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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #331E9E it is the complementary color #CCE161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #331E9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #331E9E shade: #381E99, #4930AC, #5A42BF, #6B54D2 and #7C66E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #331E9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #331E9E shade: #331E9E, #220C8B, #110078, #000065 and #000052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #331E9E shade: #331E9E, #551E9E, #781E9E, #9B1E9E and #9E1E7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #331E9E shade: #331E9E and #1E1E9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #331E9E shade matches the following richer shades: #331E9E and #280EAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #331E9E shade: #331E9E, #3D2D8F, #473C7F, #524B70 and #5C5B61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #331E9E shade: #1E4F9E, #1E2D9E, #311E9E, #531E9E and #751E9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #331E9E shade: #1C1059, #28177B, #331E9E, #3E24C1 and #5136D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #331E9E shade: #331E9E, #9E1E71 and #3E9E1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #331E9E shade: #331E9E, #9E311E and #1E9E31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #331E9E shade: #331E9E, #9E1E71, #8B9E1E and #1E9E4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #331E9E shade: #331E9E, #9E1E4B, #8B9E1E and #1E9E71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

Complementary color

CMYK 9 / 0 / 57 / 12

HEX #CCE161

RGB 204 225 97

HSL 69.84, 0.68%, 0.63%

LAB 85.78, -24.64, 59.02

 

CMYK 63 / 80 / 0 / 40

HEX #381E99

RGB 56 30 153

HSL 252.68, 0.67%, 0.36%

LAB 23.9, 45.72, -62.08

 

CMYK 58 / 72 / 0 / 33

HEX #4930AC

RGB 73 48 172

HSL 252.1, 0.56%, 0.43%

LAB 30.66, 44.37, -62.42

 

CMYK 53 / 65 / 0 / 25

HEX #5A42BF

RGB 90 66 191

HSL 251.52, 0.49%, 0.5%

LAB 37.54, 42.8, -62.37

 

CMYK 49 / 60 / 0 / 18

HEX #6B54D2

RGB 107 84 210

HSL 250.95, 0.58%, 0.58%

LAB 44.4, 41.27, -62.16

 

CMYK 46 / 55 / 0 / 10

HEX #7C66E5

RGB 124 102 229

HSL 250.39, 0.71%, 0.65%

LAB 51.2, 39.85, -61.89

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 76 / 91 / 0 / 45

HEX #220C8B

RGB 34 12 139

HSL 250.39, 0.84%, 0.3%

LAB 17.77, 47.27, -63.61

 

CMYK 86 / 100 / 0 / 53

HEX #110078

RGB 17 0 120

HSL 248.5, 1%, 0.24%

LAB 12.45, 45.62, -60.44

 

CMYK 100 / 100 / 0 / 60

HEX #000065

RGB 0 0 101

HSL 240, 1%, 0.2%

LAB 8.48, 40.13, -54.66

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 46 / 81 / 0 / 38

HEX #551E9E

RGB 85 30 158

HSL 265.78, 0.68%, 0.37%

LAB 27.65, 50.86, -58.85

 

CMYK 24 / 81 / 0 / 38

HEX #781E9E

RGB 120 30 158

HSL 282.19, 0.68%, 0.37%

LAB 32.68, 56.61, -50.44

 

CMYK 2 / 81 / 0 / 38

HEX #9B1E9E

RGB 155 30 158

HSL 298.59, 0.68%, 0.37%

LAB 38.49, 63.28, -40.78

 

CMYK 0 / 81 / 20 / 38

HEX #9E1E7F

RGB 158 30 127

HSL 314.53, 0.68%, 0.37%

LAB 37.35, 59.25, -23.54

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 81 / 81 / 0 / 38

HEX #1E1E9E

RGB 30 30 158

HSL 240, 0.68%, 0.37%

LAB 22.56, 45.07, -67.42

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 77 / 92 / 0 / 32

HEX #280EAD

RGB 40 14 173

HSL 249.81, 0.85%, 0.37%

LAB 22.94, 56.41, -75.88

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 57 / 69 / 0 / 44

HEX #3D2D8F

RGB 61 45 143

HSL 249.8, 0.52%, 0.37%

LAB 26.31, 35.11, -51.94

 

CMYK 44 / 53 / 0 / 50

HEX #473C7F

RGB 71 60 127

HSL 249.85, 0.36%, 0.37%

LAB 29.67, 22.67, -36.5

 

CMYK 27 / 33 / 0 / 56

HEX #524B70

RGB 82 75 112

HSL 251.35, 0.2%, 0.37%

LAB 33.97, 11.82, -20.25

 

CMYK 5 / 6 / 0 / 62

HEX #5C5B61

RGB 92 91 97

HSL 250, 0.03%, 0.37%

LAB 38.93, 1.69, -3.3

 

CMYK 81 / 50 / 0 / 38

HEX #1E4F9E

RGB 30 79 158

HSL 217.03, 0.68%, 0.37%

LAB 34.67, 13.64, -47.59

 

CMYK 81 / 72 / 0 / 38

HEX #1E2D9E

RGB 30 45 158

HSL 232.97, 0.68%, 0.37%

LAB 25.63, 36.41, -62.35

 

CMYK 69 / 81 / 0 / 38

HEX #311E9E

RGB 49 30 158

HSL 248.91, 0.68%, 0.37%

LAB 23.84, 46.52, -65.27

 

CMYK 47 / 81 / 0 / 38

HEX #531E9E

RGB 83 30 158

HSL 264.84, 0.68%, 0.37%

LAB 27.4, 50.57, -59.28

 

CMYK 26 / 81 / 0 / 38

HEX #751E9E

RGB 117 30 158

HSL 280.78, 0.68%, 0.37%

LAB 32.21, 56.08, -51.22

 

CMYK 69 / 82 / 0 / 65

HEX #1C1059

RGB 28 16 89

HSL 249.86, 0.7%, 0.21%

LAB 11.54, 29.32, -41.46

 

CMYK 67 / 81 / 0 / 52

HEX #28177B

RGB 40 23 123

HSL 250.2, 0.68%, 0.29%

LAB 17.89, 38.17, -53.27

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 68 / 81 / 0 / 24

HEX #3E24C1

RGB 62 36 193

HSL 249.94, 0.69%, 0.45%

LAB 29.75, 55.3, -76.43

 

CMYK 63 / 75 / 0 / 15

HEX #5136D8

RGB 81 54 216

HSL 250, 0.68%, 0.53%

LAB 36.64, 55.4, -78.39

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 0 / 81 / 28 / 38

HEX #9E1E71

RGB 158 30 113

HSL 321.09, 0.68%, 0.37%

LAB 36.72, 57.43, -15.75

 

CMYK 61 / 0 / 81 / 38

HEX #3E9E1E

RGB 62 158 30

HSL 105, 0.68%, 0.37%

LAB 57.63, -50.52, 53.45

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 0 / 69 / 81 / 38

HEX #9E311E

RGB 158 49 30

HSL 8.91, 0.68%, 0.37%

LAB 37.04, 44.16, 36.48

 

CMYK 81 / 0 / 69 / 38

HEX #1E9E31

RGB 30 158 49

HSL 128.91, 0.68%, 0.37%

LAB 57.03, -55.09, 45.71

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 0 / 81 / 28 / 38

HEX #9E1E71

RGB 158 30 113

HSL 321.09, 0.68%, 0.37%

LAB 36.72, 57.43, -15.75

 

CMYK 12 / 0 / 81 / 38

HEX #8B9E1E

RGB 139 158 30

HSL 68.91, 0.68%, 0.37%

LAB 61.69, -22.78, 58.65

 

CMYK 81 / 0 / 53 / 38

HEX #1E9E4B

RGB 30 158 75

HSL 141.09, 0.68%, 0.37%

LAB 57.31, -51.71, 33.84

 

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 0 / 81 / 53 / 38

HEX #9E1E4B

RGB 158 30 75

HSL 338.91, 0.68%, 0.37%

LAB 35.41, 53.52, 6.65

 

CMYK 12 / 0 / 81 / 38

HEX #8B9E1E

RGB 139 158 30

HSL 68.91, 0.68%, 0.37%

LAB 61.69, -22.78, 58.65

 

CMYK 81 / 0 / 28 / 38

HEX #1E9E71

RGB 30 158 113

HSL 158.91, 0.68%, 0.37%

LAB 57.96, -44.22, 14.22

 

Description

Color code: HEX #331E9E | qconv.com Color code: HEX #331E9E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 30 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 30 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 81 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 81% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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