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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A4B71 it is the complementary color #C5B48E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A4B71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A4B71 shade: #3F4B6C, #505D7F, #616F92, #7281A5 and #8393B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A4B71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A4B71 shade: #3A4B71, #29395E, #18274B, #071538 and #000325

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A4B71 shade: #3A4C72, #3A3D72, #473A72, #563A72 and #653A72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A4B71 shade: #3A4C72, #3A3D72 and #3A3A72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A4B71 shade matches the following richer shades: #3A4C72, #2C4680, #1E418E, #103C9C and #0236AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A4B71 shade: #3A4C72, #485164, #575656, #655C48 and #73613A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A4B71 shade: #3A6A72, #3A5B72, #3A4C72, #3A3D72 and #463A72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A4B71 shade: #1E273B, #2C3A57, #3A4C72, #485E8D and #5770A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A4B71 shade: #3A4B71, #6B3A72 and #62723A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A4B71 shade: #3A4B71, #723A4C and #4C723A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A4B71 shade: #3A4B71, #6B3A72, #72603A and #41723A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A4B71 shade: #3A4B71, #723A68, #72603A and #3A7245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 34 / 0 / 56

HEX #3A4B71

RGB 58 75 113

HSL 221.45, 0.32%, 0.34%

LAB 32.09, 4.69, -23.97

 

Complementary color

CMYK 0 / 9 / 28 / 23

HEX #C5B48E

RGB 197 180 142

HSL 41.45, 0.32%, 0.66%

LAB 73.85, 0.19, 21.62

 

CMYK 42 / 31 / 0 / 58

HEX #3F4B6C

RGB 63 75 108

HSL 224, 0.26%, 0.34%

LAB 32.19, 4.54, -20.63

 

CMYK 37 / 27 / 0 / 50

HEX #505D7F

RGB 80 93 127

HSL 223.4, 0.23%, 0.41%

LAB 39.69, 4, -20.68

 

CMYK 34 / 24 / 0 / 43

HEX #616F92

RGB 97 111 146

HSL 222.86, 0.2%, 0.48%

LAB 46.96, 3.58, -20.79

 

CMYK 31 / 22 / 0 / 35

HEX #7281A5

RGB 114 129 165

HSL 222.35, 0.22%, 0.55%

LAB 54.02, 3.22, -20.95

 

CMYK 29 / 20 / 0 / 28

HEX #8393B8

RGB 131 147 184

HSL 221.89, 0.27%, 0.62%

LAB 60.92, 2.91, -21.14

 

CMYK 49 / 34 / 0 / 56

HEX #3A4B71

RGB 58 75 113

HSL 221.45, 0.32%, 0.34%

LAB 32.09, 4.69, -23.97

 

CMYK 56 / 39 / 0 / 63

HEX #29395E

RGB 41 57 94

HSL 221.89, 0.39%, 0.26%

LAB 24.34, 5.62, -24.07

 

CMYK 68 / 48 / 0 / 71

HEX #18274B

RGB 24 39 75

HSL 222.35, 0.52%, 0.19%

LAB 16.27, 7.02, -24.28

 

CMYK 88 / 63 / 0 / 78

HEX #071538

RGB 7 21 56

HSL 222.86, 0.78%, 0.12%

LAB 7.83, 9.32, -24.57

 

CMYK 100 / 92 / 0 / 85

HEX #000325

RGB 0 3 37

HSL 235.14, 1%, 0.07%

LAB 1.79, 7.28, -19.98

 

CMYK 49 / 33 / 0 / 55

HEX #3A4C72

RGB 58 76 114

HSL 220.71, 0.33%, 0.34%

LAB 32.44, 4.37, -24.04

 

CMYK 49 / 46 / 0 / 55

HEX #3A3D72

RGB 58 61 114

HSL 236.79, 0.33%, 0.34%

LAB 27.99, 14.36, -31.07

 

CMYK 38 / 49 / 0 / 55

HEX #473A72

RGB 71 58 114

HSL 253.93, 0.33%, 0.34%

LAB 28.33, 19.99, -30.46

 

CMYK 25 / 49 / 0 / 55

HEX #563A72

RGB 86 58 114

HSL 270, 0.33%, 0.34%

LAB 29.96, 24.51, -27.77

 

CMYK 11 / 49 / 0 / 55

HEX #653A72

RGB 101 58 114

HSL 286.07, 0.33%, 0.34%

LAB 31.82, 29.25, -24.71

 

CMYK 49 / 33 / 0 / 55

HEX #3A4C72

RGB 58 76 114

HSL 220.71, 0.33%, 0.34%

LAB 32.44, 4.37, -24.04

 

CMYK 49 / 46 / 0 / 55

HEX #3A3D72

RGB 58 61 114

HSL 236.79, 0.33%, 0.34%

LAB 27.99, 14.36, -31.07

 

CMYK 49 / 49 / 0 / 55

HEX #3A3A72

RGB 58 58 114

HSL 240, 0.33%, 0.34%

LAB 27.13, 16.39, -32.44

 

CMYK 49 / 33 / 0 / 55

HEX #3A4C72

RGB 58 76 114

HSL 220.71, 0.33%, 0.34%

LAB 32.44, 4.37, -24.04

 

CMYK 66 / 45 / 0 / 50

HEX #2C4680

RGB 44 70 128

HSL 221.43, 0.49%, 0.34%

LAB 30.58, 10.05, -35.79

 

CMYK 79 / 54 / 0 / 44

HEX #1E418E

RGB 30 65 142

HSL 221.25, 0.65%, 0.34%

LAB 29.44, 16.77, -46.32

 

CMYK 90 / 62 / 0 / 39

HEX #103C9C

RGB 16 60 156

HSL 221.14, 0.81%, 0.34%

LAB 28.75, 24.66, -56.02

 

CMYK 99 / 68 / 0 / 33

HEX #0236AA

RGB 2 54 170

HSL 221.43, 0.98%, 0.34%

LAB 28.26, 33.71, -65.3

 

CMYK 49 / 33 / 0 / 55

HEX #3A4C72

RGB 58 76 114

HSL 220.71, 0.33%, 0.34%

LAB 32.44, 4.37, -24.04

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 0 / 1 / 1 / 66

HEX #575656

RGB 87 86 86

HSL 0, 0.01%, 0.34%

LAB 36.66, 0.4, 0.14

 

CMYK 0 / 9 / 29 / 60

HEX #655C48

RGB 101 92 72

HSL 41.38, 0.17%, 0.34%

LAB 39.39, 0.11, 12.85

 

CMYK 0 / 16 / 50 / 55

HEX #73613A

RGB 115 97 58

HSL 41.05, 0.33%, 0.34%

LAB 42, 1.59, 24.84

HEX #73613A

CMYK 49 / 7 / 0 / 55

HEX #3A6A72

RGB 58 106 114

HSL 188.57, 0.33%, 0.34%

LAB 41.88, -13.94, -9.55

 

CMYK 49 / 20 / 0 / 55

HEX #3A5B72

RGB 58 91 114

HSL 204.64, 0.33%, 0.34%

LAB 37.11, -5.12, -16.81

 

CMYK 49 / 33 / 0 / 55

HEX #3A4C72

RGB 58 76 114

HSL 220.71, 0.33%, 0.34%

LAB 32.44, 4.37, -24.04

 

CMYK 49 / 46 / 0 / 55

HEX #3A3D72

RGB 58 61 114

HSL 236.79, 0.33%, 0.34%

LAB 27.99, 14.36, -31.07

 

CMYK 39 / 49 / 0 / 55

HEX #463A72

RGB 70 58 114

HSL 252.86, 0.33%, 0.34%

LAB 28.23, 19.7, -30.62

 

CMYK 49 / 34 / 0 / 77

HEX #1E273B

RGB 30 39 59

HSL 221.38, 0.33%, 0.17%

LAB 15.71, 2.5, -14.08

 

CMYK 49 / 33 / 0 / 66

HEX #2C3A57

RGB 44 58 87

HSL 220.47, 0.33%, 0.26%

LAB 24.48, 3.29, -19.26

 

CMYK 49 / 33 / 0 / 55

HEX #3A4C72

RGB 58 76 114

HSL 220.71, 0.33%, 0.34%

LAB 32.44, 4.37, -24.04

 

CMYK 49 / 33 / 0 / 45

HEX #485E8D

RGB 72 94 141

HSL 220.87, 0.32%, 0.42%

LAB 40.09, 5.4, -28.59

 

CMYK 48 / 33 / 0 / 34

HEX #5770A8

RGB 87 112 168

HSL 221.48, 0.32%, 0.5%

LAB 47.55, 6.65, -32.87

 

CMYK 49 / 34 / 0 / 56

HEX #3A4B71

RGB 58 75 113

HSL 221.45, 0.32%, 0.34%

LAB 32.09, 4.69, -23.97

 

CMYK 6 / 49 / 0 / 55

HEX #6B3A72

RGB 107 58 114

HSL 292.5, 0.33%, 0.34%

LAB 32.63, 31.17, -23.39

 

CMYK 14 / 0 / 49 / 55

HEX #62723A

RGB 98 114 58

HSL 77.14, 0.33%, 0.34%

LAB 45.55, -15.73, 28.91

 

CMYK 49 / 34 / 0 / 56

HEX #3A4B71

RGB 58 75 113

HSL 221.45, 0.32%, 0.34%

LAB 32.09, 4.69, -23.97

 

CMYK 0 / 49 / 33 / 55

HEX #723A4C

RGB 114 58 76

HSL 340.71, 0.33%, 0.34%

LAB 32.09, 26.83, 0.21

 

CMYK 33 / 0 / 49 / 55

HEX #4C723A

RGB 76 114 58

HSL 100.71, 0.33%, 0.34%

LAB 44.06, -24.71, 26.74

 

CMYK 49 / 34 / 0 / 56

HEX #3A4B71

RGB 58 75 113

HSL 221.45, 0.32%, 0.34%

LAB 32.09, 4.69, -23.97

 

CMYK 6 / 49 / 0 / 55

HEX #6B3A72

RGB 107 58 114

HSL 292.5, 0.33%, 0.34%

LAB 32.63, 31.17, -23.39

 

CMYK 0 / 16 / 49 / 55

HEX #72603A

RGB 114 96 58

HSL 40.71, 0.33%, 0.34%

LAB 41.61, 1.72, 24.33

 

CMYK 43 / 0 / 49 / 55

HEX #41723A

RGB 65 114 58

HSL 112.5, 0.33%, 0.34%

LAB 43.45, -28.7, 25.86

 

CMYK 49 / 34 / 0 / 56

HEX #3A4B71

RGB 58 75 113

HSL 221.45, 0.32%, 0.34%

LAB 32.09, 4.69, -23.97

 

CMYK 0 / 49 / 9 / 55

HEX #723A68

RGB 114 58 104

HSL 310.71, 0.33%, 0.34%

LAB 33.14, 31.48, -16.19

 

CMYK 0 / 16 / 49 / 55

HEX #72603A

RGB 114 96 58

HSL 40.71, 0.33%, 0.34%

LAB 41.61, 1.72, 24.33

 

CMYK 49 / 0 / 39 / 55

HEX #3A7245

RGB 58 114 69

HSL 131.79, 0.33%, 0.34%

LAB 43.31, -29.12, 19.39

 

Description

Color code: HEX #3A4B71 | qconv.com Color code: HEX #3A4B71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 75 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 75 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 34 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 34% 0% 56% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Santam Broker Confer...
Link: http://santamconference.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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