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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BDC97 it is the complementary color #C42368. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BDC97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BDC97 shade: #40DC92, #51EEA5, #62FFB8, #73FFCB and #84FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BDC97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BDC97 shade: #3BDC97, #2ACA84, #19B871, #08A65E and #00944B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BDC97 shade: #3BDC97, #3BDC6C, #3BDC41, #62DC3B and #8DDC3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BDC97 shade: #3BDC97, #3BDCC3, #3BCADC, #3B9FDC and #3B74DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BDC97 shade matches the following richer shades: #3BDC97 and #29EF9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BDC97 shade: #3BDC97, #4ECA95, #61B792, #73A48F and #86928D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BDC97 shade: #3BDC41, #3BDC6C, #3BDC96, #3BDCC1 and #3BCCDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BDC97 shade: #1DA86C, #23CB83, #3BDC97, #5EE2AA and #82E8BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BDC97 shade: #3BDC97, #3B61DC and #DC563B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BDC97 shade: #3BDC97, #963BDC and #DC963B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BDC97 shade: #3BDC97, #3B61DC, #DC3B81 and #DCB73B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BDC97 shade: #3BDC97, #463BDC, #DC3B81 and #D1DC3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

Complementary color

CMYK 0 / 82 / 47 / 23

HEX #C42368

RGB 196 35 104

HSL 334.29, 0.7%, 0.45%

LAB 44.14, 64.77, 1.74

 

CMYK 71 / 0 / 34 / 14

HEX #40DC92

RGB 64 220 146

HSL 151.54, 0.69%, 0.56%

LAB 78.67, -56.99, 24.98

 

CMYK 66 / 0 / 31 / 7

HEX #51EEA5

RGB 81 238 165

HSL 152.1, 0.82%, 0.63%

LAB 84.8, -57.43, 23.6

 

CMYK 62 / 0 / 28 / 0

HEX #62FFB8

RGB 98 255 184

HSL 152.87, 1%, 0.69%

LAB 90.59, -57.29, 21.91

 

CMYK 55 / 0 / 20 / 0

HEX #73FFCB

RGB 115 255 203

HSL 157.71, 1%, 0.73%

LAB 91.45, -50.03, 13.46

 

CMYK 48 / 0 / 13 / 0

HEX #84FFDE

RGB 132 255 222

HSL 163.9, 1%, 0.76%

LAB 92.44, -42.2, 5.16

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 79 / 0 / 35 / 21

HEX #2ACA84

RGB 42 202 132

HSL 153.75, 0.66%, 0.48%

LAB 72.49, -55.87, 23.87

 

CMYK 86 / 0 / 39 / 28

HEX #19B871

RGB 25 184 113

HSL 153.21, 0.76%, 0.41%

LAB 66.27, -54.67, 25.52

 

CMYK 95 / 0 / 43 / 35

HEX #08A65E

RGB 8 166 94

HSL 152.66, 0.91%, 0.34%

LAB 60.01, -52.95, 27.32

 

CMYK 100 / 0 / 49 / 42

HEX #00944B

RGB 0 148 75

HSL 150.41, 1%, 0.29%

LAB 53.69, -50.55, 29.28

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 73 / 0 / 51 / 14

HEX #3BDC6C

RGB 59 220 108

HSL 138.26, 0.7%, 0.55%

LAB 77.99, -64.32, 43.17

 

CMYK 73 / 0 / 70 / 14

HEX #3BDC41

RGB 59 220 65

HSL 122.24, 0.7%, 0.55%

LAB 77.58, -69.27, 61.27

 

CMYK 55 / 0 / 73 / 14

HEX #62DC3B

RGB 98 220 59

HSL 105.47, 0.7%, 0.55%

LAB 78.52, -61.69, 64.67

 

CMYK 36 / 0 / 73 / 14

HEX #8DDC3B

RGB 141 220 59

HSL 89.44, 0.7%, 0.55%

LAB 80.27, -48.68, 67

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 73 / 0 / 11 / 14

HEX #3BDCC3

RGB 59 220 195

HSL 170.68, 0.7%, 0.55%

LAB 79.65, -46.37, 0.5

 

CMYK 73 / 8 / 0 / 14

HEX #3BCADC

RGB 59 202 220

HSL 186.71, 0.7%, 0.55%

LAB 75.04, -31.17, -19.79

 

CMYK 73 / 28 / 0 / 14

HEX #3B9FDC

RGB 59 159 220

HSL 202.73, 0.7%, 0.55%

LAB 62.42, -8.84, -39.24

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 83 / 0 / 36 / 6

HEX #29EF9A

RGB 41 239 154

HSL 154.24, 0.86%, 0.55%

LAB 84.24, -65, 28.36

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 61 / 0 / 26 / 21

HEX #4ECA95

RGB 78 202 149

HSL 154.35, 0.54%, 0.55%

LAB 73.57, -46.81, 16.44

 

CMYK 47 / 0 / 20 / 28

HEX #61B792

RGB 97 183 146

HSL 154.19, 0.37%, 0.55%

LAB 68.38, -34.79, 10.87

 

CMYK 30 / 0 / 13 / 36

HEX #73A48F

RGB 115 164 143

HSL 154.29, 0.21%, 0.55%

LAB 63.49, -20.98, 5.67

 

CMYK 8 / 0 / 3 / 43

HEX #86928D

RGB 134 146 141

HSL 155, 0.05%, 0.55%

LAB 59.48, -5.33, 1.16

 

CMYK 73 / 0 / 70 / 14

HEX #3BDC41

RGB 59 220 65

HSL 122.24, 0.7%, 0.55%

LAB 77.58, -69.27, 61.27

 

CMYK 73 / 0 / 51 / 14

HEX #3BDC6C

RGB 59 220 108

HSL 138.26, 0.7%, 0.55%

LAB 77.99, -64.32, 43.17

 

CMYK 73 / 0 / 32 / 14

HEX #3BDC96

RGB 59 220 150

HSL 153.91, 0.7%, 0.55%

LAB 78.65, -56.89, 22.86

 

CMYK 73 / 0 / 12 / 14

HEX #3BDCC1

RGB 59 220 193

HSL 169.94, 0.7%, 0.55%

LAB 79.59, -46.89, 1.49

 

CMYK 73 / 7 / 0 / 14

HEX #3BCCDC

RGB 59 204 220

HSL 185.96, 0.7%, 0.55%

LAB 75.63, -32.13, -18.89

 

CMYK 83 / 0 / 36 / 34

HEX #1DA86C

RGB 29 168 108

HSL 154.1, 0.71%, 0.39%

LAB 61.09, -49.38, 21.26

 

CMYK 83 / 0 / 35 / 20

HEX #23CB83

RGB 35 203 131

HSL 154.29, 0.71%, 0.47%

LAB 72.7, -57.14, 24.66

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 58 / 0 / 25 / 11

HEX #5EE2AA

RGB 94 226 170

HSL 154.55, 0.69%, 0.63%

LAB 81.66, -49.19, 16.71

 

CMYK 44 / 0 / 19 / 9

HEX #82E8BC

RGB 130 232 188

HSL 154.12, 0.69%, 0.71%

LAB 85.04, -39.75, 12.23

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 73 / 56 / 0 / 14

HEX #3B61DC

RGB 59 97 220

HSL 225.84, 0.7%, 0.55%

LAB 45.15, 28.78, -66.81

 

CMYK 0 / 61 / 73 / 14

HEX #DC563B

RGB 220 86 59

HSL 10.06, 0.7%, 0.55%

LAB 54.22, 50.96, 42.32

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 32 / 73 / 0 / 14

HEX #963BDC

RGB 150 59 220

HSL 273.91, 0.7%, 0.55%

LAB 45.33, 64.57, -66.16

 

CMYK 0 / 32 / 73 / 14

HEX #DC963B

RGB 220 150 59

HSL 33.91, 0.7%, 0.55%

LAB 67.53, 18.38, 56.35

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 73 / 56 / 0 / 14

HEX #3B61DC

RGB 59 97 220

HSL 225.84, 0.7%, 0.55%

LAB 45.15, 28.78, -66.81

 

CMYK 0 / 73 / 41 / 14

HEX #DC3B81

RGB 220 59 129

HSL 333.91, 0.7%, 0.55%

LAB 51.76, 66.47, -1.89

 

CMYK 0 / 17 / 73 / 14

HEX #DCB73B

RGB 220 183 59

HSL 46.21, 0.7%, 0.55%

LAB 75.7, 0.8, 64.44

 

CMYK 73 / 0 / 31 / 14

HEX #3BDC97

RGB 59 220 151

HSL 154.29, 0.7%, 0.55%

LAB 78.67, -56.68, 22.37

 

CMYK 68 / 73 / 0 / 14

HEX #463BDC

RGB 70 59 220

HSL 244.1, 0.7%, 0.55%

LAB 37.11, 52.84, -79.94

 

CMYK 0 / 73 / 41 / 14

HEX #DC3B81

RGB 220 59 129

HSL 333.91, 0.7%, 0.55%

LAB 51.76, 66.47, -1.89

 

CMYK 5 / 0 / 73 / 14

HEX #D1DC3B

RGB 209 220 59

HSL 64.1, 0.7%, 0.55%

LAB 84.51, -22.54, 72.55

 

Description

Color code: HEX #3BDC97 | qconv.com Color code: HEX #3BDC97 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 220 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 220 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 31 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 31% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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