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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34874F it is the complementary color #CB78B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34874F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34874F shade: #39874A, #4A995D, #5BAB70, #6CBD83 and #7DCF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34874F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34874F shade: #34874F, #23753C, #126329, #015116 and #003F03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34874F shade: #34874F, #348739, #468734, #5C8734 and #738734

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34874F shade: #34874F, #348766, #34877C, #347C87 and #346687

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34874F shade matches the following richer shades: #34874F, #25974A, #16A645 and #07B53F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34874F shade: #34874F, #447855, #53695A, #625A5F and #714A65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34874F shade: #468734, #348738, #34874F, #348765 and #34877B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34874F shade: #1D4C2C, #296A3E, #34874F, #40A561 and #53BC75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34874F shade: #34874F, #345C87 and #87343B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34874F shade: #34874F, #4F3487 and #874F34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34874F shade: #34874F, #345C87, #87346D and #875F34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34874F shade: #34874F, #344487, #87346D and #877834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

Complementary color

CMYK 0 / 41 / 13 / 20

HEX #CB78B0

RGB 203 120 176

HSL 319.52, 0.44%, 0.63%

LAB 61.01, 40.16, -15.81

 

CMYK 58 / 0 / 45 / 47

HEX #39874A

RGB 57 135 74

HSL 133.08, 0.41%, 0.38%

LAB 50.33, -37.96, 25.72

 

CMYK 52 / 0 / 39 / 40

HEX #4A995D

RGB 74 153 93

HSL 134.43, 0.35%, 0.45%

LAB 57.1, -37.93, 24.3

 

CMYK 47 / 0 / 35 / 33

HEX #5BAB70

RGB 91 171 112

HSL 135.75, 0.32%, 0.51%

LAB 63.77, -37.77, 22.99

 

CMYK 43 / 0 / 31 / 26

HEX #6CBD83

RGB 108 189 131

HSL 137.04, 0.38%, 0.58%

LAB 70.33, -37.54, 21.77

 

CMYK 40 / 0 / 28 / 19

HEX #7DCF96

RGB 125 207 150

HSL 138.29, 0.46%, 0.65%

LAB 76.79, -37.28, 20.65

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 70 / 0 / 49 / 54

HEX #23753C

RGB 35 117 60

HSL 138.29, 0.54%, 0.3%

LAB 43.37, -37.97, 24.4

 

CMYK 82 / 0 / 59 / 61

HEX #126329

RGB 18 99 41

HSL 137.04, 0.69%, 0.23%

LAB 36.39, -37.09, 26.1

 

CMYK 99 / 0 / 73 / 68

HEX #015116

RGB 1 81 22

HSL 135.75, 0.98%, 0.16%

LAB 29.28, -35.44, 27.66

 

CMYK 100 / 0 / 95 / 75

HEX #003F03

RGB 0 63 3

HSL 122.86, 1%, 0.12%

LAB 22.17, -31.38, 28.5

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 61 / 0 / 58 / 47

HEX #348739

RGB 52 135 57

HSL 123.61, 0.44%, 0.37%

LAB 49.92, -41.83, 34.14

 

CMYK 48 / 0 / 61 / 47

HEX #468734

RGB 70 135 52

HSL 106.99, 0.44%, 0.37%

LAB 50.54, -37.33, 37.5

 

CMYK 32 / 0 / 61 / 47

HEX #5C8734

RGB 92 135 52

HSL 91.08, 0.44%, 0.37%

LAB 51.67, -29.53, 39.08

 

CMYK 15 / 0 / 61 / 47

HEX #738734

RGB 115 135 52

HSL 74.46, 0.44%, 0.37%

LAB 53.19, -20.14, 41.2

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 61 / 0 / 24 / 47

HEX #348766

RGB 52 135 102

HSL 156.14, 0.44%, 0.37%

LAB 50.71, -33.41, 10.4

 

CMYK 61 / 0 / 8 / 47

HEX #34877C

RGB 52 135 124

HSL 172.05, 0.44%, 0.37%

LAB 51.28, -27.74, -1.55

 

CMYK 61 / 8 / 0 / 47

HEX #347C87

RGB 52 124 135

HSL 187.95, 0.44%, 0.37%

LAB 48.13, -18.81, -12.71

 

CMYK 61 / 24 / 0 / 47

HEX #346687

RGB 52 102 135

HSL 203.86, 0.44%, 0.37%

LAB 41.19, -6.28, -23.34

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 75 / 0 / 51 / 41

HEX #25974A

RGB 37 151 74

HSL 139.47, 0.61%, 0.37%

LAB 55.09, -48.39, 31.64

 

CMYK 87 / 0 / 58 / 35

HEX #16A645

RGB 22 166 69

HSL 139.58, 0.77%, 0.37%

LAB 59.77, -56.16, 39.76

 

CMYK 96 / 0 / 65 / 29

HEX #07B53F

RGB 7 181 63

HSL 139.31, 0.93%, 0.37%

LAB 64.53, -62.6, 47.89

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 43 / 0 / 29 / 53

HEX #447855

RGB 68 120 85

HSL 139.62, 0.28%, 0.37%

LAB 46.07, -25.8, 13.91

 

CMYK 21 / 0 / 14 / 59

HEX #53695A

RGB 83 105 90

HSL 139.09, 0.12%, 0.37%

LAB 42.28, -11.56, 5.75

 

CMYK 0 / 8 / 3 / 62

HEX #625A5F

RGB 98 90 95

HSL 322.5, 0.04%, 0.37%

LAB 39.13, 4.23, -1.71

 

CMYK 0 / 35 / 11 / 56

HEX #714A65

RGB 113 74 101

HSL 318.46, 0.21%, 0.37%

LAB 36.65, 21.15, -8.97

 

CMYK 48 / 0 / 61 / 47

HEX #468734

RGB 70 135 52

HSL 106.99, 0.44%, 0.37%

LAB 50.54, -37.33, 37.5

 

CMYK 61 / 0 / 59 / 47

HEX #348738

RGB 52 135 56

HSL 122.89, 0.44%, 0.37%

LAB 49.91, -41.96, 34.63

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 61 / 0 / 25 / 47

HEX #348765

RGB 52 135 101

HSL 155.42, 0.44%, 0.37%

LAB 50.68, -33.65, 10.94

 

CMYK 61 / 0 / 9 / 47

HEX #34877B

RGB 52 135 123

HSL 171.33, 0.44%, 0.37%

LAB 51.25, -28.01, -1.01

 

CMYK 62 / 0 / 42 / 70

HEX #1D4C2C

RGB 29 76 44

HSL 139.15, 0.45%, 0.21%

LAB 28.41, -24.36, 14.35

 

CMYK 61 / 0 / 42 / 58

HEX #296A3E

RGB 41 106 62

HSL 139.38, 0.44%, 0.29%

LAB 39.79, -31.53, 18.68

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 61 / 0 / 41 / 35

HEX #40A561

RGB 64 165 97

HSL 139.6, 0.44%, 0.45%

LAB 60.66, -44.76, 26.75

 

CMYK 56 / 0 / 38 / 26

HEX #53BC75

RGB 83 188 117

HSL 139.43, 0.44%, 0.53%

LAB 68.82, -46.25, 27

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 61 / 32 / 0 / 47

HEX #345C87

RGB 52 92 135

HSL 211.08, 0.44%, 0.37%

LAB 38.08, -0.12, -28.19

 

CMYK 0 / 61 / 56 / 47

HEX #87343B

RGB 135 52 59

HSL 354.94, 0.44%, 0.37%

LAB 33.82, 36.15, 14.12

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 41 / 61 / 0 / 47

HEX #4F3487

RGB 79 52 135

HSL 259.52, 0.44%, 0.37%

LAB 29.08, 32.12, -42.4

 

CMYK 0 / 41 / 61 / 47

HEX #874F34

RGB 135 79 52

HSL 19.52, 0.44%, 0.37%

LAB 39.56, 20.78, 25.83

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 61 / 32 / 0 / 47

HEX #345C87

RGB 52 92 135

HSL 211.08, 0.44%, 0.37%

LAB 38.08, -0.12, -28.19

 

CMYK 0 / 61 / 19 / 47

HEX #87346D

RGB 135 52 109

HSL 318.8, 0.44%, 0.37%

LAB 35.42, 42.29, -15.57

 

CMYK 0 / 30 / 61 / 47

HEX #875F34

RGB 135 95 52

HSL 31.08, 0.44%, 0.37%

LAB 43.63, 11.39, 30.74

 

CMYK 61 / 0 / 41 / 47

HEX #34874F

RGB 52 135 79

HSL 139.52, 0.44%, 0.37%

LAB 50.24, -38.29, 22.83

 

CMYK 61 / 50 / 0 / 47

HEX #344487

RGB 52 68 135

HSL 228.43, 0.44%, 0.37%

LAB 30.91, 15.6, -39.57

 

CMYK 0 / 61 / 19 / 47

HEX #87346D

RGB 135 52 109

HSL 318.8, 0.44%, 0.37%

LAB 35.42, 42.29, -15.57

 

CMYK 0 / 11 / 61 / 47

HEX #877834

RGB 135 120 52

HSL 49.16, 0.44%, 0.37%

LAB 50.49, -3.08, 38.66

 

Description

Color code: HEX #34874F | qconv.com Color code: HEX #34874F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 135 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 135 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 41 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 41% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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