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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8013 it is the complementary color #C17FEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8013. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8013 shade: #43800E, #549221, #65A434, #76B647 and #87C85A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8013. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8013 shade: #3E8013, #2D6E00, #1C5C00, #0B4A00 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8013 shade: #3E8013, #5B8013, #798013, #806A13 and #804C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8013 shade: #3E8013, #208013, #138023, #138040 and #13805E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8013 shade matches the following richer shades: #3E8013 and #3B8C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8013 shade: #3E8013, #40741F, #43682B, #455C37 and #485043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8013 shade: #798013, #5C8013, #3F8013, #218013 and #138021

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8013 shade: #1B3808, #2C5C0D, #3E8013, #4FA418 and #61C81D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8013 shade: #3E8013, #13806A and #80136A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8013 shade: #3E8013, #133F80 and #80133F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8013 shade: #3E8013, #13806A, #541380 and #801329

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8013 shade: #3E8013, #137580, #541380 and #801E13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

Complementary color

CMYK 18 / 46 / 0 / 7

HEX #C17FEC

RGB 193 127 236

HSL 276.33, 0.74%, 0.71%

LAB 63.81, 44.87, -45.3

 

CMYK 48 / 0 / 89 / 50

HEX #43800E

RGB 67 128 14

HSL 92.11, 0.8%, 0.28%

LAB 47.83, -38.21, 48.99

 

CMYK 42 / 0 / 77 / 43

HEX #549221

RGB 84 146 33

HSL 92.92, 0.63%, 0.35%

LAB 54.61, -38.98, 49.91

 

CMYK 38 / 0 / 68 / 36

HEX #65A434

RGB 101 164 52

HSL 93.75, 0.52%, 0.42%

LAB 61.28, -39.4, 49.68

 

CMYK 35 / 0 / 61 / 29

HEX #76B647

RGB 118 182 71

HSL 94.59, 0.44%, 0.5%

LAB 67.85, -39.61, 48.9

 

CMYK 33 / 0 / 55 / 22

HEX #87C85A

RGB 135 200 90

HSL 95.45, 0.5%, 0.57%

LAB 74.32, -39.69, 47.87

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 59 / 0 / 100 / 57

HEX #2D6E00

RGB 45 110 0

HSL 95.45, 1%, 0.22%

LAB 40.75, -38.5, 45.89

 

CMYK 70 / 0 / 100 / 64

HEX #1C5C00

RGB 28 92 0

HSL 101.74, 1%, 0.18%

LAB 33.78, -36.31, 40.13

 

CMYK 85 / 0 / 100 / 71

HEX #0B4A00

RGB 11 74 0

HSL 111.08, 1%, 0.15%

LAB 26.65, -33.42, 34.17

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 29 / 0 / 85 / 50

HEX #5B8013

RGB 91 128 19

HSL 80.37, 0.74%, 0.29%

LAB 49.14, -28.9, 49.37

 

CMYK 5 / 0 / 85 / 50

HEX #798013

RGB 121 128 19

HSL 63.85, 0.74%, 0.29%

LAB 51.32, -15.73, 52.12

 

CMYK 0 / 17 / 85 / 50

HEX #806A13

RGB 128 106 19

HSL 47.89, 0.74%, 0.29%

LAB 45.56, -0.19, 47.43

 

CMYK 0 / 41 / 85 / 50

HEX #804C13

RGB 128 76 19

HSL 31.38, 0.74%, 0.29%

LAB 37.49, 17.48, 40.38

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 75 / 0 / 85 / 50

HEX #208013

RGB 32 128 19

HSL 112.84, 0.74%, 0.29%

LAB 46.7, -47.26, 46.26

 

CMYK 85 / 0 / 73 / 50

HEX #138023

RGB 19 128 35

HSL 128.81, 0.74%, 0.29%

LAB 46.58, -47.98, 40.4

 

CMYK 85 / 0 / 50 / 50

HEX #138040

RGB 19 128 64

HSL 144.77, 0.74%, 0.29%

LAB 46.9, -43.98, 26.62

 

CMYK 85 / 0 / 27 / 50

HEX #13805E

RGB 19 128 94

HSL 161.28, 0.74%, 0.29%

LAB 47.48, -37.49, 10.39

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 58 / 0 / 95 / 45

HEX #3B8C07

RGB 59 140 7

HSL 96.54, 0.9%, 0.29%

LAB 51.5, -45.66, 53.32

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 45 / 0 / 73 / 55

HEX #40741F

RGB 64 116 31

HSL 96.71, 0.58%, 0.29%

LAB 43.77, -33.1, 39.56

 

CMYK 36 / 0 / 59 / 59

HEX #43682B

RGB 67 104 43

HSL 96.39, 0.41%, 0.29%

LAB 40.03, -25.14, 29.81

 

CMYK 25 / 0 / 40 / 64

HEX #455C37

RGB 69 92 55

HSL 97.3, 0.25%, 0.29%

LAB 36.36, -16.39, 18.55

 

CMYK 10 / 0 / 16 / 69

HEX #485043

RGB 72 80 67

HSL 96.92, 0.09%, 0.29%

LAB 32.96, -6.01, 6.59

 

CMYK 5 / 0 / 85 / 50

HEX #798013

RGB 121 128 19

HSL 63.85, 0.74%, 0.29%

LAB 51.32, -15.73, 52.12

 

CMYK 28 / 0 / 85 / 50

HEX #5C8013

RGB 92 128 19

HSL 79.82, 0.74%, 0.29%

LAB 49.2, -28.49, 49.45

 

CMYK 51 / 0 / 85 / 50

HEX #3F8013

RGB 63 128 19

HSL 95.78, 0.74%, 0.29%

LAB 47.68, -39.33, 47.51

 

CMYK 74 / 0 / 85 / 50

HEX #218013

RGB 33 128 19

HSL 112.29, 0.74%, 0.29%

LAB 46.72, -47.08, 46.28

 

CMYK 85 / 0 / 74 / 50

HEX #138021

RGB 19 128 33

HSL 127.71, 0.74%, 0.29%

LAB 46.56, -48.17, 41.2

 

CMYK 52 / 0 / 86 / 78

HEX #1B3808

RGB 27 56 8

HSL 96.25, 0.75%, 0.13%

LAB 20.36, -20.78, 24.75

 

CMYK 52 / 0 / 86 / 64

HEX #2C5C0D

RGB 44 92 13

HSL 96.46, 0.75%, 0.21%

LAB 34.43, -30.81, 36.9

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 52 / 0 / 85 / 36

HEX #4FA418

RGB 79 164 24

HSL 96.43, 0.74%, 0.37%

LAB 60.14, -48.34, 57.59

 

CMYK 52 / 0 / 86 / 22

HEX #61C81D

RGB 97 200 29

HSL 96.14, 0.75%, 0.45%

LAB 72.19, -56.35, 67.3

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 85 / 0 / 17 / 50

HEX #13806A

RGB 19 128 106

HSL 167.89, 0.74%, 0.29%

LAB 47.77, -34.3, 3.79

 

CMYK 0 / 85 / 17 / 50

HEX #80136A

RGB 128 19 106

HSL 312.11, 0.74%, 0.29%

LAB 29.65, 52.21, -22.7

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 85 / 51 / 0 / 50

HEX #133F80

RGB 19 63 128

HSL 215.78, 0.74%, 0.29%

LAB 27.44, 11.2, -40.88

 

CMYK 0 / 85 / 51 / 50

HEX #80133F

RGB 128 19 63

HSL 335.78, 0.74%, 0.29%

LAB 27.88, 47.15, 3.01

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 85 / 0 / 17 / 50

HEX #13806A

RGB 19 128 106

HSL 167.89, 0.74%, 0.29%

LAB 47.77, -34.3, 3.79

 

CMYK 34 / 85 / 0 / 50

HEX #541380

RGB 84 19 128

HSL 275.78, 0.74%, 0.29%

LAB 23.37, 47.45, -47.25

 

CMYK 0 / 85 / 68 / 50

HEX #801329

RGB 128 19 41

HSL 347.89, 0.74%, 0.29%

LAB 27.34, 45.52, 17.12

 

CMYK 52 / 0 / 85 / 50

HEX #3E8013

RGB 62 128 19

HSL 96.33, 0.74%, 0.29%

LAB 47.64, -39.65, 47.46

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 34 / 85 / 0 / 50

HEX #541380

RGB 84 19 128

HSL 275.78, 0.74%, 0.29%

LAB 23.37, 47.45, -47.25

 

CMYK 0 / 77 / 85 / 50

HEX #801E13

RGB 128 30 19

HSL 6.06, 0.74%, 0.29%

LAB 28.29, 41.02, 31.97

 

Description

Color code: HEX #3E8013 | qconv.com Color code: HEX #3E8013 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 128 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 128 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 85 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 85% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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