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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36D2C8 it is the complementary color #C92D37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36D2C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36D2C8 shade: #3BD2C3, #4CE4D6, #5DF6E9, #6EFFFC and #7FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36D2C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36D2C8 shade: #36D2C8, #25C0B5, #14AEA2, #039C8F and #008A7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36D2C8 shade: #37D1C7, #37D19E, #37D174, #37D14B and #4DD137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36D2C8 shade: #37D1C7, #37B2D1, #3788D1, #375ED1 and #3737D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36D2C8 shade matches the following richer shades: #37D1C7, #23E5D9 and #0FF9EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36D2C8 shade: #37D1C7, #4BBDB6, #5FAAA5, #729694 and #868282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36D2C8 shade: #37D175, #37D19E, #37D1C7, #37B2D1 and #3789D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36D2C8 shade: #21948D, #29B6AD, #37D1C7, #59D9D1 and #7AE0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36D2C8 shade: #36D2C8, #4C37D1 and #D18937

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36D2C8 shade: #36D2C8, #C737D1 and #D1C737

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36D2C8 shade: #36D2C8, #4C37D1, #D13741 and #BDD137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36D2C8 shade: #36D2C8, #7A37D1, #D13741 and #8ED137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 5 / 18

HEX #36D2C8

RGB 54 210 200

HSL 176.15, 0.63%, 0.52%

LAB 76.71, -41.24, -6.51

 

Complementary color

CMYK 0 / 78 / 73 / 21

HEX #C92D37

RGB 201 45 55

HSL 356.15, 0.63%, 0.48%

LAB 45.04, 60.28, 33.28

 

CMYK 72 / 0 / 7 / 18

HEX #3BD2C3

RGB 59 210 195

HSL 174.04, 0.63%, 0.53%

LAB 76.66, -42.02, -3.88

 

CMYK 67 / 0 / 6 / 11

HEX #4CE4D6

RGB 76 228 214

HSL 174.47, 0.74%, 0.6%

LAB 82.85, -42.65, -4.86

 

CMYK 62 / 0 / 5 / 4

HEX #5DF6E9

RGB 93 246 233

HSL 174.9, 0.89%, 0.66%

LAB 88.98, -43.1, -5.75

 

CMYK 57 / 0 / 1 / 0

HEX #6EFFFC

RGB 110 255 252

HSL 178.76, 1%, 0.72%

LAB 92.51, -39.39, -10.34

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 74 / 0 / 5 / 18

HEX #36D2C8

RGB 54 210 200

HSL 176.15, 0.63%, 0.52%

LAB 76.71, -41.24, -6.51

 

CMYK 81 / 0 / 6 / 25

HEX #25C0B5

RGB 37 192 181

HSL 175.74, 0.68%, 0.45%

LAB 70.48, -40.23, -5.45

 

CMYK 89 / 0 / 7 / 32

HEX #14AEA2

RGB 20 174 162

HSL 175.32, 0.79%, 0.38%

LAB 64.18, -38.88, -4.27

 

CMYK 98 / 0 / 8 / 39

HEX #039C8F

RGB 3 156 143

HSL 174.9, 0.96%, 0.31%

LAB 57.83, -37.15, -2.96

 

CMYK 100 / 0 / 10 / 46

HEX #008A7C

RGB 0 138 124

HSL 173.91, 1%, 0.27%

LAB 51.42, -34.8, -1.45

 

CMYK 74 / 0 / 5 / 18

HEX #37D1C7

RGB 55 209 199

HSL 176.1, 0.63%, 0.52%

LAB 76.4, -40.96, -6.43

 

CMYK 74 / 0 / 24 / 18

HEX #37D19E

RGB 55 209 158

HSL 160.13, 0.63%, 0.52%

LAB 75.38, -51.38, 14.1

 

CMYK 74 / 0 / 44 / 18

HEX #37D174

RGB 55 209 116

HSL 143.77, 0.63%, 0.52%

LAB 74.62, -59.78, 34.97

 

CMYK 74 / 0 / 64 / 18

HEX #37D14B

RGB 55 209 75

HSL 127.79, 0.63%, 0.52%

LAB 74.14, -65.44, 53.61

 

CMYK 63 / 0 / 74 / 18

HEX #4DD137

RGB 77 209 55

HSL 111.43, 0.63%, 0.52%

LAB 74.48, -63.15, 61.81

 

CMYK 74 / 0 / 5 / 18

HEX #37D1C7

RGB 55 209 199

HSL 176.1, 0.63%, 0.52%

LAB 76.4, -40.96, -6.43

 

CMYK 74 / 15 / 0 / 18

HEX #37B2D1

RGB 55 178 209

HSL 192.08, 0.63%, 0.52%

LAB 67.47, -23.16, -25.34

 

CMYK 74 / 35 / 0 / 18

HEX #3788D1

RGB 55 136 209

HSL 208.44, 0.63%, 0.52%

LAB 55.1, 0.02, -44.61

 

CMYK 74 / 55 / 0 / 18

HEX #375ED1

RGB 55 94 209

HSL 224.81, 0.63%, 0.52%

LAB 43.39, 26.2, -63.38

 

CMYK 74 / 74 / 0 / 18

HEX #3737D1

RGB 55 55 209

HSL 240, 0.63%, 0.52%

LAB 34.29, 50.1, -78.29

 

CMYK 74 / 0 / 5 / 18

HEX #37D1C7

RGB 55 209 199

HSL 176.1, 0.63%, 0.52%

LAB 76.4, -40.96, -6.43

 

CMYK 85 / 0 / 5 / 10

HEX #23E5D9

RGB 35 229 217

HSL 176.29, 0.79%, 0.52%

LAB 82.6, -46.47, -6.89

 

CMYK 94 / 0 / 6 / 2

HEX #0FF9EA

RGB 15 249 234

HSL 176.15, 0.95%, 0.52%

LAB 88.82, -51.12, -6.62

 

CMYK 74 / 0 / 5 / 18

HEX #37D1C7

RGB 55 209 199

HSL 176.1, 0.63%, 0.52%

LAB 76.4, -40.96, -6.43

 

CMYK 60 / 0 / 4 / 26

HEX #4BBDB6

RGB 75 189 182

HSL 176.32, 0.46%, 0.52%

LAB 70.36, -33.56, -6.08

 

CMYK 44 / 0 / 3 / 33

HEX #5FAAA5

RGB 95 170 165

HSL 176, 0.31%, 0.52%

LAB 64.88, -24.53, -4.71

 

CMYK 24 / 0 / 1 / 41

HEX #729694

RGB 114 150 148

HSL 176.67, 0.15%, 0.52%

LAB 59.46, -12.82, -3.02

 

CMYK 0 / 3 / 3 / 47

HEX #868282

RGB 134 130 130

HSL 0, 0.02%, 0.52%

LAB 54.71, 1.5, 0.53

 

CMYK 74 / 0 / 44 / 18

HEX #37D175

RGB 55 209 117

HSL 144.16, 0.63%, 0.52%

LAB 74.63, -59.61, 34.48

 

CMYK 74 / 0 / 24 / 18

HEX #37D19E

RGB 55 209 158

HSL 160.13, 0.63%, 0.52%

LAB 75.38, -51.38, 14.1

 

CMYK 74 / 0 / 5 / 18

HEX #37D1C7

RGB 55 209 199

HSL 176.1, 0.63%, 0.52%

LAB 76.4, -40.96, -6.43

 

CMYK 74 / 15 / 0 / 18

HEX #37B2D1

RGB 55 178 209

HSL 192.08, 0.63%, 0.52%

LAB 67.47, -23.16, -25.34

 

CMYK 74 / 34 / 0 / 18

HEX #3789D1

RGB 55 137 209

HSL 208.05, 0.63%, 0.52%

LAB 55.39, -0.57, -44.15

 

CMYK 78 / 0 / 5 / 42

HEX #21948D

RGB 33 148 141

HSL 176.35, 0.64%, 0.35%

LAB 55.51, -32.01, -5.21

 

CMYK 77 / 0 / 5 / 29

HEX #29B6AD

RGB 41 182 173

HSL 176.17, 0.63%, 0.44%

LAB 67.24, -37.62, -5.84

 

CMYK 74 / 0 / 5 / 18

HEX #37D1C7

RGB 55 209 199

HSL 176.1, 0.63%, 0.52%

LAB 76.4, -40.96, -6.43

 

CMYK 59 / 0 / 4 / 15

HEX #59D9D1

RGB 89 217 209

HSL 176.25, 0.63%, 0.6%

LAB 79.81, -36.93, -6.65

 

CMYK 46 / 0 / 3 / 12

HEX #7AE0DA

RGB 122 224 218

HSL 176.47, 0.62%, 0.68%

LAB 83.18, -31.19, -6.33

 

CMYK 74 / 0 / 5 / 18

HEX #36D2C8

RGB 54 210 200

HSL 176.15, 0.63%, 0.52%

LAB 76.71, -41.24, -6.51

 

CMYK 64 / 74 / 0 / 18

HEX #4C37D1

RGB 76 55 209

HSL 248.18, 0.63%, 0.52%

LAB 35.74, 52.24, -75.85

 

CMYK 0 / 34 / 74 / 18

HEX #D18937

RGB 209 137 55

HSL 31.95, 0.63%, 0.52%

LAB 63.11, 20.52, 53.18

 

CMYK 74 / 0 / 5 / 18

HEX #36D2C8

RGB 54 210 200

HSL 176.15, 0.63%, 0.52%

LAB 76.71, -41.24, -6.51

 

CMYK 5 / 74 / 0 / 18

HEX #C737D1

RGB 199 55 209

HSL 296.1, 0.63%, 0.52%

LAB 51.24, 73.36, -49.98

 

CMYK 0 / 5 / 74 / 18

HEX #D1C737

RGB 209 199 55

HSL 56.1, 0.63%, 0.52%

LAB 78.86, -12.33, 68.54

 

CMYK 74 / 0 / 5 / 18

HEX #36D2C8

RGB 54 210 200

HSL 176.15, 0.63%, 0.52%

LAB 76.71, -41.24, -6.51

 

CMYK 64 / 74 / 0 / 18

HEX #4C37D1

RGB 76 55 209

HSL 248.18, 0.63%, 0.52%

LAB 35.74, 52.24, -75.85

 

CMYK 0 / 74 / 69 / 18

HEX #D13741

RGB 209 55 65

HSL 356.1, 0.63%, 0.52%

LAB 47.84, 59.93, 31.07

 

CMYK 10 / 0 / 74 / 18

HEX #BDD137

RGB 189 209 55

HSL 67.79, 0.63%, 0.52%

LAB 80.01, -25.65, 69.08

 

CMYK 74 / 0 / 5 / 18

HEX #36D2C8

RGB 54 210 200

HSL 176.15, 0.63%, 0.52%

LAB 76.71, -41.24, -6.51

 

CMYK 42 / 74 / 0 / 18

HEX #7A37D1

RGB 122 55 209

HSL 266.1, 0.63%, 0.52%

LAB 40.37, 58.84, -68.08

 

CMYK 0 / 74 / 69 / 18

HEX #D13741

RGB 209 55 65

HSL 356.1, 0.63%, 0.52%

LAB 47.84, 59.93, 31.07

 

CMYK 32 / 0 / 74 / 18

HEX #8ED137

RGB 142 209 55

HSL 86.1, 0.63%, 0.52%

LAB 77.06, -43.94, 65.22

 

Description

Color code: HEX #36D2C8 | qconv.com Color code: HEX #36D2C8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 210 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 210 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 5 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 5% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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