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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C8CBE it is the complementary color #C37341. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C8CBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C8CBE shade: #418CB9, #529ECC, #63B0DF, #74C2F2 and #85D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C8CBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C8CBE shade: #3C8CBE, #2B7AAB, #1A6898, #095685 and #004472

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C8CBE shade: #3B8BBD, #3B68BD, #3B45BD, #553BBD and #783BBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C8CBE shade: #3B8BBD, #3B68BD, #3B45BD and #3B3BBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C8CBE shade matches the following richer shades: #3B8BBD, #2790D2 and #1395E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C8CBE shade: #3B8BBD, #5087A9, #648295, #787D81 and #8C796D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C8CBE shade: #3BBDAA, #3BAEBD, #3B8CBD, #3B69BD and #3B46BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C8CBE shade: #285D7F, #32749E, #3B8BBD, #589ECA and #78B0D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C8CBE shade: #3C8CBE, #873BBD and #BDBB3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C8CBE shade: #3C8CBE, #BD3B8C and #8CBD3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C8CBE shade: #3C8CBE, #873BBD, #BD6D3B and #72BD3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C8CBE shade: #3C8CBE, #AE3BBD, #BD6D3B and #4BBD3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 26 / 0 / 25

HEX #3C8CBE

RGB 60 140 190

HSL 203.08, 0.52%, 0.49%

LAB 55.52, -8.24, -33.18

 

Complementary color

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 65 / 24 / 0 / 27

HEX #418CB9

RGB 65 140 185

HSL 202.5, 0.48%, 0.49%

LAB 55.46, -9.09, -30.41

 

CMYK 60 / 23 / 0 / 20

HEX #529ECC

RGB 82 158 204

HSL 202.62, 0.54%, 0.56%

LAB 62.17, -9.88, -30.66

 

CMYK 56 / 21 / 0 / 13

HEX #63B0DF

RGB 99 176 223

HSL 202.74, 0.66%, 0.63%

LAB 68.77, -10.5, -30.9

 

CMYK 52 / 20 / 0 / 5

HEX #74C2F2

RGB 116 194 242

HSL 202.86, 0.83%, 0.7%

LAB 75.27, -10.99, -31.14

 

CMYK 48 / 17 / 0 / 0

HEX #85D4FF

RGB 133 212 255

HSL 201.15, 1%, 0.76%

LAB 81.45, -13.05, -28.53

 

CMYK 68 / 26 / 0 / 25

HEX #3C8CBE

RGB 60 140 190

HSL 203.08, 0.52%, 0.49%

LAB 55.52, -8.24, -33.18

 

CMYK 75 / 29 / 0 / 33

HEX #2B7AAB

RGB 43 122 171

HSL 202.97, 0.6%, 0.42%

LAB 48.73, -6.96, -32.91

 

CMYK 83 / 32 / 0 / 40

HEX #1A6898

RGB 26 104 152

HSL 202.86, 0.71%, 0.35%

LAB 41.83, -5.26, -32.6

 

CMYK 93 / 35 / 0 / 48

HEX #095685

RGB 9 86 133

HSL 202.74, 0.87%, 0.28%

LAB 34.82, -2.93, -32.2

 

CMYK 100 / 40 / 0 / 55

HEX #004472

RGB 0 68 114

HSL 204.21, 1%, 0.22%

LAB 27.71, 0.25, -31.66

 

CMYK 69 / 26 / 0 / 26

HEX #3B8BBD

RGB 59 139 189

HSL 203.08, 0.52%, 0.49%

LAB 55.14, -8.16, -33.2

 

CMYK 69 / 45 / 0 / 26

HEX #3B68BD

RGB 59 104 189

HSL 219.23, 0.52%, 0.49%

LAB 44.95, 13.02, -49.32

 

CMYK 69 / 63 / 0 / 26

HEX #3B45BD

RGB 59 69 189

HSL 235.38, 0.52%, 0.49%

LAB 35.71, 35.48, -64.27

 

CMYK 55 / 69 / 0 / 26

HEX #553BBD

RGB 85 59 189

HSL 252, 0.52%, 0.49%

LAB 35.47, 45.3, -64.6

 

CMYK 37 / 69 / 0 / 26

HEX #783BBD

RGB 120 59 189

HSL 268.15, 0.52%, 0.49%

LAB 39.23, 51.67, -58.3

 

CMYK 69 / 26 / 0 / 26

HEX #3B8BBD

RGB 59 139 189

HSL 203.08, 0.52%, 0.49%

LAB 55.14, -8.16, -33.2

 

CMYK 69 / 45 / 0 / 26

HEX #3B68BD

RGB 59 104 189

HSL 219.23, 0.52%, 0.49%

LAB 44.95, 13.02, -49.32

 

CMYK 69 / 63 / 0 / 26

HEX #3B45BD

RGB 59 69 189

HSL 235.38, 0.52%, 0.49%

LAB 35.71, 35.48, -64.27

 

CMYK 69 / 69 / 0 / 26

HEX #3B3BBD

RGB 59 59 189

HSL 240, 0.52%, 0.49%

LAB 33.42, 41.62, -68.03

 

CMYK 69 / 26 / 0 / 26

HEX #3B8BBD

RGB 59 139 189

HSL 203.08, 0.52%, 0.49%

LAB 55.14, -8.16, -33.2

 

CMYK 81 / 31 / 0 / 18

HEX #2790D2

RGB 39 144 210

HSL 203.16, 0.69%, 0.49%

LAB 57.11, -6.07, -42.03

 

CMYK 92 / 35 / 0 / 10

HEX #1395E6

RGB 19 149 230

HSL 203.03, 0.85%, 0.49%

LAB 59.29, -2.91, -49.75

 

CMYK 69 / 26 / 0 / 26

HEX #3B8BBD

RGB 59 139 189

HSL 203.08, 0.52%, 0.49%

LAB 55.14, -8.16, -33.2

 

CMYK 53 / 20 / 0 / 34

HEX #5087A9

RGB 80 135 169

HSL 202.92, 0.36%, 0.49%

LAB 53.92, -8.34, -23.59

 

CMYK 33 / 13 / 0 / 42

HEX #648295

RGB 100 130 149

HSL 203.27, 0.2%, 0.49%

LAB 52.78, -5.85, -13.65

 

CMYK 7 / 3 / 0 / 49

HEX #787D81

RGB 120 125 129

HSL 206.67, 0.04%, 0.49%

LAB 52.11, -1.02, -2.82

 

CMYK 0 / 14 / 22 / 45

HEX #8C796D

RGB 140 121 109

HSL 23.23, 0.12%, 0.49%

LAB 52.24, 5.31, 9.28

 

CMYK 69 / 0 / 10 / 26

HEX #3BBDAA

RGB 59 189 170

HSL 171.23, 0.52%, 0.49%

LAB 69.63, -39.38, -0.62

 

CMYK 69 / 8 / 0 / 26

HEX #3BAEBD

RGB 59 174 189

HSL 186.92, 0.52%, 0.49%

LAB 65.65, -26.85, -17.04

 

CMYK 69 / 26 / 0 / 26

HEX #3B8CBD

RGB 59 140 189

HSL 202.62, 0.52%, 0.49%

LAB 55.44, -8.73, -32.73

 

CMYK 69 / 44 / 0 / 26

HEX #3B69BD

RGB 59 105 189

HSL 218.77, 0.52%, 0.49%

LAB 45.23, 12.39, -48.87

 

CMYK 69 / 63 / 0 / 26

HEX #3B46BD

RGB 59 70 189

HSL 234.92, 0.52%, 0.49%

LAB 35.95, 34.85, -63.88

 

CMYK 69 / 27 / 0 / 50

HEX #285D7F

RGB 40 93 127

HSL 203.45, 0.52%, 0.33%

LAB 37.5, -5.97, -24.25

 

CMYK 68 / 27 / 0 / 38

HEX #32749E

RGB 50 116 158

HSL 203.33, 0.52%, 0.41%

LAB 46.5, -7.01, -28.79

 

CMYK 69 / 26 / 0 / 26

HEX #3B8BBD

RGB 59 139 189

HSL 203.08, 0.52%, 0.49%

LAB 55.14, -8.16, -33.2

 

CMYK 56 / 22 / 0 / 21

HEX #589ECA

RGB 88 158 202

HSL 203.16, 0.52%, 0.57%

LAB 62.33, -9.31, -29.28

 

CMYK 43 / 17 / 0 / 17

HEX #78B0D4

RGB 120 176 212

HSL 203.48, 0.52%, 0.65%

LAB 69.32, -8.87, -23.94

 

CMYK 68 / 26 / 0 / 25

HEX #3C8CBE

RGB 60 140 190

HSL 203.08, 0.52%, 0.49%

LAB 55.52, -8.24, -33.18

 

CMYK 29 / 69 / 0 / 26

HEX #873BBD

RGB 135 59 189

HSL 275.08, 0.52%, 0.49%

LAB 41.14, 54.72, -55.12

 

CMYK 0 / 1 / 69 / 26

HEX #BDBB3B

RGB 189 187 59

HSL 59.08, 0.52%, 0.49%

LAB 73.98, -14.58, 61.82

 

CMYK 68 / 26 / 0 / 25

HEX #3C8CBE

RGB 60 140 190

HSL 203.08, 0.52%, 0.49%

LAB 55.52, -8.24, -33.18

 

CMYK 0 / 69 / 26 / 26

HEX #BD3B8C

RGB 189 59 140

HSL 322.62, 0.52%, 0.49%

LAB 46.76, 59.3, -16.55

 

CMYK 26 / 0 / 69 / 26

HEX #8CBD3B

RGB 140 189 59

HSL 82.62, 0.52%, 0.49%

LAB 71.07, -35.61, 57.74

 

CMYK 68 / 26 / 0 / 25

HEX #3C8CBE

RGB 60 140 190

HSL 203.08, 0.52%, 0.49%

LAB 55.52, -8.24, -33.18

 

CMYK 29 / 69 / 0 / 26

HEX #873BBD

RGB 135 59 189

HSL 275.08, 0.52%, 0.49%

LAB 41.14, 54.72, -55.12

 

CMYK 0 / 42 / 69 / 26

HEX #BD6D3B

RGB 189 109 59

HSL 23.08, 0.52%, 0.49%

LAB 54.1, 27.5, 40.89

 

CMYK 40 / 0 / 69 / 26

HEX #72BD3B

RGB 114 189 59

HSL 94.62, 0.52%, 0.49%

LAB 69.67, -45.02, 55.86

 

CMYK 68 / 26 / 0 / 25

HEX #3C8CBE

RGB 60 140 190

HSL 203.08, 0.52%, 0.49%

LAB 55.52, -8.24, -33.18

 

CMYK 8 / 69 / 0 / 26

HEX #AE3BBD

RGB 174 59 189

HSL 293.08, 0.52%, 0.49%

LAB 46.71, 63.19, -45.87

 

CMYK 0 / 42 / 69 / 26

HEX #BD6D3B

RGB 189 109 59

HSL 23.08, 0.52%, 0.49%

LAB 54.1, 27.5, 40.89

 

CMYK 60 / 0 / 69 / 26

HEX #4BBD3B

RGB 75 189 59

HSL 112.62, 0.52%, 0.49%

LAB 68.17, -56.34, 53.82

 

Description

Color code: HEX #3C8CBE | qconv.com Color code: HEX #3C8CBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 140 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 140 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 26 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 26% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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