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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33471E it is the complementary color #CCB8E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33471E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33471E shade: #384719, #49592C, #5A6B3F, #6B7D52 and #7C8F65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33471E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33471E shade: #33471E, #22350B, #112300 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33471E shade: #33471E, #3E471E, #47451E, #473A1E and #472F1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33471E shade: #33471E, #28471E, #1E471F, #1E472A and #1E4735

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33471E shade matches the following richer shades: #33471E, #335015, #33580D and #346005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33471E shade: #33471E, #333F26, #33372E, #322F36 and #32263F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33471E shade: #47451E, #3E471E, #33471E, #28471E and #1E471E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33471E shade: #090D05, #1E2A11, #33471E, #48642A and #5D8236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33471E shade: #33471E, #1E473A and #471E44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33471E shade: #33471E, #1E3347 and #471E33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33471E shade: #33471E, #1E473A, #321E47 and #471E2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33471E shade: #33471E, #1E4747, #321E47 and #471E1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

Complementary color

CMYK 9 / 18 / 0 / 12

HEX #CCB8E1

RGB 204 184 225

HSL 269.27, 0.41%, 0.8%

LAB 77.61, 14.75, -17.9

 

CMYK 21 / 0 / 65 / 72

HEX #384719

RGB 56 71 25

HSL 79.57, 0.48%, 0.19%

LAB 27.89, -14.41, 25.19

 

CMYK 18 / 0 / 51 / 65

HEX #49592C

RGB 73 89 44

HSL 81.33, 0.34%, 0.26%

LAB 35.48, -14.61, 23.91

 

CMYK 16 / 0 / 41 / 58

HEX #5A6B3F

RGB 90 107 63

HSL 83.18, 0.26%, 0.33%

LAB 42.84, -14.67, 22.58

 

CMYK 14 / 0 / 34 / 51

HEX #6B7D52

RGB 107 125 82

HSL 85.12, 0.21%, 0.41%

LAB 49.98, -14.68, 21.33

 

CMYK 13 / 0 / 29 / 44

HEX #7C8F65

RGB 124 143 101

HSL 87.14, 0.17%, 0.48%

LAB 56.95, -14.66, 20.16

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 36 / 0 / 79 / 79

HEX #22350B

RGB 34 53 11

HSL 87.14, 0.66%, 0.13%

LAB 19.68, -15.92, 22.87

 

CMYK 51 / 0 / 100 / 86

HEX #112300

RGB 17 35 0

HSL 90.86, 1%, 0.07%

LAB 11.42, -15.15, 16.67

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 13 / 0 / 58 / 72

HEX #3E471E

RGB 62 71 30

HSL 73.17, 0.41%, 0.2%

LAB 28.44, -11.03, 23.18

 

CMYK 0 / 3 / 58 / 72

HEX #47451E

RGB 71 69 30

HSL 57.07, 0.41%, 0.2%

LAB 28.62, -5.45, 23.59

 

CMYK 0 / 18 / 58 / 72

HEX #473A1E

RGB 71 58 30

HSL 40.98, 0.41%, 0.2%

LAB 25.14, 1.48, 19.41

 

CMYK 0 / 34 / 58 / 72

HEX #472F1E

RGB 71 47 30

HSL 24.88, 0.41%, 0.2%

LAB 21.82, 8.68, 15.28

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 44 / 0 / 58 / 72

HEX #28471E

RGB 40 71 30

HSL 105.37, 0.41%, 0.2%

LAB 26.88, -20.69, 20.93

 

CMYK 58 / 0 / 56 / 72

HEX #1E471F

RGB 30 71 31

HSL 121.46, 0.41%, 0.2%

LAB 26.39, -24.09, 19.64

 

CMYK 58 / 0 / 41 / 72

HEX #1E472A

RGB 30 71 42

HSL 137.56, 0.41%, 0.2%

LAB 26.59, -22.02, 13.18

 

CMYK 58 / 0 / 25 / 72

HEX #1E4735

RGB 30 71 53

HSL 153.66, 0.41%, 0.2%

LAB 26.85, -19.44, 6.51

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 42 / 0 / 85 / 65

HEX #33580D

RGB 51 88 13

HSL 89.6, 0.74%, 0.2%

LAB 33.38, -26.39, 36.05

 

CMYK 46 / 0 / 95 / 62

HEX #346005

RGB 52 96 5

HSL 89.01, 0.9%, 0.2%

LAB 36.19, -30.09, 40.94

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 19 / 0 / 40 / 75

HEX #333F26

RGB 51 63 38

HSL 88.8, 0.25%, 0.2%

LAB 24.95, -10.27, 13.77

 

CMYK 7 / 0 / 16 / 78

HEX #33372E

RGB 51 55 46

HSL 86.67, 0.09%, 0.2%

LAB 22.42, -3.74, 5.07

 

CMYK 7 / 13 / 0 / 79

HEX #322F36

RGB 50 47 54

HSL 265.71, 0.07%, 0.2%

LAB 19.95, 3, -3.98

 

CMYK 21 / 40 / 0 / 75

HEX #32263F

RGB 50 38 63

HSL 268.8, 0.25%, 0.2%

LAB 17.57, 11.65, -13.83

 

CMYK 0 / 3 / 58 / 72

HEX #47451E

RGB 71 69 30

HSL 57.07, 0.41%, 0.2%

LAB 28.62, -5.45, 23.59

 

CMYK 13 / 0 / 58 / 72

HEX #3E471E

RGB 62 71 30

HSL 73.17, 0.41%, 0.2%

LAB 28.44, -11.03, 23.18

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 44 / 0 / 58 / 72

HEX #28471E

RGB 40 71 30

HSL 105.37, 0.41%, 0.2%

LAB 26.88, -20.69, 20.93

 

CMYK 58 / 0 / 58 / 72

HEX #1E471E

RGB 30 71 30

HSL 120, 0.41%, 0.2%

LAB 26.38, -24.25, 20.21

 

CMYK 31 / 0 / 62 / 95

HEX #090D05

RGB 9 13 5

HSL 90, 0.44%, 0.04%

LAB 3.22, -2.26, 2.73

 

CMYK 29 / 0 / 60 / 84

HEX #1E2A11

RGB 30 42 17

HSL 88.8, 0.42%, 0.12%

LAB 15.34, -10.67, 14.52

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 28 / 0 / 58 / 61

HEX #48642A

RGB 72 100 42

HSL 88.97, 0.41%, 0.28%

LAB 39, -21.21, 29.21

 

CMYK 28 / 0 / 58 / 49

HEX #5D8236

RGB 93 130 54

HSL 89.21, 0.41%, 0.36%

LAB 50.17, -26.52, 36.41

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 58 / 0 / 18 / 72

HEX #1E473A

RGB 30 71 58

HSL 160.98, 0.41%, 0.2%

LAB 26.98, -18.1, 3.47

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 58 / 28 / 0 / 72

HEX #1E3347

RGB 30 51 71

HSL 209.27, 0.41%, 0.2%

LAB 20.43, -1.59, -14.98

 

CMYK 0 / 58 / 28 / 72

HEX #471E33

RGB 71 30 51

HSL 329.27, 0.41%, 0.2%

LAB 17.95, 22.51, -4.59

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 58 / 0 / 18 / 72

HEX #1E473A

RGB 30 71 58

HSL 160.98, 0.41%, 0.2%

LAB 26.98, -18.1, 3.47

 

CMYK 30 / 58 / 0 / 72

HEX #321E47

RGB 50 30 71

HSL 269.27, 0.41%, 0.2%

LAB 15.81, 19.44, -22.13

 

CMYK 0 / 58 / 39 / 72

HEX #471E2B

RGB 71 30 43

HSL 340.98, 0.41%, 0.2%

LAB 17.66, 21.26, 0.64

 

CMYK 28 / 0 / 58 / 72

HEX #33471E

RGB 51 71 30

HSL 89.27, 0.41%, 0.2%

LAB 27.58, -16.1, 21.95

 

CMYK 58 / 0 / 0 / 72

HEX #1E4747

RGB 30 71 71

HSL 180, 0.41%, 0.2%

LAB 27.4, -14.23, -4.39

 

CMYK 30 / 58 / 0 / 72

HEX #321E47

RGB 50 30 71

HSL 269.27, 0.41%, 0.2%

LAB 15.81, 19.44, -22.13

 

CMYK 0 / 58 / 58 / 72

HEX #471E1E

RGB 71 30 30

HSL 0, 0.41%, 0.2%

LAB 17.28, 19.61, 9.33

 

Description

Color code: HEX #33471E | qconv.com Color code: HEX #33471E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 71 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 71 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 58 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 58% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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