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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3683B9 it is the complementary color #C97C46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3683B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3683B9 shade: #3B83B4, #4C95C7, #5DA7DA, #6EB9ED and #7FCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3683B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3683B9 shade: #3683B9, #2571A6, #145F93, #034D80 and #003B6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3683B9 shade: #3583B9, #355FB9, #353CB9, #5335B9 and #7635B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3683B9 shade: #3583B9, #355FB9, #353CB9 and #3535B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3683B9 shade matches the following richer shades: #3583B9, #2286CD and #0F8AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3683B9 shade: #3583B9, #4980A6, #5C7C92, #70797F and #83756C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3683B9 shade: #35B9A8, #35A8B9, #3585B9, #3561B9 and #353EB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3683B9 shade: #235679, #2C6C99, #3583B9, #4D97CB and #6DAAD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3683B9 shade: #3683B9, #8535B9 and #B9B935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3683B9 shade: #3683B9, #B93585 and #85B935

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3683B9 shade: #3683B9, #8535B9, #B96A35 and #6AB935

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3683B9 shade: #3683B9, #AC35B9, #B96A35 and #43B935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 29 / 0 / 27

HEX #3683B9

RGB 54 131 185

HSL 204.73, 0.55%, 0.47%

LAB 52.42, -5.7, -35.18

 

Complementary color

CMYK 0 / 38 / 65 / 21

HEX #C97C46

RGB 201 124 70

HSL 24.73, 0.55%, 0.53%

LAB 59.23, 25.02, 41.46

 

CMYK 67 / 27 / 0 / 29

HEX #3B83B4

RGB 59 131 180

HSL 204.3, 0.51%, 0.47%

LAB 52.35, -6.65, -32.41

 

CMYK 62 / 25 / 0 / 22

HEX #4C95C7

RGB 76 149 199

HSL 204.39, 0.52%, 0.54%

LAB 59.12, -7.59, -32.62

 

CMYK 57 / 23 / 0 / 15

HEX #5DA7DA

RGB 93 167 218

HSL 204.48, 0.63%, 0.61%

LAB 65.77, -8.33, -32.82

 

CMYK 54 / 22 / 0 / 7

HEX #6EB9ED

RGB 110 185 237

HSL 204.57, 0.78%, 0.68%

LAB 72.31, -8.91, -33.02

 

CMYK 50 / 20 / 0 / 0

HEX #7FCBFF

RGB 127 203 255

HSL 204.38, 1%, 0.75%

LAB 78.72, -9.67, -32.75

 

CMYK 71 / 29 / 0 / 27

HEX #3683B9

RGB 54 131 185

HSL 204.73, 0.55%, 0.47%

LAB 52.42, -5.7, -35.18

 

CMYK 78 / 32 / 0 / 35

HEX #2571A6

RGB 37 113 166

HSL 204.65, 0.64%, 0.4%

LAB 45.57, -4.2, -34.95

 

CMYK 86 / 35 / 0 / 42

HEX #145F93

RGB 20 95 147

HSL 204.57, 0.76%, 0.33%

LAB 38.62, -2.2, -34.67

 

CMYK 98 / 40 / 0 / 50

HEX #034D80

RGB 3 77 128

HSL 204.48, 0.95%, 0.26%

LAB 31.55, 0.45, -34.32

 

CMYK 100 / 46 / 0 / 57

HEX #003B6D

RGB 0 59 109

HSL 207.52, 1%, 0.21%

LAB 24.42, 4.25, -33.73

 

CMYK 71 / 29 / 0 / 27

HEX #3583B9

RGB 53 131 185

HSL 204.55, 0.55%, 0.47%

LAB 52.39, -5.85, -35.23

 

CMYK 71 / 49 / 0 / 27

HEX #355FB9

RGB 53 95 185

HSL 220.91, 0.55%, 0.47%

LAB 41.91, 16.41, -51.88

 

CMYK 71 / 68 / 0 / 27

HEX #353CB9

RGB 53 60 185

HSL 236.82, 0.55%, 0.47%

LAB 32.9, 38.94, -66.54

 

CMYK 55 / 71 / 0 / 27

HEX #5335B9

RGB 83 53 185

HSL 253.64, 0.55%, 0.47%

LAB 33.75, 47.07, -65.06

 

CMYK 36 / 71 / 0 / 27

HEX #7635B9

RGB 118 53 185

HSL 269.55, 0.55%, 0.47%

LAB 37.66, 53.15, -58.51

 

CMYK 71 / 29 / 0 / 27

HEX #3583B9

RGB 53 131 185

HSL 204.55, 0.55%, 0.47%

LAB 52.39, -5.85, -35.23

 

CMYK 71 / 49 / 0 / 27

HEX #355FB9

RGB 53 95 185

HSL 220.91, 0.55%, 0.47%

LAB 41.91, 16.41, -51.88

 

CMYK 71 / 68 / 0 / 27

HEX #353CB9

RGB 53 60 185

HSL 236.82, 0.55%, 0.47%

LAB 32.9, 38.94, -66.54

 

CMYK 71 / 71 / 0 / 27

HEX #3535B9

RGB 53 53 185

HSL 240, 0.55%, 0.47%

LAB 31.36, 43.15, -69.07

 

CMYK 71 / 29 / 0 / 27

HEX #3583B9

RGB 53 131 185

HSL 204.55, 0.55%, 0.47%

LAB 52.39, -5.85, -35.23

 

CMYK 83 / 35 / 0 / 20

HEX #2286CD

RGB 34 134 205

HSL 204.91, 0.72%, 0.47%

LAB 53.81, -2.51, -44.42

 

CMYK 93 / 38 / 0 / 12

HEX #0F8AE0

RGB 15 138 224

HSL 204.69, 0.87%, 0.47%

LAB 55.75, 1.15, -52.05

 

CMYK 71 / 29 / 0 / 27

HEX #3583B9

RGB 53 131 185

HSL 204.55, 0.55%, 0.47%

LAB 52.39, -5.85, -35.23

 

CMYK 56 / 23 / 0 / 35

HEX #4980A6

RGB 73 128 166

HSL 204.52, 0.39%, 0.47%

LAB 51.39, -6.85, -25.78

 

CMYK 37 / 15 / 0 / 43

HEX #5C7C92

RGB 92 124 146

HSL 204.44, 0.23%, 0.47%

LAB 50.41, -5.6, -15.54

 

CMYK 12 / 5 / 0 / 50

HEX #70797F

RGB 112 121 127

HSL 204, 0.06%, 0.47%

LAB 50.28, -2.04, -4.43

 

CMYK 0 / 11 / 18 / 49

HEX #83756C

RGB 131 117 108

HSL 23.48, 0.1%, 0.47%

LAB 50.25, 3.82, 6.93

 

CMYK 71 / 0 / 9 / 27

HEX #35B9A8

RGB 53 185 168

HSL 172.27, 0.55%, 0.47%

LAB 68.23, -38.96, -1.59

 

CMYK 71 / 9 / 0 / 27

HEX #35A8B9

RGB 53 168 185

HSL 187.73, 0.55%, 0.47%

LAB 63.56, -25.91, -17.99

 

CMYK 71 / 28 / 0 / 27

HEX #3585B9

RGB 53 133 185

HSL 203.64, 0.55%, 0.47%

LAB 52.99, -7.01, -34.3

 

CMYK 71 / 48 / 0 / 27

HEX #3561B9

RGB 53 97 185

HSL 220, 0.55%, 0.47%

LAB 42.47, 15.12, -50.98

 

CMYK 71 / 66 / 0 / 27

HEX #353EB9

RGB 53 62 185

HSL 235.91, 0.55%, 0.47%

LAB 33.36, 37.71, -65.78

 

CMYK 71 / 29 / 0 / 53

HEX #235679

RGB 35 86 121

HSL 204.42, 0.55%, 0.31%

LAB 34.79, -4.73, -24.81

 

CMYK 71 / 29 / 0 / 40

HEX #2C6C99

RGB 44 108 153

HSL 204.77, 0.55%, 0.39%

LAB 43.6, -5, -30.38

 

CMYK 71 / 29 / 0 / 27

HEX #3583B9

RGB 53 131 185

HSL 204.55, 0.55%, 0.47%

LAB 52.39, -5.85, -35.23

 

CMYK 62 / 26 / 0 / 20

HEX #4D97CB

RGB 77 151 203

HSL 204.76, 0.55%, 0.55%

LAB 59.91, -7.24, -33.63

 

CMYK 49 / 20 / 0 / 17

HEX #6DAAD4

RGB 109 170 212

HSL 204.47, 0.54%, 0.63%

LAB 67.09, -8.28, -27.41

 

CMYK 71 / 29 / 0 / 27

HEX #3683B9

RGB 54 131 185

HSL 204.73, 0.55%, 0.47%

LAB 52.42, -5.7, -35.18

 

CMYK 28 / 71 / 0 / 27

HEX #8535B9

RGB 133 53 185

HSL 276.36, 0.55%, 0.47%

LAB 39.64, 56.09, -55.21

 

CMYK 0 / 0 / 71 / 27

HEX #B9B935

RGB 185 185 53

HSL 60, 0.55%, 0.47%

LAB 73.07, -15.58, 63.02

 

CMYK 71 / 29 / 0 / 27

HEX #3683B9

RGB 54 131 185

HSL 204.73, 0.55%, 0.47%

LAB 52.42, -5.7, -35.18

 

CMYK 0 / 71 / 28 / 27

HEX #B93585

RGB 185 53 133

HSL 323.64, 0.55%, 0.47%

LAB 45.02, 59.54, -15.03

 

CMYK 28 / 0 / 71 / 27

HEX #85B935

RGB 133 185 53

HSL 83.64, 0.55%, 0.47%

LAB 69.43, -36.87, 58.21

 

CMYK 71 / 29 / 0 / 27

HEX #3683B9

RGB 54 131 185

HSL 204.73, 0.55%, 0.47%

LAB 52.42, -5.7, -35.18

 

CMYK 28 / 71 / 0 / 27

HEX #8535B9

RGB 133 53 185

HSL 276.36, 0.55%, 0.47%

LAB 39.64, 56.09, -55.21

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 43 / 0 / 71 / 27

HEX #6AB935

RGB 106 185 53

HSL 95.91, 0.55%, 0.47%

LAB 68.03, -46.47, 56.35

 

CMYK 71 / 29 / 0 / 27

HEX #3683B9

RGB 54 131 185

HSL 204.73, 0.55%, 0.47%

LAB 52.42, -5.7, -35.18

 

CMYK 7 / 71 / 0 / 27

HEX #AC35B9

RGB 172 53 185

HSL 294.09, 0.55%, 0.47%

LAB 45.39, 64.26, -45.67

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 64 / 0 / 71 / 27

HEX #43B935

RGB 67 185 53

HSL 113.64, 0.55%, 0.47%

LAB 66.63, -57.27, 54.47

 

Description

Color code: HEX #3683B9 | qconv.com Color code: HEX #3683B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 131 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 131 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 29 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 29% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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