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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34DF85 it is the complementary color #CB207A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34DF85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34DF85 shade: #39DF80, #4AF193, #5BFFA6, #6CFFB9 and #7DFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34DF85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34DF85 shade: #34DF85, #23CD72, #12BB5F, #01A94C and #009739

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34DF85 shade: #34DF85, #34DF57, #3FDF34, #6DDF34 and #9BDF34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34DF85 shade: #34DF85, #34DFB3, #34DDDF, #34AEDF and #3480DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34DF85 shade matches the following richer shades: #34DF85 and #21F284

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34DF85 shade: #34DF85, #47CC86, #5AB987, #6DA688 and #7F9389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34DF85 shade: #3FDF34, #34DF56, #34DF83, #34DFB1 and #34DFDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34DF85 shade: #1AA65C, #1FCA70, #34DF85, #57E49A and #7BEAB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34DF85 shade: #34DF85, #346DDF and #DF3F34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34DF85 shade: #34DF85, #8334DF and #DF8334

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34DF85 shade: #34DF85, #346DDF, #DF348F and #DFA634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34DF85 shade: #34DF85, #3439DF, #DF348F and #DFD934

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

Complementary color

CMYK 0 / 84 / 40 / 20

HEX #CB207A

RGB 203 32 122

HSL 328.42, 0.73%, 0.46%

LAB 45.82, 68.82, -6.77

 

CMYK 74 / 0 / 43 / 13

HEX #39DF80

RGB 57 223 128

HSL 145.66, 0.72%, 0.55%

LAB 79.16, -62.43, 34.81

 

CMYK 69 / 0 / 39 / 5

HEX #4AF193

RGB 74 241 147

HSL 146.23, 0.86%, 0.62%

LAB 85.24, -63.1, 33.3

 

CMYK 64 / 0 / 35 / 0

HEX #5BFFA6

RGB 91 255 166

HSL 147.44, 1%, 0.68%

LAB 90.09, -62.02, 30.31

 

CMYK 58 / 0 / 27 / 0

HEX #6CFFB9

RGB 108 255 185

HSL 151.43, 1%, 0.71%

LAB 90.88, -55.17, 21.84

 

CMYK 51 / 0 / 20 / 0

HEX #7DFFCC

RGB 125 255 204

HSL 156.46, 1%, 0.75%

LAB 91.79, -47.67, 13.47

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 83 / 0 / 44 / 20

HEX #23CD72

RGB 35 205 114

HSL 147.88, 0.71%, 0.47%

LAB 73.05, -61.08, 33.9

 

CMYK 90 / 0 / 49 / 27

HEX #12BB5F

RGB 18 187 95

HSL 147.34, 0.82%, 0.4%

LAB 66.9, -59.5, 35.63

 

CMYK 99 / 0 / 55 / 34

HEX #01A94C

RGB 1 169 76

HSL 146.79, 0.99%, 0.33%

LAB 60.7, -57.39, 37.43

 

CMYK 100 / 0 / 62 / 41

HEX #009739

RGB 0 151 57

HSL 142.65, 1%, 0.3%

LAB 54.48, -54.32, 39.25

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 77 / 0 / 61 / 13

HEX #34DF57

RGB 52 223 87

HSL 132.28, 0.73%, 0.54%

LAB 78.57, -69.03, 53.45

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 51 / 0 / 77 / 13

HEX #6DDF34

RGB 109 223 52

HSL 100, 0.73%, 0.54%

LAB 79.77, -60.27, 68.29

 

CMYK 30 / 0 / 77 / 13

HEX #9BDF34

RGB 155 223 52

HSL 83.86, 0.73%, 0.54%

LAB 81.83, -45.37, 70.98

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 77 / 0 / 20 / 13

HEX #34DFB3

RGB 52 223 179

HSL 164.56, 0.73%, 0.54%

LAB 80.04, -52.42, 9.55

 

CMYK 77 / 1 / 0 / 13

HEX #34DDDF

RGB 52 221 223

HSL 180.7, 0.73%, 0.54%

LAB 80.61, -39.89, -13.01

 

CMYK 77 / 22 / 0 / 13

HEX #34AEDF

RGB 52 174 223

HSL 197.19, 0.73%, 0.54%

LAB 66.77, -16.83, -34.12

 

CMYK 77 / 43 / 0 / 13

HEX #3480DF

RGB 52 128 223

HSL 213.33, 0.73%, 0.54%

LAB 53.49, 9.58, -55.06

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 86 / 0 / 45 / 5

HEX #21F284

RGB 33 242 132

HSL 148.42, 0.89%, 0.54%

LAB 84.74, -70.64, 39.96

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 65 / 0 / 34 / 20

HEX #47CC86

RGB 71 204 134

HSL 148.42, 0.57%, 0.54%

LAB 73.71, -52.02, 24.55

 

CMYK 51 / 0 / 27 / 27

HEX #5AB987

RGB 90 185 135

HSL 148.42, 0.4%, 0.54%

LAB 68.48, -39.8, 16.95

 

CMYK 34 / 0 / 18 / 35

HEX #6DA688

RGB 109 166 136

HSL 148.42, 0.24%, 0.54%

LAB 63.59, -25.35, 9.68

 

CMYK 14 / 0 / 7 / 42

HEX #7F9389

RGB 127 147 137

HSL 150, 0.08%, 0.54%

LAB 59.15, -9.19, 2.89

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 77 / 0 / 41 / 13

HEX #34DF83

RGB 52 223 131

HSL 147.72, 0.73%, 0.54%

LAB 79.12, -62.54, 33.24

 

CMYK 77 / 0 / 21 / 13

HEX #34DFB1

RGB 52 223 177

HSL 163.86, 0.73%, 0.54%

LAB 80, -52.9, 10.55

 

CMYK 77 / 0 / 0 / 13

HEX #34DFDF

RGB 52 223 223

HSL 180, 0.73%, 0.54%

LAB 81.2, -40.8, -12.13

 

CMYK 84 / 0 / 45 / 35

HEX #1AA65C

RGB 26 166 92

HSL 148.29, 0.73%, 0.38%

LAB 60.13, -52.09, 28.57

 

CMYK 85 / 0 / 45 / 21

HEX #1FCA70

RGB 31 202 112

HSL 148.42, 0.73%, 0.46%

LAB 72.03, -60.75, 33.59

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 62 / 0 / 32 / 11

HEX #57E49A

RGB 87 228 154

HSL 148.51, 0.72%, 0.62%

LAB 81.75, -54.61, 25.13

 

CMYK 47 / 0 / 25 / 8

HEX #7BEAB0

RGB 123 234 176

HSL 148.65, 0.73%, 0.7%

LAB 85.09, -44.82, 18.52

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 77 / 51 / 0 / 13

HEX #346DDF

RGB 52 109 223

HSL 220, 0.73%, 0.54%

LAB 48.25, 21.45, -63.48

 

CMYK 0 / 72 / 77 / 13

HEX #DF3F34

RGB 223 63 52

HSL 3.86, 0.73%, 0.54%

LAB 51.26, 60.91, 43.02

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 41 / 77 / 0 / 13

HEX #8334DF

RGB 131 52 223

HSL 267.72, 0.73%, 0.54%

LAB 42.17, 64.9, -73.13

 

CMYK 0 / 41 / 77 / 13

HEX #DF8334

RGB 223 131 52

HSL 27.72, 0.73%, 0.54%

LAB 63.48, 29.48, 55.44

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 77 / 51 / 0 / 13

HEX #346DDF

RGB 52 109 223

HSL 220, 0.73%, 0.54%

LAB 48.25, 21.45, -63.48

 

CMYK 0 / 77 / 36 / 13

HEX #DF348F

RGB 223 52 143

HSL 328.07, 0.73%, 0.54%

LAB 51.98, 70.8, -9.89

 

CMYK 0 / 26 / 77 / 13

HEX #DFA634

RGB 223 166 52

HSL 40, 0.73%, 0.54%

LAB 71.7, 10.79, 63.33

 

CMYK 77 / 0 / 40 / 13

HEX #34DF85

RGB 52 223 133

HSL 148.42, 0.73%, 0.54%

LAB 79.16, -62.18, 32.27

 

CMYK 77 / 74 / 0 / 13

HEX #3439DF

RGB 52 57 223

HSL 238.25, 0.73%, 0.54%

LAB 35.95, 53.28, -83.61

 

CMYK 0 / 77 / 36 / 13

HEX #DF348F

RGB 223 52 143

HSL 328.07, 0.73%, 0.54%

LAB 51.98, 70.8, -9.89

 

CMYK 0 / 3 / 77 / 13

HEX #DFD934

RGB 223 217 52

HSL 57.89, 0.73%, 0.54%

LAB 84.77, -15.54, 75.37

 

Description

Color code: HEX #34DF85 | qconv.com Color code: HEX #34DF85 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 223 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 223 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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