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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EABD0 it is the complementary color #C1542F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EABD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EABD0 shade: #43ABCB, #54BDDE, #65CFF1, #76E1FF and #87F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EABD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EABD0 shade: #3EABD0, #2D99BD, #1C87AA, #0B7597 and #006384

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EABD0 shade: #3EABD0, #3E83D0, #3E5CD0, #473ED0 and #6E3ED0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EABD0 shade: #3EABD0, #3E83D0, #3E5CD0 and #3E3ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EABD0 shade matches the following richer shades: #3EABD0, #2AB4E3 and #17BEF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EABD0 shade: #3EABD0, #51A1BC, #6498A9, #788E96 and #8B8482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EABD0 shade: #3ED0A6, #3ED0CD, #3EABD0, #3E84D0 and #3E5DD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EABD0 shade: #247A97, #2C94B8, #3EABD0, #5FB9D8 and #80C8E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EABD0 shade: #3EABD0, #7F3ED0 and #D0BA3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EABD0 shade: #3EABD0, #D03EAB and #ABD03E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EABD0 shade: #3EABD0, #7F3ED0, #D0623E and #8ED03E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EABD0 shade: #3EABD0, #AB3ED0, #D0623E and #62D03E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

Complementary color

CMYK 0 / 56 / 76 / 24

HEX #C1542F

RGB 193 84 47

HSL 15.21, 0.61%, 0.47%

LAB 49.35, 41.52, 42.09

 

CMYK 67 / 16 / 0 / 20

HEX #43ABCB

RGB 67 171 203

HSL 194.12, 0.57%, 0.53%

LAB 65.46, -19.79, -25.08

 

CMYK 62 / 15 / 0 / 13

HEX #54BDDE

RGB 84 189 222

HSL 194.35, 0.68%, 0.6%

LAB 71.93, -20.49, -25.55

 

CMYK 58 / 14 / 0 / 5

HEX #65CFF1

RGB 101 207 241

HSL 194.57, 0.83%, 0.67%

LAB 78.31, -21.03, -25.99

 

CMYK 54 / 12 / 0 / 0

HEX #76E1FF

RGB 118 225 255

HSL 193.14, 1%, 0.73%

LAB 84.44, -22.84, -24.02

 

CMYK 47 / 5 / 0 / 0

HEX #87F3FF

RGB 135 243 255

HSL 186, 1%, 0.76%

LAB 90.08, -28.1, -15.45

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 76 / 19 / 0 / 26

HEX #2D99BD

RGB 45 153 189

HSL 195, 0.62%, 0.46%

LAB 58.99, -17.82, -27.26

 

CMYK 84 / 21 / 0 / 33

HEX #1C87AA

RGB 28 135 170

HSL 194.79, 0.72%, 0.39%

LAB 52.37, -16.36, -26.68

 

CMYK 93 / 23 / 0 / 41

HEX #0B7597

RGB 11 117 151

HSL 194.57, 0.86%, 0.32%

LAB 45.67, -14.41, -26

 

CMYK 100 / 25 / 0 / 48

HEX #006384

RGB 0 99 132

HSL 195, 1%, 0.26%

LAB 38.88, -11.85, -25.21

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 70 / 37 / 0 / 18

HEX #3E83D0

RGB 62 131 208

HSL 211.64, 0.61%, 0.53%

LAB 53.83, 3.62, -46.05

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 66 / 70 / 0 / 18

HEX #473ED0

RGB 71 62 208

HSL 243.7, 0.61%, 0.53%

LAB 36.63, 47.53, -73.82

 

CMYK 47 / 70 / 0 / 18

HEX #6E3ED0

RGB 110 62 208

HSL 259.73, 0.61%, 0.53%

LAB 40.1, 53.26, -67.99

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 70 / 37 / 0 / 18

HEX #3E83D0

RGB 62 131 208

HSL 211.64, 0.61%, 0.53%

LAB 53.83, 3.62, -46.05

 

CMYK 70 / 56 / 0 / 18

HEX #3E5CD0

RGB 62 92 208

HSL 227.67, 0.61%, 0.53%

LAB 43.11, 28.02, -63.25

 

CMYK 70 / 70 / 0 / 18

HEX #3E3ED0

RGB 62 62 208

HSL 240, 0.61%, 0.53%

LAB 36.03, 46.5, -74.83

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 81 / 21 / 0 / 11

HEX #2AB4E3

RGB 42 180 227

HSL 195.24, 0.77%, 0.53%

LAB 68.52, -19.61, -33.61

 

CMYK 91 / 23 / 0 / 3

HEX #17BEF7

RGB 23 190 247

HSL 195.27, 0.93%, 0.53%

LAB 72.04, -19.23, -39.02

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 57 / 14 / 0 / 26

HEX #51A1BC

RGB 81 161 188

HSL 195.14, 0.44%, 0.53%

LAB 62.4, -16.64, -21.37

 

CMYK 41 / 10 / 0 / 34

HEX #6498A9

RGB 100 152 169

HSL 194.78, 0.29%, 0.53%

LAB 59.92, -12.76, -14.35

 

CMYK 20 / 5 / 0 / 41

HEX #788E96

RGB 120 142 150

HSL 196, 0.13%, 0.53%

LAB 57.6, -6, -6.87

 

CMYK 0 / 5 / 6 / 45

HEX #8B8482

RGB 139 132 130

HSL 13.33, 0.04%, 0.53%

LAB 55.69, 2.25, 2.01

 

CMYK 70 / 0 / 20 / 18

HEX #3ED0A6

RGB 62 208 166

HSL 162.74, 0.61%, 0.53%

LAB 75.38, -48.15, 9.85

 

CMYK 70 / 0 / 1 / 18

HEX #3ED0CD

RGB 62 208 205

HSL 178.77, 0.61%, 0.53%

LAB 76.4, -37.99, -9.64

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 70 / 37 / 0 / 18

HEX #3E84D0

RGB 62 132 208

HSL 211.23, 0.61%, 0.53%

LAB 54.11, 3.02, -45.59

 

CMYK 70 / 55 / 0 / 18

HEX #3E5DD0

RGB 62 93 208

HSL 227.26, 0.61%, 0.53%

LAB 43.37, 27.38, -62.83

 

CMYK 76 / 19 / 0 / 41

HEX #247A97

RGB 36 122 151

HSL 195.13, 0.61%, 0.37%

LAB 47.66, -14.99, -22.89

 

CMYK 76 / 20 / 0 / 28

HEX #2C94B8

RGB 44 148 184

HSL 195.43, 0.61%, 0.45%

LAB 57.25, -16.94, -27.12

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 56 / 14 / 0 / 15

HEX #5FB9D8

RGB 95 185 216

HSL 195.37, 0.61%, 0.61%

LAB 70.93, -18.17, -23.77

 

CMYK 43 / 11 / 0 / 12

HEX #80C8E0

RGB 128 200 224

HSL 195, 0.61%, 0.69%

LAB 76.85, -16.34, -18.99

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 39 / 70 / 0 / 18

HEX #7F3ED0

RGB 127 62 208

HSL 266.71, 0.61%, 0.53%

LAB 42.02, 56.27, -64.79

 

CMYK 0 / 11 / 70 / 18

HEX #D0BA3E

RGB 208 186 62

HSL 50.96, 0.61%, 0.53%

LAB 75.37, -5.78, 62.6

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 0 / 70 / 18 / 18

HEX #D03EAB

RGB 208 62 171

HSL 315.21, 0.61%, 0.53%

LAB 51.61, 67.27, -27.27

 

CMYK 18 / 0 / 70 / 18

HEX #ABD03E

RGB 171 208 62

HSL 75.21, 0.61%, 0.53%

LAB 78.53, -32.08, 64.8

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 39 / 70 / 0 / 18

HEX #7F3ED0

RGB 127 62 208

HSL 266.71, 0.61%, 0.53%

LAB 42.02, 56.27, -64.79

 

CMYK 0 / 53 / 70 / 18

HEX #D0623E

RGB 208 98 62

HSL 14.79, 0.61%, 0.53%

LAB 54.55, 41.02, 40.56

 

CMYK 32 / 0 / 70 / 18

HEX #8ED03E

RGB 142 208 62

HSL 87.12, 0.61%, 0.53%

LAB 76.81, -43.08, 62.5

 

CMYK 70 / 18 / 0 / 18

HEX #3EABD0

RGB 62 171 208

HSL 195.21, 0.61%, 0.53%

LAB 65.52, -18.94, -27.77

 

CMYK 18 / 70 / 0 / 18

HEX #AB3ED0

RGB 171 62 208

HSL 284.79, 0.61%, 0.53%

LAB 47.83, 64.95, -55.11

 

CMYK 0 / 53 / 70 / 18

HEX #D0623E

RGB 208 98 62

HSL 14.79, 0.61%, 0.53%

LAB 54.55, 41.02, 40.56

 

CMYK 53 / 0 / 70 / 18

HEX #62D03E

RGB 98 208 62

HSL 105.21, 0.61%, 0.53%

LAB 74.86, -57.13, 59.89

 

Description

Color code: HEX #3EABD0 | qconv.com Color code: HEX #3EABD0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 171 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 171 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 18 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 18% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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