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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DB743 it is the complementary color #C248BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DB743. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DB743 shade: #42B73E, #53C951, #64DB64, #75ED77 and #86FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DB743. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DB743 shade: #3DB743, #2CA530, #1B931D, #0A810A and #006F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DB743 shade: #3DB743, #58B73D, #79B73D, #9AB73D and #B7B33D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DB743 shade: #3DB743, #3DB764, #3DB785, #3DB7A6 and #3DA7B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DB743 shade matches the following richer shades: #3DB743, #29CB31, #15DF1F and #01F30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DB743 shade: #3DB743, #51A355, #648F66, #787C78 and #8C688A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DB743 shade: #7AB73D, #59B73D, #3DB741, #3DB761 and #3DB782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DB743 shade: #28792C, #329837, #3DB743, #57C75C and #75D17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DB743 shade: #3DB743, #3D9BB7 and #B73D6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DB743 shade: #3DB743, #413DB7 and #B7413D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DB743 shade: #3DB743, #3D9BB7, #B73DB3 and #B7593D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DB743 shade: #3DB743, #3D76B7, #B73DB3 and #B77E3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

Complementary color

CMYK 0 / 63 / 3 / 24

HEX #C248BC

RGB 194 72 188

HSL 302.95, 0.5%, 0.52%

LAB 51.54, 62.58, -37.46

 

CMYK 64 / 0 / 66 / 28

HEX #42B73E

RGB 66 183 62

HSL 118.02, 0.49%, 0.48%

LAB 66.04, -55.97, 50.23

 

CMYK 59 / 0 / 60 / 21

HEX #53C951

RGB 83 201 81

HSL 119, 0.53%, 0.55%

LAB 72.37, -56.57, 49.18

 

CMYK 54 / 0 / 54 / 14

HEX #64DB64

RGB 100 219 100

HSL 120, 0.62%, 0.63%

LAB 78.63, -56.88, 47.97

 

CMYK 51 / 0 / 50 / 7

HEX #75ED77

RGB 117 237 119

HSL 121, 0.77%, 0.69%

LAB 84.83, -56.99, 46.71

 

CMYK 47 / 0 / 46 / 0

HEX #86FF8A

RGB 134 255 138

HSL 121.98, 1%, 0.76%

LAB 90.97, -56.98, 45.45

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 73 / 0 / 71 / 35

HEX #2CA530

RGB 44 165 48

HSL 121.98, 0.58%, 0.41%

LAB 59.58, -55.41, 48.9

 

CMYK 82 / 0 / 80 / 42

HEX #1B931D

RGB 27 147 29

HSL 121, 0.69%, 0.34%

LAB 53.16, -53.63, 49.24

 

CMYK 92 / 0 / 92 / 49

HEX #0A810A

RGB 10 129 10

HSL 120, 0.86%, 0.27%

LAB 46.69, -50.83, 48.29

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 52 / 0 / 67 / 28

HEX #58B73D

RGB 88 183 61

HSL 106.72, 0.5%, 0.48%

LAB 66.73, -50.54, 51.61

 

CMYK 34 / 0 / 67 / 28

HEX #79B73D

RGB 121 183 61

HSL 90.49, 0.5%, 0.48%

LAB 68.22, -39.85, 53.64

 

CMYK 16 / 0 / 67 / 28

HEX #9AB73D

RGB 154 183 61

HSL 74.26, 0.5%, 0.48%

LAB 70.23, -27.12, 56.36

 

CMYK 0 / 2 / 67 / 28

HEX #B7B33D

RGB 183 179 61

HSL 58.03, 0.5%, 0.48%

LAB 71.31, -12.95, 58.18

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 67 / 0 / 45 / 28

HEX #3DB764

RGB 61 183 100

HSL 139.18, 0.5%, 0.48%

LAB 66.35, -51.93, 32.53

 

CMYK 67 / 0 / 27 / 28

HEX #3DB785

RGB 61 183 133

HSL 155.41, 0.5%, 0.48%

LAB 66.94, -45.51, 15.77

 

CMYK 67 / 0 / 9 / 28

HEX #3DB7A6

RGB 61 183 166

HSL 171.64, 0.5%, 0.48%

LAB 67.73, -37.43, -1.2

 

CMYK 67 / 9 / 0 / 28

HEX #3DA7B7

RGB 61 167 183

HSL 187.87, 0.5%, 0.48%

LAB 63.38, -24.87, -17.13

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 80 / 0 / 76 / 20

HEX #29CB31

RGB 41 203 49

HSL 122.96, 0.66%, 0.48%

LAB 71.83, -67.79, 60.95

 

CMYK 91 / 0 / 86 / 13

HEX #15DF1F

RGB 21 223 31

HSL 122.97, 0.83%, 0.48%

LAB 77.89, -76.26, 71.31

 

CMYK 100 / 0 / 95 / 5

HEX #01F30D

RGB 1 243 13

HSL 122.98, 0.99%, 0.48%

LAB 84.04, -82.87, 79.14

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 50 / 0 / 48 / 36

HEX #51A355

RGB 81 163 85

HSL 122.93, 0.34%, 0.48%

LAB 60.43, -41.6, 32.89

 

CMYK 30 / 0 / 29 / 44

HEX #648F66

RGB 100 143 102

HSL 122.79, 0.18%, 0.48%

LAB 55.39, -23.41, 17.23

 

CMYK 3 / 0 / 3 / 51

HEX #787C78

RGB 120 124 120

HSL 120, 0.02%, 0.48%

LAB 51.57, -2.3, 1.65

 

CMYK 0 / 26 / 1 / 45

HEX #8C688A

RGB 140 104 138

HSL 303.33, 0.15%, 0.48%

LAB 48.65, 20.47, -13.11

 

CMYK 33 / 0 / 67 / 28

HEX #7AB73D

RGB 122 183 61

HSL 90, 0.5%, 0.48%

LAB 68.27, -39.49, 53.71

 

CMYK 51 / 0 / 67 / 28

HEX #59B73D

RGB 89 183 61

HSL 106.23, 0.5%, 0.48%

LAB 66.77, -50.26, 51.66

 

CMYK 67 / 0 / 64 / 28

HEX #3DB741

RGB 61 183 65

HSL 121.97, 0.5%, 0.48%

LAB 65.94, -56.71, 48.81

 

CMYK 67 / 0 / 47 / 28

HEX #3DB761

RGB 61 183 97

HSL 137.7, 0.5%, 0.48%

LAB 66.31, -52.43, 34.01

 

CMYK 67 / 0 / 29 / 28

HEX #3DB782

RGB 61 183 130

HSL 153.93, 0.5%, 0.48%

LAB 66.88, -46.17, 17.32

 

CMYK 67 / 0 / 64 / 53

HEX #28792C

RGB 40 121 44

HSL 122.96, 0.5%, 0.32%

LAB 44.67, -40.88, 34.38

 

CMYK 67 / 0 / 64 / 40

HEX #329837

RGB 50 152 55

HSL 122.94, 0.5%, 0.4%

LAB 55.49, -49.01, 41.51

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 56 / 0 / 54 / 22

HEX #57C75C

RGB 87 199 92

HSL 122.68, 0.5%, 0.56%

LAB 71.99, -53.51, 43.67

 

CMYK 44 / 0 / 42 / 18

HEX #75D17A

RGB 117 209 122

HSL 123.26, 0.5%, 0.64%

LAB 76.55, -45.21, 34.79

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 67 / 15 / 0 / 28

HEX #3D9BB7

RGB 61 155 183

HSL 193.77, 0.5%, 0.48%

LAB 59.76, -18.65, -22.66

 

CMYK 0 / 67 / 42 / 28

HEX #B73D6A

RGB 183 61 106

HSL 337.87, 0.5%, 0.48%

LAB 44.86, 52.79, 1.26

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 64 / 67 / 0 / 28

HEX #413DB7

RGB 65 61 183

HSL 241.97, 0.5%, 0.48%

LAB 33.73, 39.2, -63.96

 

CMYK 0 / 64 / 67 / 28

HEX #B7413D

RGB 183 65 61

HSL 1.97, 0.5%, 0.48%

LAB 44.5, 47.44, 28.28

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 67 / 15 / 0 / 28

HEX #3D9BB7

RGB 61 155 183

HSL 193.77, 0.5%, 0.48%

LAB 59.76, -18.65, -22.66

 

CMYK 0 / 67 / 2 / 28

HEX #B73DB3

RGB 183 61 179

HSL 301.97, 0.5%, 0.48%

LAB 47.83, 62.77, -38.17

 

CMYK 0 / 51 / 67 / 28

HEX #B7593D

RGB 183 89 61

HSL 13.77, 0.5%, 0.48%

LAB 48.94, 35.85, 33.65

 

CMYK 67 / 0 / 63 / 28

HEX #3DB743

RGB 61 183 67

HSL 122.95, 0.5%, 0.48%

LAB 65.95, -56.5, 47.96

 

CMYK 67 / 36 / 0 / 28

HEX #3D76B7

RGB 61 118 183

HSL 211.97, 0.5%, 0.48%

LAB 48.72, 2.47, -39.84

 

CMYK 0 / 67 / 2 / 28

HEX #B73DB3

RGB 183 61 179

HSL 301.97, 0.5%, 0.48%

LAB 47.83, 62.77, -38.17

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

Description

Color code: HEX #3DB743 | qconv.com Color code: HEX #3DB743 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 183 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 183 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 63 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 63% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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