 307.16, 0.4%, 0.67%

LAB 65.89, 34.8, -20.25

 

CMYK 53 / 0 / 55 / 54

HEX #377535

RGB 55 117 53

HSL 118.13, 0.38%, 0.33%

LAB 43.93, -34.04, 29.05

 

CMYK 47 / 0 / 47 / 47

HEX #488748

RGB 72 135 72

HSL 120, 0.3%, 0.41%

LAB 50.89, -34.01, 27.65

 

CMYK 42 / 0 / 41 / 40

HEX #59995B

RGB 89 153 91

HSL 121.88, 0.26%, 0.47%

LAB 57.71, -33.83, 26.31

 

CMYK 38 / 0 / 36 / 33

HEX #6AAB6E

RGB 106 171 110

HSL 123.69, 0.28%, 0.54%

LAB 64.42, -33.6, 25.05

 

CMYK 35 / 0 / 32 / 26

HEX #7BBD81

RGB 123 189 129

HSL 125.45, 0.33%, 0.61%

LAB 71, -33.34, 23.87

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 67 / 0 / 61 / 61

HEX #216327

RGB 33 99 39

HSL 125.45, 0.5%, 0.26%

LAB 36.73, -34.42, 27.66

 

CMYK 80 / 0 / 75 / 68

HEX #105114

RGB 16 81 20

HSL 123.69, 0.67%, 0.19%

LAB 29.53, -33.41, 28.95

 

CMYK 100 / 0 / 98 / 75

HEX #003F01

RGB 0 63 1

HSL 120.95, 1%, 0.12%

LAB 22.15, -31.59, 29.3

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 49 / 0 / 57 / 54

HEX #3C7532

RGB 60 117 50

HSL 111.04, 0.4%, 0.33%

LAB 44.11, -32.89, 30.89

 

CMYK 33 / 0 / 57 / 54

HEX #4E7532

RGB 78 117 50

HSL 94.93, 0.4%, 0.33%

LAB 45.04, -26.46, 32.23

 

CMYK 18 / 0 / 57 / 54

HEX #607532

RGB 96 117 50

HSL 78.81, 0.4%, 0.33%

LAB 46.23, -19.08, 33.91

 

CMYK 2 / 0 / 57 / 54

HEX #737532

RGB 115 117 50

HSL 61.79, 0.4%, 0.33%

LAB 47.75, -10.68, 36.06

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 57 / 0 / 35 / 54

HEX #32754C

RGB 50 117 76

HSL 143.28, 0.4%, 0.33%

LAB 44.12, -31.41, 16.37

 

CMYK 57 / 0 / 20 / 54

HEX #32755E

RGB 50 117 94

HSL 159.4, 0.4%, 0.33%

LAB 44.53, -27.27, 6.34

 

CMYK 57 / 0 / 4 / 54

HEX #327570

RGB 50 117 112

HSL 175.52, 0.4%, 0.33%

LAB 45.04, -22.42, -3.67

 

CMYK 57 / 11 / 0 / 54

HEX #326875

RGB 50 104 117

HSL 191.64, 0.4%, 0.33%

LAB 41, -13.83, -12.74

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 73 / 0 / 63 / 49

HEX #248330

RGB 36 131 48

HSL 127.58, 0.57%, 0.33%

LAB 48.03, -44.97, 36.25

 

CMYK 84 / 0 / 74 / 43

HEX #179125

RGB 23 145 37

HSL 126.89, 0.73%, 0.33%

LAB 52.47, -52.87, 45.73

 

CMYK 94 / 0 / 83 / 38

HEX #099E1B

RGB 9 158 27

HSL 127.25, 0.89%, 0.33%

LAB 56.67, -58.73, 53.1

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 38 / 0 / 35 / 59

HEX #406844

RGB 64 104 68

HSL 126, 0.24%, 0.33%

LAB 40.26, -22.39, 15.96

 

CMYK 14 / 0 / 12 / 65

HEX #4D5A4F

RGB 77 90 79

HSL 129.23, 0.08%, 0.33%

LAB 36.85, -7.5, 4.66

 

CMYK 0 / 16 / 2 / 64

HEX #5B4C59

RGB 91 76 89

HSL 308, 0.09%, 0.33%

LAB 34.22, 8.89, -5.3

 

CMYK 0 / 39 / 5 / 59

HEX #683F63

RGB 104 63 99

HSL 307.32, 0.25%, 0.33%

LAB 32.7, 24.06, -13.81

 

CMYK 33 / 0 / 57 / 54

HEX #4E7532

RGB 78 117 50

HSL 94.93, 0.4%, 0.33%

LAB 45.04, -26.46, 32.23

 

CMYK 49 / 0 / 57 / 54

HEX #3C7532

RGB 60 117 50

HSL 111.04, 0.4%, 0.33%

LAB 44.11, -32.89, 30.89

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 57 / 0 / 35 / 54

HEX #32754C

RGB 50 117 76

HSL 143.28, 0.4%, 0.33%

LAB 44.12, -31.41, 16.37

 

CMYK 57 / 0 / 20 / 54

HEX #32755E

RGB 50 117 94

HSL 159.4, 0.4%, 0.33%

LAB 44.53, -27.27, 6.34

 

CMYK 58 / 0 / 52 / 76

HEX #193C1D

RGB 25 60 29

HSL 126.86, 0.41%, 0.17%

LAB 22.04, -20.65, 15.36

 

CMYK 57 / 0 / 50 / 65

HEX #26582C

RGB 38 88 44

HSL 127.2, 0.4%, 0.25%

LAB 33.08, -27.45, 20.46

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 57 / 0 / 50 / 31

HEX #4BAF57

RGB 75 175 87

HSL 127.2, 0.4%, 0.49%

LAB 64.03, -47.82, 36.32

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 57 / 18 / 0 / 54

HEX #326075

RGB 50 96 117

HSL 198.81, 0.4%, 0.33%

LAB 38.43, -9.18, -16.66

 

CMYK 0 / 57 / 41 / 54

HEX #753245

RGB 117 50 69

HSL 342.99, 0.4%, 0.33%

LAB 30.62, 31.49, 2.7

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 50 / 57 / 0 / 54

HEX #3A3275

RGB 58 50 117

HSL 247.16, 0.4%, 0.33%

LAB 25.15, 22.76, -37.52

 

CMYK 0 / 50 / 57 / 54

HEX #753A32

RGB 117 58 50

HSL 7.16, 0.4%, 0.33%

LAB 31.89, 24.99, 16.76

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 57 / 18 / 0 / 54

HEX #326075

RGB 50 96 117

HSL 198.81, 0.4%, 0.33%

LAB 38.43, -9.18, -16.66

 

CMYK 0 / 57 / 7 / 54

HEX #75326D

RGB 117 50 109

HSL 307.16, 0.4%, 0.33%

LAB 32.18, 37.71, -20.81

 

CMYK 0 / 39 / 57 / 54

HEX #754732

RGB 117 71 50

HSL 18.81, 0.4%, 0.33%

LAB 35.04, 17.33, 20.82

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 57 / 35 / 0 / 54

HEX #324C75

RGB 50 76 117

HSL 216.72, 0.4%, 0.33%

LAB 32.1, 3.34, -26.48

 

CMYK 0 / 57 / 7 / 54

HEX #75326D

RGB 117 50 109

HSL 307.16, 0.4%, 0.33%

LAB 32.18, 37.71, -20.81

 

CMYK 0 / 21 / 57 / 54

HEX #755C32

RGB 117 92 50

HSL 37.61, 0.4%, 0.33%

LAB 40.68, 4.69, 27.81

 

Description

Color code: HEX #32753A | qconv.com Color code: HEX #32753A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 117 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 117 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 50 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 50% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - 株式会社アルゴ
Link: http://www.argocorp.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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