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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3938DB it is the complementary color #C6C724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3938DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3938DB shade: #3E38D6, #4F4AE9, #605CFC, #716EFF and #8280FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3938DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3938DB shade: #3938DB, #2826C8, #1714B5, #0602A2 and #00008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3938DB shade: #3938DA, #6538DA, #9138DA, #BC38DA and #DA38CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3938DB shade: #3938DA and #3838DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3938DB shade matches the following richer shades: #3938DA and #2725ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3938DB shade: #3938DA, #4C4BC7, #5F5EB4, #7171A1 and #84848E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3938DB shade: #388FDA, #3863DA, #3838DA, #6338DA and #8F38DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3938DB shade: #1E1DA2, #2524C5, #3938DA, #5C5BE1 and #7F7EE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3938DB shade: #3938DB, #DA38BA and #79DA38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3938DB shade: #3938DB, #DA3838 and #38DA38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3938DB shade: #3938DB, #DA38BA, #DADA38 and #38DA59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3938DB shade: #3938DB, #DA3889, #DADA38 and #38DA89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 74 / 0 / 14

HEX #3938DB

RGB 57 56 219

HSL 240.37, 0.69%, 0.54%

LAB 35.62, 52.93, -81.85

 

Complementary color

CMYK 1 / 0 / 82 / 22

HEX #C6C724

RGB 198 199 36

HSL 60.37, 0.69%, 0.46%

LAB 77.86, -17.7, 72.9

 

CMYK 71 / 74 / 0 / 16

HEX #3E38D6

RGB 62 56 214

HSL 242.28, 0.66%, 0.53%

LAB 35.41, 51.78, -79.31

 

CMYK 66 / 68 / 0 / 9

HEX #4F4AE9

RGB 79 74 233

HSL 241.89, 0.78%, 0.6%

LAB 41.91, 49.65, -79.43

 

CMYK 62 / 63 / 0 / 1

HEX #605CFC

RGB 96 92 252

HSL 241.5, 0.96%, 0.67%

LAB 48.47, 47.6, -79.3

 

CMYK 56 / 57 / 0 / 0

HEX #716EFF

RGB 113 110 255

HSL 241.24, 1%, 0.72%

LAB 53.9, 40.77, -72.07

 

CMYK 49 / 50 / 0 / 0

HEX #8280FF

RGB 130 128 255

HSL 240.94, 1%, 0.75%

LAB 59.35, 33.53, -63.23

 

CMYK 74 / 74 / 0 / 14

HEX #3938DB

RGB 57 56 219

HSL 240.37, 0.69%, 0.54%

LAB 35.62, 52.93, -81.85

 

CMYK 80 / 81 / 0 / 22

HEX #2826C8

RGB 40 38 200

HSL 240.74, 0.68%, 0.47%

LAB 29.43, 54.96, -81.12

 

CMYK 87 / 89 / 0 / 29

HEX #1714B5

RGB 23 20 181

HSL 241.12, 0.8%, 0.39%

LAB 23.73, 56.16, -79.38

 

CMYK 96 / 99 / 0 / 36

HEX #0602A2

RGB 6 2 162

HSL 241.5, 0.98%, 0.32%

LAB 18.76, 55.87, -76.22

 

CMYK 100 / 100 / 0 / 44

HEX #00008F

RGB 0 0 143

HSL 240, 1%, 0.28%

LAB 15.4, 51.48, -70.12

 

CMYK 74 / 74 / 0 / 15

HEX #3938DA

RGB 57 56 218

HSL 240.37, 0.69%, 0.54%

LAB 35.52, 52.61, -81.45

 

CMYK 54 / 74 / 0 / 15

HEX #6538DA

RGB 101 56 218

HSL 256.67, 0.69%, 0.54%

LAB 39, 57.52, -75.6

 

CMYK 33 / 74 / 0 / 15

HEX #9138DA

RGB 145 56 218

HSL 272.96, 0.69%, 0.54%

LAB 44.1, 64.45, -67.04

 

CMYK 14 / 74 / 0 / 15

HEX #BC38DA

RGB 188 56 218

HSL 288.89, 0.69%, 0.54%

LAB 50.19, 72.41, -56.89

 

CMYK 0 / 74 / 6 / 15

HEX #DA38CC

RGB 218 56 204

HSL 305.19, 0.69%, 0.54%

LAB 54.13, 76.22, -42.35

 

CMYK 74 / 74 / 0 / 15

HEX #3938DA

RGB 57 56 218

HSL 240.37, 0.69%, 0.54%

LAB 35.52, 52.61, -81.45

 

CMYK 74 / 74 / 0 / 15

HEX #3838DA

RGB 56 56 218

HSL 240, 0.69%, 0.54%

LAB 35.46, 52.52, -81.54

 

CMYK 74 / 74 / 0 / 15

HEX #3938DA

RGB 57 56 218

HSL 240.37, 0.69%, 0.54%

LAB 35.52, 52.61, -81.45

 

CMYK 84 / 84 / 0 / 7

HEX #2725ED

RGB 39 37 237

HSL 240.6, 0.85%, 0.54%

LAB 33.71, 66.26, -95.33

 

CMYK 74 / 74 / 0 / 15

HEX #3938DA

RGB 57 56 218

HSL 240.37, 0.69%, 0.54%

LAB 35.52, 52.61, -81.45

 

CMYK 62 / 62 / 0 / 22

HEX #4C4BC7

RGB 76 75 199

HSL 240.48, 0.53%, 0.54%

LAB 39.06, 37.64, -64.61

 

CMYK 47 / 48 / 0 / 29

HEX #5F5EB4

RGB 95 94 180

HSL 240.7, 0.36%, 0.54%

LAB 43.85, 23.53, -45.72

 

CMYK 30 / 30 / 0 / 37

HEX #7171A1

RGB 113 113 161

HSL 240, 0.2%, 0.54%

LAB 49.37, 11.36, -25.8

 

CMYK 7 / 7 / 0 / 44

HEX #84848E

RGB 132 132 142

HSL 240, 0.04%, 0.54%

LAB 55.44, 2.05, -5.36

 

CMYK 74 / 34 / 0 / 15

HEX #388FDA

RGB 56 143 218

HSL 207.78, 0.69%, 0.54%

LAB 57.61, -0.76, -45.7

 

CMYK 74 / 55 / 0 / 15

HEX #3863DA

RGB 56 99 218

HSL 224.07, 0.69%, 0.54%

LAB 45.4, 26.42, -65.27

 

CMYK 74 / 74 / 0 / 15

HEX #3838DA

RGB 56 56 218

HSL 240, 0.69%, 0.54%

LAB 35.46, 52.52, -81.54

 

CMYK 55 / 74 / 0 / 15

HEX #6338DA

RGB 99 56 218

HSL 255.93, 0.69%, 0.54%

LAB 38.8, 57.24, -75.93

 

CMYK 34 / 74 / 0 / 15

HEX #8F38DA

RGB 143 56 218

HSL 272.22, 0.69%, 0.54%

LAB 43.84, 64.1, -67.48

 

CMYK 81 / 82 / 0 / 36

HEX #1E1DA2

RGB 30 29 162

HSL 240.45, 0.7%, 0.37%

LAB 22.87, 46.87, -69.34

 

CMYK 81 / 82 / 0 / 23

HEX #2524C5

RGB 37 36 197

HSL 240.37, 0.69%, 0.46%

LAB 28.61, 54.83, -80.73

 

CMYK 74 / 74 / 0 / 15

HEX #3938DA

RGB 57 56 218

HSL 240.37, 0.69%, 0.54%

LAB 35.52, 52.61, -81.45

 

CMYK 59 / 60 / 0 / 12

HEX #5C5BE1

RGB 92 91 225

HSL 240.45, 0.69%, 0.62%

LAB 45.9, 39, -68.34

 

CMYK 45 / 45 / 0 / 9

HEX #7F7EE7

RGB 127 126 231

HSL 240.57, 0.69%, 0.7%

LAB 57.27, 26.99, -53.27

 

CMYK 74 / 74 / 0 / 14

HEX #3938DB

RGB 57 56 219

HSL 240.37, 0.69%, 0.54%

LAB 35.62, 52.93, -81.85

 

CMYK 0 / 74 / 15 / 15

HEX #DA38BA

RGB 218 56 186

HSL 311.85, 0.69%, 0.54%

LAB 53.25, 73.64, -33.33

 

CMYK 44 / 0 / 74 / 15

HEX #79DA38

RGB 121 218 56

HSL 95.93, 0.69%, 0.54%

LAB 78.75, -54.61, 66.2

 

CMYK 74 / 74 / 0 / 14

HEX #3938DB

RGB 57 56 219

HSL 240.37, 0.69%, 0.54%

LAB 35.62, 52.93, -81.85

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 74 / 0 / 74 / 15

HEX #38DA38

RGB 56 218 56

HSL 120, 0.69%, 0.54%

LAB 76.84, -69.82, 63.67

 

CMYK 74 / 74 / 0 / 14

HEX #3938DB

RGB 57 56 219

HSL 240.37, 0.69%, 0.54%

LAB 35.62, 52.93, -81.85

 

CMYK 0 / 74 / 15 / 15

HEX #DA38BA

RGB 218 56 186

HSL 311.85, 0.69%, 0.54%

LAB 53.25, 73.64, -33.33

 

CMYK 0 / 0 / 74 / 15

HEX #DADA38

RGB 218 218 56

HSL 60, 0.69%, 0.54%

LAB 84.66, -17.97, 73.89

 

CMYK 74 / 0 / 59 / 15

HEX #38DA59

RGB 56 218 89

HSL 132.22, 0.69%, 0.54%

LAB 77.1, -66.63, 50.9

 

CMYK 74 / 74 / 0 / 14

HEX #3938DB

RGB 57 56 219

HSL 240.37, 0.69%, 0.54%

LAB 35.62, 52.93, -81.85

 

CMYK 0 / 74 / 37 / 15

HEX #DA3889

RGB 218 56 137

HSL 330, 0.69%, 0.54%

LAB 51.31, 67.7, -7.39

 

CMYK 0 / 0 / 74 / 15

HEX #DADA38

RGB 218 218 56

HSL 60, 0.69%, 0.54%

LAB 84.66, -17.97, 73.89

 

CMYK 74 / 0 / 37 / 15

HEX #38DA89

RGB 56 218 137

HSL 150, 0.69%, 0.54%

LAB 77.75, -59.12, 28.38

 

Description

Color code: HEX #3938DB | qconv.com Color code: HEX #3938DB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 56 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 56 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 74 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 74% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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