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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E407D it is the complementary color #C1BF82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E407D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E407D shade: #434078, #54528B, #65649E, #7676B1 and #8788C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E407D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E407D shade: #3E407D, #2D2E6A, #1C1C57, #0B0A44 and #000031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E407D shade: #3E407E, #4D3E7E, #5E3E7E, #703E7E and #7E3E7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E407D shade: #3E407E and #3E3E7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E407D shade matches the following richer shades: #3E407E, #2F328D, #1F239C, #1015AC and #0107BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E407D shade: #3E407E, #4D4E6F, #5C5C5F, #6C6B50 and #7B7941

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E407D shade: #3E627E, #3E517E, #3E407E, #4D3E7E and #5E3E7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E407D shade: #232447, #303262, #3E407E, #4B4E9A and #5F61B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E407D shade: #3E407D, #7E3E73 and #5A7E3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E407D shade: #3E407D, #7E3E40 and #407E3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E407D shade: #3E407D, #7E3E73, #7E7C3E and #3E7E48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E407D shade: #3E407D, #7E3E60, #7E7C3E and #3E7E5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 49 / 0 / 51

HEX #3E407D

RGB 62 64 125

HSL 238.1, 0.34%, 0.37%

LAB 29.84, 17.07, -35.02

 

Complementary color

CMYK 0 / 1 / 33 / 24

HEX #C1BF82

RGB 193 191 130

HSL 58.1, 0.34%, 0.63%

LAB 76.2, -8.72, 31.09

 

CMYK 44 / 47 / 0 / 53

HEX #434078

RGB 67 64 120

HSL 243.21, 0.3%, 0.36%

LAB 29.95, 16.76, -31.69

 

CMYK 40 / 41 / 0 / 45

HEX #54528B

RGB 84 82 139

HSL 242.11, 0.26%, 0.43%

LAB 37.45, 15.71, -31.47

 

CMYK 36 / 37 / 0 / 38

HEX #65649E

RGB 101 100 158

HSL 241.03, 0.23%, 0.51%

LAB 44.73, 14.86, -31.34

 

CMYK 33 / 33 / 0 / 31

HEX #7676B1

RGB 118 118 177

HSL 240, 0.27%, 0.58%

LAB 51.82, 14.14, -31.27

 

CMYK 31 / 31 / 0 / 23

HEX #8788C4

RGB 135 136 196

HSL 239.02, 0.34%, 0.65%

LAB 58.74, 13.53, -31.26

 

CMYK 50 / 49 / 0 / 51

HEX #3E407D

RGB 62 64 125

HSL 238.1, 0.34%, 0.37%

LAB 29.84, 17.07, -35.02

 

CMYK 58 / 57 / 0 / 58

HEX #2D2E6A

RGB 45 46 106

HSL 239.02, 0.4%, 0.3%

LAB 22.13, 18.64, -35.38

 

CMYK 68 / 68 / 0 / 66

HEX #1C1C57

RGB 28 28 87

HSL 240, 0.51%, 0.23%

LAB 14.21, 20.74, -35.75

 

CMYK 84 / 85 / 0 / 73

HEX #0B0A44

RGB 11 10 68

HSL 241.03, 0.74%, 0.15%

LAB 6.37, 22.83, -35.52

 

CMYK 100 / 100 / 0 / 81

HEX #000031

RGB 0 0 49

HSL 240, 1%, 0.1%

LAB 2, 14.08, -28.82

 

CMYK 51 / 49 / 0 / 51

HEX #3E407E

RGB 62 64 126

HSL 238.13, 0.34%, 0.37%

LAB 29.9, 17.41, -35.55

 

CMYK 39 / 51 / 0 / 51

HEX #4D3E7E

RGB 77 62 126

HSL 254.06, 0.34%, 0.37%

LAB 30.71, 22.69, -34.18

 

CMYK 25 / 51 / 0 / 51

HEX #5E3E7E

RGB 94 62 126

HSL 270, 0.34%, 0.37%

LAB 32.55, 27.6, -31.15

 

CMYK 11 / 51 / 0 / 51

HEX #703E7E

RGB 112 62 126

HSL 286.88, 0.34%, 0.37%

LAB 34.8, 33.07, -27.46

 

CMYK 0 / 51 / 2 / 51

HEX #7E3E7B

RGB 126 62 123

HSL 302.81, 0.34%, 0.37%

LAB 36.58, 36.82, -22.67

 

CMYK 51 / 49 / 0 / 51

HEX #3E407E

RGB 62 64 126

HSL 238.13, 0.34%, 0.37%

LAB 29.9, 17.41, -35.55

 

CMYK 51 / 51 / 0 / 51

HEX #3E3E7E

RGB 62 62 126

HSL 240, 0.34%, 0.37%

LAB 29.35, 18.74, -36.43

 

CMYK 51 / 49 / 0 / 51

HEX #3E407E

RGB 62 64 126

HSL 238.13, 0.34%, 0.37%

LAB 29.9, 17.41, -35.55

 

CMYK 67 / 65 / 0 / 45

HEX #2F328D

RGB 47 50 141

HSL 238.09, 0.5%, 0.37%

LAB 26.18, 28.96, -50.96

 

CMYK 80 / 78 / 0 / 39

HEX #1F239C

RGB 31 35 156

HSL 238.08, 0.67%, 0.37%

LAB 23.32, 41.77, -64.94

 

CMYK 91 / 88 / 0 / 33

HEX #1015AC

RGB 16 21 172

HSL 238.08, 0.83%, 0.37%

LAB 22.39, 52.99, -76.22

 

CMYK 99 / 96 / 0 / 27

HEX #0107BB

RGB 1 7 187

HSL 238.06, 0.99%, 0.37%

LAB 22.81, 61.08, -84.51

 

CMYK 51 / 49 / 0 / 51

HEX #3E407E

RGB 62 64 126

HSL 238.13, 0.34%, 0.37%

LAB 29.9, 17.41, -35.55

 

CMYK 31 / 30 / 0 / 56

HEX #4D4E6F

RGB 77 78 111

HSL 238.24, 0.18%, 0.37%

LAB 34.34, 7.94, -19.09

 

CMYK 3 / 3 / 0 / 63

HEX #5C5C5F

RGB 92 92 95

HSL 240, 0.02%, 0.37%

LAB 39.17, 0.64, -1.72

 

CMYK 0 / 1 / 26 / 58

HEX #6C6B50

RGB 108 107 80

HSL 57.86, 0.15%, 0.37%

LAB 44.64, -4.47, 15.32

 

CMYK 0 / 2 / 47 / 52

HEX #7B7941

RGB 123 121 65

HSL 57.93, 0.31%, 0.37%

LAB 49.82, -7.86, 30.82

 

CMYK 51 / 22 / 0 / 51

HEX #3E627E

RGB 62 98 126

HSL 206.25, 0.34%, 0.37%

LAB 40.02, -4.5, -19.65

 

CMYK 51 / 36 / 0 / 51

HEX #3E517E

RGB 62 81 126

HSL 222.19, 0.34%, 0.37%

LAB 34.83, 6.18, -27.73

 

CMYK 51 / 49 / 0 / 51

HEX #3E407E

RGB 62 64 126

HSL 238.13, 0.34%, 0.37%

LAB 29.9, 17.41, -35.55

 

CMYK 39 / 51 / 0 / 51

HEX #4D3E7E

RGB 77 62 126

HSL 254.06, 0.34%, 0.37%

LAB 30.71, 22.69, -34.18

 

CMYK 25 / 51 / 0 / 51

HEX #5E3E7E

RGB 94 62 126

HSL 270, 0.34%, 0.37%

LAB 32.55, 27.6, -31.15

 

CMYK 51 / 49 / 0 / 72

HEX #232447

RGB 35 36 71

HSL 238.33, 0.34%, 0.21%

LAB 15.87, 10.55, -22.13

 

CMYK 51 / 49 / 0 / 62

HEX #303262

RGB 48 50 98

HSL 237.6, 0.34%, 0.29%

LAB 22.97, 13.76, -28.82

 

CMYK 51 / 49 / 0 / 51

HEX #3E407E

RGB 62 64 126

HSL 238.13, 0.34%, 0.37%

LAB 29.9, 17.41, -35.55

 

CMYK 51 / 49 / 0 / 40

HEX #4B4E9A

RGB 75 78 154

HSL 237.72, 0.34%, 0.45%

LAB 36.51, 20.65, -42.1

 

CMYK 46 / 45 / 0 / 31

HEX #5F61B0

RGB 95 97 176

HSL 238.52, 0.34%, 0.53%

LAB 44.4, 20.43, -42.5

 

CMYK 50 / 49 / 0 / 51

HEX #3E407D

RGB 62 64 125

HSL 238.1, 0.34%, 0.37%

LAB 29.84, 17.07, -35.02

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 29 / 0 / 51 / 51

HEX #5A7E3E

RGB 90 126 62

HSL 93.75, 0.34%, 0.37%

LAB 48.81, -24.78, 30.64

 

CMYK 50 / 49 / 0 / 51

HEX #3E407D

RGB 62 64 125

HSL 238.1, 0.34%, 0.37%

LAB 29.84, 17.07, -35.02

 

CMYK 0 / 51 / 49 / 51

HEX #7E3E40

RGB 126 62 64

HSL 358.13, 0.34%, 0.37%

LAB 34.5, 27.84, 11.6

 

CMYK 49 / 0 / 51 / 51

HEX #407E3E

RGB 64 126 62

HSL 118.13, 0.34%, 0.37%

LAB 47.44, -33.97, 28.64

 

CMYK 50 / 49 / 0 / 51

HEX #3E407D

RGB 62 64 125

HSL 238.1, 0.34%, 0.37%

LAB 29.84, 17.07, -35.02

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 2 / 51 / 51

HEX #7E7C3E

RGB 126 124 62

HSL 58.13, 0.34%, 0.37%

LAB 50.92, -8.5, 33.82

 

CMYK 51 / 0 / 43 / 51

HEX #3E7E48

RGB 62 126 72

HSL 129.38, 0.34%, 0.37%

LAB 47.51, -32.96, 23.23

 

CMYK 50 / 49 / 0 / 51

HEX #3E407D

RGB 62 64 125

HSL 238.1, 0.34%, 0.37%

LAB 29.84, 17.07, -35.02

 

CMYK 0 / 51 / 24 / 51

HEX #7E3E60

RGB 126 62 96

HSL 328.13, 0.34%, 0.37%

LAB 35.45, 32.08, -7.43

 

CMYK 0 / 2 / 51 / 51

HEX #7E7C3E

RGB 126 124 62

HSL 58.13, 0.34%, 0.37%

LAB 50.92, -8.5, 33.82

 

CMYK 51 / 0 / 27 / 51

HEX #3E7E5C

RGB 62 126 92

HSL 148.13, 0.34%, 0.37%

LAB 47.9, -29.02, 12.33

 

Description

Color code: HEX #3E407D | qconv.com Color code: HEX #3E407D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 64 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 64 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 49 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 49% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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