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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #393C44 it is the complementary color #C6C3BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #393C44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #393C44 shade: #3E3C3F, #4F4E52, #606065, #717278 and #82848B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #393C44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #393C44 shade: #393C44, #282A31, #17181E and #06060B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #393C44 shade: #3A3D45, #3A3A45, #3D3A45, #403A45 and #433A45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #393C44 shade: #3A3D45, #3A3A45 and #3A3A45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #393C44 shade matches the following richer shades: #3A3D45, #2F384F, #25335A, #1B2F64 and #102A6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #393C44 shade: #3A3D45, #44413B, #4E4630, #584B26 and #634F1C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #393C44 shade: #3A4345, #3A4045, #3A3D45, #3A3A45 and #3C3A45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #393C44 shade: #141518, #27292F, #3A3D45, #4C505B and #5F6472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #393C44 shade: #393C44, #443A45 and #41453A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #393C44 shade: #393C44, #453A3D and #3D453A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #393C44 shade: #393C44, #443A45, #45423A and #3A453A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #393C44 shade: #393C44, #453A43, #45423A and #3A453C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 12 / 0 / 73

HEX #393C44

RGB 57 60 68

HSL 223.64, 0.09%, 0.25%

LAB 25.32, 0.71, -5.34

 

Complementary color

CMYK 0 / 2 / 6 / 22

HEX #C6C3BB

RGB 198 195 187

HSL 43.64, 0.09%, 0.75%

LAB 78.82, -0.38, 4.37

 

CMYK 2 / 5 / 0 / 75

HEX #3E3C3F

RGB 62 60 63

HSL 280, 0.02%, 0.24%

LAB 25.61, 1.53, -1.54

 

CMYK 4 / 5 / 0 / 68

HEX #4F4E52

RGB 79 78 82

HSL 255, 0.03%, 0.31%

LAB 33.39, 1.29, -2.21

 

CMYK 5 / 5 / 0 / 60

HEX #606065

RGB 96 96 101

HSL 240, 0.03%, 0.39%

LAB 40.88, 1.07, -2.84

 

CMYK 6 / 5 / 0 / 53

HEX #717278

RGB 113 114 120

HSL 231.43, 0.03%, 0.46%

LAB 48.14, 0.88, -3.44

 

CMYK 6 / 5 / 0 / 45

HEX #82848B

RGB 130 132 139

HSL 226.67, 0.04%, 0.53%

LAB 55.19, 0.7, -4.02

 

CMYK 16 / 12 / 0 / 73

HEX #393C44

RGB 57 60 68

HSL 223.64, 0.09%, 0.25%

LAB 25.32, 0.71, -5.34

 

CMYK 18 / 14 / 0 / 81

HEX #282A31

RGB 40 42 49

HSL 226.67, 0.1%, 0.17%

LAB 17.13, 0.94, -4.84

 

CMYK 23 / 20 / 0 / 88

HEX #17181E

RGB 23 24 30

HSL 231.43, 0.13%, 0.1%

LAB 8.39, 1.22, -4.35

 

CMYK 45 / 45 / 0 / 96

HEX #06060B

RGB 6 6 11

HSL 240, 0.29%, 0.03%

LAB 1.74, 0.7, -1.9

 

CMYK 16 / 12 / 0 / 73

HEX #3A3D45

RGB 58 61 69

HSL 223.64, 0.09%, 0.25%

LAB 25.76, 0.7, -5.33

 

CMYK 16 / 16 / 0 / 73

HEX #3A3A45

RGB 58 58 69

HSL 240, 0.09%, 0.25%

LAB 24.81, 2.69, -6.75

 

CMYK 12 / 16 / 0 / 73

HEX #3D3A45

RGB 61 58 69

HSL 256.36, 0.09%, 0.25%

LAB 25.1, 3.88, -6.29

 

CMYK 7 / 16 / 0 / 73

HEX #403A45

RGB 64 58 69

HSL 272.73, 0.09%, 0.25%

LAB 25.4, 5.1, -5.81

 

CMYK 3 / 16 / 0 / 73

HEX #433A45

RGB 67 58 69

HSL 289.09, 0.09%, 0.25%

LAB 25.71, 6.33, -5.31

 

CMYK 16 / 12 / 0 / 73

HEX #3A3D45

RGB 58 61 69

HSL 223.64, 0.09%, 0.25%

LAB 25.76, 0.7, -5.33

 

CMYK 16 / 16 / 0 / 73

HEX #3A3A45

RGB 58 58 69

HSL 240, 0.09%, 0.25%

LAB 24.81, 2.69, -6.75

 

CMYK 16 / 16 / 0 / 73

HEX #3A3A45

RGB 58 58 69

HSL 240, 0.09%, 0.25%

LAB 24.81, 2.69, -6.75

 

CMYK 16 / 12 / 0 / 73

HEX #3A3D45

RGB 58 61 69

HSL 223.64, 0.09%, 0.25%

LAB 25.76, 0.7, -5.33

 

CMYK 41 / 29 / 0 / 69

HEX #2F384F

RGB 47 56 79

HSL 223.13, 0.25%, 0.25%

LAB 23.66, 2.93, -15.24

 

CMYK 59 / 43 / 0 / 65

HEX #25335A

RGB 37 51 90

HSL 224.15, 0.42%, 0.25%

LAB 21.94, 7.31, -25.26

 

CMYK 73 / 53 / 0 / 61

HEX #1B2F64

RGB 27 47 100

HSL 223.56, 0.57%, 0.25%

LAB 20.77, 11.99, -33.73

 

CMYK 85 / 62 / 0 / 57

HEX #102A6E

RGB 16 42 110

HSL 223.4, 0.75%, 0.25%

LAB 19.61, 18.33, -42.15

 

CMYK 16 / 12 / 0 / 73

HEX #3A3D45

RGB 58 61 69

HSL 223.64, 0.09%, 0.25%

LAB 25.76, 0.7, -5.33

 

CMYK 0 / 4 / 13 / 73

HEX #44413B

RGB 68 65 59

HSL 40, 0.07%, 0.25%

LAB 27.64, 0.03, 4.11

 

CMYK 0 / 10 / 38 / 69

HEX #4E4630

RGB 78 70 48

HSL 44, 0.24%, 0.25%

LAB 29.94, -0.45, 14.51

 

CMYK 0 / 15 / 57 / 65

HEX #584B26

RGB 88 75 38

HSL 44.4, 0.4%, 0.25%

LAB 32.36, 0.03, 23.87

 

CMYK 0 / 20 / 72 / 61

HEX #634F1C

RGB 99 79 28

HSL 43.1, 0.56%, 0.25%

LAB 34.66, 2.14, 32.24

 

CMYK 16 / 3 / 0 / 73

HEX #3A4345

RGB 58 67 69

HSL 190.91, 0.09%, 0.25%

LAB 27.69, -3.18, -2.46

 

CMYK 16 / 7 / 0 / 73

HEX #3A4045

RGB 58 64 69

HSL 207.27, 0.09%, 0.25%

LAB 26.72, -1.25, -3.9

 

CMYK 16 / 12 / 0 / 73

HEX #3A3D45

RGB 58 61 69

HSL 223.64, 0.09%, 0.25%

LAB 25.76, 0.7, -5.33

 

CMYK 16 / 16 / 0 / 73

HEX #3A3A45

RGB 58 58 69

HSL 240, 0.09%, 0.25%

LAB 24.81, 2.69, -6.75

 

CMYK 13 / 16 / 0 / 73

HEX #3C3A45

RGB 60 58 69

HSL 250.91, 0.09%, 0.25%

LAB 25, 3.48, -6.45

 

CMYK 17 / 13 / 0 / 91

HEX #141518

RGB 20 21 24

HSL 225, 0.09%, 0.09%

LAB 6.78, 0.32, -2.19

 

CMYK 17 / 13 / 0 / 82

HEX #27292F

RGB 39 41 47

HSL 225, 0.09%, 0.17%

LAB 16.61, 0.67, -4.21

 

CMYK 16 / 12 / 0 / 73

HEX #3A3D45

RGB 58 61 69

HSL 223.64, 0.09%, 0.25%

LAB 25.76, 0.7, -5.33

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 17 / 12 / 0 / 55

HEX #5F6472

RGB 95 100 114

HSL 224.21, 0.09%, 0.41%

LAB 42.4, 1.26, -8.53

 

CMYK 16 / 12 / 0 / 73

HEX #393C44

RGB 57 60 68

HSL 223.64, 0.09%, 0.25%

LAB 25.32, 0.71, -5.34

 

CMYK 1 / 16 / 0 / 73

HEX #443A45

RGB 68 58 69

HSL 294.55, 0.09%, 0.25%

LAB 25.82, 6.74, -5.14

 

CMYK 6 / 0 / 16 / 73

HEX #41453A

RGB 65 69 58

HSL 81.82, 0.09%, 0.25%

LAB 28.6, -4.02, 6.09

 

CMYK 16 / 12 / 0 / 73

HEX #393C44

RGB 57 60 68

HSL 223.64, 0.09%, 0.25%

LAB 25.32, 0.71, -5.34

 

CMYK 0 / 16 / 12 / 73

HEX #453A3D

RGB 69 58 61

HSL 343.64, 0.09%, 0.25%

LAB 25.65, 5.42, -0.07

 

CMYK 12 / 0 / 16 / 73

HEX #3D453A

RGB 61 69 58

HSL 103.64, 0.09%, 0.25%

LAB 28.26, -5.74, 5.55

 

CMYK 16 / 12 / 0 / 73

HEX #393C44

RGB 57 60 68

HSL 223.64, 0.09%, 0.25%

LAB 25.32, 0.71, -5.34

 

CMYK 1 / 16 / 0 / 73

HEX #443A45

RGB 68 58 69

HSL 294.55, 0.09%, 0.25%

LAB 25.82, 6.74, -5.14

 

CMYK 0 / 4 / 16 / 73

HEX #45423A

RGB 69 66 58

HSL 43.64, 0.09%, 0.25%

LAB 28.03, -0.37, 5.32

 

CMYK 16 / 0 / 16 / 73

HEX #3A453A

RGB 58 69 58

HSL 120, 0.09%, 0.25%

LAB 28.01, -7, 5.17

 

CMYK 16 / 12 / 0 / 73

HEX #393C44

RGB 57 60 68

HSL 223.64, 0.09%, 0.25%

LAB 25.32, 0.71, -5.34

 

CMYK 0 / 16 / 3 / 73

HEX #453A43

RGB 69 58 67

HSL 310.91, 0.09%, 0.25%

LAB 25.85, 6.7, -3.75

 

CMYK 0 / 4 / 16 / 73

HEX #45423A

RGB 69 66 58

HSL 43.64, 0.09%, 0.25%

LAB 28.03, -0.37, 5.32

 

CMYK 16 / 0 / 13 / 73

HEX #3A453C

RGB 58 69 60

HSL 130.91, 0.09%, 0.25%

LAB 28.07, -6.57, 3.95

 

Description

Color code: HEX #393C44 | qconv.com Color code: HEX #393C44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 60 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 60 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 12 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 12% 0% 73% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

68% - Maisumclick
Link: http://www.maisumclick.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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