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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFF169 it is the complementary color #500E96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFF169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFF169 shade: #B4F164, #C5FF77, #D6FF8A, #E7FF9D and #F8FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFF169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFF169 shade: #AFF169, #9EDF56, #8DCD43, #7CBB30 and #6BA91D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFF169 shade: #AFF169, #D3F169, #F1E969, #F1C569 and #F1A069

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFF169 shade: #AFF169, #8AF169, #69F16D, #69F191 and #69F1B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFF169 shade matches the following richer shades: #AFF169 and #AFFE5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFF169 shade: #AFF169, #AEE376, #AED684, #AEC991 and #ADBC9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFF169 shade: #F1EA69, #D3F169, #AFF169, #8BF169 and #69F16B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFF169 shade: #87EA1E, #9BED43, #AFF169, #C3F48F and #D7F8B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFF169 shade: #AFF169, #69F1C6 and #F169E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFF169 shade: #AFF169, #69AFF1 and #F169AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFF169 shade: #AFF169, #69F1C6, #AB69F1 and #F16994

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFF169 shade: #AFF169, #69F1EE, #AB69F1 and #F1696B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

Complementary color

CMYK 47 / 91 / 0 / 41

HEX #500E96

RGB 80 14 150

HSL 269.12, 0.83%, 0.32%

LAB 24.39, 53.55, -59.33

 

CMYK 25 / 0 / 59 / 5

HEX #B4F164

RGB 180 241 100

HSL 85.96, 0.83%, 0.67%

LAB 88.7, -40.85, 60.59

 

CMYK 23 / 0 / 53 / 0

HEX #C5FF77

RGB 197 255 119

HSL 85.59, 1%, 0.73%

LAB 93.76, -39.22, 58.34

 

CMYK 16 / 0 / 46 / 0

HEX #D6FF8A

RGB 214 255 138

HSL 81.03, 1%, 0.77%

LAB 95.01, -31.14, 51.37

 

CMYK 9 / 0 / 38 / 0

HEX #E7FF9D

RGB 231 255 157

HSL 74.69, 1%, 0.81%

LAB 96.39, -22.8, 44.23

 

CMYK 3 / 0 / 31 / 0

HEX #F8FFB0

RGB 248 255 176

HSL 65.32, 1%, 0.85%

LAB 97.88, -14.27, 37.06

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 29 / 0 / 61 / 13

HEX #9EDF56

RGB 158 223 86

HSL 88.47, 0.68%, 0.61%

LAB 82.23, -42.04, 58.98

 

CMYK 31 / 0 / 67 / 20

HEX #8DCD43

RGB 141 205 67

HSL 87.83, 0.58%, 0.53%

LAB 75.9, -41.8, 59.65

 

CMYK 34 / 0 / 74 / 27

HEX #7CBB30

RGB 124 187 48

HSL 87.19, 0.59%, 0.46%

LAB 69.5, -41.4, 59.9

 

CMYK 37 / 0 / 83 / 34

HEX #6BA91D

RGB 107 169 29

HSL 86.57, 0.71%, 0.39%

LAB 63, -40.81, 59.35

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 12 / 0 / 56 / 5

HEX #D3F169

RGB 211 241 105

HSL 73.24, 0.83%, 0.68%

LAB 90.68, -28.84, 61.19

 

CMYK 0 / 3 / 56 / 5

HEX #F1E969

RGB 241 233 105

HSL 56.47, 0.83%, 0.68%

LAB 90.78, -13.14, 61.9

 

CMYK 0 / 18 / 56 / 5

HEX #F1C569

RGB 241 197 105

HSL 40.59, 0.83%, 0.68%

LAB 81.65, 5.12, 51.39

 

CMYK 0 / 34 / 56 / 5

HEX #F1A069

RGB 241 160 105

HSL 24.26, 0.83%, 0.68%

LAB 72.8, 24.59, 40.73

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 43 / 0 / 56 / 5

HEX #8AF169

RGB 138 241 105

HSL 105.44, 0.83%, 0.68%

LAB 86.67, -54.33, 55.53

 

CMYK 56 / 0 / 55 / 5

HEX #69F16D

RGB 105 241 109

HSL 121.76, 0.83%, 0.68%

LAB 85.51, -62.73, 52.08

 

CMYK 56 / 0 / 40 / 5

HEX #69F191

RGB 105 241 145

HSL 137.65, 0.83%, 0.68%

LAB 85.99, -57.57, 35.43

 

CMYK 56 / 0 / 24 / 5

HEX #69F1B6

RGB 105 241 182

HSL 153.97, 0.83%, 0.68%

LAB 86.65, -50.67, 17.49

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 31 / 0 / 64 / 0

HEX #AFFE5C

RGB 175 254 92

HSL 89.26, 0.99%, 0.68%

LAB 92.03, -48.85, 67.47

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 23 / 0 / 48 / 11

HEX #AEE376

RGB 174 227 118

HSL 89.17, 0.66%, 0.68%

LAB 84.61, -34.95, 47.52

 

CMYK 19 / 0 / 38 / 16

HEX #AED684

RGB 174 214 132

HSL 89.27, 0.5%, 0.68%

LAB 81.16, -27.17, 36.28

 

CMYK 13 / 0 / 28 / 21

HEX #AEC991

RGB 174 201 145

HSL 88.93, 0.34%, 0.68%

LAB 77.77, -18.99, 25.06

 

CMYK 8 / 0 / 16 / 26

HEX #ADBC9E

RGB 173 188 158

HSL 90, 0.18%, 0.68%

LAB 74.39, -10.65, 13.45

 

CMYK 0 / 3 / 56 / 5

HEX #F1EA69

RGB 241 234 105

HSL 56.91, 0.83%, 0.68%

LAB 91.04, -13.63, 62.19

 

CMYK 12 / 0 / 56 / 5

HEX #D3F169

RGB 211 241 105

HSL 73.24, 0.83%, 0.68%

LAB 90.68, -28.84, 61.19

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 42 / 0 / 56 / 5

HEX #8BF169

RGB 139 241 105

HSL 105, 0.83%, 0.68%

LAB 86.71, -54.03, 55.59

 

CMYK 56 / 0 / 56 / 5

HEX #69F16B

RGB 105 241 107

HSL 120.88, 0.83%, 0.68%

LAB 85.49, -62.97, 52.96

 

CMYK 42 / 0 / 87 / 8

HEX #87EA1E

RGB 135 234 30

HSL 89.12, 0.83%, 0.52%

LAB 84.01, -57.49, 77.87

 

CMYK 35 / 0 / 72 / 7

HEX #9BED43

RGB 155 237 67

HSL 88.94, 0.83%, 0.6%

LAB 85.98, -50.4, 70.15

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 20 / 0 / 41 / 4

HEX #C3F48F

RGB 195 244 143

HSL 89.11, 0.82%, 0.76%

LAB 90.91, -32.35, 43.59

 

CMYK 13 / 0 / 27 / 3

HEX #D7F8B5

RGB 215 248 181

HSL 89.55, 0.83%, 0.84%

LAB 93.85, -22.09, 28.75

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 56 / 0 / 18 / 5

HEX #69F1C6

RGB 105 241 198

HSL 161.03, 0.83%, 0.68%

LAB 86.99, -47.22, 9.66

 

CMYK 0 / 56 / 5 / 5

HEX #F169E5

RGB 241 105 229

HSL 305.29, 0.83%, 0.68%

LAB 65.33, 67.29, -38.63

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 56 / 27 / 0 / 5

HEX #69AFF1

RGB 105 175 241

HSL 209.12, 0.83%, 0.68%

LAB 69.48, -3.26, -39.61

 

CMYK 0 / 56 / 27 / 5

HEX #F169AF

RGB 241 105 175

HSL 329.12, 0.83%, 0.68%

LAB 63.26, 59.46, -11.35

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 56 / 0 / 18 / 5

HEX #69F1C6

RGB 105 241 198

HSL 161.03, 0.83%, 0.68%

LAB 86.99, -47.22, 9.66

 

CMYK 29 / 56 / 0 / 5

HEX #AB69F1

RGB 171 105 241

HSL 269.12, 0.83%, 0.68%

LAB 57.18, 52, -58.75

 

CMYK 0 / 56 / 39 / 5

HEX #F16994

RGB 241 105 148

HSL 341.03, 0.83%, 0.68%

LAB 62.46, 56.28, 2.96

 

CMYK 27 / 0 / 56 / 5

HEX #AFF169

RGB 175 241 105

HSL 89.12, 0.83%, 0.68%

LAB 88.47, -42.19, 58.08

 

CMYK 56 / 0 / 1 / 5

HEX #69F1EE

RGB 105 241 238

HSL 178.68, 0.83%, 0.68%

LAB 88.01, -37.52, -9.77

 

CMYK 29 / 56 / 0 / 5

HEX #AB69F1

RGB 171 105 241

HSL 269.12, 0.83%, 0.68%

LAB 57.18, 52, -58.75

 

CMYK 0 / 56 / 56 / 5

HEX #F1696B

RGB 241 105 107

HSL 359.12, 0.83%, 0.68%

LAB 61.54, 52.52, 25.24

 

Description

Color code: HEX #AFF169 | qconv.com Color code: HEX #AFF169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 241 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 241 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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