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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B96A35 it is the complementary color #4695CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B96A35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B96A35 shade: #BE6A30, #CF7C43, #E08E56, #F1A069 and #FFB27C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B96A35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B96A35 shade: #B96A35, #A85822, #97460F, #863400 and #752200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B96A35 shade: #B96A35, #B94735 and #B93535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B96A35 shade: #B96A35, #B98E35, #B9B135, #9EB935 and #7AB935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B96A35 shade matches the following richer shades: #B96A35, #CD6722 and #E0630F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B96A35 shade: #B96A35, #A66E49, #92725C, #7F7670 and #6C7A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B96A35 shade: #B93547, #B94735, #B96A35, #B98D35 and #B9B035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B96A35 shade: #794623, #99582C, #B96A35, #CB804D and #D4966D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B96A35 shade: #B96A35, #6AB935 and #3535B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B96A35 shade: #B96A35, #35B96A and #6A35B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B96A35 shade: #B96A35, #6AB935, #3585B9 and #8535B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B96A35 shade: #B96A35, #43B935, #3585B9 and #AC35B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

Complementary color

CMYK 65 / 26 / 0 / 21

HEX #4695CA

RGB 70 149 202

HSL 204.09, 0.55%, 0.53%

LAB 59.03, -7.67, -34.46

 

CMYK 0 / 44 / 75 / 25

HEX #BE6A30

RGB 190 106 48

HSL 24.51, 0.6%, 0.47%

LAB 53.46, 28.98, 45.73

 

CMYK 0 / 40 / 68 / 19

HEX #CF7C43

RGB 207 124 67

HSL 24.43, 0.59%, 0.54%

LAB 59.97, 27.33, 44.04

 

CMYK 0 / 37 / 62 / 12

HEX #E08E56

RGB 224 142 86

HSL 24.35, 0.69%, 0.61%

LAB 66.42, 25.87, 42.35

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 0 / 30 / 51 / 0

HEX #FFB27C

RGB 255 178 124

HSL 24.73, 1%, 0.74%

LAB 78.78, 22.26, 38.72

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 0 / 48 / 80 / 34

HEX #A85822

RGB 168 88 34

HSL 24.18, 0.66%, 0.4%

LAB 46.2, 28.91, 44.03

 

CMYK 0 / 54 / 90 / 41

HEX #97460F

RGB 151 70 15

HSL 24.26, 0.82%, 0.33%

LAB 39.57, 30.91, 45.04

 

CMYK 0 / 61 / 100 / 47

HEX #863400

RGB 134 52 0

HSL 23.28, 1%, 0.26%

LAB 32.97, 33.01, 44.41

 

CMYK 0 / 71 / 100 / 54

HEX #752200

RGB 117 34 0

HSL 17.44, 1%, 0.23%

LAB 26.52, 34.99, 38.09

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 0 / 62 / 71 / 27

HEX #B94735

RGB 185 71 53

HSL 8.18, 0.55%, 0.47%

LAB 45.74, 45.02, 34.49

 

CMYK 0 / 71 / 71 / 27

HEX #B93535

RGB 185 53 53

HSL 0, 0.55%, 0.47%

LAB 42.94, 52.59, 31.24

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 0 / 23 / 71 / 27

HEX #B98E35

RGB 185 142 53

HSL 40.45, 0.55%, 0.47%

LAB 61.58, 7.24, 51.62

 

CMYK 0 / 4 / 71 / 27

HEX #B9B135

RGB 185 177 53

HSL 56.36, 0.55%, 0.47%

LAB 70.88, -11.48, 60.9

 

CMYK 15 / 0 / 71 / 27

HEX #9EB935

RGB 158 185 53

HSL 72.27, 0.55%, 0.47%

LAB 71.03, -26.94, 60.33

 

CMYK 34 / 0 / 71 / 27

HEX #7AB935

RGB 122 185 53

HSL 88.64, 0.55%, 0.47%

LAB 68.82, -40.95, 57.4

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 0 / 50 / 83 / 20

HEX #CD6722

RGB 205 103 34

HSL 24.21, 0.72%, 0.47%

LAB 54.86, 36.19, 53.98

 

CMYK 0 / 56 / 93 / 12

HEX #E0630F

RGB 224 99 15

HSL 24.11, 0.87%, 0.47%

LAB 56.89, 45.2, 62.81

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 0 / 34 / 56 / 35

HEX #A66E49

RGB 166 110 73

HSL 23.87, 0.39%, 0.47%

LAB 51.54, 18.19, 29.57

 

CMYK 0 / 22 / 37 / 43

HEX #92725C

RGB 146 114 92

HSL 24.44, 0.23%, 0.47%

LAB 50.59, 9.38, 17.01

 

CMYK 0 / 7 / 12 / 50

HEX #7F7670

RGB 127 118 112

HSL 24, 0.06%, 0.47%

LAB 50.26, 2.34, 4.54

 

CMYK 18 / 7 / 0 / 49

HEX #6C7A83

RGB 108 122 131

HSL 203.48, 0.1%, 0.47%

LAB 50.39, -3.12, -6.66

 

CMYK 0 / 71 / 62 / 27

HEX #B93547

RGB 185 53 71

HSL 351.82, 0.55%, 0.47%

LAB 43.23, 53.61, 20.7

 

CMYK 0 / 62 / 71 / 27

HEX #B94735

RGB 185 71 53

HSL 8.18, 0.55%, 0.47%

LAB 45.74, 45.02, 34.49

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 0 / 24 / 71 / 27

HEX #B98D35

RGB 185 141 53

HSL 40, 0.55%, 0.47%

LAB 61.33, 7.79, 51.35

 

CMYK 0 / 5 / 71 / 27

HEX #B9B035

RGB 185 176 53

HSL 55.91, 0.55%, 0.47%

LAB 70.61, -10.97, 60.64

 

CMYK 0 / 42 / 71 / 53

HEX #794623

RGB 121 70 35

HSL 24.42, 0.55%, 0.31%

LAB 35.14, 18.57, 29.87

 

CMYK 0 / 42 / 71 / 40

HEX #99582C

RGB 153 88 44

HSL 24.22, 0.55%, 0.39%

LAB 44.14, 22.95, 36.26

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 0 / 37 / 62 / 20

HEX #CB804D

RGB 203 128 77

HSL 24.29, 0.55%, 0.55%

LAB 60.49, 24.15, 39.36

 

CMYK 0 / 29 / 49 / 17

HEX #D4966D

RGB 212 150 109

HSL 23.88, 0.54%, 0.63%

LAB 67.21, 18.56, 30.85

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 43 / 0 / 71 / 27

HEX #6AB935

RGB 106 185 53

HSL 95.91, 0.55%, 0.47%

LAB 68.03, -46.47, 56.35

 

CMYK 71 / 71 / 0 / 27

HEX #3535B9

RGB 53 53 185

HSL 240, 0.55%, 0.47%

LAB 31.36, 43.15, -69.07

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 71 / 0 / 43 / 27

HEX #35B96A

RGB 53 185 106

HSL 144.09, 0.55%, 0.47%

LAB 66.9, -53.05, 30.09

 

CMYK 43 / 71 / 0 / 27

HEX #6A35B9

RGB 106 53 185

HSL 264.09, 0.55%, 0.47%

LAB 36.2, 50.92, -60.95

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 43 / 0 / 71 / 27

HEX #6AB935

RGB 106 185 53

HSL 95.91, 0.55%, 0.47%

LAB 68.03, -46.47, 56.35

 

CMYK 71 / 28 / 0 / 27

HEX #3585B9

RGB 53 133 185

HSL 203.64, 0.55%, 0.47%

LAB 52.99, -7.01, -34.3

 

CMYK 28 / 71 / 0 / 27

HEX #8535B9

RGB 133 53 185

HSL 276.36, 0.55%, 0.47%

LAB 39.64, 56.09, -55.21

 

CMYK 0 / 43 / 71 / 27

HEX #B96A35

RGB 185 106 53

HSL 24.09, 0.55%, 0.47%

LAB 52.82, 27.13, 42.38

 

CMYK 64 / 0 / 71 / 27

HEX #43B935

RGB 67 185 53

HSL 113.64, 0.55%, 0.47%

LAB 66.63, -57.27, 54.47

 

CMYK 71 / 28 / 0 / 27

HEX #3585B9

RGB 53 133 185

HSL 203.64, 0.55%, 0.47%

LAB 52.99, -7.01, -34.3

 

CMYK 7 / 71 / 0 / 27

HEX #AC35B9

RGB 172 53 185

HSL 294.09, 0.55%, 0.47%

LAB 45.39, 64.26, -45.67

 

Description

Color code: HEX #B96A35 | qconv.com Color code: HEX #B96A35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 106 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 106 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 71 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 71% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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