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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E9248 it is the complementary color #C16DB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E9248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E9248 shade: #439243, #54A456, #65B669, #76C87C and #87DA8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E9248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E9248 shade: #3E9248, #2D8035, #1C6E22, #0B5C0F and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E9248 shade: #3E9248, #4B923E, #61923E, #78923E and #8E923E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E9248 shade: #3E9248, #3E925F, #3E9275, #3E928C and #3E8192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E9248 shade matches the following richer shades: #3E9248, #2DA33B, #1CB42E and #0BC522

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E9248 shade: #3E9248, #4F8155, #607062, #715F6F and #824E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E9248 shade: #61923E, #4B923E, #3E9248, #3E925E and #3E9275

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E9248 shade: #25582B, #32753A, #3E9248, #4BAF57 and #66BD70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E9248 shade: #3E9248, #3E7792 and #923E56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E9248 shade: #3E9248, #483E92 and #92483E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E9248 shade: #3E9248, #3E7792, #923E88 and #92593E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E9248 shade: #3E9248, #3E5E92, #923E88 and #92723E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

Complementary color

CMYK 0 / 44 / 5 / 24

HEX #C16DB7

RGB 193 109 183

HSL 307.14, 0.4%, 0.59%

LAB 57.75, 43.92, -24.92

 

CMYK 54 / 0 / 54 / 43

HEX #439243

RGB 67 146 67

HSL 120, 0.37%, 0.42%

LAB 54.19, -40.99, 34.32

 

CMYK 49 / 0 / 48 / 36

HEX #54A456

RGB 84 164 86

HSL 121.5, 0.32%, 0.49%

LAB 60.88, -41.02, 32.96

 

CMYK 45 / 0 / 42 / 29

HEX #65B669

RGB 101 182 105

HSL 122.96, 0.36%, 0.55%

LAB 67.46, -40.9, 31.64

 

CMYK 41 / 0 / 38 / 22

HEX #76C87C

RGB 118 200 124

HSL 124.39, 0.43%, 0.62%

LAB 73.94, -40.71, 30.37

 

CMYK 38 / 0 / 34 / 15

HEX #87DA8F

RGB 135 218 143

HSL 125.78, 0.53%, 0.69%

LAB 80.34, -40.48, 29.18

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 65 / 0 / 59 / 50

HEX #2D8035

RGB 45 128 53

HSL 125.78, 0.48%, 0.34%

LAB 47.31, -41.28, 33.01

 

CMYK 75 / 0 / 69 / 57

HEX #1C6E22

RGB 28 110 34

HSL 124.39, 0.59%, 0.27%

LAB 40.43, -40.43, 34.31

 

CMYK 88 / 0 / 84 / 64

HEX #0B5C0F

RGB 11 92 15

HSL 122.96, 0.79%, 0.2%

LAB 33.48, -38.61, 34.97

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 49 / 0 / 58 / 43

HEX #4B923E

RGB 75 146 62

HSL 110.71, 0.4%, 0.41%

LAB 54.45, -39.29, 37.21

 

CMYK 34 / 0 / 58 / 43

HEX #61923E

RGB 97 146 62

HSL 95, 0.4%, 0.41%

LAB 55.53, -31.79, 38.75

 

CMYK 18 / 0 / 58 / 43

HEX #78923E

RGB 120 146 62

HSL 78.57, 0.4%, 0.41%

LAB 56.98, -22.74, 40.79

 

CMYK 3 / 0 / 58 / 43

HEX #8E923E

RGB 142 146 62

HSL 62.86, 0.4%, 0.41%

LAB 58.65, -13.39, 43.15

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 58 / 0 / 35 / 43

HEX #3E925F

RGB 62 146 95

HSL 143.57, 0.4%, 0.41%

LAB 54.46, -37.57, 19.59

 

CMYK 58 / 0 / 20 / 43

HEX #3E9275

RGB 62 146 117

HSL 159.29, 0.4%, 0.41%

LAB 54.93, -32.72, 7.81

 

CMYK 58 / 0 / 4 / 43

HEX #3E928C

RGB 62 146 140

HSL 175.71, 0.4%, 0.41%

LAB 55.56, -26.73, -4.48

 

CMYK 58 / 12 / 0 / 43

HEX #3E8192

RGB 62 129 146

HSL 192.14, 0.4%, 0.41%

LAB 50.45, -16.08, -15.61

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 72 / 0 / 64 / 36

HEX #2DA33B

RGB 45 163 59

HSL 127.12, 0.57%, 0.41%

LAB 59.04, -53.42, 43.65

 

CMYK 84 / 0 / 74 / 29

HEX #1CB42E

RGB 28 180 46

HSL 127.11, 0.73%, 0.41%

LAB 64.23, -62.5, 54.35

 

CMYK 94 / 0 / 83 / 23

HEX #0BC522

RGB 11 197 34

HSL 127.42, 0.89%, 0.41%

LAB 69.55, -69.44, 63.11

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 39 / 0 / 34 / 49

HEX #4F8155

RGB 79 129 85

HSL 127.2, 0.24%, 0.41%

LAB 49.52, -26.69, 18.69

 

CMYK 14 / 0 / 13 / 56

HEX #607062

RGB 96 112 98

HSL 127.5, 0.08%, 0.41%

LAB 45.58, -8.97, 5.78

 

CMYK 0 / 16 / 2 / 56

HEX #715F6F

RGB 113 95 111

HSL 306.67, 0.09%, 0.41%

LAB 42.53, 10.35, -6.35

 

CMYK 0 / 40 / 5 / 49

HEX #824E7C

RGB 130 78 124

HSL 306.92, 0.25%, 0.41%

LAB 40.65, 29.37, -16.94

 

CMYK 34 / 0 / 58 / 43

HEX #61923E

RGB 97 146 62

HSL 95, 0.4%, 0.41%

LAB 55.53, -31.79, 38.75

 

CMYK 49 / 0 / 58 / 43

HEX #4B923E

RGB 75 146 62

HSL 110.71, 0.4%, 0.41%

LAB 54.45, -39.29, 37.21

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 58 / 0 / 36 / 43

HEX #3E925E

RGB 62 146 94

HSL 142.86, 0.4%, 0.41%

LAB 54.44, -37.77, 20.12

 

CMYK 58 / 0 / 20 / 43

HEX #3E9275

RGB 62 146 117

HSL 159.29, 0.4%, 0.41%

LAB 54.93, -32.72, 7.81

 

CMYK 58 / 0 / 51 / 65

HEX #25582B

RGB 37 88 43

HSL 127.06, 0.41%, 0.25%

LAB 33.02, -27.92, 20.96

 

CMYK 57 / 0 / 50 / 54

HEX #32753A

RGB 50 117 58

HSL 127.16, 0.4%, 0.33%

LAB 43.81, -34.72, 26.16

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 57 / 0 / 50 / 31

HEX #4BAF57

RGB 75 175 87

HSL 127.2, 0.4%, 0.49%

LAB 64.03, -47.82, 36.32

 

CMYK 46 / 0 / 41 / 26

HEX #66BD70

RGB 102 189 112

HSL 126.9, 0.4%, 0.57%

LAB 69.75, -42.54, 30.97

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 58 / 18 / 0 / 43

HEX #3E7792

RGB 62 119 146

HSL 199.29, 0.4%, 0.41%

LAB 47.36, -10.47, -20.34

 

CMYK 0 / 58 / 41 / 43

HEX #923E56

RGB 146 62 86

HSL 342.86, 0.4%, 0.41%

LAB 38.25, 37.9, 3.37

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 51 / 58 / 0 / 43

HEX #483E92

RGB 72 62 146

HSL 247.14, 0.4%, 0.41%

LAB 31.57, 27.66, -45.19

 

CMYK 0 / 51 / 58 / 43

HEX #92483E

RGB 146 72 62

HSL 7.14, 0.4%, 0.41%

LAB 39.74, 30.2, 20.39

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 58 / 18 / 0 / 43

HEX #3E7792

RGB 62 119 146

HSL 199.29, 0.4%, 0.41%

LAB 47.36, -10.47, -20.34

 

CMYK 0 / 58 / 7 / 43

HEX #923E88

RGB 146 62 136

HSL 307.14, 0.4%, 0.41%

LAB 40.14, 45.27, -24.91

 

CMYK 0 / 39 / 58 / 43

HEX #92593E

RGB 146 89 62

HSL 19.29, 0.4%, 0.41%

LAB 43.66, 20.62, 25.41

 

CMYK 58 / 0 / 51 / 43

HEX #3E9248

RGB 62 146 72

HSL 127.14, 0.4%, 0.41%

LAB 54.08, -41.61, 31.57

 

CMYK 58 / 36 / 0 / 43

HEX #3E5E92

RGB 62 94 146

HSL 217.14, 0.4%, 0.41%

LAB 39.76, 4.64, -32.17

 

CMYK 0 / 58 / 7 / 43

HEX #923E88

RGB 146 62 136

HSL 307.14, 0.4%, 0.41%

LAB 40.14, 45.27, -24.91

 

CMYK 0 / 22 / 58 / 43

HEX #92723E

RGB 146 114 62

HSL 37.14, 0.4%, 0.41%

LAB 50.09, 6.15, 33.3

 

Description

Color code: HEX #3E9248 | qconv.com Color code: HEX #3E9248 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 146 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 146 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 51 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 51% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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