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Color name
HEX #F1A069

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1A069 it is the complementary color #0E5F96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1A069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1A069 shade: #F6A064, #FFB277, #FFC48A, #FFD69D and #FFE8B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1A069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1A069 shade: #F1A069, #E08E56, #CF7C43, #BE6A30 and #AD581D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1A069 shade: #F1A069, #F17B69 and #F16969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1A069 shade: #F1A069, #F1C469, #F1E969, #D4F169 and #AFF169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1A069 shade matches the following richer shades: #F1A069 and #FE9D5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1A069 shade: #F1A069, #E3A276, #D6A584, #C9A891 and #BCAA9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1A069 shade: #F1697B, #F17B69, #F19F69, #F1C369 and #F1E869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1A069 shade: #EA701E, #ED8843, #F1A069, #F4B88F and #F8D0B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1A069 shade: #F1A069, #9FF169 and #6969F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1A069 shade: #F1A069, #69F19F and #9F69F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1A069 shade: #F1A069, #9FF169, #69BAF1 and #BA69F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1A069 shade: #F1A069, #77F169, #69BAF1 and #E369F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

Complementary color

CMYK 91 / 37 / 0 / 41

HEX #0E5F96

RGB 14 95 150

HSL 204.26, 0.83%, 0.32%

LAB 38.69, -1.45, -36.37

 

CMYK 0 / 35 / 59 / 4

HEX #F6A064

RGB 246 160 100

HSL 24.66, 0.89%, 0.68%

LAB 73.32, 26.22, 44.07

 

CMYK 0 / 30 / 53 / 0

HEX #FFB277

RGB 255 178 119

HSL 26.03, 1%, 0.73%

LAB 78.71, 21.84, 41.21

 

CMYK 0 / 23 / 46 / 0

HEX #FFC48A

RGB 255 196 138

HSL 29.74, 1%, 0.77%

LAB 83.22, 14.13, 37.18

 

CMYK 0 / 16 / 38 / 0

HEX #FFD69D

RGB 255 214 157

HSL 34.9, 1%, 0.81%

LAB 87.87, 6.77, 33.5

 

CMYK 0 / 9 / 31 / 0

HEX #FFE8B0

RGB 255 232 176

HSL 42.53, 1%, 0.85%

LAB 92.62, -0.22, 30.14

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 0 / 37 / 62 / 12

HEX #E08E56

RGB 224 142 86

HSL 24.35, 0.69%, 0.61%

LAB 66.42, 25.87, 42.35

 

CMYK 0 / 40 / 68 / 19

HEX #CF7C43

RGB 207 124 67

HSL 24.43, 0.59%, 0.54%

LAB 59.97, 27.33, 44.04

 

CMYK 0 / 44 / 75 / 25

HEX #BE6A30

RGB 190 106 48

HSL 24.51, 0.6%, 0.47%

LAB 53.46, 28.98, 45.73

 

CMYK 0 / 49 / 83 / 32

HEX #AD581D

RGB 173 88 29

HSL 24.58, 0.71%, 0.4%

LAB 46.91, 30.84, 47.15

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 0 / 49 / 56 / 5

HEX #F17B69

RGB 241 123 105

HSL 7.94, 0.83%, 0.68%

LAB 64.87, 43.71, 30.72

 

CMYK 0 / 56 / 56 / 5

HEX #F16969

RGB 241 105 105

HSL 0, 0.83%, 0.68%

LAB 61.5, 52.37, 26.34

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 0 / 19 / 56 / 5

HEX #F1C469

RGB 241 196 105

HSL 40.15, 0.83%, 0.68%

LAB 81.4, 5.64, 51.1

 

CMYK 0 / 3 / 56 / 5

HEX #F1E969

RGB 241 233 105

HSL 56.47, 0.83%, 0.68%

LAB 90.78, -13.14, 61.9

 

CMYK 12 / 0 / 56 / 5

HEX #D4F169

RGB 212 241 105

HSL 72.79, 0.83%, 0.68%

LAB 90.75, -28.46, 61.28

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 0 / 38 / 64 / 0

HEX #FE9D5C

RGB 254 157 92

HSL 24.07, 0.99%, 0.68%

LAB 73.52, 30.45, 48.57

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 0 / 29 / 48 / 11

HEX #E3A276

RGB 227 162 118

HSL 24.22, 0.66%, 0.68%

LAB 71.88, 19.02, 32.39

 

CMYK 0 / 23 / 38 / 16

HEX #D6A584

RGB 214 165 132

HSL 24.15, 0.5%, 0.68%

LAB 71.47, 13.69, 24.06

 

CMYK 0 / 16 / 28 / 21

HEX #C9A891

RGB 201 168 145

HSL 24.64, 0.34%, 0.68%

LAB 71.19, 8.61, 16.39

 

CMYK 0 / 10 / 16 / 26

HEX #BCAA9E

RGB 188 170 158

HSL 24, 0.18%, 0.68%

LAB 70.81, 4.49, 8.54

 

CMYK 0 / 56 / 49 / 5

HEX #F1697B

RGB 241 105 123

HSL 352.06, 0.83%, 0.68%

LAB 61.86, 53.83, 16.51

 

CMYK 0 / 49 / 56 / 5

HEX #F17B69

RGB 241 123 105

HSL 7.94, 0.83%, 0.68%

LAB 64.87, 43.71, 30.72

 

CMYK 0 / 34 / 56 / 5

HEX #F19F69

RGB 241 159 105

HSL 23.82, 0.83%, 0.68%

LAB 72.57, 25.11, 40.45

 

CMYK 0 / 19 / 56 / 5

HEX #F1C369

RGB 241 195 105

HSL 39.71, 0.83%, 0.68%

LAB 81.15, 6.16, 50.81

 

CMYK 0 / 4 / 56 / 5

HEX #F1E869

RGB 241 232 105

HSL 56.03, 0.83%, 0.68%

LAB 90.52, -12.65, 61.61

 

CMYK 0 / 52 / 87 / 8

HEX #EA701E

RGB 234 112 30

HSL 24.12, 0.83%, 0.52%

LAB 60.94, 42.95, 62.22

 

CMYK 0 / 43 / 72 / 7

HEX #ED8843

RGB 237 136 67

HSL 24.35, 0.83%, 0.6%

LAB 66.53, 33.2, 52.35

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 0 / 25 / 41 / 4

HEX #F4B88F

RGB 244 184 143

HSL 24.36, 0.82%, 0.76%

LAB 79.33, 16.61, 29.25

 

CMYK 0 / 16 / 27 / 3

HEX #F8D0B5

RGB 248 208 181

HSL 24.18, 0.83%, 0.84%

LAB 86.21, 10.14, 18.65

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 34 / 0 / 56 / 5

HEX #9FF169

RGB 159 241 105

HSL 96.18, 0.83%, 0.68%

LAB 87.63, -47.68, 56.89

 

CMYK 56 / 56 / 0 / 5

HEX #6969F1

RGB 105 105 241

HSL 240, 0.83%, 0.68%

LAB 51.22, 37.95, -68.67

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 56 / 0 / 34 / 5

HEX #69F19F

RGB 105 241 159

HSL 143.82, 0.83%, 0.68%

LAB 86.21, -55.15, 28.69

 

CMYK 34 / 56 / 0 / 5

HEX #9F69F1

RGB 159 105 241

HSL 263.82, 0.83%, 0.68%

LAB 55.91, 49.19, -60.86

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 34 / 0 / 56 / 5

HEX #9FF169

RGB 159 241 105

HSL 96.18, 0.83%, 0.68%

LAB 87.63, -47.68, 56.89

 

CMYK 56 / 23 / 0 / 5

HEX #69BAF1

RGB 105 186 241

HSL 204.26, 0.83%, 0.68%

LAB 72.54, -9.28, -34.85

 

CMYK 23 / 56 / 0 / 5

HEX #BA69F1

RGB 186 105 241

HSL 275.74, 0.83%, 0.68%

LAB 58.88, 55.6, -55.95

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 51 / 0 / 56 / 5

HEX #77F169

RGB 119 241 105

HSL 113.82, 0.83%, 0.68%

LAB 85.93, -59.7, 54.48

 

CMYK 56 / 23 / 0 / 5

HEX #69BAF1

RGB 105 186 241

HSL 204.26, 0.83%, 0.68%

LAB 72.54, -9.28, -34.85

 

CMYK 6 / 56 / 0 / 5

HEX #E369F1

RGB 227 105 241

HSL 293.82, 0.83%, 0.68%

LAB 63.99, 65.76, -47.52

 

Description

Color code: HEX #F1A069 | qconv.com Color code: HEX #F1A069 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 160 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 160 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 56% 5% C M Y K

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Provide designers and agencies with accurate color values.

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