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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB3998 it is the complementary color #44C667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB3998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB3998 shade: #C03993, #D14BA6, #E25DB9, #F36FCC and #FF81DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB3998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB3998 shade: #BB3998, #AA2785, #991572, #88035F and #77004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB3998 shade: #BB3998, #BB3975, #BB3952 and #BB3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB3998 shade: #BB3998, #BB39BB, #9839BB, #7539BB and #5239BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB3998 shade matches the following richer shades: #BB3998, #CF25A1 and #E211AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB3998 shade: #BB3998, #A74D8F, #936186, #7F747C and #6C8873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB3998 shade: #9839BB, #BB39BB, #BB3998, #BB3976 and #BB3953

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB3998 shade: #7C2664, #9B2F7E, #BB3998, #CA53AA and #D473BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB3998 shade: #BB3998, #BB7639 and #39BBA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB3998 shade: #BB3998, #98BB39 and #3998BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB3998 shade: #BB3998, #BB7639, #39BB5C and #397EBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB3998 shade: #BB3998, #BB9C39, #39BB5C and #3957BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

Complementary color

CMYK 66 / 0 / 48 / 22

HEX #44C667

RGB 68 198 103

HSL 136.15, 0.53%, 0.52%

LAB 71.28, -55.74, 37.3

 

CMYK 0 / 70 / 23 / 25

HEX #C03993

RGB 192 57 147

HSL 320, 0.54%, 0.49%

LAB 47.29, 61.75, -19.91

 

CMYK 0 / 64 / 21 / 18

HEX #D14BA6

RGB 209 75 166

HSL 319.25, 0.59%, 0.56%

LAB 53.32, 61.94, -21.68

 

CMYK 0 / 59 / 18 / 11

HEX #E25DB9

RGB 226 93 185

HSL 318.5, 0.7%, 0.63%

LAB 59.43, 61.74, -23.09

 

CMYK 0 / 54 / 16 / 5

HEX #F36FCC

RGB 243 111 204

HSL 317.73, 0.85%, 0.69%

LAB 65.58, 61.32, -24.24

 

CMYK 0 / 49 / 13 / 0

HEX #FF81DF

RGB 255 129 223

HSL 315.24, 1%, 0.75%

LAB 71.07, 59.29, -26.26

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 77 / 22 / 33

HEX #AA2785

RGB 170 39 133

HSL 316.95, 0.63%, 0.41%

LAB 40.72, 60.34, -21.85

 

CMYK 0 / 86 / 25 / 40

HEX #991572

RGB 153 21 114

HSL 317.73, 0.76%, 0.34%

LAB 35.05, 58.55, -19.04

 

CMYK 0 / 98 / 30 / 47

HEX #88035F

RGB 136 3 95

HSL 318.5, 0.96%, 0.27%

LAB 29.73, 55.47, -15.32

 

CMYK 0 / 100 / 36 / 53

HEX #77004C

RGB 119 0 76

HSL 321.68, 1%, 0.23%

LAB 25.09, 50.05, -10.13

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 70 / 37 / 27

HEX #BB3975

RGB 187 57 117

HSL 332.31, 0.53%, 0.48%

LAB 45.33, 56.74, -4.75

 

CMYK 0 / 70 / 56 / 27

HEX #BB3952

RGB 187 57 82

HSL 348.46, 0.53%, 0.48%

LAB 44.38, 53.49, 15.5

 

CMYK 0 / 70 / 70 / 27

HEX #BB3939

RGB 187 57 57

HSL 0, 0.53%, 0.48%

LAB 43.93, 51.9, 30.13

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 70 / 0 / 27

HEX #BB39BB

RGB 187 57 187

HSL 300, 0.53%, 0.48%

LAB 48.36, 66.49, -41.97

 

CMYK 19 / 70 / 0 / 27

HEX #9839BB

RGB 152 57 187

HSL 283.85, 0.53%, 0.48%

LAB 43.05, 58.78, -50.75

 

CMYK 37 / 70 / 0 / 27

HEX #7539BB

RGB 117 57 187

HSL 267.69, 0.53%, 0.48%

LAB 38.37, 51.55, -58.54

 

CMYK 56 / 70 / 0 / 27

HEX #5239BB

RGB 82 57 187

HSL 251.54, 0.53%, 0.48%

LAB 34.62, 45.33, -64.82

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 82 / 22 / 19

HEX #CF25A1

RGB 207 37 161

HSL 316.24, 0.7%, 0.48%

LAB 48.46, 72.95, -26.25

 

CMYK 0 / 92 / 25 / 11

HEX #E211AA

RGB 226 17 170

HSL 316.08, 0.86%, 0.48%

LAB 51.23, 81.17, -27.01

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 54 / 14 / 35

HEX #A74D8F

RGB 167 77 143

HSL 316, 0.37%, 0.48%

LAB 46.32, 45.41, -19.34

 

CMYK 0 / 34 / 9 / 42

HEX #936186

RGB 147 97 134

HSL 315.6, 0.2%, 0.48%

LAB 47.59, 26.3, -12.25

 

CMYK 0 / 9 / 2 / 50

HEX #7F747C

RGB 127 116 124

HSL 316.36, 0.05%, 0.48%

LAB 50.05, 5.79, -2.86

 

CMYK 21 / 0 / 15 / 47

HEX #6C8873

RGB 108 136 115

HSL 135, 0.11%, 0.48%

LAB 54.06, -14.42, 8.03

 

CMYK 19 / 70 / 0 / 27

HEX #9839BB

RGB 152 57 187

HSL 283.85, 0.53%, 0.48%

LAB 43.05, 58.78, -50.75

 

CMYK 0 / 70 / 0 / 27

HEX #BB39BB

RGB 187 57 187

HSL 300, 0.53%, 0.48%

LAB 48.36, 66.49, -41.97

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 70 / 37 / 27

HEX #BB3976

RGB 187 57 118

HSL 331.85, 0.53%, 0.48%

LAB 45.36, 56.85, -5.32

 

CMYK 0 / 70 / 56 / 27

HEX #BB3953

RGB 187 57 83

HSL 348, 0.53%, 0.48%

LAB 44.4, 53.56, 14.91

 

CMYK 0 / 69 / 19 / 51

HEX #7C2664

RGB 124 38 100

HSL 316.74, 0.53%, 0.32%

LAB 30.86, 43.92, -17.01

 

CMYK 0 / 70 / 19 / 39

HEX #9B2F7E

RGB 155 47 126

HSL 316.11, 0.53%, 0.4%

LAB 38.74, 52.77, -20.81

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 59 / 16 / 21

HEX #CA53AA

RGB 202 83 170

HSL 316.13, 0.53%, 0.56%

LAB 53.65, 57.17, -23.61

 

CMYK 0 / 46 / 12 / 17

HEX #D473BA

RGB 212 115 186

HSL 316.08, 0.53%, 0.64%

LAB 61.48, 47.29, -20.69

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 37 / 70 / 27

HEX #BB7639

RGB 187 118 57

HSL 28.15, 0.53%, 0.48%

LAB 55.9, 21.61, 43.82

 

CMYK 70 / 0 / 10 / 27

HEX #39BBA9

RGB 57 187 169

HSL 171.69, 0.53%, 0.48%

LAB 68.95, -39.03, -1.08

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 19 / 0 / 70 / 27

HEX #98BB39

RGB 152 187 57

HSL 76.15, 0.53%, 0.48%

LAB 71.22, -30.1, 58.91

 

CMYK 70 / 19 / 0 / 27

HEX #3998BB

RGB 57 152 187

HSL 196.15, 0.53%, 0.48%

LAB 58.89, -16.36, -26.25

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 37 / 70 / 27

HEX #BB7639

RGB 187 118 57

HSL 28.15, 0.53%, 0.48%

LAB 55.9, 21.61, 43.82

 

CMYK 70 / 0 / 51 / 27

HEX #39BB5C

RGB 57 187 92

HSL 136.15, 0.53%, 0.48%

LAB 67.41, -55.42, 37.89

 

CMYK 70 / 33 / 0 / 27

HEX #397EBB

RGB 57 126 187

HSL 208.15, 0.53%, 0.48%

LAB 51.13, -1.59, -38.36

 

CMYK 0 / 70 / 19 / 27

HEX #BB3998

RGB 187 57 152

HSL 316.15, 0.53%, 0.48%

LAB 46.66, 61.13, -23.96

 

CMYK 0 / 17 / 70 / 27

HEX #BB9C39

RGB 187 156 57

HSL 45.69, 0.53%, 0.48%

LAB 65.47, 0.71, 53.95

 

CMYK 70 / 0 / 51 / 27

HEX #39BB5C

RGB 57 187 92

HSL 136.15, 0.53%, 0.48%

LAB 67.41, -55.42, 37.89

 

CMYK 70 / 53 / 0 / 27

HEX #3957BB

RGB 57 87 187

HSL 226.15, 0.53%, 0.48%

LAB 40.04, 22.92, -56.07

 

Description

Color code: HEX #BB3998 | qconv.com Color code: HEX #BB3998 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 57 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 57 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 19 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 19% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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