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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DB8AC it is the complementary color #C24753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DB8AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DB8AC shade: #42B8A7, #53CABA, #64DCCD, #75EEE0 and #86FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DB8AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DB8AC shade: #3DB8AC, #2CA699, #1B9486, #0A8273 and #007060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DB8AC shade: #3DB7AB, #3DB78A, #3DB769, #3DB748 and #52B73D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DB8AC shade: #3DB7AB, #3DA2B7, #3D81B7, #3D60B7 and #3D3FB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DB8AC shade matches the following richer shades: #3DB7AB, #29CBBB, #15DFCB and #01F3DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DB8AC shade: #3DB7AB, #51A39B, #648F8B, #787C7B and #8C686B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DB8AC shade: #3DB76A, #3DB78A, #3DB7AB, #3DA3B7 and #3D82B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DB8AC shade: #287971, #32988E, #3DB7AB, #57C7BC and #75D1C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DB8AC shade: #3DB8AC, #493DB7 and #B77A3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DB8AC shade: #3DB8AC, #AB3DB7 and #B7AB3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DB8AC shade: #3DB8AC, #493DB7, #B73D49 and #ABB73D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DB8AC shade: #3DB8AC, #6E3DB7, #B73D49 and #86B73D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 7 / 28

HEX #3DB8AC

RGB 61 184 172

HSL 174.15, 0.5%, 0.48%

LAB 68.21, -36.27, -3.81

 

Complementary color

CMYK 0 / 63 / 57 / 24

HEX #C24753

RGB 194 71 83

HSL 354.15, 0.5%, 0.52%

LAB 47.75, 50.04, 19.64

 

CMYK 64 / 0 / 9 / 28

HEX #42B8A7

RGB 66 184 167

HSL 171.36, 0.47%, 0.49%

LAB 68.19, -36.81, -1.07

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 55 / 0 / 7 / 14

HEX #64DCCD

RGB 100 220 205

HSL 172.5, 0.63%, 0.63%

LAB 80.91, -37.26, -2.87

 

CMYK 51 / 0 / 6 / 7

HEX #75EEE0

RGB 117 238 224

HSL 173.06, 0.78%, 0.7%

LAB 87.15, -37.34, -3.66

 

CMYK 47 / 0 / 5 / 0

HEX #86FFF3

RGB 134 255 243

HSL 174.05, 1%, 0.76%

LAB 93.04, -36.91, -4.82

 

CMYK 67 / 0 / 7 / 28

HEX #3DB8AC

RGB 61 184 172

HSL 174.15, 0.5%, 0.48%

LAB 68.21, -36.27, -3.81

 

CMYK 73 / 0 / 8 / 35

HEX #2CA699

RGB 44 166 153

HSL 173.61, 0.58%, 0.41%

LAB 61.75, -35.63, -2.79

 

CMYK 82 / 0 / 9 / 42

HEX #1B9486

RGB 27 148 134

HSL 173.06, 0.69%, 0.34%

LAB 55.21, -34.68, -1.64

 

CMYK 92 / 0 / 12 / 49

HEX #0A8273

RGB 10 130 115

HSL 172.5, 0.86%, 0.27%

LAB 48.6, -33.28, -0.32

 

CMYK 100 / 0 / 14 / 56

HEX #007060

RGB 0 112 96

HSL 171.43, 1%, 0.22%

LAB 41.9, -31.3, 1.21

 

CMYK 67 / 0 / 7 / 28

HEX #3DB7AB

RGB 61 183 171

HSL 174.1, 0.5%, 0.48%

LAB 67.87, -36.08, -3.75

 

CMYK 67 / 0 / 25 / 28

HEX #3DB78A

RGB 61 183 138

HSL 157.87, 0.5%, 0.48%

LAB 67.05, -44.38, 13.2

 

CMYK 67 / 0 / 43 / 28

HEX #3DB769

RGB 61 183 105

HSL 141.64, 0.5%, 0.48%

LAB 66.43, -51.08, 30.04

 

CMYK 67 / 0 / 61 / 28

HEX #3DB748

RGB 61 183 72

HSL 125.41, 0.5%, 0.48%

LAB 66, -55.93, 45.78

 

CMYK 55 / 0 / 67 / 28

HEX #52B73D

RGB 82 183 61

HSL 109.67, 0.5%, 0.48%

LAB 66.52, -52.19, 51.31

 

CMYK 67 / 0 / 7 / 28

HEX #3DB7AB

RGB 61 183 171

HSL 174.1, 0.5%, 0.48%

LAB 67.87, -36.08, -3.75

 

CMYK 67 / 11 / 0 / 28

HEX #3DA2B7

RGB 61 162 183

HSL 190.33, 0.5%, 0.48%

LAB 61.87, -22.31, -19.43

 

CMYK 67 / 30 / 0 / 28

HEX #3D81B7

RGB 61 129 183

HSL 206.56, 0.5%, 0.48%

LAB 51.96, -4.11, -34.74

 

CMYK 67 / 48 / 0 / 28

HEX #3D60B7

RGB 61 96 183

HSL 222.79, 0.5%, 0.48%

LAB 42.42, 16.28, -49.87

 

CMYK 67 / 66 / 0 / 28

HEX #3D3FB7

RGB 61 63 183

HSL 239.02, 0.5%, 0.48%

LAB 33.91, 37.42, -63.68

 

CMYK 67 / 0 / 7 / 28

HEX #3DB7AB

RGB 61 183 171

HSL 174.1, 0.5%, 0.48%

LAB 67.87, -36.08, -3.75

 

CMYK 80 / 0 / 8 / 20

HEX #29CBBB

RGB 41 203 187

HSL 174.07, 0.66%, 0.48%

LAB 74.04, -43.06, -3.45

 

CMYK 91 / 0 / 9 / 13

HEX #15DFCB

RGB 21 223 203

HSL 174.06, 0.83%, 0.48%

LAB 80.32, -48.52, -2.83

 

CMYK 100 / 0 / 10 / 5

HEX #01F3DB

RGB 1 243 219

HSL 174.05, 0.99%, 0.48%

LAB 86.61, -53.04, -2.05

 

CMYK 67 / 0 / 7 / 28

HEX #3DB7AB

RGB 61 183 171

HSL 174.1, 0.5%, 0.48%

LAB 67.87, -36.08, -3.75

 

CMYK 50 / 0 / 5 / 36

HEX #51A39B

RGB 81 163 155

HSL 174.15, 0.34%, 0.48%

LAB 61.92, -26.99, -3.54

 

CMYK 30 / 0 / 3 / 44

HEX #648F8B

RGB 100 143 139

HSL 174.42, 0.18%, 0.48%

LAB 56.31, -15.57, -2.61

 

CMYK 3 / 0 / 1 / 51

HEX #787C7B

RGB 120 124 123

HSL 165, 0.02%, 0.48%

LAB 51.65, -1.7, 0.02

 

CMYK 0 / 26 / 24 / 45

HEX #8C686B

RGB 140 104 107

HSL 355, 0.15%, 0.48%

LAB 47.67, 14.9, 3.95

 

CMYK 67 / 0 / 42 / 28

HEX #3DB76A

RGB 61 183 106

HSL 142.13, 0.5%, 0.48%

LAB 66.44, -50.9, 29.54

 

CMYK 67 / 0 / 25 / 28

HEX #3DB78A

RGB 61 183 138

HSL 157.87, 0.5%, 0.48%

LAB 67.05, -44.38, 13.2

 

CMYK 67 / 0 / 7 / 28

HEX #3DB7AB

RGB 61 183 171

HSL 174.1, 0.5%, 0.48%

LAB 67.87, -36.08, -3.75

 

CMYK 67 / 11 / 0 / 28

HEX #3DA3B7

RGB 61 163 183

HSL 189.84, 0.5%, 0.48%

LAB 62.17, -22.83, -18.97

 

CMYK 67 / 29 / 0 / 28

HEX #3D82B7

RGB 61 130 183

HSL 206.07, 0.5%, 0.48%

LAB 52.26, -4.7, -34.27

 

CMYK 67 / 0 / 7 / 53

HEX #287971

RGB 40 121 113

HSL 174.07, 0.5%, 0.32%

LAB 46.07, -26.16, -2.79

 

CMYK 67 / 0 / 7 / 40

HEX #32988E

RGB 50 152 142

HSL 174.12, 0.5%, 0.4%

LAB 57.16, -31.3, -3.3

 

CMYK 67 / 0 / 7 / 28

HEX #3DB7AB

RGB 61 183 171

HSL 174.1, 0.5%, 0.48%

LAB 67.87, -36.08, -3.75

 

CMYK 56 / 0 / 6 / 22

HEX #57C7BC

RGB 87 199 188

HSL 174.11, 0.5%, 0.56%

LAB 73.87, -34.43, -4.13

 

CMYK 44 / 0 / 4 / 18

HEX #75D1C8

RGB 117 209 200

HSL 174.13, 0.5%, 0.64%

LAB 78.2, -29.6, -4.1

 

CMYK 67 / 0 / 7 / 28

HEX #3DB8AC

RGB 61 184 172

HSL 174.15, 0.5%, 0.48%

LAB 68.21, -36.27, -3.81

 

CMYK 60 / 67 / 0 / 28

HEX #493DB7

RGB 73 61 183

HSL 245.9, 0.5%, 0.48%

LAB 34.34, 40.39, -62.94

 

CMYK 0 / 33 / 67 / 28

HEX #B77A3D

RGB 183 122 61

HSL 30, 0.5%, 0.48%

LAB 56.41, 17.91, 42.25

 

CMYK 67 / 0 / 7 / 28

HEX #3DB8AC

RGB 61 184 172

HSL 174.15, 0.5%, 0.48%

LAB 68.21, -36.27, -3.81

 

CMYK 7 / 67 / 0 / 28

HEX #AB3DB7

RGB 171 61 183

HSL 294.1, 0.5%, 0.48%

LAB 46.2, 60.64, -43.22

 

CMYK 0 / 7 / 67 / 28

HEX #B7AB3D

RGB 183 171 61

HSL 54.1, 0.5%, 0.48%

LAB 69.13, -8.8, 55.94

 

CMYK 67 / 0 / 7 / 28

HEX #3DB8AC

RGB 61 184 172

HSL 174.15, 0.5%, 0.48%

LAB 68.21, -36.27, -3.81

 

CMYK 60 / 67 / 0 / 28

HEX #493DB7

RGB 73 61 183

HSL 245.9, 0.5%, 0.48%

LAB 34.34, 40.39, -62.94

 

CMYK 0 / 67 / 60 / 28

HEX #B73D49

RGB 183 61 73

HSL 354.1, 0.5%, 0.48%

LAB 44.07, 49.93, 20.49

 

CMYK 7 / 0 / 67 / 28

HEX #ABB73D

RGB 171 183 61

HSL 65.9, 0.5%, 0.48%

LAB 71.46, -20.08, 58.03

 

CMYK 67 / 0 / 7 / 28

HEX #3DB8AC

RGB 61 184 172

HSL 174.15, 0.5%, 0.48%

LAB 68.21, -36.27, -3.81

 

CMYK 40 / 67 / 0 / 28

HEX #6E3DB7

RGB 110 61 183

HSL 264.1, 0.5%, 0.48%

LAB 37.97, 47.12, -56.87

 

CMYK 0 / 67 / 60 / 28

HEX #B73D49

RGB 183 61 73

HSL 354.1, 0.5%, 0.48%

LAB 44.07, 49.93, 20.49

 

CMYK 27 / 0 / 67 / 28

HEX #86B73D

RGB 134 183 61

HSL 84.1, 0.5%, 0.48%

LAB 68.95, -35.03, 54.63

 

Description

Color code: HEX #3DB8AC | qconv.com Color code: HEX #3DB8AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 184 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 184 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 7 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 7% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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