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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DE99E it is the complementary color #C21661. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DE99E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DE99E shade: #42E999, #53FBAC, #64FFBF, #75FFD2 and #86FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DE99E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DE99E shade: #3DE99E, #2CD78B, #1BC578, #0AB365 and #00A152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DE99E shade: #3EE99E, #3EE970, #3EE942, #68E93E and #96E93E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DE99E shade: #3EE99E, #3EE9CD, #3ED7E9, #3EA9E9 and #3E7BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DE99E shade matches the following richer shades: #3EE99E and #2CFAA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DE99E shade: #3EE99E, #4FD89C, #60C69A, #72B598 and #83A495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DE99E shade: #3EE941, #3EE96E, #3EE99C, #3EE9CA and #3EDBE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DE99E shade: #15BF75, #19E58C, #3EE99E, #63EDB1 and #88F1C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DE99E shade: #3DE99E, #3E69E9 and #E9573E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DE99E shade: #3DE99E, #9C3EE9 and #E99C3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DE99E shade: #3DE99E, #3E69E9, #E93E8B and #E9BE3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DE99E shade: #3DE99E, #463EE9, #E93E8B and #E1E93E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 32 / 9

HEX #3DE99E

RGB 61 233 158

HSL 153.84, 0.8%, 0.58%

LAB 82.77, -59.9, 24.36

 

Complementary color

CMYK 0 / 89 / 50 / 24

HEX #C21661

RGB 194 22 97

HSL 333.84, 0.8%, 0.42%

LAB 42.62, 66.36, 3.87

 

CMYK 72 / 0 / 34 / 9

HEX #42E999

RGB 66 233 153

HSL 151.26, 0.79%, 0.59%

LAB 82.77, -60.22, 26.94

 

CMYK 67 / 0 / 31 / 2

HEX #53FBAC

RGB 83 251 172

HSL 151.79, 0.95%, 0.65%

LAB 88.83, -60.7, 25.55

 

CMYK 61 / 0 / 25 / 0

HEX #64FFBF

RGB 100 255 191

HSL 155.23, 1%, 0.7%

LAB 90.78, -55.49, 18.61

 

CMYK 54 / 0 / 18 / 0

HEX #75FFD2

RGB 117 255 210

HSL 160.43, 1%, 0.73%

LAB 91.66, -48.1, 10.17

 

CMYK 47 / 0 / 10 / 0

HEX #86FFE5

RGB 134 255 229

HSL 167.11, 1%, 0.76%

LAB 92.68, -40.18, 1.9

 

CMYK 74 / 0 / 32 / 9

HEX #3DE99E

RGB 61 233 158

HSL 153.84, 0.8%, 0.58%

LAB 82.77, -59.9, 24.36

 

CMYK 80 / 0 / 35 / 16

HEX #2CD78B

RGB 44 215 139

HSL 153.33, 0.68%, 0.51%

LAB 76.68, -59.05, 25.87

 

CMYK 86 / 0 / 39 / 23

HEX #1BC578

RGB 27 197 120

HSL 152.82, 0.76%, 0.44%

LAB 70.54, -57.83, 27.51

 

CMYK 94 / 0 / 44 / 30

HEX #0AB365

RGB 10 179 101

HSL 152.31, 0.89%, 0.37%

LAB 64.36, -56.11, 29.3

 

CMYK 100 / 0 / 49 / 37

HEX #00A152

RGB 0 161 82

HSL 150.56, 1%, 0.32%

LAB 58.13, -53.8, 31.21

 

CMYK 73 / 0 / 32 / 9

HEX #3EE99E

RGB 62 233 158

HSL 153.68, 0.8%, 0.58%

LAB 82.79, -59.77, 24.39

 

CMYK 73 / 0 / 52 / 9

HEX #3EE970

RGB 62 233 112

HSL 137.54, 0.8%, 0.58%

LAB 82.09, -67.71, 46.32

 

CMYK 73 / 0 / 72 / 9

HEX #3EE942

RGB 62 233 66

HSL 121.4, 0.8%, 0.58%

LAB 81.67, -72.77, 65.14

 

CMYK 55 / 0 / 73 / 9

HEX #68E93E

RGB 104 233 62

HSL 105.26, 0.8%, 0.58%

LAB 82.68, -64.55, 67.87

 

CMYK 36 / 0 / 73 / 9

HEX #96E93E

RGB 150 233 62

HSL 89.12, 0.8%, 0.58%

LAB 84.54, -50.76, 70.33

 

CMYK 73 / 0 / 32 / 9

HEX #3EE99E

RGB 62 233 158

HSL 153.68, 0.8%, 0.58%

LAB 82.79, -59.77, 24.39

 

CMYK 73 / 0 / 12 / 9

HEX #3EE9CD

RGB 62 233 205

HSL 170.18, 0.8%, 0.58%

LAB 83.81, -48.96, 1.28

 

CMYK 73 / 8 / 0 / 9

HEX #3ED7E9

RGB 62 215 233

HSL 186.32, 0.8%, 0.58%

LAB 79.33, -33.14, -20.25

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 73 / 47 / 0 / 9

HEX #3E7BE9

RGB 62 123 233

HSL 218.6, 0.8%, 0.58%

LAB 53.03, 17.51, -61.38

 

CMYK 73 / 0 / 32 / 9

HEX #3EE99E

RGB 62 233 158

HSL 153.68, 0.8%, 0.58%

LAB 82.79, -59.77, 24.39

 

CMYK 82 / 0 / 36 / 2

HEX #2CFAA1

RGB 44 250 161

HSL 154.08, 0.95%, 0.58%

LAB 87.72, -67.26, 29.5

 

CMYK 73 / 0 / 32 / 9

HEX #3EE99E

RGB 62 233 158

HSL 153.68, 0.8%, 0.58%

LAB 82.79, -59.77, 24.39

 

CMYK 63 / 0 / 28 / 15

HEX #4FD89C

RGB 79 216 156

HSL 153.72, 0.64%, 0.58%

LAB 77.98, -50.9, 18.87

 

CMYK 52 / 0 / 22 / 22

HEX #60C69A

RGB 96 198 154

HSL 154.12, 0.47%, 0.58%

LAB 73.03, -40.12, 13.09

 

CMYK 37 / 0 / 16 / 29

HEX #72B598

RGB 114 181 152

HSL 154.03, 0.31%, 0.58%

LAB 68.67, -27.86, 8.11

 

CMYK 20 / 0 / 9 / 36

HEX #83A495

RGB 131 164 149

HSL 152.73, 0.15%, 0.58%

LAB 64.6, -14.49, 4.04

 

CMYK 73 / 0 / 72 / 9

HEX #3EE941

RGB 62 233 65

HSL 121.05, 0.8%, 0.58%

LAB 81.67, -72.85, 65.49

 

CMYK 73 / 0 / 53 / 9

HEX #3EE96E

RGB 62 233 110

HSL 136.84, 0.8%, 0.58%

LAB 82.07, -67.99, 47.23

 

CMYK 73 / 0 / 33 / 9

HEX #3EE99C

RGB 62 233 156

HSL 152.98, 0.8%, 0.58%

LAB 82.75, -60.17, 25.37

 

CMYK 73 / 0 / 13 / 9

HEX #3EE9CA

RGB 62 233 202

HSL 169.12, 0.8%, 0.58%

LAB 83.74, -49.72, 2.75

 

CMYK 73 / 6 / 0 / 9

HEX #3EDBE9

RGB 62 219 233

HSL 184.91, 0.8%, 0.58%

LAB 80.5, -35.03, -18.49

 

CMYK 89 / 0 / 39 / 25

HEX #15BF75

RGB 21 191 117

HSL 153.88, 0.8%, 0.42%

LAB 68.54, -56.69, 26.41

 

CMYK 89 / 0 / 39 / 10

HEX #19E58C

RGB 25 229 140

HSL 153.82, 0.8%, 0.5%

LAB 80.82, -65.34, 30.86

 

CMYK 73 / 0 / 32 / 9

HEX #3EE99E

RGB 62 233 158

HSL 153.68, 0.8%, 0.58%

LAB 82.79, -59.77, 24.39

 

CMYK 58 / 0 / 25 / 7

HEX #63EDB1

RGB 99 237 177

HSL 153.91, 0.79%, 0.66%

LAB 85.2, -51.28, 18.02

 

CMYK 44 / 0 / 19 / 5

HEX #88F1C3

RGB 136 241 195

HSL 153.71, 0.79%, 0.74%

LAB 88.01, -40.8, 12.82

 

CMYK 74 / 0 / 32 / 9

HEX #3DE99E

RGB 61 233 158

HSL 153.84, 0.8%, 0.58%

LAB 82.77, -59.9, 24.36

 

CMYK 73 / 55 / 0 / 9

HEX #3E69E9

RGB 62 105 233

HSL 224.91, 0.8%, 0.58%

LAB 48.27, 28.77, -69.07

 

CMYK 0 / 63 / 73 / 9

HEX #E9573E

RGB 233 87 62

HSL 8.77, 0.8%, 0.58%

LAB 56.57, 55.15, 43.92

 

CMYK 74 / 0 / 32 / 9

HEX #3DE99E

RGB 61 233 158

HSL 153.84, 0.8%, 0.58%

LAB 82.77, -59.9, 24.36

 

CMYK 33 / 73 / 0 / 9

HEX #9C3EE9

RGB 156 62 233

HSL 272.98, 0.8%, 0.58%

LAB 47.49, 67.3, -70

 

CMYK 0 / 33 / 73 / 9

HEX #E99C3E

RGB 233 156 62

HSL 32.98, 0.8%, 0.58%

LAB 70.49, 20.79, 58.54

 

CMYK 74 / 0 / 32 / 9

HEX #3DE99E

RGB 61 233 158

HSL 153.84, 0.8%, 0.58%

LAB 82.77, -59.9, 24.36

 

CMYK 73 / 55 / 0 / 9

HEX #3E69E9

RGB 62 105 233

HSL 224.91, 0.8%, 0.58%

LAB 48.27, 28.77, -69.07

 

CMYK 0 / 73 / 40 / 9

HEX #E93E8B

RGB 233 62 139

HSL 332.98, 0.8%, 0.58%

LAB 54.69, 69.95, -3.28

 

CMYK 0 / 18 / 73 / 9

HEX #E9BE3E

RGB 233 190 62

HSL 44.91, 0.8%, 0.58%

LAB 78.75, 2.84, 66.71

 

CMYK 74 / 0 / 32 / 9

HEX #3DE99E

RGB 61 233 158

HSL 153.84, 0.8%, 0.58%

LAB 82.77, -59.9, 24.36

 

CMYK 70 / 73 / 0 / 9

HEX #463EE9

RGB 70 62 233

HSL 242.81, 0.8%, 0.58%

LAB 38.95, 55.27, -84.32

 

CMYK 0 / 73 / 40 / 9

HEX #E93E8B

RGB 233 62 139

HSL 332.98, 0.8%, 0.58%

LAB 54.69, 69.95, -3.28

 

CMYK 3 / 0 / 73 / 9

HEX #E1E93E

RGB 225 233 62

HSL 62.81, 0.8%, 0.58%

LAB 89.22, -22.11, 76.44

 

Description

Color code: HEX #3DE99E | qconv.com Color code: HEX #3DE99E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 233 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 233 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 32 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 32% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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