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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C9523 it is the complementary color #C36ADC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C9523. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C9523 shade: #41951E, #52A731, #63B944, #74CB57 and #85DD6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C9523. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C9523 shade: #3C9523, #2B8310, #1A7100, #095F00 and #004D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C9523 shade: #3B9422, #5A9422, #799422, #949122 and #947222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C9523 shade: #3B9422, #229428, #229447, #229466 and #229484

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C9523 shade matches the following richer shades: #3B9422, #33A314 and #2BB205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C9523 shade: #3B9422, #448531, #4C7740, #54684F and #5D595E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C9523 shade: #7A9422, #5B9422, #3D9422, #229426 and #229445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C9523 shade: #205113, #2E731B, #3B9422, #49B62A and #5AD039

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C9523 shade: #3C9523, #229490 and #94226A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C9523 shade: #3C9523, #223D94 and #94223D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C9523 shade: #3C9523, #229490, #7A2294 and #942226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C9523 shade: #3C9523, #227694, #7A2294 and #944122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 77 / 42

HEX #3C9523

RGB 60 149 35

HSL 106.84, 0.62%, 0.36%

LAB 54.63, -47.41, 48.91

 

Complementary color

CMYK 11 / 52 / 0 / 14

HEX #C36ADC

RGB 195 106 220

HSL 286.84, 0.62%, 0.64%

LAB 59.05, 53.02, -43.88

 

CMYK 56 / 0 / 80 / 42

HEX #41951E

RGB 65 149 30

HSL 102.35, 0.66%, 0.35%

LAB 54.77, -46.38, 50.8

 

CMYK 51 / 0 / 71 / 35

HEX #52A731

RGB 82 167 49

HSL 103.22, 0.55%, 0.42%

LAB 61.35, -47.07, 50.7

 

CMYK 46 / 0 / 63 / 27

HEX #63B944

RGB 99 185 68

HSL 104.1, 0.46%, 0.5%

LAB 67.85, -47.43, 49.98

 

CMYK 43 / 0 / 57 / 20

HEX #74CB57

RGB 116 203 87

HSL 105, 0.53%, 0.57%

LAB 74.26, -47.58, 48.96

 

CMYK 40 / 0 / 52 / 13

HEX #85DD6A

RGB 133 221 106

HSL 105.91, 0.63%, 0.64%

LAB 80.59, -47.59, 47.83

 

CMYK 60 / 0 / 77 / 42

HEX #3C9523

RGB 60 149 35

HSL 106.84, 0.62%, 0.36%

LAB 54.63, -47.41, 48.91

 

CMYK 67 / 0 / 88 / 49

HEX #2B8310

RGB 43 131 16

HSL 105.91, 0.78%, 0.29%

LAB 47.99, -46.18, 48.32

 

CMYK 77 / 0 / 100 / 56

HEX #1A7100

RGB 26 113 0

HSL 106.19, 1%, 0.22%

LAB 41.26, -44.14, 46.06

 

CMYK 91 / 0 / 100 / 63

HEX #095F00

RGB 9 95 0

HSL 114.32, 1%, 0.19%

LAB 34.48, -40.76, 40.53

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 60 / 0 / 77 / 42

HEX #3B9422

RGB 59 148 34

HSL 106.84, 0.63%, 0.36%

LAB 54.27, -47.37, 48.89

 

CMYK 39 / 0 / 77 / 42

HEX #5A9422

RGB 90 148 34

HSL 90.53, 0.63%, 0.36%

LAB 55.55, -37.64, 50.58

 

CMYK 18 / 0 / 77 / 42

HEX #799422

RGB 121 148 34

HSL 74.21, 0.63%, 0.36%

LAB 57.42, -25.35, 53.03

 

CMYK 0 / 2 / 77 / 42

HEX #949122

RGB 148 145 34

HSL 58.42, 0.63%, 0.36%

LAB 58.66, -11.93, 54.94

 

CMYK 0 / 23 / 77 / 42

HEX #947222

RGB 148 114 34

HSL 42.11, 0.63%, 0.36%

LAB 50.03, 5.24, 46.83

 

CMYK 60 / 0 / 77 / 42

HEX #3B9422

RGB 59 148 34

HSL 106.84, 0.63%, 0.36%

LAB 54.27, -47.37, 48.89

 

CMYK 77 / 0 / 73 / 42

HEX #229428

RGB 34 148 40

HSL 123.16, 0.63%, 0.36%

LAB 53.68, -52.09, 45.86

 

CMYK 77 / 0 / 52 / 42

HEX #229447

RGB 34 148 71

HSL 139.47, 0.63%, 0.36%

LAB 54, -48.23, 31.83

 

CMYK 77 / 0 / 31 / 42

HEX #229466

RGB 34 148 102

HSL 155.79, 0.63%, 0.36%

LAB 54.53, -42.19, 15.65

 

CMYK 77 / 0 / 11 / 42

HEX #229484

RGB 34 148 132

HSL 171.58, 0.63%, 0.36%

LAB 55.26, -34.5, -0.4

 

CMYK 60 / 0 / 77 / 42

HEX #3B9422

RGB 59 148 34

HSL 106.84, 0.63%, 0.36%

LAB 54.27, -47.37, 48.89

 

CMYK 69 / 0 / 88 / 36

HEX #33A314

RGB 51 163 20

HSL 106.99, 0.78%, 0.36%

LAB 58.93, -55.25, 57.12

 

CMYK 76 / 0 / 97 / 30

HEX #2BB205

RGB 43 178 5

HSL 106.82, 0.95%, 0.36%

LAB 63.64, -61.89, 63.4

 

CMYK 60 / 0 / 77 / 42

HEX #3B9422

RGB 59 148 34

HSL 106.84, 0.63%, 0.36%

LAB 54.27, -47.37, 48.89

 

CMYK 49 / 0 / 63 / 48

HEX #448531

RGB 68 133 49

HSL 106.43, 0.46%, 0.36%

LAB 49.77, -37.44, 38.03

 

CMYK 36 / 0 / 46 / 53

HEX #4C7740

RGB 76 119 64

HSL 106.91, 0.3%, 0.36%

LAB 45.77, -26.32, 25.58

 

CMYK 19 / 0 / 24 / 59

HEX #54684F

RGB 84 104 79

HSL 108, 0.14%, 0.36%

LAB 41.77, -12.81, 11.67

 

CMYK 1 / 5 / 0 / 63

HEX #5D595E

RGB 93 89 94

HSL 288, 0.03%, 0.36%

LAB 38.34, 2.66, -2.31

 

CMYK 18 / 0 / 77 / 42

HEX #7A9422

RGB 122 148 34

HSL 73.68, 0.63%, 0.36%

LAB 57.49, -24.92, 53.12

 

CMYK 39 / 0 / 77 / 42

HEX #5B9422

RGB 91 148 34

HSL 90, 0.63%, 0.36%

LAB 55.6, -37.28, 50.65

 

CMYK 59 / 0 / 77 / 42

HEX #3D9422

RGB 61 148 34

HSL 105.79, 0.63%, 0.36%

LAB 54.33, -46.84, 48.98

 

CMYK 77 / 0 / 74 / 42

HEX #229426

RGB 34 148 38

HSL 122.11, 0.63%, 0.36%

LAB 53.66, -52.27, 46.62

 

CMYK 77 / 0 / 53 / 42

HEX #229445

RGB 34 148 69

HSL 138.42, 0.63%, 0.36%

LAB 53.97, -48.54, 32.83

 

CMYK 60 / 0 / 77 / 68

HEX #205113

RGB 32 81 19

HSL 107.42, 0.62%, 0.2%

LAB 30.01, -29.53, 30.06

 

CMYK 60 / 0 / 77 / 55

HEX #2E731B

RGB 46 115 27

HSL 107.05, 0.62%, 0.28%

LAB 42.64, -38.75, 39.79

 

CMYK 60 / 0 / 77 / 42

HEX #3B9422

RGB 59 148 34

HSL 106.84, 0.63%, 0.36%

LAB 54.27, -47.37, 48.89

 

CMYK 60 / 0 / 77 / 29

HEX #49B62A

RGB 73 182 42

HSL 106.71, 0.63%, 0.44%

LAB 65.78, -55.63, 57.56

 

CMYK 57 / 0 / 73 / 18

HEX #5AD039

RGB 90 208 57

HSL 106.89, 0.62%, 0.52%

LAB 74.56, -59.6, 61.31

 

CMYK 60 / 0 / 77 / 42

HEX #3C9523

RGB 60 149 35

HSL 106.84, 0.62%, 0.36%

LAB 54.63, -47.41, 48.91

 

CMYK 77 / 0 / 3 / 42

HEX #229490

RGB 34 148 144

HSL 177.89, 0.63%, 0.36%

LAB 55.62, -31, -6.76

 

CMYK 0 / 77 / 28 / 42

HEX #94226A

RGB 148 34 106

HSL 322.11, 0.63%, 0.36%

LAB 34.96, 52.83, -14.17

 

CMYK 60 / 0 / 77 / 42

HEX #3C9523

RGB 60 149 35

HSL 106.84, 0.62%, 0.36%

LAB 54.63, -47.41, 48.91

 

CMYK 77 / 59 / 0 / 42

HEX #223D94

RGB 34 61 148

HSL 225.79, 0.63%, 0.36%

LAB 28.94, 22.38, -50.8

 

CMYK 0 / 77 / 59 / 42

HEX #94223D

RGB 148 34 61

HSL 345.79, 0.63%, 0.36%

LAB 33.51, 48.27, 12.82

 

CMYK 60 / 0 / 77 / 42

HEX #3C9523

RGB 60 149 35

HSL 106.84, 0.62%, 0.36%

LAB 54.63, -47.41, 48.91

 

CMYK 77 / 0 / 3 / 42

HEX #229490

RGB 34 148 144

HSL 177.89, 0.63%, 0.36%

LAB 55.62, -31, -6.76

 

CMYK 18 / 77 / 0 / 42

HEX #7A2294

RGB 122 34 148

HSL 286.32, 0.63%, 0.36%

LAB 32.74, 53.6, -44.21

 

CMYK 0 / 77 / 74 / 42

HEX #942226

RGB 148 34 38

HSL 357.89, 0.63%, 0.36%

LAB 33.09, 46.9, 27.02

 

CMYK 60 / 0 / 77 / 42

HEX #3C9523

RGB 60 149 35

HSL 106.84, 0.62%, 0.36%

LAB 54.63, -47.41, 48.91

 

CMYK 77 / 20 / 0 / 42

HEX #227694

RGB 34 118 148

HSL 195.79, 0.63%, 0.36%

LAB 46.22, -14.05, -23.35

 

CMYK 18 / 77 / 0 / 42

HEX #7A2294

RGB 122 34 148

HSL 286.32, 0.63%, 0.36%

LAB 32.74, 53.6, -44.21

 

CMYK 0 / 56 / 77 / 42

HEX #944122

RGB 148 65 34

HSL 16.32, 0.63%, 0.36%

LAB 38.18, 32.94, 34.94

 

Description

Color code: HEX #3C9523 | qconv.com Color code: HEX #3C9523 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 149 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 149 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 77 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 77% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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