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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33711E it is the complementary color #CC8EE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33711E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33711E shade: #387119, #49832C, #5A953F, #6BA752 and #7CB965

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33711E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33711E shade: #33711E, #225F0B, #114D00, #003B00 and #002900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33711E shade: #32701D, #49701D, #5F701D, #706B1D and #70551D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33711E shade: #32701D, #1D701F, #1D7035, #1D704C and #1D7062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33711E shade matches the following richer shades: #32701D, #2D7C12 and #278706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33711E shade: #32701D, #386529, #3E5935, #444E40 and #49424C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33711E shade: #60701D, #4A701D, #34701D, #1D701D and #1D7034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33711E shade: #152F0C, #245015, #32701D, #419126 and #50B22F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33711E shade: #33711E, #1D706B and #701D55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33711E shade: #33711E, #1D3470 and #701D34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33711E shade: #33711E, #1D706B, #5A1D70 and #701D23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33711E shade: #33711E, #1D5D70, #5A1D70 and #70311D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 73 / 56

HEX #33711E

RGB 51 113 30

HSL 104.82, 0.58%, 0.28%

LAB 42.17, -36.21, 38.14

 

Complementary color

CMYK 9 / 37 / 0 / 12

HEX #CC8EE1

RGB 204 142 225

HSL 284.82, 0.58%, 0.72%

LAB 67.74, 37.68, -33

 

CMYK 50 / 0 / 78 / 56

HEX #387119

RGB 56 113 25

HSL 98.86, 0.64%, 0.27%

LAB 42.34, -35.01, 40.39

 

CMYK 44 / 0 / 66 / 49

HEX #49832C

RGB 73 131 44

HSL 100, 0.5%, 0.34%

LAB 49.29, -35.43, 39.88

 

CMYK 40 / 0 / 58 / 42

HEX #5A953F

RGB 90 149 63

HSL 101.16, 0.41%, 0.42%

LAB 56.12, -35.57, 38.84

 

CMYK 36 / 0 / 51 / 35

HEX #6BA752

RGB 107 167 82

HSL 102.35, 0.34%, 0.49%

LAB 62.82, -35.54, 37.64

 

CMYK 33 / 0 / 45 / 27

HEX #7CB965

RGB 124 185 101

HSL 103.57, 0.38%, 0.56%

LAB 69.41, -35.43, 36.41

 

CMYK 55 / 0 / 73 / 56

HEX #33711E

RGB 51 113 30

HSL 104.82, 0.58%, 0.28%

LAB 42.17, -36.21, 38.14

 

CMYK 64 / 0 / 88 / 63

HEX #225F0B

RGB 34 95 11

HSL 103.57, 0.79%, 0.21%

LAB 35.1, -35.29, 37.99

 

CMYK 78 / 0 / 100 / 70

HEX #114D00

RGB 17 77 0

HSL 106.75, 1%, 0.15%

LAB 27.92, -33.33, 35.33

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 100 / 0 / 100 / 84

HEX #002900

RGB 0 41 0

HSL 120, 1%, 0.08%

LAB 13.14, -24.17, 18.88

 

CMYK 55 / 0 / 74 / 56

HEX #32701D

RGB 50 112 29

HSL 104.82, 0.59%, 0.28%

LAB 41.78, -36.19, 38.15

 

CMYK 35 / 0 / 74 / 56

HEX #49701D

RGB 73 112 29

HSL 88.19, 0.59%, 0.28%

LAB 42.9, -28.01, 39.66

 

CMYK 15 / 0 / 74 / 56

HEX #5F701D

RGB 95 112 29

HSL 72.29, 0.59%, 0.28%

LAB 44.39, -18.61, 41.64

 

CMYK 0 / 4 / 74 / 56

HEX #706B1D

RGB 112 107 29

HSL 56.39, 0.59%, 0.28%

LAB 44.3, -7.97, 42.04

 

CMYK 0 / 24 / 74 / 56

HEX #70551D

RGB 112 85 29

HSL 40.48, 0.59%, 0.28%

LAB 37.9, 4.92, 35.6

 

CMYK 55 / 0 / 74 / 56

HEX #32701D

RGB 50 112 29

HSL 104.82, 0.59%, 0.28%

LAB 41.78, -36.19, 38.15

 

CMYK 74 / 0 / 72 / 56

HEX #1D701F

RGB 29 112 31

HSL 121.45, 0.59%, 0.28%

LAB 41.13, -41.29, 36.42

 

CMYK 74 / 0 / 53 / 56

HEX #1D7035

RGB 29 112 53

HSL 137.35, 0.59%, 0.28%

LAB 41.39, -38.33, 25.74

 

CMYK 74 / 0 / 32 / 56

HEX #1D704C

RGB 29 112 76

HSL 153.98, 0.59%, 0.28%

LAB 41.8, -33.68, 13.1

 

CMYK 74 / 0 / 13 / 56

HEX #1D7062

RGB 29 112 98

HSL 169.88, 0.59%, 0.28%

LAB 42.36, -27.89, 0.73

 

CMYK 55 / 0 / 74 / 56

HEX #32701D

RGB 50 112 29

HSL 104.82, 0.59%, 0.28%

LAB 41.78, -36.19, 38.15

 

CMYK 64 / 0 / 85 / 51

HEX #2D7C12

RGB 45 124 18

HSL 104.72, 0.75%, 0.28%

LAB 45.66, -43.06, 45.71

 

CMYK 71 / 0 / 96 / 47

HEX #278706

RGB 39 135 6

HSL 104.65, 0.91%, 0.28%

LAB 49.22, -48.8, 51.37

 

CMYK 55 / 0 / 74 / 56

HEX #32701D

RGB 50 112 29

HSL 104.82, 0.59%, 0.28%

LAB 41.78, -36.19, 38.15

 

CMYK 45 / 0 / 59 / 60

HEX #386529

RGB 56 101 41

HSL 105, 0.42%, 0.28%

LAB 38.39, -28.05, 28.79

 

CMYK 30 / 0 / 40 / 65

HEX #3E5935

RGB 62 89 53

HSL 105, 0.25%, 0.28%

LAB 34.85, -17.91, 17.68

 

CMYK 13 / 0 / 18 / 69

HEX #444E40

RGB 68 78 64

HSL 102.86, 0.1%, 0.28%

LAB 31.92, -7.07, 6.96

 

CMYK 4 / 13 / 0 / 70

HEX #49424C

RGB 73 66 76

HSL 282, 0.07%, 0.28%

LAB 28.99, 5.16, -4.95

 

CMYK 14 / 0 / 74 / 56

HEX #60701D

RGB 96 112 29

HSL 71.57, 0.59%, 0.28%

LAB 44.47, -18.16, 41.74

 

CMYK 34 / 0 / 74 / 56

HEX #4A701D

RGB 74 112 29

HSL 87.47, 0.59%, 0.28%

LAB 42.96, -27.61, 39.74

 

CMYK 54 / 0 / 74 / 56

HEX #34701D

RGB 52 112 29

HSL 103.37, 0.59%, 0.28%

LAB 41.86, -35.57, 38.25

 

CMYK 74 / 0 / 74 / 56

HEX #1D701D

RGB 29 112 29

HSL 120, 0.59%, 0.28%

LAB 41.12, -41.49, 37.26

 

CMYK 74 / 0 / 54 / 56

HEX #1D7034

RGB 29 112 52

HSL 136.63, 0.59%, 0.28%

LAB 41.37, -38.5, 26.26

 

CMYK 55 / 0 / 74 / 82

HEX #152F0C

RGB 21 47 12

HSL 104.57, 0.59%, 0.12%

LAB 16.6, -18.17, 18.56

 

CMYK 55 / 0 / 74 / 69

HEX #245015

RGB 36 80 21

HSL 104.75, 0.58%, 0.2%

LAB 29.83, -27.6, 29

 

CMYK 55 / 0 / 74 / 56

HEX #32701D

RGB 50 112 29

HSL 104.82, 0.59%, 0.28%

LAB 41.78, -36.19, 38.15

 

CMYK 55 / 0 / 74 / 43

HEX #419126

RGB 65 145 38

HSL 104.86, 0.58%, 0.36%

LAB 53.51, -44.29, 46.73

 

CMYK 55 / 0 / 74 / 30

HEX #50B22F

RGB 80 178 47

HSL 104.89, 0.58%, 0.44%

LAB 64.76, -52.01, 54.92

 

CMYK 55 / 0 / 73 / 56

HEX #33711E

RGB 51 113 30

HSL 104.82, 0.58%, 0.28%

LAB 42.17, -36.21, 38.14

 

CMYK 74 / 0 / 4 / 56

HEX #1D706B

RGB 29 112 107

HSL 176.39, 0.59%, 0.28%

LAB 42.63, -25.2, -4.3

 

CMYK 0 / 74 / 24 / 56

HEX #701D55

RGB 112 29 85

HSL 319.52, 0.59%, 0.28%

LAB 26.68, 41.91, -13.84

 

CMYK 55 / 0 / 73 / 56

HEX #33711E

RGB 51 113 30

HSL 104.82, 0.58%, 0.28%

LAB 42.17, -36.21, 38.14

 

CMYK 74 / 54 / 0 / 56

HEX #1D3470

RGB 29 52 112

HSL 223.37, 0.59%, 0.28%

LAB 23.29, 13.62, -37.42

 

CMYK 0 / 74 / 54 / 56

HEX #701D34

RGB 112 29 52

HSL 343.37, 0.59%, 0.28%

LAB 25.48, 37.95, 6.6

 

CMYK 55 / 0 / 73 / 56

HEX #33711E

RGB 51 113 30

HSL 104.82, 0.58%, 0.28%

LAB 42.17, -36.21, 38.14

 

CMYK 74 / 0 / 4 / 56

HEX #1D706B

RGB 29 112 107

HSL 176.39, 0.59%, 0.28%

LAB 42.63, -25.2, -4.3

 

CMYK 20 / 74 / 0 / 56

HEX #5A1D70

RGB 90 29 112

HSL 284.1, 0.59%, 0.28%

LAB 24.39, 41.12, -35.33

 

CMYK 0 / 74 / 69 / 56

HEX #701D23

RGB 112 29 35

HSL 355.66, 0.59%, 0.28%

LAB 25.09, 36.63, 17.58

 

CMYK 55 / 0 / 73 / 56

HEX #33711E

RGB 51 113 30

HSL 104.82, 0.58%, 0.28%

LAB 42.17, -36.21, 38.14

 

CMYK 74 / 17 / 0 / 56

HEX #1D5D70

RGB 29 93 112

HSL 193.73, 0.59%, 0.28%

LAB 36.48, -13.23, -16.64

 

CMYK 20 / 74 / 0 / 56

HEX #5A1D70

RGB 90 29 112

HSL 284.1, 0.59%, 0.28%

LAB 24.39, 41.12, -35.33

 

CMYK 0 / 56 / 74 / 56

HEX #70311D

RGB 112 49 29

HSL 14.46, 0.59%, 0.28%

LAB 28.72, 26.38, 25.72

 

Description

Color code: HEX #33711E | qconv.com Color code: HEX #33711E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 113 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 113 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 73 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 73% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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