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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3957BB it is the complementary color #C6A844. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3957BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3957BB shade: #3E57B6, #4F69C9, #607BDC, #718DEF and #829FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3957BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3957BB shade: #3957BB, #2845A8, #173395, #062182 and #000F6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3957BB shade: #3957BB, #3E39BB, #6139BB, #8439BB and #A739BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3957BB shade: #3957BB and #3939BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3957BB shade matches the following richer shades: #3957BB, #254CCF and #1142E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3957BB shade: #3957BB, #4D62A7, #616C93, #74777F and #88826C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3957BB shade: #399CBB, #397ABB, #3957BB, #3D39BB and #6039BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3957BB shade: #26397C, #2F489B, #3957BB, #536FCA and #7389D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3957BB shade: #3957BB, #B639BB and #8BBB39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3957BB shade: #3957BB, #BB3957 and #57BB39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3957BB shade: #3957BB, #B639BB, #BB9C39 and #3DBB39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3957BB shade: #3957BB, #BB3998, #BB9C39 and #39BB5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

Complementary color

CMYK 0 / 15 / 66 / 22

HEX #C6A844

RGB 198 168 68

HSL 46.15, 0.53%, 0.52%

LAB 69.77, -0.29, 54.03

 

CMYK 66 / 52 / 0 / 29

HEX #3E57B6

RGB 62 87 182

HSL 227.5, 0.49%, 0.48%

LAB 39.95, 21.9, -53.28

 

CMYK 61 / 48 / 0 / 21

HEX #4F69C9

RGB 79 105 201

HSL 227.21, 0.53%, 0.55%

LAB 46.95, 20.08, -52.98

 

CMYK 56 / 44 / 0 / 14

HEX #607BDC

RGB 96 123 220

HSL 226.94, 0.64%, 0.62%

LAB 53.84, 18.6, -52.71

 

CMYK 53 / 41 / 0 / 6

HEX #718DEF

RGB 113 141 239

HSL 226.67, 0.8%, 0.69%

LAB 60.6, 17.36, -52.48

 

CMYK 49 / 38 / 0 / 0

HEX #829FFF

RGB 130 159 255

HSL 226.08, 1%, 0.75%

LAB 67.1, 15.43, -50.88

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 76 / 59 / 0 / 34

HEX #2845A8

RGB 40 69 168

HSL 226.41, 0.62%, 0.41%

LAB 32.99, 25.42, -56.3

 

CMYK 85 / 66 / 0 / 42

HEX #173395

RGB 23 51 149

HSL 226.67, 0.73%, 0.34%

LAB 25.92, 28.51, -56.37

 

CMYK 95 / 75 / 0 / 49

HEX #062182

RGB 6 33 130

HSL 226.94, 0.91%, 0.27%

LAB 18.96, 32.14, -56.01

 

CMYK 100 / 86 / 0 / 56

HEX #000F6F

RGB 0 15 111

HSL 231.89, 1%, 0.22%

LAB 12.54, 35.7, -54.47

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 67 / 70 / 0 / 27

HEX #3E39BB

RGB 62 57 187

HSL 242.31, 0.53%, 0.48%

LAB 33, 42.51, -67.53

 

CMYK 48 / 70 / 0 / 27

HEX #6139BB

RGB 97 57 187

HSL 258.46, 0.53%, 0.48%

LAB 36.09, 47.83, -62.35

 

CMYK 29 / 70 / 0 / 27

HEX #8439BB

RGB 132 57 187

HSL 274.62, 0.53%, 0.48%

LAB 40.28, 54.56, -55.36

 

CMYK 11 / 70 / 0 / 27

HEX #A739BB

RGB 167 57 187

HSL 290.77, 0.53%, 0.48%

LAB 45.26, 62.05, -47.08

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 70 / 70 / 0 / 27

HEX #3939BB

RGB 57 57 187

HSL 240, 0.53%, 0.48%

LAB 32.67, 41.9, -68.1

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 82 / 63 / 0 / 19

HEX #254CCF

RGB 37 76 207

HSL 226.24, 0.7%, 0.48%

LAB 37.96, 35.24, -71.12

 

CMYK 92 / 71 / 0 / 11

HEX #1142E2

RGB 17 66 226

HSL 225.93, 0.86%, 0.48%

LAB 36.94, 47.34, -83.72

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 54 / 41 / 0 / 35

HEX #4D62A7

RGB 77 98 167

HSL 226, 0.37%, 0.48%

LAB 42.92, 12.61, -39.63

 

CMYK 34 / 27 / 0 / 42

HEX #616C93

RGB 97 108 147

HSL 226.8, 0.2%, 0.48%

LAB 46.14, 5.67, -22.64

 

CMYK 9 / 6 / 0 / 50

HEX #74777F

RGB 116 119 127

HSL 223.64, 0.05%, 0.48%

LAB 50.02, 0.56, -4.77

 

CMYK 0 / 4 / 21 / 47

HEX #88826C

RGB 136 130 108

HSL 47.14, 0.11%, 0.48%

LAB 54.33, -1.61, 12.74

 

CMYK 70 / 17 / 0 / 27

HEX #399CBB

RGB 57 156 187

HSL 194.31, 0.53%, 0.48%

LAB 60.1, -18.51, -24.39

 

CMYK 70 / 35 / 0 / 27

HEX #397ABB

RGB 57 122 187

HSL 210, 0.53%, 0.48%

LAB 49.95, 0.81, -40.21

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 67 / 70 / 0 / 27

HEX #3D39BB

RGB 61 57 187

HSL 241.85, 0.53%, 0.48%

LAB 32.93, 42.38, -67.65

 

CMYK 49 / 70 / 0 / 27

HEX #6039BB

RGB 96 57 187

HSL 258, 0.53%, 0.48%

LAB 35.99, 47.66, -62.53

 

CMYK 69 / 54 / 0 / 51

HEX #26397C

RGB 38 57 124

HSL 226.74, 0.53%, 0.32%

LAB 26.14, 16.35, -40.43

 

CMYK 70 / 54 / 0 / 39

HEX #2F489B

RGB 47 72 155

HSL 226.11, 0.53%, 0.4%

LAB 33.15, 19.43, -48.21

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 59 / 45 / 0 / 21

HEX #536FCA

RGB 83 111 202

HSL 225.88, 0.53%, 0.56%

LAB 48.85, 17.44, -50.5

 

CMYK 46 / 35 / 0 / 17

HEX #7389D4

RGB 115 137 212

HSL 226.39, 0.53%, 0.64%

LAB 58.31, 11.99, -41.05

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 3 / 70 / 0 / 27

HEX #B639BB

RGB 182 57 187

HSL 297.69, 0.53%, 0.48%

LAB 47.57, 65.37, -43.27

 

CMYK 26 / 0 / 70 / 27

HEX #8BBB39

RGB 139 187 57

HSL 82.15, 0.53%, 0.48%

LAB 70.4, -35.22, 57.81

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 0 / 70 / 53 / 27

HEX #BB3957

RGB 187 57 87

HSL 346.15, 0.53%, 0.48%

LAB 44.49, 53.88, 12.56

 

CMYK 53 / 0 / 70 / 27

HEX #57BB39

RGB 87 187 57

HSL 106.15, 0.53%, 0.48%

LAB 67.92, -52.69, 54.46

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 3 / 70 / 0 / 27

HEX #B639BB

RGB 182 57 187

HSL 297.69, 0.53%, 0.48%

LAB 47.57, 65.37, -43.27

 

CMYK 0 / 17 / 70 / 27

HEX #BB9C39

RGB 187 156 57

HSL 45.69, 0.53%, 0.48%

LAB 65.47, 0.71, 53.95

 

CMYK 67 / 0 / 70 / 27

HEX #3DBB39

RGB 61 187 57

HSL 118.15, 0.53%, 0.48%

LAB 67.15, -58.87, 53.42

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 17 / 70 / 27

HEX #BB9C39

RGB 187 156 57

HSL 45.69, 0.53%, 0.48%

LAB 65.47, 0.71, 53.95

 

CMYK 70 / 0 / 51 / 27

HEX #39BB5C

RGB 57 187 92

HSL 136.15, 0.53%, 0.48%

LAB 67.41, -55.42, 37.89

 

Description

Color code: HEX #3957BB | qconv.com Color code: HEX #3957BB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 87 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 87 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 53 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 53% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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