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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35319E it is the complementary color #CACE61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35319E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35319E shade: #3A3199, #4B43AC, #5C55BF, #6D67D2 and #7E79E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35319E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35319E shade: #35319E, #241F8B, #130D78, #020065 and #000052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35319E shade: #35319F, #53319F, #70319F, #8E319F and #9F3193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35319E shade: #35319F and #31319F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35319E shade matches the following richer shades: #35319F, #2520B0 and #150FC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35319E shade: #35319F, #44428F, #54527E, #64636D and #73745C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35319E shade: #31689F, #314A9F, #34319F, #52319F and #6F319F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35319E shade: #201D60, #2A2780, #35319F, #3F3ABF and #5C57CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35319E shade: #35319E, #9F3186 and #599F31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35319E shade: #35319E, #9F3431 and #319F34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35319E shade: #35319E, #9F3186, #9C9F31 and #319F4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35319E shade: #35319E, #9F3164, #9C9F31 and #319F6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 69 / 0 / 38

HEX #35319E

RGB 53 49 158

HSL 242.2, 0.53%, 0.41%

LAB 27.91, 36.42, -58.55

 

Complementary color

CMYK 2 / 0 / 53 / 19

HEX #CACE61

RGB 202 206 97

HSL 62.2, 0.53%, 0.59%

LAB 80.49, -16.14, 52.95

 

CMYK 62 / 68 / 0 / 40

HEX #3A3199

RGB 58 49 153

HSL 245.19, 0.51%, 0.4%

LAB 27.83, 35.47, -55.61

 

CMYK 56 / 61 / 0 / 33

HEX #4B43AC

RGB 75 67 172

HSL 244.57, 0.44%, 0.47%

LAB 34.98, 33.54, -55.36

 

CMYK 52 / 55 / 0 / 25

HEX #5C55BF

RGB 92 85 191

HSL 243.96, 0.45%, 0.54%

LAB 42.05, 31.85, -55.04

 

CMYK 48 / 51 / 0 / 18

HEX #6D67D2

RGB 109 103 210

HSL 243.36, 0.54%, 0.61%

LAB 49.01, 30.4, -54.71

 

CMYK 45 / 47 / 0 / 10

HEX #7E79E5

RGB 126 121 229

HSL 242.78, 0.68%, 0.69%

LAB 55.85, 29.14, -54.42

 

CMYK 66 / 69 / 0 / 38

HEX #35319E

RGB 53 49 158

HSL 242.2, 0.53%, 0.41%

LAB 27.91, 36.42, -58.55

 

CMYK 74 / 78 / 0 / 45

HEX #241F8B

RGB 36 31 139

HSL 242.78, 0.64%, 0.33%

LAB 20.9, 38.67, -58.42

 

CMYK 84 / 89 / 0 / 53

HEX #130D78

RGB 19 13 120

HSL 243.36, 0.8%, 0.26%

LAB 14.3, 40.4, -57.35

 

CMYK 98 / 100 / 0 / 60

HEX #020065

RGB 2 0 101

HSL 241.19, 1%, 0.2%

LAB 8.59, 40.17, -54.47

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 67 / 69 / 0 / 38

HEX #35319F

RGB 53 49 159

HSL 242.18, 0.53%, 0.41%

LAB 28, 36.76, -59.01

 

CMYK 48 / 69 / 0 / 38

HEX #53319F

RGB 83 49 159

HSL 258.55, 0.53%, 0.41%

LAB 30.73, 41.66, -54.43

 

CMYK 30 / 69 / 0 / 38

HEX #70319F

RGB 112 49 159

HSL 274.36, 0.53%, 0.41%

LAB 34.28, 47.57, -48.5

 

CMYK 11 / 69 / 0 / 38

HEX #8E319F

RGB 142 49 159

HSL 290.73, 0.53%, 0.41%

LAB 38.64, 54.31, -41.27

 

CMYK 0 / 69 / 8 / 38

HEX #9F3193

RGB 159 49 147

HSL 306.55, 0.53%, 0.41%

LAB 40.69, 56.28, -30.59

 

CMYK 67 / 69 / 0 / 38

HEX #35319F

RGB 53 49 159

HSL 242.18, 0.53%, 0.41%

LAB 28, 36.76, -59.01

 

CMYK 69 / 69 / 0 / 38

HEX #31319F

RGB 49 49 159

HSL 240, 0.53%, 0.41%

LAB 27.72, 36.23, -59.48

 

CMYK 67 / 69 / 0 / 38

HEX #35319F

RGB 53 49 159

HSL 242.18, 0.53%, 0.41%

LAB 28, 36.76, -59.01

 

CMYK 79 / 82 / 0 / 31

HEX #2520B0

RGB 37 32 176

HSL 242.08, 0.69%, 0.41%

LAB 25.45, 50.23, -73.52

 

CMYK 89 / 92 / 0 / 24

HEX #150FC1

RGB 21 15 193

HSL 242.02, 0.86%, 0.41%

LAB 24.8, 61.01, -84.73

 

CMYK 67 / 69 / 0 / 38

HEX #35319F

RGB 53 49 159

HSL 242.18, 0.53%, 0.41%

LAB 28, 36.76, -59.01

 

CMYK 52 / 54 / 0 / 44

HEX #44428F

RGB 68 66 143

HSL 241.56, 0.37%, 0.41%

LAB 32.05, 23.2, -42.6

 

CMYK 33 / 35 / 0 / 51

HEX #54527E

RGB 84 82 126

HSL 242.73, 0.21%, 0.41%

LAB 36.79, 11.9, -24.55

 

CMYK 8 / 9 / 0 / 57

HEX #64636D

RGB 100 99 109

HSL 246, 0.05%, 0.41%

LAB 42.36, 2.55, -5.5

 

CMYK 1 / 0 / 21 / 55

HEX #73745C

RGB 115 116 92

HSL 62.5, 0.12%, 0.41%

LAB 48.14, -4.81, 13.17

 

CMYK 69 / 35 / 0 / 38

HEX #31689F

RGB 49 104 159

HSL 210, 0.53%, 0.41%

LAB 42.85, 0.44, -35.1

 

CMYK 69 / 53 / 0 / 38

HEX #314A9F

RGB 49 74 159

HSL 226.36, 0.53%, 0.41%

LAB 34.09, 19.91, -49.09

 

CMYK 67 / 69 / 0 / 38

HEX #34319F

RGB 52 49 159

HSL 241.64, 0.53%, 0.41%

LAB 27.93, 36.62, -59.13

 

CMYK 48 / 69 / 0 / 38

HEX #52319F

RGB 82 49 159

HSL 258, 0.53%, 0.41%

LAB 30.63, 41.47, -54.61

 

CMYK 30 / 69 / 0 / 38

HEX #6F319F

RGB 111 49 159

HSL 273.82, 0.53%, 0.41%

LAB 34.15, 47.35, -48.73

 

CMYK 67 / 70 / 0 / 62

HEX #201D60

RGB 32 29 96

HSL 242.69, 0.54%, 0.25%

LAB 15.65, 24.14, -39.4

 

CMYK 67 / 70 / 0 / 50

HEX #2A2780

RGB 42 39 128

HSL 242.02, 0.53%, 0.33%

LAB 21.95, 30.71, -49.76

 

CMYK 67 / 69 / 0 / 38

HEX #35319F

RGB 53 49 159

HSL 242.18, 0.53%, 0.41%

LAB 28, 36.76, -59.01

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 55 / 57 / 0 / 20

HEX #5C57CB

RGB 92 87 203

HSL 242.59, 0.53%, 0.57%

LAB 43.37, 34.41, -59.87

 

CMYK 66 / 69 / 0 / 38

HEX #35319E

RGB 53 49 158

HSL 242.2, 0.53%, 0.41%

LAB 27.91, 36.42, -58.55

 

CMYK 0 / 69 / 16 / 38

HEX #9F3186

RGB 159 49 134

HSL 313.64, 0.53%, 0.41%

LAB 40.06, 54.25, -23.64

 

CMYK 44 / 0 / 69 / 38

HEX #599F31

RGB 89 159 49

HSL 98.18, 0.53%, 0.41%

LAB 59.11, -41.62, 48.45

 

CMYK 66 / 69 / 0 / 38

HEX #35319E

RGB 53 49 158

HSL 242.2, 0.53%, 0.41%

LAB 27.91, 36.42, -58.55

 

CMYK 0 / 67 / 69 / 38

HEX #9F3431

RGB 159 52 49

HSL 1.64, 0.53%, 0.41%

LAB 37.93, 44.08, 26.51

 

CMYK 69 / 0 / 67 / 38

HEX #319F34

RGB 49 159 52

HSL 121.64, 0.53%, 0.41%

LAB 57.75, -52.05, 45.33

 

CMYK 66 / 69 / 0 / 38

HEX #35319E

RGB 53 49 158

HSL 242.2, 0.53%, 0.41%

LAB 27.91, 36.42, -58.55

 

CMYK 0 / 69 / 16 / 38

HEX #9F3186

RGB 159 49 134

HSL 313.64, 0.53%, 0.41%

LAB 40.06, 54.25, -23.64

 

CMYK 2 / 0 / 69 / 38

HEX #9C9F31

RGB 156 159 49

HSL 61.64, 0.53%, 0.41%

LAB 63.41, -14.99, 54.24

 

CMYK 69 / 0 / 53 / 38

HEX #319F4A

RGB 49 159 74

HSL 133.64, 0.53%, 0.41%

LAB 57.98, -49.29, 35.26

 

CMYK 66 / 69 / 0 / 38

HEX #35319E

RGB 53 49 158

HSL 242.2, 0.53%, 0.41%

LAB 27.91, 36.42, -58.55

 

CMYK 0 / 69 / 37 / 38

HEX #9F3164

RGB 159 49 100

HSL 332.18, 0.53%, 0.41%

LAB 38.7, 49.72, -4.54

 

CMYK 2 / 0 / 69 / 38

HEX #9C9F31

RGB 156 159 49

HSL 61.64, 0.53%, 0.41%

LAB 63.41, -14.99, 54.24

 

CMYK 69 / 0 / 32 / 38

HEX #319F6C

RGB 49 159 108

HSL 152.18, 0.53%, 0.41%

LAB 58.54, -43.09, 17.85

 

Description

Color code: HEX #35319E | qconv.com Color code: HEX #35319E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 49 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 49 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 69 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 69% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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