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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #387F54 it is the complementary color #C780AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #387F54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #387F54 shade: #3D7F4F, #4E9162, #5FA375, #70B588 and #81C79B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #387F54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #387F54 shade: #387F54, #276D41, #165B2E, #05491B and #003708

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #387F54 shade: #377F54, #377F40, #427F37, #557F37 and #687F37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #387F54 shade: #377F54, #377F67, #377F7A, #37717F and #375D7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #387F54 shade matches the following richer shades: #377F54, #298E51, #1A9D4D and #0BAC4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #387F54 shade: #377F54, #467057, #55615A, #64535D and #734460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #387F54 shade: #427F37, #377F40, #377F53, #377F66 and #377F79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #387F54 shade: #1E462E, #2B6241, #377F54, #449C67 and #55B47B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #387F54 shade: #387F54, #37557F and #7F3739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #387F54 shade: #387F54, #53377F and #7F5337

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #387F54 shade: #387F54, #37557F, #7F3764 and #7F6137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #387F54 shade: #387F54, #37407F, #7F3764 and #7F7737

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 34 / 50

HEX #387F54

RGB 56 127 84

HSL 143.66, 0.39%, 0.36%

LAB 47.83, -32.79, 16.81

 

Complementary color

CMYK 0 / 36 / 14 / 22

HEX #C780AB

RGB 199 128 171

HSL 323.66, 0.39%, 0.64%

LAB 62.1, 33.7, -11.37

 

CMYK 52 / 0 / 38 / 50

HEX #3D7F4F

RGB 61 127 79

HSL 136.36, 0.35%, 0.37%

LAB 47.92, -32.43, 19.83

 

CMYK 46 / 0 / 32 / 43

HEX #4E9162

RGB 78 145 98

HSL 137.91, 0.3%, 0.44%

LAB 54.82, -32.24, 18.5

 

CMYK 42 / 0 / 28 / 36

HEX #5FA375

RGB 95 163 117

HSL 139.41, 0.27%, 0.51%

LAB 61.58, -31.98, 17.3

 

CMYK 38 / 0 / 25 / 29

HEX #70B588

RGB 112 181 136

HSL 140.87, 0.32%, 0.57%

LAB 68.22, -31.71, 16.2

 

CMYK 35 / 0 / 22 / 22

HEX #81C79B

RGB 129 199 155

HSL 142.29, 0.38%, 0.64%

LAB 74.75, -31.44, 15.18

 

CMYK 56 / 0 / 34 / 50

HEX #387F54

RGB 56 127 84

HSL 143.66, 0.39%, 0.36%

LAB 47.83, -32.79, 16.81

 

CMYK 64 / 0 / 40 / 57

HEX #276D41

RGB 39 109 65

HSL 142.29, 0.47%, 0.29%

LAB 40.82, -32.76, 18.27

 

CMYK 76 / 0 / 49 / 64

HEX #165B2E

RGB 22 91 46

HSL 140.87, 0.61%, 0.22%

LAB 33.67, -32.34, 19.94

 

CMYK 93 / 0 / 63 / 71

HEX #05491B

RGB 5 73 27

HSL 139.41, 0.87%, 0.15%

LAB 26.38, -31.19, 21.76

 

CMYK 100 / 0 / 85 / 78

HEX #003708

RGB 0 55 8

HSL 128.73, 1%, 0.11%

LAB 19.01, -28.06, 22.97

 

CMYK 57 / 0 / 34 / 50

HEX #377F54

RGB 55 127 84

HSL 144.17, 0.4%, 0.36%

LAB 47.79, -33.05, 16.75

 

CMYK 57 / 0 / 50 / 50

HEX #377F40

RGB 55 127 64

HSL 127.5, 0.4%, 0.36%

LAB 47.44, -36.72, 27.49

 

CMYK 48 / 0 / 57 / 50

HEX #427F37

RGB 66 127 55

HSL 110.83, 0.4%, 0.36%

LAB 47.77, -34.76, 32.73

 

CMYK 33 / 0 / 57 / 50

HEX #557F37

RGB 85 127 55

HSL 95, 0.4%, 0.36%

LAB 48.74, -28.05, 34.12

 

CMYK 18 / 0 / 57 / 50

HEX #687F37

RGB 104 127 55

HSL 79.17, 0.4%, 0.36%

LAB 49.97, -20.39, 35.87

 

CMYK 57 / 0 / 34 / 50

HEX #377F54

RGB 55 127 84

HSL 144.17, 0.4%, 0.36%

LAB 47.79, -33.05, 16.75

 

CMYK 57 / 0 / 19 / 50

HEX #377F67

RGB 55 127 103

HSL 160, 0.4%, 0.36%

LAB 48.22, -28.71, 6.31

 

CMYK 57 / 0 / 4 / 50

HEX #377F7A

RGB 55 127 122

HSL 175.83, 0.4%, 0.36%

LAB 48.76, -23.65, -4.09

 

CMYK 57 / 11 / 0 / 50

HEX #37717F

RGB 55 113 127

HSL 191.67, 0.4%, 0.36%

LAB 44.45, -14.64, -13.51

 

CMYK 57 / 27 / 0 / 50

HEX #375D7F

RGB 55 93 127

HSL 208.33, 0.4%, 0.36%

LAB 38.15, -2.84, -23.19

 

CMYK 57 / 0 / 34 / 50

HEX #377F54

RGB 55 127 84

HSL 144.17, 0.4%, 0.36%

LAB 47.79, -33.05, 16.75

 

CMYK 71 / 0 / 43 / 44

HEX #298E51

RGB 41 142 81

HSL 143.76, 0.55%, 0.36%

LAB 52.3, -43.06, 24.36

 

CMYK 83 / 0 / 51 / 38

HEX #1A9D4D

RGB 26 157 77

HSL 143.36, 0.72%, 0.36%

LAB 56.95, -51.49, 32.36

 

CMYK 94 / 0 / 57 / 33

HEX #0BAC4A

RGB 11 172 74

HSL 143.48, 0.88%, 0.36%

LAB 61.72, -58.18, 39.64

 

CMYK 57 / 0 / 34 / 50

HEX #377F54

RGB 55 127 84

HSL 144.17, 0.4%, 0.36%

LAB 47.79, -33.05, 16.75

 

CMYK 38 / 0 / 22 / 56

HEX #467057

RGB 70 112 87

HSL 144.29, 0.23%, 0.36%

LAB 43.62, -20.63, 9.34

 

CMYK 12 / 0 / 7 / 62

HEX #55615A

RGB 85 97 90

HSL 145, 0.07%, 0.36%

LAB 39.95, -6.16, 2.42

 

CMYK 0 / 17 / 7 / 61

HEX #64535D

RGB 100 83 93

HSL 324.71, 0.09%, 0.36%

LAB 37.27, 8.94, -3.18

 

CMYK 0 / 41 / 17 / 55

HEX #734460

RGB 115 68 96

HSL 324.26, 0.26%, 0.36%

LAB 35.25, 24.58, -7.89

 

CMYK 48 / 0 / 57 / 50

HEX #427F37

RGB 66 127 55

HSL 110.83, 0.4%, 0.36%

LAB 47.77, -34.76, 32.73

 

CMYK 57 / 0 / 50 / 50

HEX #377F40

RGB 55 127 64

HSL 127.5, 0.4%, 0.36%

LAB 47.44, -36.72, 27.49

 

CMYK 57 / 0 / 35 / 50

HEX #377F53

RGB 55 127 83

HSL 143.33, 0.4%, 0.36%

LAB 47.77, -33.25, 17.3

 

CMYK 57 / 0 / 20 / 50

HEX #377F66

RGB 55 127 102

HSL 159.17, 0.4%, 0.36%

LAB 48.2, -28.96, 6.86

 

CMYK 57 / 0 / 5 / 50

HEX #377F79

RGB 55 127 121

HSL 175, 0.4%, 0.36%

LAB 48.72, -23.93, -3.55

 

CMYK 57 / 0 / 34 / 73

HEX #1E462E

RGB 30 70 46

HSL 144, 0.4%, 0.2%

LAB 26.31, -20.62, 10.27

 

CMYK 56 / 0 / 34 / 62

HEX #2B6241

RGB 43 98 65

HSL 144, 0.39%, 0.28%

LAB 37.17, -26.64, 13.4

 

CMYK 57 / 0 / 34 / 50

HEX #377F54

RGB 55 127 84

HSL 144.17, 0.4%, 0.36%

LAB 47.79, -33.05, 16.75

 

CMYK 56 / 0 / 34 / 39

HEX #449C67

RGB 68 156 103

HSL 143.86, 0.39%, 0.44%

LAB 58.02, -38.9, 20

 

CMYK 53 / 0 / 32 / 29

HEX #55B47B

RGB 85 180 123

HSL 144, 0.39%, 0.52%

LAB 66.52, -41.25, 20.73

 

CMYK 56 / 0 / 34 / 50

HEX #387F54

RGB 56 127 84

HSL 143.66, 0.39%, 0.36%

LAB 47.83, -32.79, 16.81

 

CMYK 57 / 33 / 0 / 50

HEX #37557F

RGB 55 85 127

HSL 215, 0.4%, 0.36%

LAB 35.68, 2.2, -27.06

 

CMYK 0 / 57 / 55 / 50

HEX #7F3739

RGB 127 55 57

HSL 358.33, 0.4%, 0.36%

LAB 33.01, 31.37, 14.07

 

CMYK 56 / 0 / 34 / 50

HEX #387F54

RGB 56 127 84

HSL 143.66, 0.39%, 0.36%

LAB 47.83, -32.79, 16.81

 

CMYK 35 / 57 / 0 / 50

HEX #53377F

RGB 83 55 127

HSL 263.33, 0.4%, 0.36%

LAB 29.67, 29.02, -36.43

 

CMYK 0 / 35 / 57 / 50

HEX #7F5337

RGB 127 83 55

HSL 23.33, 0.4%, 0.36%

LAB 39.54, 15.12, 23.79

 

CMYK 56 / 0 / 34 / 50

HEX #387F54

RGB 56 127 84

HSL 143.66, 0.39%, 0.36%

LAB 47.83, -32.79, 16.81

 

CMYK 57 / 33 / 0 / 50

HEX #37557F

RGB 55 85 127

HSL 215, 0.4%, 0.36%

LAB 35.68, 2.2, -27.06

 

CMYK 0 / 57 / 21 / 50

HEX #7F3764

RGB 127 55 100

HSL 322.5, 0.4%, 0.36%

LAB 34.32, 36.81, -11.66

 

CMYK 0 / 24 / 57 / 50

HEX #7F6137

RGB 127 97 55

HSL 35, 0.4%, 0.36%

LAB 43.27, 6.8, 28.41

 

CMYK 56 / 0 / 34 / 50

HEX #387F54

RGB 56 127 84

HSL 143.66, 0.39%, 0.36%

LAB 47.83, -32.79, 16.81

 

CMYK 57 / 50 / 0 / 50

HEX #37407F

RGB 55 64 127

HSL 232.5, 0.4%, 0.36%

LAB 29.44, 16.08, -36.94

 

CMYK 0 / 57 / 21 / 50

HEX #7F3764

RGB 127 55 100

HSL 322.5, 0.4%, 0.36%

LAB 34.32, 36.81, -11.66

 

CMYK 0 / 6 / 57 / 50

HEX #7F7737

RGB 127 119 55

HSL 53.33, 0.4%, 0.36%

LAB 49.47, -5.91, 35.78

 

Description

Color code: HEX #387F54 | qconv.com Color code: HEX #387F54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 127 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 127 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 34 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 34% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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