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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B150 it is the complementary color #C74EAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B150 shade: #3DB14B, #4EC35E, #5FD571, #70E784 and #81F997

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B150 shade: #38B150, #279F3D, #168D2A, #057B17 and #006904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B150 shade: #38B250, #41B238, #61B238, #82B238 and #A3B238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B150 shade: #38B250, #38B271, #38B292, #38B1B2 and #3890B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B150 shade matches the following richer shades: #38B250, #25C545 and #12D839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B150 shade: #38B250, #4B9F5B, #5E8C67, #717972 and #84667E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B150 shade: #63B238, #42B238, #38B24E, #38B26F and #38B28F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B150 shade: #247334, #2E9242, #38B250, #4DC665 and #6CD080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B150 shade: #38B150, #3883B2 and #B23852

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B150 shade: #38B150, #4E38B2 and #B24E38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B150 shade: #38B150, #3883B2, #B2389B and #B26738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B150 shade: #38B150, #385EB2, #B2389B and #B28B38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 55 / 31

HEX #38B150

RGB 56 177 80

HSL 131.9, 0.52%, 0.46%

LAB 64.05, -53.72, 39.68

 

Complementary color

CMYK 0 / 61 / 12 / 22

HEX #C74EAF

RGB 199 78 175

HSL 311.9, 0.52%, 0.54%

LAB 52.6, 59.28, -28.18

 

CMYK 66 / 0 / 58 / 31

HEX #3DB14B

RGB 61 177 75

HSL 127.24, 0.49%, 0.47%

LAB 64.12, -53.4, 42.19

 

CMYK 60 / 0 / 52 / 24

HEX #4EC35E

RGB 78 195 94

HSL 128.21, 0.49%, 0.54%

LAB 70.5, -53.85, 40.82

 

CMYK 55 / 0 / 47 / 16

HEX #5FD571

RGB 95 213 113

HSL 129.15, 0.58%, 0.6%

LAB 76.81, -54.04, 39.46

 

CMYK 52 / 0 / 43 / 9

HEX #70E784

RGB 112 231 132

HSL 130.08, 0.71%, 0.67%

LAB 83.05, -54.07, 38.13

 

CMYK 48 / 0 / 39 / 2

HEX #81F997

RGB 129 249 151

HSL 131, 0.91%, 0.74%

LAB 89.23, -53.99, 36.85

 

CMYK 68 / 0 / 55 / 31

HEX #38B150

RGB 56 177 80

HSL 131.9, 0.52%, 0.46%

LAB 64.05, -53.72, 39.68

 

CMYK 75 / 0 / 62 / 38

HEX #279F3D

RGB 39 159 61

HSL 131, 0.61%, 0.39%

LAB 57.62, -52.79, 41.1

 

CMYK 84 / 0 / 70 / 45

HEX #168D2A

RGB 22 141 42

HSL 130.08, 0.73%, 0.32%

LAB 51.14, -51.21, 42.31

 

CMYK 96 / 0 / 81 / 52

HEX #057B17

RGB 5 123 23

HSL 129.15, 0.92%, 0.25%

LAB 44.6, -48.68, 42.91

 

CMYK 100 / 0 / 96 / 59

HEX #006904

RGB 0 105 4

HSL 122.29, 1%, 0.21%

LAB 38.04, -44.68, 42.23

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 63 / 0 / 69 / 30

HEX #41B238

RGB 65 178 56

HSL 115.57, 0.52%, 0.46%

LAB 64.36, -54.99, 50.9

 

CMYK 46 / 0 / 69 / 30

HEX #61B238

RGB 97 178 56

HSL 99.84, 0.52%, 0.46%

LAB 65.49, -46.29, 52.43

 

CMYK 27 / 0 / 69 / 30

HEX #82B238

RGB 130 178 56

HSL 83.61, 0.52%, 0.46%

LAB 67.18, -34.63, 54.72

 

CMYK 8 / 0 / 69 / 30

HEX #A3B238

RGB 163 178 56

HSL 67.38, 0.52%, 0.46%

LAB 69.41, -21.25, 57.71

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 69 / 0 / 37 / 30

HEX #38B271

RGB 56 178 113

HSL 148.03, 0.52%, 0.46%

LAB 64.86, -48.54, 23.72

 

CMYK 69 / 0 / 18 / 30

HEX #38B292

RGB 56 178 146

HSL 164.26, 0.52%, 0.46%

LAB 65.56, -41.15, 6.68

 

CMYK 69 / 1 / 0 / 30

HEX #38B1B2

RGB 56 177 178

HSL 180.49, 0.52%, 0.46%

LAB 66.14, -32.02, -10.21

 

CMYK 69 / 19 / 0 / 30

HEX #3890B2

RGB 56 144 178

HSL 196.72, 0.52%, 0.46%

LAB 56.09, -15.13, -25.47

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 81 / 0 / 65 / 23

HEX #25C545

RGB 37 197 69

HSL 132, 0.68%, 0.46%

LAB 70, -64.63, 51.48

 

CMYK 92 / 0 / 74 / 15

HEX #12D839

RGB 18 216 57

HSL 131.82, 0.85%, 0.46%

LAB 75.78, -72.95, 62.13

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 53 / 0 / 43 / 38

HEX #4B9F5B

RGB 75 159 91

HSL 131.43, 0.36%, 0.46%

LAB 59.02, -40.61, 27.89

 

CMYK 33 / 0 / 26 / 45

HEX #5E8C67

RGB 94 140 103

HSL 131.74, 0.2%, 0.46%

LAB 54.15, -23.77, 14.89

 

CMYK 7 / 0 / 6 / 53

HEX #717972

RGB 113 121 114

HSL 127.5, 0.03%, 0.46%

LAB 49.98, -4.43, 2.8

 

CMYK 0 / 23 / 5 / 48

HEX #84667E

RGB 132 102 126

HSL 312, 0.13%, 0.46%

LAB 46.86, 16.35, -8.73

 

CMYK 44 / 0 / 69 / 30

HEX #63B238

RGB 99 178 56

HSL 98.85, 0.52%, 0.46%

LAB 65.58, -45.65, 52.55

 

CMYK 63 / 0 / 69 / 30

HEX #42B238

RGB 66 178 56

HSL 115.08, 0.52%, 0.46%

LAB 64.39, -54.77, 50.94

 

CMYK 69 / 0 / 56 / 30

HEX #38B24E

RGB 56 178 78

HSL 130.82, 0.52%, 0.46%

LAB 64.35, -54.35, 41.01

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 69 / 0 / 20 / 30

HEX #38B28F

RGB 56 178 143

HSL 162.79, 0.52%, 0.46%

LAB 65.49, -41.89, 8.23

 

CMYK 69 / 0 / 55 / 55

HEX #247334

RGB 36 115 52

HSL 132.15, 0.52%, 0.3%

LAB 42.59, -38.29, 27.8

 

CMYK 68 / 0 / 55 / 43

HEX #2E9242

RGB 46 146 66

HSL 132, 0.52%, 0.38%

LAB 53.53, -46.17, 33.87

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 61 / 0 / 49 / 22

HEX #4DC665

RGB 77 198 101

HSL 131.9, 0.51%, 0.54%

LAB 71.49, -54.2, 38.61

 

CMYK 48 / 0 / 38 / 18

HEX #6CD080

RGB 108 208 128

HSL 132, 0.52%, 0.62%

LAB 75.98, -46.35, 30.92

 

CMYK 68 / 0 / 55 / 31

HEX #38B150

RGB 56 177 80

HSL 131.9, 0.52%, 0.46%

LAB 64.05, -53.72, 39.68

 

CMYK 69 / 26 / 0 / 30

HEX #3883B2

RGB 56 131 178

HSL 203.11, 0.52%, 0.46%

LAB 52.16, -7.82, -31.56

 

CMYK 0 / 69 / 54 / 30

HEX #B23852

RGB 178 56 82

HSL 347.21, 0.52%, 0.46%

LAB 42.62, 51.04, 12.82

 

CMYK 68 / 0 / 55 / 31

HEX #38B150

RGB 56 177 80

HSL 131.9, 0.52%, 0.46%

LAB 64.05, -53.72, 39.68

 

CMYK 56 / 69 / 0 / 30

HEX #4E38B2

RGB 78 56 178

HSL 250.82, 0.52%, 0.46%

LAB 33.27, 42.52, -61.71

 

CMYK 0 / 56 / 69 / 30

HEX #B24E38

RGB 178 78 56

HSL 10.82, 0.52%, 0.46%

LAB 45.91, 39.22, 32.69

 

CMYK 68 / 0 / 55 / 31

HEX #38B150

RGB 56 177 80

HSL 131.9, 0.52%, 0.46%

LAB 64.05, -53.72, 39.68

 

CMYK 69 / 26 / 0 / 30

HEX #3883B2

RGB 56 131 178

HSL 203.11, 0.52%, 0.46%

LAB 52.16, -7.82, -31.56

 

CMYK 0 / 69 / 13 / 30

HEX #B2389B

RGB 178 56 155

HSL 311.31, 0.52%, 0.46%

LAB 45.16, 59.64, -28.19

 

CMYK 0 / 42 / 69 / 30

HEX #B26738

RGB 178 103 56

HSL 23.11, 0.52%, 0.46%

LAB 51.21, 25.99, 38.79

 

CMYK 68 / 0 / 55 / 31

HEX #38B150

RGB 56 177 80

HSL 131.9, 0.52%, 0.46%

LAB 64.05, -53.72, 39.68

 

CMYK 69 / 47 / 0 / 30

HEX #385EB2

RGB 56 94 178

HSL 221.31, 0.52%, 0.46%

LAB 41.31, 14.93, -48.74

 

CMYK 0 / 69 / 13 / 30

HEX #B2389B

RGB 178 56 155

HSL 311.31, 0.52%, 0.46%

LAB 45.16, 59.64, -28.19

 

CMYK 0 / 22 / 69 / 30

HEX #B28B38

RGB 178 139 56

HSL 40.82, 0.52%, 0.46%

LAB 60.08, 5.96, 48.49

 

Description

Color code: HEX #38B150 | qconv.com Color code: HEX #38B150 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 177 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 177 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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