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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39B6B5 it is the complementary color #C6494A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39B6B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39B6B5 shade: #3EB6B0, #4FC8C3, #60DAD6, #71ECE9 and #82FEFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39B6B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39B6B5 shade: #39B6B5, #28A4A2, #17928F, #06807C and #006E69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39B6B5 shade: #39B6B5, #39B693, #39B671, #39B650 and #44B639

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39B6B5 shade: #39B6B5, #3995B6, #3973B6, #3952B6 and #3939B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39B6B5 shade matches the following richer shades: #39B6B5, #26C9C8 and #12DCDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39B6B5 shade: #39B6B5, #4CA2A2, #608F8F, #737B7B and #876868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39B6B5 shade: #39B671, #39B692, #39B6B4, #3997B6 and #3975B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39B6B5 shade: #257776, #2F9695, #39B6B5, #50C8C7 and #70D1D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39B6B5 shade: #39B6B5, #5039B6 and #B68239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39B6B5 shade: #39B6B5, #B439B6 and #B6B439

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39B6B5 shade: #39B6B5, #5039B6, #B6393B and #9FB639

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39B6B5 shade: #39B6B5, #7539B6, #B6393B and #79B639

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

Complementary color

CMYK 0 / 63 / 63 / 22

HEX #C6494A

RGB 198 73 74

HSL 359.52, 0.52%, 0.53%

LAB 48.59, 49.89, 26.25

 

CMYK 66 / 0 / 3 / 29

HEX #3EB6B0

RGB 62 182 176

HSL 177, 0.49%, 0.48%

LAB 67.74, -34.08, -6.71

 

CMYK 61 / 0 / 3 / 22

HEX #4FC8C3

RGB 79 200 195

HSL 177.52, 0.52%, 0.55%

LAB 74.13, -34.51, -7.57

 

CMYK 56 / 0 / 2 / 15

HEX #60DAD6

RGB 96 218 214

HSL 178.03, 0.62%, 0.62%

LAB 80.45, -34.8, -8.35

 

CMYK 52 / 0 / 1 / 7

HEX #71ECE9

RGB 113 236 233

HSL 178.54, 0.76%, 0.68%

LAB 86.69, -34.99, -9.07

 

CMYK 49 / 0 / 1 / 0

HEX #82FEFC

RGB 130 254 252

HSL 179.03, 0.98%, 0.75%

LAB 92.86, -35.1, -9.75

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 76 / 0 / 1 / 36

HEX #28A4A2

RGB 40 164 162

HSL 179.03, 0.61%, 0.4%

LAB 61.32, -32.57, -8.5

 

CMYK 84 / 0 / 2 / 43

HEX #17928F

RGB 23 146 143

HSL 178.54, 0.73%, 0.33%

LAB 54.79, -31.41, -7.44

 

CMYK 95 / 0 / 3 / 50

HEX #06807C

RGB 6 128 124

HSL 178.03, 0.91%, 0.26%

LAB 48.17, -29.8, -6.24

 

CMYK 100 / 0 / 5 / 57

HEX #006E69

RGB 0 110 105

HSL 177.27, 1%, 0.22%

LAB 41.49, -27.53, -4.83

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 69 / 0 / 19 / 29

HEX #39B693

RGB 57 182 147

HSL 163.2, 0.52%, 0.47%

LAB 66.85, -42.48, 7.98

 

CMYK 69 / 0 / 38 / 29

HEX #39B671

RGB 57 182 113

HSL 146.88, 0.52%, 0.47%

LAB 66.15, -49.94, 25.44

 

CMYK 69 / 0 / 56 / 29

HEX #39B650

RGB 57 182 80

HSL 131.04, 0.52%, 0.47%

LAB 65.67, -55.33, 41.63

 

CMYK 63 / 0 / 69 / 29

HEX #44B639

RGB 68 182 57

HSL 114.72, 0.52%, 0.47%

LAB 65.73, -55.65, 51.98

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 69 / 18 / 0 / 29

HEX #3995B6

RGB 57 149 182

HSL 195.84, 0.52%, 0.47%

LAB 57.79, -16.38, -25.12

 

CMYK 69 / 37 / 0 / 29

HEX #3973B6

RGB 57 115 182

HSL 212.16, 0.52%, 0.47%

LAB 47.63, 3.28, -40.99

 

CMYK 69 / 55 / 0 / 29

HEX #3952B6

RGB 57 82 182

HSL 228, 0.52%, 0.47%

LAB 38.34, 24.35, -55.88

 

CMYK 69 / 69 / 0 / 29

HEX #3939B6

RGB 57 57 182

HSL 240, 0.52%, 0.47%

LAB 32.2, 40.22, -65.91

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 81 / 0 / 0 / 21

HEX #26C9C8

RGB 38 201 200

HSL 179.63, 0.68%, 0.47%

LAB 73.78, -38.73, -10.89

 

CMYK 92 / 0 / 0 / 14

HEX #12DCDB

RGB 18 220 219

HSL 179.7, 0.85%, 0.47%

LAB 79.86, -42.82, -12.04

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 53 / 0 / 0 / 36

HEX #4CA2A2

RGB 76 162 162

HSL 180, 0.36%, 0.47%

LAB 61.64, -25.72, -7.91

 

CMYK 33 / 0 / 0 / 44

HEX #608F8F

RGB 96 143 143

HSL 180, 0.2%, 0.47%

LAB 56.2, -15.8, -5.09

 

CMYK 7 / 0 / 0 / 52

HEX #737B7B

RGB 115 123 123

HSL 180, 0.03%, 0.47%

LAB 50.97, -2.97, -1.03

 

CMYK 0 / 23 / 23 / 47

HEX #876868

RGB 135 104 104

HSL 0, 0.13%, 0.47%

LAB 47.04, 12.4, 4.77

 

CMYK 69 / 0 / 38 / 29

HEX #39B671

RGB 57 182 113

HSL 146.88, 0.52%, 0.47%

LAB 66.15, -49.94, 25.44

 

CMYK 69 / 0 / 20 / 29

HEX #39B692

RGB 57 182 146

HSL 162.72, 0.52%, 0.47%

LAB 66.83, -42.73, 8.49

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B4

RGB 57 182 180

HSL 179.04, 0.52%, 0.47%

LAB 67.74, -33.68, -8.92

 

CMYK 69 / 17 / 0 / 29

HEX #3997B6

RGB 57 151 182

HSL 194.88, 0.52%, 0.47%

LAB 58.4, -17.46, -24.19

 

CMYK 69 / 36 / 0 / 29

HEX #3975B6

RGB 57 117 182

HSL 211.2, 0.52%, 0.47%

LAB 48.22, 2.06, -40.06

 

CMYK 69 / 0 / 1 / 53

HEX #257776

RGB 37 119 118

HSL 179.27, 0.53%, 0.31%

LAB 45.49, -24.15, -6.63

 

CMYK 69 / 0 / 1 / 41

HEX #2F9695

RGB 47 150 149

HSL 179.42, 0.52%, 0.39%

LAB 56.67, -28.77, -8.03

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 60 / 0 / 0 / 22

HEX #50C8C7

RGB 80 200 199

HSL 179.5, 0.52%, 0.55%

LAB 74.28, -33.25, -9.52

 

CMYK 46 / 0 / 0 / 18

HEX #70D1D1

RGB 112 209 209

HSL 180, 0.51%, 0.63%

LAB 78.26, -28.51, -8.87

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 56 / 69 / 0 / 29

HEX #5039B6

RGB 80 57 182

HSL 251.04, 0.52%, 0.47%

LAB 34, 43.5, -62.88

 

CMYK 0 / 29 / 69 / 29

HEX #B68239

RGB 182 130 57

HSL 35.04, 0.52%, 0.47%

LAB 58.23, 12.78, 46.17

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 1 / 69 / 0 / 29

HEX #B439B6

RGB 180 57 182

HSL 299.04, 0.52%, 0.47%

LAB 46.98, 64.07, -41.29

 

CMYK 0 / 1 / 69 / 29

HEX #B6B439

RGB 182 180 57

HSL 59.04, 0.52%, 0.47%

LAB 71.48, -14.11, 59.89

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 56 / 69 / 0 / 29

HEX #5039B6

RGB 80 57 182

HSL 251.04, 0.52%, 0.47%

LAB 34, 43.5, -62.88

 

CMYK 0 / 69 / 68 / 29

HEX #B6393B

RGB 182 57 59

HSL 359.04, 0.52%, 0.47%

LAB 43.04, 50.36, 27.66

 

CMYK 13 / 0 / 69 / 29

HEX #9FB639

RGB 159 182 57

HSL 71.04, 0.52%, 0.47%

LAB 70.26, -24.84, 58.09

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B5

RGB 57 182 181

HSL 179.52, 0.52%, 0.47%

LAB 67.77, -33.39, -9.43

 

CMYK 36 / 69 / 0 / 29

HEX #7539B6

RGB 117 57 182

HSL 268.8, 0.52%, 0.47%

LAB 38, 50.31, -56.2

 

CMYK 0 / 69 / 68 / 29

HEX #B6393B

RGB 182 57 59

HSL 359.04, 0.52%, 0.47%

LAB 43.04, 50.36, 27.66

 

CMYK 34 / 0 / 69 / 29

HEX #79B639

RGB 121 182 57

HSL 89.28, 0.52%, 0.47%

LAB 67.88, -39.72, 54.9

 

Description

Color code: HEX #39B6B5 | qconv.com Color code: HEX #39B6B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 182 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 182 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 1 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 1% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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