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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE161 it is the complementary color #331E9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCE161 shade: #D1E15C, #E2F36F, #F3FF82, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCE161 shade: #CCE161, #BBCF4E, #AABD3B, #99AB28 and #889915

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCE161 shade: #CBE060, #E0D360, #E0B060, #E08E60 and #E06B60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCE161 shade: #CBE060, #A9E060, #86E060, #63E060 and #60E07F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCE161 shade matches the following richer shades: #CBE060 and #D6F051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCE161 shade: #CBE060, #C1D16F, #B7C27F, #ACB38E and #A2A39D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCE161 shade: #E0AF60, #E0D160, #CDE060, #ABE060 and #89E060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCE161 shade: #ADC826, #C0DA3D, #CBE060, #D6E783 and #E2EEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCE161 shade: #CCE161, #60E08D and #C060E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCE161 shade: #CCE161, #60CDE0 and #E060CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCE161 shade: #CCE161, #60E08D, #7360E0 and #E060B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCE161 shade: #CCE161, #60E0B3, #7360E0 and #E0608D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 57 / 12

HEX #CCE161

RGB 204 225 97

HSL 69.84, 0.68%, 0.63%

LAB 85.78, -24.64, 59.02

 

Complementary color

CMYK 68 / 81 / 0 / 38

HEX #331E9E

RGB 51 30 158

HSL 249.84, 0.68%, 0.37%

LAB 24, 46.71, -64.99

 

CMYK 7 / 0 / 59 / 12

HEX #D1E15C

RGB 209 225 92

HSL 67.22, 0.69%, 0.62%

LAB 86.1, -23.03, 61.63

 

CMYK 7 / 0 / 54 / 5

HEX #E2F36F

RGB 226 243 111

HSL 67.73, 0.85%, 0.69%

LAB 92.32, -23.49, 60.7

 

CMYK 5 / 0 / 49 / 0

HEX #F3FF82

RGB 243 255 130

HSL 65.76, 1%, 0.75%

LAB 96.9, -21.02, 57.82

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 9 / 0 / 57 / 12

HEX #CCE161

RGB 204 225 97

HSL 69.84, 0.68%, 0.63%

LAB 85.78, -24.64, 59.02

 

CMYK 10 / 0 / 62 / 19

HEX #BBCF4E

RGB 187 207 78

HSL 69.3, 0.57%, 0.56%

LAB 79.47, -24.17, 59.86

 

CMYK 10 / 0 / 69 / 26

HEX #AABD3B

RGB 170 189 59

HSL 68.77, 0.52%, 0.49%

LAB 73.06, -23.58, 60.41

 

CMYK 11 / 0 / 77 / 33

HEX #99AB28

RGB 153 171 40

HSL 68.24, 0.62%, 0.41%

LAB 66.56, -22.84, 60.41

 

CMYK 11 / 0 / 86 / 40

HEX #889915

RGB 136 153 21

HSL 67.73, 0.76%, 0.34%

LAB 59.95, -21.88, 59.4

 

CMYK 9 / 0 / 57 / 12

HEX #CBE060

RGB 203 224 96

HSL 69.84, 0.67%, 0.63%

LAB 85.43, -24.63, 59.04

 

CMYK 0 / 6 / 57 / 12

HEX #E0D360

RGB 224 211 96

HSL 53.91, 0.67%, 0.63%

LAB 83.59, -9.74, 57.41

 

CMYK 0 / 21 / 57 / 12

HEX #E0B060

RGB 224 176 96

HSL 37.5, 0.67%, 0.63%

LAB 74.66, 8.43, 47.1

 

CMYK 0 / 37 / 57 / 12

HEX #E08E60

RGB 224 142 96

HSL 21.56, 0.67%, 0.63%

LAB 66.55, 26.6, 37.27

 

CMYK 0 / 52 / 57 / 12

HEX #E06B60

RGB 224 107 96

HSL 5.16, 0.67%, 0.63%

LAB 59.17, 44.71, 27.91

 

CMYK 9 / 0 / 57 / 12

HEX #CBE060

RGB 203 224 96

HSL 69.84, 0.67%, 0.63%

LAB 85.43, -24.63, 59.04

 

CMYK 25 / 0 / 57 / 12

HEX #A9E060

RGB 169 224 96

HSL 85.78, 0.67%, 0.63%

LAB 83.23, -37.63, 55.95

 

CMYK 40 / 0 / 57 / 12

HEX #86E060

RGB 134 224 96

HSL 102.19, 0.67%, 0.63%

LAB 81.41, -49.62, 53.4

 

CMYK 56 / 0 / 57 / 12

HEX #63E060

RGB 99 224 96

HSL 118.59, 0.67%, 0.63%

LAB 80.07, -59.47, 51.49

 

CMYK 57 / 0 / 43 / 12

HEX #60E07F

RGB 96 224 127

HSL 134.53, 0.67%, 0.63%

LAB 80.37, -55.93, 37.05

 

CMYK 9 / 0 / 57 / 12

HEX #CBE060

RGB 203 224 96

HSL 69.84, 0.67%, 0.63%

LAB 85.43, -24.63, 59.04

 

CMYK 11 / 0 / 66 / 6

HEX #D6F051

RGB 214 240 81

HSL 69.81, 0.84%, 0.63%

LAB 90.42, -28.89, 70.74

 

CMYK 9 / 0 / 57 / 12

HEX #CBE060

RGB 203 224 96

HSL 69.84, 0.67%, 0.63%

LAB 85.43, -24.63, 59.04

 

CMYK 8 / 0 / 47 / 18

HEX #C1D16F

RGB 193 209 111

HSL 69.8, 0.52%, 0.63%

LAB 80.79, -19.95, 46.5

 

CMYK 6 / 0 / 35 / 24

HEX #B7C27F

RGB 183 194 127

HSL 69.85, 0.35%, 0.63%

LAB 76.18, -14.54, 32.49

 

CMYK 4 / 0 / 21 / 30

HEX #ACB38E

RGB 172 179 142

HSL 71.35, 0.2%, 0.63%

LAB 71.53, -8.89, 18.11

 

CMYK 1 / 0 / 4 / 36

HEX #A2A39D

RGB 162 163 157

HSL 70, 0.03%, 0.63%

LAB 66.76, -1.48, 2.98

 

CMYK 0 / 22 / 57 / 12

HEX #E0AF60

RGB 224 175 96

HSL 37.03, 0.67%, 0.63%

LAB 74.41, 8.96, 46.8

 

CMYK 0 / 7 / 57 / 12

HEX #E0D160

RGB 224 209 96

HSL 52.97, 0.67%, 0.63%

LAB 83.07, -8.72, 56.82

 

CMYK 8 / 0 / 57 / 12

HEX #CDE060

RGB 205 224 96

HSL 68.91, 0.67%, 0.63%

LAB 85.57, -23.84, 59.24

 

CMYK 24 / 0 / 57 / 12

HEX #ABE060

RGB 171 224 96

HSL 84.84, 0.67%, 0.63%

LAB 83.34, -36.9, 56.12

 

CMYK 39 / 0 / 57 / 12

HEX #89E060

RGB 137 224 96

HSL 100.78, 0.67%, 0.63%

LAB 81.55, -48.67, 53.59

 

CMYK 14 / 0 / 81 / 22

HEX #ADC826

RGB 173 200 38

HSL 70, 0.68%, 0.47%

LAB 76.27, -28.62, 70.28

 

CMYK 12 / 0 / 72 / 15

HEX #C0DA3D

RGB 192 218 61

HSL 69.94, 0.68%, 0.55%

LAB 82.75, -28.42, 69.77

 

CMYK 9 / 0 / 57 / 12

HEX #CBE060

RGB 203 224 96

HSL 69.84, 0.67%, 0.63%

LAB 85.43, -24.63, 59.04

 

CMYK 7 / 0 / 43 / 9

HEX #D6E783

RGB 214 231 131

HSL 70.2, 0.68%, 0.71%

LAB 88.49, -20.5, 46.64

 

CMYK 5 / 0 / 31 / 7

HEX #E2EEA5

RGB 226 238 165

HSL 69.86, 0.68%, 0.79%

LAB 91.7, -15.44, 34.09

 

CMYK 9 / 0 / 57 / 12

HEX #CCE161

RGB 204 225 97

HSL 69.84, 0.68%, 0.63%

LAB 85.78, -24.64, 59.02

 

CMYK 57 / 0 / 37 / 12

HEX #60E08D

RGB 96 224 141

HSL 141.09, 0.67%, 0.63%

LAB 80.58, -53.59, 30.27

 

CMYK 14 / 57 / 0 / 12

HEX #C060E0

RGB 192 96 224

HSL 285, 0.67%, 0.63%

LAB 57.03, 57.95, -49.34

 

CMYK 9 / 0 / 57 / 12

HEX #CCE161

RGB 204 225 97

HSL 69.84, 0.68%, 0.63%

LAB 85.78, -24.64, 59.02

 

CMYK 57 / 8 / 0 / 12

HEX #60CDE0

RGB 96 205 224

HSL 188.91, 0.67%, 0.63%

LAB 77, -25.82, -18.88

 

CMYK 0 / 57 / 8 / 12

HEX #E060CD

RGB 224 96 205

HSL 308.91, 0.67%, 0.63%

LAB 60.45, 62.89, -32.95

 

CMYK 9 / 0 / 57 / 12

HEX #CCE161

RGB 204 225 97

HSL 69.84, 0.68%, 0.63%

LAB 85.78, -24.64, 59.02

 

CMYK 57 / 0 / 37 / 12

HEX #60E08D

RGB 96 224 141

HSL 141.09, 0.67%, 0.63%

LAB 80.58, -53.59, 30.27

 

CMYK 49 / 57 / 0 / 12

HEX #7360E0

RGB 115 96 224

HSL 248.91, 0.67%, 0.63%

LAB 48.75, 40.01, -63.07

 

CMYK 0 / 57 / 20 / 12

HEX #E060B3

RGB 224 96 179

HSL 321.09, 0.67%, 0.63%

LAB 59.4, 58.99, -19.71

 

CMYK 9 / 0 / 57 / 12

HEX #CCE161

RGB 204 225 97

HSL 69.84, 0.68%, 0.63%

LAB 85.78, -24.64, 59.02

 

CMYK 57 / 0 / 20 / 12

HEX #60E0B3

RGB 96 224 179

HSL 158.91, 0.67%, 0.63%

LAB 81.32, -45.99, 11.51

 

CMYK 49 / 57 / 0 / 12

HEX #7360E0

RGB 115 96 224

HSL 248.91, 0.67%, 0.63%

LAB 48.75, 40.01, -63.07

 

CMYK 0 / 57 / 37 / 12

HEX #E0608D

RGB 224 96 141

HSL 338.91, 0.67%, 0.63%

LAB 58.17, 54.17, 0.46

 

Description

Color code: HEX #CCE161 | qconv.com Color code: HEX #CCE161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 225 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 225 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 57 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 57% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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