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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C37341 it is the complementary color #3C8CBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C37341. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C37341 shade: #C8733C, #D9854F, #EA9762, #FBA975 and #FFBB88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C37341. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C37341 shade: #C37341, #B2612E, #A14F1B, #903D08 and #7F2B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C37341 shade: #C37341, #C35041 and #C34141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C37341 shade: #C37341, #C39641, #C3B941, #A9C341 and #86C341

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C37341 shade matches the following richer shades: #C37341, #D76E2C and #EB6918

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C37341 shade: #C37341, #AE7755, #9A7C69, #86817D and #728591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C37341 shade: #C34154, #C35041, #C37241, #C39541 and #C3B841

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C37341 shade: #864E2A, #A66034, #C37341, #CC8A60 and #D6A17F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C37341 shade: #C37341, #77C341 and #4143C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C37341 shade: #C37341, #41C372 and #7241C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C37341 shade: #C37341, #77C341, #4191C3 and #8C41C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C37341 shade: #C37341, #50C341, #4191C3 and #B341C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

Complementary color

CMYK 68 / 26 / 0 / 25

HEX #3C8CBE

RGB 60 140 190

HSL 203.08, 0.52%, 0.49%

LAB 55.52, -8.24, -33.18

 

CMYK 0 / 43 / 70 / 22

HEX #C8733C

RGB 200 115 60

HSL 23.57, 0.56%, 0.51%

LAB 56.95, 28.88, 43.95

 

CMYK 0 / 39 / 64 / 15

HEX #D9854F

RGB 217 133 79

HSL 23.48, 0.64%, 0.58%

LAB 63.42, 27.36, 42.21

 

CMYK 0 / 35 / 58 / 8

HEX #EA9762

RGB 234 151 98

HSL 23.38, 0.76%, 0.65%

LAB 69.83, 26, 40.53

 

CMYK 0 / 33 / 53 / 2

HEX #FBA975

RGB 251 169 117

HSL 23.28, 0.94%, 0.72%

LAB 76.17, 24.8, 38.95

 

CMYK 0 / 27 / 47 / 0

HEX #FFBB88

RGB 255 187 136

HSL 25.71, 1%, 0.77%

LAB 81.06, 18.64, 35.41

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 0 / 46 / 74 / 30

HEX #B2612E

RGB 178 97 46

HSL 23.18, 0.59%, 0.44%

LAB 49.75, 28.74, 42.32

 

CMYK 0 / 51 / 83 / 37

HEX #A14F1B

RGB 161 79 27

HSL 23.28, 0.71%, 0.37%

LAB 43.13, 30.59, 43.91

 

CMYK 0 / 58 / 94 / 44

HEX #903D08

RGB 144 61 8

HSL 23.38, 0.89%, 0.3%

LAB 36.53, 32.62, 44.56

 

CMYK 0 / 66 / 100 / 50

HEX #7F2B00

RGB 127 43 0

HSL 20.31, 1%, 0.25%

LAB 30.01, 34.67, 41.76

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 0 / 59 / 67 / 24

HEX #C35041

RGB 195 80 65

HSL 6.92, 0.52%, 0.51%

LAB 49.16, 45.09, 32.09

 

CMYK 0 / 67 / 67 / 24

HEX #C34141

RGB 195 65 65

HSL 0, 0.52%, 0.51%

LAB 46.66, 51.75, 29.05

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 0 / 23 / 67 / 24

HEX #C39641

RGB 195 150 65

HSL 39.23, 0.52%, 0.51%

LAB 64.8, 7.93, 49.95

 

CMYK 0 / 5 / 67 / 24

HEX #C3B941

RGB 195 185 65

HSL 55.38, 0.52%, 0.51%

LAB 73.99, -10.67, 59.63

 

CMYK 13 / 0 / 67 / 24

HEX #A9C341

RGB 169 195 65

HSL 72, 0.52%, 0.51%

LAB 74.73, -26.54, 59.76

 

CMYK 31 / 0 / 67 / 24

HEX #86C341

RGB 134 195 65

HSL 88.15, 0.52%, 0.51%

LAB 72.55, -40.11, 56.81

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 0 / 49 / 80 / 16

HEX #D76E2C

RGB 215 110 44

HSL 23.16, 0.68%, 0.51%

LAB 57.83, 36.9, 53.07

 

CMYK 0 / 55 / 90 / 8

HEX #EB6918

RGB 235 105 24

HSL 23.03, 0.84%, 0.51%

LAB 59.74, 46.61, 63.24

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 0 / 32 / 51 / 32

HEX #AE7755

RGB 174 119 85

HSL 22.92, 0.35%, 0.51%

LAB 54.92, 17.62, 27.32

 

CMYK 0 / 19 / 32 / 40

HEX #9A7C69

RGB 154 124 105

HSL 23.27, 0.2%, 0.51%

LAB 54.35, 8.73, 14.76

 

CMYK 0 / 4 / 7 / 47

HEX #86817D

RGB 134 129 125

HSL 26.67, 0.04%, 0.51%

LAB 54.29, 1.12, 2.83

 

CMYK 21 / 8 / 0 / 43

HEX #728591

RGB 114 133 145

HSL 203.23, 0.12%, 0.51%

LAB 54.45, -4.09, -8.73

 

CMYK 0 / 67 / 57 / 24

HEX #C34154

RGB 195 65 84

HSL 351.23, 0.52%, 0.51%

LAB 47, 52.99, 18.06

 

CMYK 0 / 59 / 67 / 24

HEX #C35041

RGB 195 80 65

HSL 6.92, 0.52%, 0.51%

LAB 49.16, 45.09, 32.09

 

CMYK 0 / 42 / 67 / 24

HEX #C37241

RGB 195 114 65

HSL 22.62, 0.52%, 0.51%

LAB 56.11, 27.64, 40.26

 

CMYK 0 / 24 / 67 / 24

HEX #C39541

RGB 195 149 65

HSL 38.77, 0.52%, 0.51%

LAB 64.55, 8.47, 49.67

 

CMYK 0 / 6 / 67 / 24

HEX #C3B841

RGB 195 184 65

HSL 54.92, 0.52%, 0.51%

LAB 73.72, -10.15, 59.35

 

CMYK 0 / 42 / 69 / 47

HEX #864E2A

RGB 134 78 42

HSL 23.48, 0.52%, 0.35%

LAB 39.04, 20.19, 30.9

 

CMYK 0 / 42 / 69 / 35

HEX #A66034

RGB 166 96 52

HSL 23.16, 0.52%, 0.43%

LAB 47.91, 24.53, 36.73

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 0 / 32 / 53 / 20

HEX #CC8A60

RGB 204 138 96

HSL 23.33, 0.51%, 0.59%

LAB 63.23, 20.61, 32.59

 

CMYK 0 / 25 / 41 / 16

HEX #D6A17F

RGB 214 161 127

HSL 23.45, 0.51%, 0.67%

LAB 70.4, 15.28, 25.33

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 39 / 0 / 67 / 24

HEX #77C341

RGB 119 195 65

HSL 95.08, 0.52%, 0.51%

LAB 71.78, -45.37, 55.76

 

CMYK 67 / 66 / 0 / 24

HEX #4143C3

RGB 65 67 195

HSL 239.08, 0.52%, 0.51%

LAB 36.13, 39.58, -67.08

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 67 / 0 / 42 / 24

HEX #41C372

RGB 65 195 114

HSL 142.62, 0.52%, 0.51%

LAB 70.43, -53.35, 30.6

 

CMYK 42 / 67 / 0 / 24

HEX #7241C3

RGB 114 65 195

HSL 262.62, 0.52%, 0.51%

LAB 40.08, 48.99, -60.47

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 39 / 0 / 67 / 24

HEX #77C341

RGB 119 195 65

HSL 95.08, 0.52%, 0.51%

LAB 71.78, -45.37, 55.76

 

CMYK 67 / 26 / 0 / 24

HEX #4191C3

RGB 65 145 195

HSL 203.08, 0.52%, 0.51%

LAB 57.38, -8.58, -33.1

 

CMYK 28 / 67 / 0 / 24

HEX #8C41C3

RGB 140 65 195

HSL 274.62, 0.52%, 0.51%

LAB 43.21, 54.36, -55.25

 

CMYK 0 / 41 / 67 / 24

HEX #C37341

RGB 195 115 65

HSL 23.08, 0.52%, 0.51%

LAB 56.33, 27.1, 40.52

 

CMYK 59 / 0 / 67 / 24

HEX #50C341

RGB 80 195 65

HSL 113.08, 0.52%, 0.51%

LAB 70.26, -56.75, 53.68

 

CMYK 67 / 26 / 0 / 24

HEX #4191C3

RGB 65 145 195

HSL 203.08, 0.52%, 0.51%

LAB 57.38, -8.58, -33.1

 

CMYK 8 / 67 / 0 / 24

HEX #B341C3

RGB 179 65 195

HSL 292.62, 0.52%, 0.51%

LAB 48.64, 63.05, -46.24

 

Description

Color code: HEX #C37341 | qconv.com Color code: HEX #C37341 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 115 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 115 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 67 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 67% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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