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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #375D80 it is the complementary color #C8A27F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #375D80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #375D80 shade: #3C5D7B, #4D6F8E, #5E81A1, #6F93B4 and #80A5C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #375D80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #375D80 shade: #375D80, #264B6D, #15395A, #042747 and #001534

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #375D80 shade: #375D80, #374980, #383780, #4C3780 and #603780

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #375D80 shade: #375D80, #374980 and #373780

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #375D80 shade matches the following richer shades: #375D80, #285D8F, #195E9E and #0A5FAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #375D80 shade: #375D80, #455C71, #545C62, #635B53 and #725A45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #375D80 shade: #37807B, #377180, #375E80, #374A80 and #373780

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #375D80 shade: #1E3346, #2A4863, #375D80, #43729D and #5487B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #375D80 shade: #375D80, #683780 and #7B8037

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #375D80 shade: #375D80, #80375E and #5E8037

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #375D80 shade: #375D80, #683780, #805937 and #4F8037

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #375D80 shade: #375D80, #7E3780, #805937 and #398037

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

Complementary color

CMYK 0 / 19 / 37 / 22

HEX #C8A27F

RGB 200 162 127

HSL 28.77, 0.4%, 0.64%

LAB 69.22, 9.13, 23.5

 

CMYK 51 / 24 / 0 / 52

HEX #3C5D7B

RGB 60 93 123

HSL 208.57, 0.34%, 0.36%

LAB 38.23, -2.93, -20.6

 

CMYK 46 / 22 / 0 / 44

HEX #4D6F8E

RGB 77 111 142

HSL 208.62, 0.3%, 0.43%

LAB 45.5, -3.38, -20.77

 

CMYK 42 / 20 / 0 / 37

HEX #5E81A1

RGB 94 129 161

HSL 208.66, 0.26%, 0.5%

LAB 52.57, -3.72, -20.98

 

CMYK 38 / 18 / 0 / 29

HEX #6F93B4

RGB 111 147 180

HSL 208.7, 0.32%, 0.57%

LAB 59.47, -3.99, -21.2

 

CMYK 36 / 17 / 0 / 22

HEX #80A5C7

RGB 128 165 199

HSL 208.73, 0.39%, 0.64%

LAB 66.23, -4.21, -21.45

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 65 / 31 / 0 / 57

HEX #264B6D

RGB 38 75 109

HSL 208.73, 0.48%, 0.29%

LAB 30.76, -1.61, -23.62

 

CMYK 77 / 37 / 0 / 65

HEX #15395A

RGB 21 57 90

HSL 208.7, 0.62%, 0.22%

LAB 23.08, -0.26, -23.51

 

CMYK 94 / 45 / 0 / 72

HEX #042747

RGB 4 39 71

HSL 208.66, 0.89%, 0.15%

LAB 15.13, 1.85, -23.42

 

CMYK 100 / 60 / 0 / 80

HEX #001534

RGB 0 21 52

HSL 215.77, 1%, 0.1%

LAB 7.08, 5.81, -22.89

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 57 / 43 / 0 / 50

HEX #374980

RGB 55 73 128

HSL 225.21, 0.4%, 0.36%

LAB 32.11, 10.4, -33.3

 

CMYK 56 / 57 / 0 / 50

HEX #383780

RGB 56 55 128

HSL 240.82, 0.4%, 0.36%

LAB 27.11, 22.71, -41.32

 

CMYK 41 / 57 / 0 / 50

HEX #4C3780

RGB 76 55 128

HSL 257.26, 0.4%, 0.36%

LAB 28.97, 27.47, -38.22

 

CMYK 25 / 57 / 0 / 50

HEX #603780

RGB 96 55 128

HSL 273.7, 0.4%, 0.36%

LAB 31.3, 32.86, -34.37

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 57 / 43 / 0 / 50

HEX #374980

RGB 55 73 128

HSL 225.21, 0.4%, 0.36%

LAB 32.11, 10.4, -33.3

 

CMYK 57 / 57 / 0 / 50

HEX #373780

RGB 55 55 128

HSL 240, 0.4%, 0.36%

LAB 27.03, 22.49, -41.46

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 72 / 35 / 0 / 44

HEX #285D8F

RGB 40 93 143

HSL 209.13, 0.56%, 0.36%

LAB 38.31, -0.06, -32.71

 

CMYK 84 / 41 / 0 / 38

HEX #195E9E

RGB 25 94 158

HSL 208.87, 0.73%, 0.36%

LAB 39.04, 3.25, -40.6

 

CMYK 94 / 45 / 0 / 32

HEX #0A5FAD

RGB 10 95 173

HSL 208.71, 0.89%, 0.36%

LAB 40.03, 7.66, -47.93

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 39 / 19 / 0 / 56

HEX #455C71

RGB 69 92 113

HSL 208.64, 0.24%, 0.36%

LAB 38.04, -2.85, -14.7

 

CMYK 14 / 6 / 0 / 62

HEX #545C62

RGB 84 92 98

HSL 205.71, 0.08%, 0.36%

LAB 38.59, -1.73, -4.51

 

CMYK 0 / 8 / 16 / 61

HEX #635B53

RGB 99 91 83

HSL 30, 0.09%, 0.36%

LAB 39.17, 1.71, 5.77

 

CMYK 0 / 21 / 39 / 55

HEX #725A45

RGB 114 90 69

HSL 28, 0.25%, 0.36%

LAB 40.11, 6.64, 15.87

 

CMYK 57 / 0 / 4 / 50

HEX #37807B

RGB 55 128 123

HSL 175.89, 0.4%, 0.36%

LAB 49.11, -23.88, -4.16

 

CMYK 57 / 12 / 0 / 50

HEX #377180

RGB 55 113 128

HSL 192.33, 0.4%, 0.36%

LAB 44.49, -14.32, -14.05

 

CMYK 57 / 27 / 0 / 50

HEX #375E80

RGB 55 94 128

HSL 207.95, 0.4%, 0.36%

LAB 38.51, -3.12, -23.25

 

CMYK 57 / 42 / 0 / 50

HEX #374A80

RGB 55 74 128

HSL 224.38, 0.4%, 0.36%

LAB 32.41, 9.73, -32.83

 

CMYK 57 / 57 / 0 / 50

HEX #373780

RGB 55 55 128

HSL 240, 0.4%, 0.36%

LAB 27.03, 22.49, -41.46

 

CMYK 57 / 27 / 0 / 73

HEX #1E3346

RGB 30 51 70

HSL 208.5, 0.4%, 0.2%

LAB 20.38, -1.95, -14.38

 

CMYK 58 / 27 / 0 / 61

HEX #2A4863

RGB 42 72 99

HSL 208.42, 0.4%, 0.28%

LAB 29.48, -2.37, -19.24

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 57 / 27 / 0 / 38

HEX #43729D

RGB 67 114 157

HSL 208.67, 0.4%, 0.44%

LAB 46.53, -2.86, -28.09

 

CMYK 54 / 25 / 0 / 29

HEX #5487B5

RGB 84 135 181

HSL 208.45, 0.4%, 0.52%

LAB 54.6, -3.7, -29.4

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 4 / 0 / 57 / 50

HEX #7B8037

RGB 123 128 55

HSL 64.11, 0.4%, 0.36%

LAB 51.75, -12.68, 38.3

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 0 / 57 / 27 / 50

HEX #80375E

RGB 128 55 94

HSL 327.95, 0.4%, 0.36%

LAB 34.25, 36.23, -7.93

 

CMYK 27 / 0 / 57 / 50

HEX #5E8037

RGB 94 128 55

HSL 87.95, 0.4%, 0.36%

LAB 49.61, -25.02, 35.28

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 0 / 30 / 57 / 50

HEX #805937

RGB 128 89 55

HSL 27.95, 0.4%, 0.36%

LAB 41.23, 12.01, 25.93

 

CMYK 38 / 0 / 57 / 50

HEX #4F8037

RGB 79 128 55

HSL 100.27, 0.4%, 0.36%

LAB 48.73, -30.76, 34.02

 

CMYK 57 / 27 / 0 / 50

HEX #375D80

RGB 55 93 128

HSL 208.77, 0.4%, 0.36%

LAB 38.2, -2.5, -23.73

 

CMYK 2 / 57 / 0 / 50

HEX #7E3780

RGB 126 55 128

HSL 298.36, 0.4%, 0.36%

LAB 35.45, 41.44, -27.53

 

CMYK 0 / 30 / 57 / 50

HEX #805937

RGB 128 89 55

HSL 27.95, 0.4%, 0.36%

LAB 41.23, 12.01, 25.93

 

CMYK 55 / 0 / 57 / 50

HEX #398037

RGB 57 128 55

HSL 118.36, 0.4%, 0.36%

LAB 47.73, -37.91, 32.59

 

Description

Color code: HEX #375D80 | qconv.com Color code: HEX #375D80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 93 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 93 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 27 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 27% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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