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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7823 it is the complementary color #C187DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7823. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7823 shade: #43781E, #548A31, #659C44, #76AE57 and #87C06A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7823. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7823 shade: #3E7823, #2D6610, #1C5400, #0B4200 and #003000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7823 shade: #3D7622, #537622, #6A7622, #766B22 and #765522

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7823 shade: #3D7622, #267622, #227635, #22764B and #227662

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7823 shade matches the following richer shades: #3D7622, #388216 and #348F09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7823 shade: #3D7622, #416A2E, #465D3B, #4A5147 and #4F4553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7823 shade: #6B7622, #547622, #3E7622, #287622 and #227633

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7823 shade: #1C360F, #2C5619, #3D7622, #4D962B and #5EB634

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7823 shade: #3E7823, #22766B and #762260

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7823 shade: #3E7823, #223E76 and #76223E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7823 shade: #3E7823, #22766B, #5A2276 and #76222D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7823 shade: #3E7823, #226876, #5A2276 and #763022

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 71 / 53

HEX #3E7823

RGB 62 120 35

HSL 100.94, 0.55%, 0.3%

LAB 45.05, -35.2, 39.17

 

Complementary color

CMYK 12 / 39 / 0 / 14

HEX #C187DC

RGB 193 135 220

HSL 280.94, 0.55%, 0.7%

LAB 64.83, 37.14, -34.84

 

CMYK 44 / 0 / 75 / 53

HEX #43781E

RGB 67 120 30

HSL 95.33, 0.6%, 0.29%

LAB 45.25, -33.88, 41.52

 

CMYK 39 / 0 / 64 / 46

HEX #548A31

RGB 84 138 49

HSL 96.4, 0.48%, 0.37%

LAB 52.16, -34.2, 40.9

 

CMYK 35 / 0 / 56 / 39

HEX #659C44

RGB 101 156 68

HSL 97.5, 0.39%, 0.44%

LAB 58.94, -34.3, 39.85

 

CMYK 32 / 0 / 50 / 32

HEX #76AE57

RGB 118 174 87

HSL 98.62, 0.35%, 0.51%

LAB 65.6, -34.27, 38.67

 

CMYK 30 / 0 / 45 / 25

HEX #87C06A

RGB 135 192 106

HSL 99.77, 0.41%, 0.58%

LAB 72.16, -34.18, 37.46

 

CMYK 48 / 0 / 71 / 53

HEX #3E7823

RGB 62 120 35

HSL 100.94, 0.55%, 0.3%

LAB 45.05, -35.2, 39.17

 

CMYK 56 / 0 / 84 / 60

HEX #2D6610

RGB 45 102 16

HSL 99.77, 0.73%, 0.23%

LAB 38.02, -34.56, 39.27

 

CMYK 67 / 0 / 100 / 67

HEX #1C5400

RGB 28 84 0

HSL 100, 1%, 0.16%

LAB 30.85, -33.26, 37.81

 

CMYK 83 / 0 / 100 / 74

HEX #0B4200

RGB 11 66 0

HSL 110, 1%, 0.13%

LAB 23.56, -30.54, 31.25

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 48 / 0 / 71 / 54

HEX #3D7622

RGB 61 118 34

HSL 100.71, 0.55%, 0.3%

LAB 44.33, -34.76, 38.82

 

CMYK 30 / 0 / 71 / 54

HEX #537622

RGB 83 118 34

HSL 85, 0.55%, 0.3%

LAB 45.51, -26.49, 40.43

 

CMYK 10 / 0 / 71 / 54

HEX #6A7622

RGB 106 118 34

HSL 68.57, 0.55%, 0.3%

LAB 47.15, -16.52, 42.63

 

CMYK 0 / 9 / 71 / 54

HEX #766B22

RGB 118 107 34

HSL 52.14, 0.55%, 0.3%

LAB 44.92, -4.84, 40.7

 

CMYK 0 / 28 / 71 / 54

HEX #765522

RGB 118 85 34

HSL 36.43, 0.55%, 0.3%

LAB 38.66, 8.11, 34.16

 

CMYK 48 / 0 / 71 / 54

HEX #3D7622

RGB 61 118 34

HSL 100.71, 0.55%, 0.3%

LAB 44.33, -34.76, 38.82

 

CMYK 68 / 0 / 71 / 54

HEX #267622

RGB 38 118 34

HSL 117.14, 0.55%, 0.3%

LAB 43.48, -41.31, 37.68

 

CMYK 71 / 0 / 55 / 54

HEX #227635

RGB 34 118 53

HSL 133.57, 0.55%, 0.3%

LAB 43.59, -39.74, 28.47

 

CMYK 71 / 0 / 36 / 54

HEX #22764B

RGB 34 118 75

HSL 149.29, 0.55%, 0.3%

LAB 43.95, -35.63, 16.64

 

CMYK 71 / 0 / 17 / 54

HEX #227662

RGB 34 118 98

HSL 165.71, 0.55%, 0.3%

LAB 44.49, -29.97, 3.83

 

CMYK 48 / 0 / 71 / 54

HEX #3D7622

RGB 61 118 34

HSL 100.71, 0.55%, 0.3%

LAB 44.33, -34.76, 38.82

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 64 / 0 / 94 / 44

HEX #348F09

RGB 52 143 9

HSL 100.75, 0.88%, 0.3%

LAB 52.28, -48.54, 53.53

 

CMYK 48 / 0 / 71 / 54

HEX #3D7622

RGB 61 118 34

HSL 100.71, 0.55%, 0.3%

LAB 44.33, -34.76, 38.82

 

CMYK 39 / 0 / 57 / 58

HEX #416A2E

RGB 65 106 46

HSL 101, 0.39%, 0.3%

LAB 40.62, -26.52, 28.9

 

CMYK 25 / 0 / 37 / 64

HEX #465D3B

RGB 70 93 59

HSL 100.59, 0.22%, 0.3%

LAB 36.83, -15.87, 16.8

 

CMYK 9 / 0 / 12 / 68

HEX #4A5147

RGB 74 81 71

HSL 102, 0.07%, 0.3%

LAB 33.55, -4.97, 4.93

 

CMYK 5 / 17 / 0 / 67

HEX #4F4553

RGB 79 69 83

HSL 282.86, 0.09%, 0.3%

LAB 30.74, 7.24, -6.79

 

CMYK 9 / 0 / 71 / 54

HEX #6B7622

RGB 107 118 34

HSL 67.86, 0.55%, 0.3%

LAB 47.23, -16.07, 42.74

 

CMYK 29 / 0 / 71 / 54

HEX #547622

RGB 84 118 34

HSL 84.29, 0.55%, 0.3%

LAB 45.58, -26.08, 40.51

 

CMYK 47 / 0 / 71 / 54

HEX #3E7622

RGB 62 118 34

HSL 100, 0.55%, 0.3%

LAB 44.37, -34.42, 38.88

 

CMYK 66 / 0 / 71 / 54

HEX #287622

RGB 40 118 34

HSL 115.71, 0.55%, 0.3%

LAB 43.54, -40.84, 37.76

 

CMYK 71 / 0 / 57 / 54

HEX #227633

RGB 34 118 51

HSL 132.14, 0.55%, 0.3%

LAB 43.56, -40.04, 29.5

 

CMYK 48 / 0 / 72 / 79

HEX #1C360F

RGB 28 54 15

HSL 100, 0.57%, 0.14%

LAB 19.72, -18.64, 20.89

 

CMYK 49 / 0 / 71 / 66

HEX #2C5619

RGB 44 86 25

HSL 101.31, 0.55%, 0.22%

LAB 32.39, -27.15, 29.96

 

CMYK 48 / 0 / 71 / 54

HEX #3D7622

RGB 61 118 34

HSL 100.71, 0.55%, 0.3%

LAB 44.33, -34.76, 38.82

 

CMYK 49 / 0 / 71 / 41

HEX #4D962B

RGB 77 150 43

HSL 100.93, 0.55%, 0.38%

LAB 55.65, -42.27, 47.11

 

CMYK 48 / 0 / 71 / 29

HEX #5EB634

RGB 94 182 52

HSL 100.62, 0.56%, 0.46%

LAB 66.58, -49.14, 55.08

 

CMYK 48 / 0 / 71 / 53

HEX #3E7823

RGB 62 120 35

HSL 100.94, 0.55%, 0.3%

LAB 45.05, -35.2, 39.17

 

CMYK 71 / 0 / 9 / 54

HEX #22766B

RGB 34 118 107

HSL 172.14, 0.55%, 0.3%

LAB 44.74, -27.43, -1.17

 

CMYK 0 / 71 / 19 / 54

HEX #762260

RGB 118 34 96

HSL 315.71, 0.55%, 0.3%

LAB 29.01, 43.26, -17.37

 

CMYK 48 / 0 / 71 / 53

HEX #3E7823

RGB 62 120 35

HSL 100.94, 0.55%, 0.3%

LAB 45.05, -35.2, 39.17

 

CMYK 71 / 47 / 0 / 54

HEX #223E76

RGB 34 62 118

HSL 220, 0.55%, 0.3%

LAB 27, 9.82, -35.27

 

CMYK 0 / 71 / 47 / 54

HEX #76223E

RGB 118 34 62

HSL 340, 0.55%, 0.3%

LAB 27.69, 38.83, 3.15

 

CMYK 48 / 0 / 71 / 53

HEX #3E7823

RGB 62 120 35

HSL 100.94, 0.55%, 0.3%

LAB 45.05, -35.2, 39.17

 

CMYK 71 / 0 / 9 / 54

HEX #22766B

RGB 34 118 107

HSL 172.14, 0.55%, 0.3%

LAB 44.74, -27.43, -1.17

 

CMYK 24 / 71 / 0 / 54

HEX #5A2276

RGB 90 34 118

HSL 280, 0.55%, 0.3%

LAB 25.64, 40.17, -37.17

 

CMYK 0 / 71 / 62 / 54

HEX #76222D

RGB 118 34 45

HSL 352.14, 0.55%, 0.3%

LAB 27.26, 37.3, 13.94

 

CMYK 48 / 0 / 71 / 53

HEX #3E7823

RGB 62 120 35

HSL 100.94, 0.55%, 0.3%

LAB 45.05, -35.2, 39.17

 

CMYK 71 / 12 / 0 / 54

HEX #226876

RGB 34 104 118

HSL 190, 0.55%, 0.3%

LAB 40.49, -16.61, -14.17

 

CMYK 24 / 71 / 0 / 54

HEX #5A2276

RGB 90 34 118

HSL 280, 0.55%, 0.3%

LAB 25.64, 40.17, -37.17

 

CMYK 0 / 59 / 71 / 54

HEX #763022

RGB 118 48 34

HSL 10, 0.55%, 0.3%

LAB 29.62, 29.72, 23.99

 

Description

Color code: HEX #3E7823 | qconv.com Color code: HEX #3E7823 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 120 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 120 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 71 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 71% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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