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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E5CD0 it is the complementary color #C1A32F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E5CD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E5CD0 shade: #435CCB, #546EDE, #6580F1, #7692FF and #87A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E5CD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E5CD0 shade: #3E5CD0, #2D4ABD, #1C38AA, #0B2697 and #001484

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E5CD0 shade: #3E5CD0, #473ED0, #6E3ED0, #963ED0 and #BD3ED0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E5CD0 shade: #3E5CD0 and #3E3ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E5CD0 shade matches the following richer shades: #3E5CD0, #2A50E3 and #1745F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E5CD0 shade: #3E5CD0, #5167BC, #6472A9, #787E96 and #8B8982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E5CD0 shade: #3EABD0, #3E84D0, #3E5DD0, #453ED0 and #6C3ED0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E5CD0 shade: #243C97, #2C49B8, #3E5CD0, #5F78D8 and #8094E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E5CD0 shade: #3E5CD0, #CD3ED0 and #98D03E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E5CD0 shade: #3E5CD0, #D03E5D and #5DD03E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E5CD0 shade: #3E5CD0, #CD3ED0, #D0B03E and #40D03E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E5CD0 shade: #3E5CD0, #D03EA6, #D0B03E and #3ED067

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

Complementary color

CMYK 0 / 16 / 76 / 24

HEX #C1A32F

RGB 193 163 47

HSL 47.67, 0.61%, 0.47%

LAB 67.83, -0.89, 60.42

 

CMYK 67 / 55 / 0 / 20

HEX #435CCB

RGB 67 92 203

HSL 228.97, 0.57%, 0.53%

LAB 43, 26.96, -60.54

 

CMYK 62 / 50 / 0 / 13

HEX #546EDE

RGB 84 110 222

HSL 228.7, 0.68%, 0.6%

LAB 49.87, 25, -60.24

 

CMYK 58 / 47 / 0 / 5

HEX #6580F1

RGB 101 128 241

HSL 228.43, 0.83%, 0.67%

LAB 56.64, 23.36, -59.94

 

CMYK 54 / 43 / 0 / 0

HEX #7692FF

RGB 118 146 255

HSL 227.74, 1%, 0.73%

LAB 63.04, 20.42, -57.37

 

CMYK 47 / 36 / 0 / 0

HEX #87A4FF

RGB 135 164 255

HSL 225.5, 1%, 0.76%

LAB 68.69, 13.7, -48.34

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 76 / 61 / 0 / 26

HEX #2D4ABD

RGB 45 74 189

HSL 227.92, 0.62%, 0.46%

LAB 36.23, 30.59, -63.45

 

CMYK 84 / 67 / 0 / 33

HEX #1C38AA

RGB 28 56 170

HSL 228.17, 0.72%, 0.39%

LAB 29.36, 33.65, -63.47

 

CMYK 93 / 75 / 0 / 41

HEX #0B2697

RGB 11 38 151

HSL 228.43, 0.86%, 0.32%

LAB 22.62, 37.11, -63.04

 

CMYK 100 / 85 / 0 / 48

HEX #001484

RGB 0 20 132

HSL 230.91, 1%, 0.26%

LAB 16.34, 40.35, -61.63

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 66 / 70 / 0 / 18

HEX #473ED0

RGB 71 62 208

HSL 243.7, 0.61%, 0.53%

LAB 36.63, 47.53, -73.82

 

CMYK 47 / 70 / 0 / 18

HEX #6E3ED0

RGB 110 62 208

HSL 259.73, 0.61%, 0.53%

LAB 40.1, 53.26, -67.99

 

CMYK 28 / 70 / 0 / 18

HEX #963ED0

RGB 150 62 208

HSL 276.16, 0.61%, 0.53%

LAB 44.92, 60.68, -59.95

 

CMYK 9 / 70 / 0 / 18

HEX #BD3ED0

RGB 189 62 208

HSL 292.19, 0.61%, 0.53%

LAB 50.47, 68.74, -50.72

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 70 / 70 / 0 / 18

HEX #3E3ED0

RGB 62 62 208

HSL 240, 0.61%, 0.53%

LAB 36.03, 46.5, -74.83

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 81 / 65 / 0 / 11

HEX #2A50E3

RGB 42 80 227

HSL 227.68, 0.77%, 0.53%

LAB 40.86, 40.39, -77.82

 

CMYK 91 / 72 / 0 / 3

HEX #1745F7

RGB 23 69 247

HSL 227.68, 0.93%, 0.53%

LAB 39.84, 53.05, -90.82

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 57 / 45 / 0 / 26

HEX #5167BC

RGB 81 103 188

HSL 227.66, 0.44%, 0.53%

LAB 45.74, 17.33, -47.41

 

CMYK 41 / 33 / 0 / 34

HEX #6472A9

RGB 100 114 169

HSL 227.83, 0.29%, 0.53%

LAB 49.02, 9.17, -31.1

 

CMYK 20 / 16 / 0 / 41

HEX #787E96

RGB 120 126 150

HSL 228, 0.13%, 0.53%

LAB 53.08, 3.14, -13.65

 

CMYK 0 / 1 / 6 / 45

HEX #8B8982

RGB 139 137 130

HSL 46.67, 0.04%, 0.53%

LAB 57.07, -0.58, 4.01

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 70 / 37 / 0 / 18

HEX #3E84D0

RGB 62 132 208

HSL 211.23, 0.61%, 0.53%

LAB 54.11, 3.02, -45.59

 

CMYK 70 / 55 / 0 / 18

HEX #3E5DD0

RGB 62 93 208

HSL 227.26, 0.61%, 0.53%

LAB 43.37, 27.38, -62.83

 

CMYK 67 / 70 / 0 / 18

HEX #453ED0

RGB 69 62 208

HSL 242.88, 0.61%, 0.53%

LAB 36.49, 47.29, -74.05

 

CMYK 48 / 70 / 0 / 18

HEX #6C3ED0

RGB 108 62 208

HSL 258.9, 0.61%, 0.53%

LAB 39.89, 52.92, -68.34

 

CMYK 76 / 60 / 0 / 41

HEX #243C97

RGB 36 60 151

HSL 227.48, 0.61%, 0.37%

LAB 29.01, 24.47, -52.52

 

CMYK 76 / 60 / 0 / 28

HEX #2C49B8

RGB 44 73 184

HSL 227.57, 0.61%, 0.45%

LAB 35.52, 29.27, -61.68

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 56 / 44 / 0 / 15

HEX #5F78D8

RGB 95 120 216

HSL 227.6, 0.61%, 0.61%

LAB 52.76, 18.92, -52.18

 

CMYK 43 / 34 / 0 / 12

HEX #8094E0

RGB 128 148 224

HSL 227.5, 0.61%, 0.69%

LAB 62.63, 12.29, -40.89

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 1 / 70 / 0 / 18

HEX #CD3ED0

RGB 205 62 208

HSL 298.77, 0.61%, 0.53%

LAB 52.93, 72.17, -46.67

 

CMYK 27 / 0 / 70 / 18

HEX #98D03E

RGB 152 208 62

HSL 83.01, 0.61%, 0.53%

LAB 77.36, -39.41, 63.24

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 0 / 70 / 55 / 18

HEX #D03E5D

RGB 208 62 93

HSL 347.26, 0.61%, 0.53%

LAB 49.06, 58.89, 15.77

 

CMYK 55 / 0 / 70 / 18

HEX #5DD03E

RGB 93 208 62

HSL 107.26, 0.61%, 0.53%

LAB 74.69, -58.45, 59.66

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 1 / 70 / 0 / 18

HEX #CD3ED0

RGB 205 62 208

HSL 298.77, 0.61%, 0.53%

LAB 52.93, 72.17, -46.67

 

CMYK 0 / 15 / 70 / 18

HEX #D0B03E

RGB 208 176 62

HSL 46.85, 0.61%, 0.53%

LAB 72.77, -0.55, 59.98

 

CMYK 69 / 0 / 70 / 18

HEX #40D03E

RGB 64 208 62

HSL 119.18, 0.61%, 0.53%

LAB 73.9, -64.85, 58.59

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 0 / 70 / 20 / 18

HEX #D03EA6

RGB 208 62 166

HSL 317.26, 0.61%, 0.53%

LAB 51.39, 66.59, -24.66

 

CMYK 0 / 15 / 70 / 18

HEX #D0B03E

RGB 208 176 62

HSL 46.85, 0.61%, 0.53%

LAB 72.77, -0.55, 59.98

 

CMYK 70 / 0 / 50 / 18

HEX #3ED067

RGB 62 208 103

HSL 136.85, 0.61%, 0.53%

LAB 74.26, -60.42, 40.99

 

Description

Color code: HEX #3E5CD0 | qconv.com Color code: HEX #3E5CD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 92 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 92 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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