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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EE58E it is the complementary color #C11A71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EE58E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EE58E shade: #43E589, #54F79C, #65FFAF, #76FFC2 and #87FFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EE58E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EE58E shade: #3EE58E, #2DD37B, #1CC168, #0BAF55 and #009D42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EE58E shade: #3EE48D, #3EE460, #48E43E, #75E43E and #A1E43E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EE58E shade: #3EE48D, #3EE4BA, #3EE1E4, #3EB4E4 and #3E87E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EE58E shade matches the following richer shades: #3EE48D and #2CF68D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EE58E shade: #3EE48D, #4FD28E, #61C18F, #73AF90 and #849D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EE58E shade: #49E43E, #3EE45F, #3EE48B, #3EE4B8 and #3EE4E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EE58E shade: #18B764, #1DDB78, #3EE48D, #62E9A3 and #86EEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EE58E shade: #3EE58E, #3E75E4 and #E4493E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EE58E shade: #3EE58E, #8B3EE4 and #E48B3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EE58E shade: #3EE58E, #3E75E4, #E43E96 and #E4AD3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EE58E shade: #3EE58E, #3E43E4, #E43E96 and #E4DF3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 38 / 10

HEX #3EE58E

RGB 62 229 142

HSL 148.74, 0.76%, 0.57%

LAB 81.3, -61.4, 30.57

 

Complementary color

CMYK 0 / 87 / 41 / 24

HEX #C11A71

RGB 193 26 113

HSL 328.74, 0.76%, 0.43%

LAB 43.17, 66.79, -5.36

 

CMYK 71 / 0 / 40 / 10

HEX #43E589

RGB 67 229 137

HSL 145.93, 0.76%, 0.58%

LAB 81.31, -61.58, 33.13

 

CMYK 66 / 0 / 37 / 3

HEX #54F79C

RGB 84 247 156

HSL 146.5, 0.91%, 0.65%

LAB 87.39, -62.06, 31.69

 

CMYK 60 / 0 / 31 / 0

HEX #65FFAF

RGB 101 255 175

HSL 148.83, 1%, 0.7%

LAB 90.5, -58.49, 26.37

 

CMYK 54 / 0 / 24 / 0

HEX #76FFC2

RGB 118 255 194

HSL 153.28, 1%, 0.73%

LAB 91.35, -51.27, 17.96

 

CMYK 47 / 0 / 16 / 0

HEX #87FFD5

RGB 135 255 213

HSL 159, 1%, 0.76%

LAB 92.34, -43.48, 9.67

 

CMYK 73 / 0 / 38 / 10

HEX #3EE58E

RGB 62 229 142

HSL 148.74, 0.76%, 0.57%

LAB 81.3, -61.4, 30.57

 

CMYK 79 / 0 / 42 / 17

HEX #2DD37B

RGB 45 211 123

HSL 148.19, 0.65%, 0.5%

LAB 75.19, -60.55, 32.13

 

CMYK 85 / 0 / 46 / 24

HEX #1CC168

RGB 28 193 104

HSL 147.64, 0.75%, 0.43%

LAB 69.03, -59.29, 33.8

 

CMYK 94 / 0 / 51 / 31

HEX #0BAF55

RGB 11 175 85

HSL 147.07, 0.88%, 0.36%

LAB 62.83, -57.49, 35.58

 

CMYK 100 / 0 / 58 / 38

HEX #009D42

RGB 0 157 66

HSL 145.22, 1%, 0.31%

LAB 56.59, -55.02, 37.41

 

CMYK 73 / 0 / 38 / 11

HEX #3EE48D

RGB 62 228 141

HSL 148.55, 0.75%, 0.57%

LAB 80.98, -61.22, 30.65

 

CMYK 73 / 0 / 58 / 11

HEX #3EE460

RGB 62 228 96

HSL 132.29, 0.75%, 0.57%

LAB 80.38, -68.17, 51.62

 

CMYK 68 / 0 / 73 / 11

HEX #48E43E

RGB 72 228 62

HSL 116.39, 0.75%, 0.57%

LAB 80.3, -69.85, 65.2

 

CMYK 49 / 0 / 73 / 11

HEX #75E43E

RGB 117 228 62

HSL 100.12, 0.75%, 0.57%

LAB 81.63, -59.22, 66.97

 

CMYK 29 / 0 / 73 / 11

HEX #A1E43E

RGB 161 228 62

HSL 84.22, 0.75%, 0.57%

LAB 83.66, -44.8, 69.66

 

CMYK 73 / 0 / 38 / 11

HEX #3EE48D

RGB 62 228 141

HSL 148.55, 0.75%, 0.57%

LAB 80.98, -61.22, 30.65

 

CMYK 73 / 0 / 18 / 11

HEX #3EE4BA

RGB 62 228 186

HSL 164.82, 0.75%, 0.57%

LAB 81.87, -51.6, 8.49

 

CMYK 73 / 1 / 0 / 11

HEX #3EE1E4

RGB 62 225 228

HSL 181.08, 0.75%, 0.57%

LAB 82.1, -39.24, -13.43

 

CMYK 73 / 21 / 0 / 11

HEX #3EB4E4

RGB 62 180 228

HSL 197.35, 0.75%, 0.57%

LAB 68.95, -17.18, -33.47

 

CMYK 73 / 41 / 0 / 11

HEX #3E87E4

RGB 62 135 228

HSL 213.61, 0.75%, 0.57%

LAB 56.04, 8.35, -53.76

 

CMYK 73 / 0 / 38 / 11

HEX #3EE48D

RGB 62 228 141

HSL 148.55, 0.75%, 0.57%

LAB 80.98, -61.22, 30.65

 

CMYK 82 / 0 / 43 / 4

HEX #2CF68D

RGB 44 246 141

HSL 148.81, 0.92%, 0.57%

LAB 86.19, -69.56, 37.45

 

CMYK 73 / 0 / 38 / 11

HEX #3EE48D

RGB 62 228 141

HSL 148.55, 0.75%, 0.57%

LAB 80.98, -61.22, 30.65

 

CMYK 62 / 0 / 32 / 18

HEX #4FD28E

RGB 79 210 142

HSL 148.85, 0.59%, 0.57%

LAB 75.89, -51.34, 23.35

 

CMYK 50 / 0 / 26 / 24

HEX #61C18F

RGB 97 193 143

HSL 148.75, 0.44%, 0.57%

LAB 71.33, -39.96, 16.63

 

CMYK 34 / 0 / 18 / 31

HEX #73AF90

RGB 115 175 144

HSL 149, 0.27%, 0.57%

LAB 66.76, -26.3, 9.79

 

CMYK 16 / 0 / 8 / 38

HEX #849D90

RGB 132 157 144

HSL 148.8, 0.11%, 0.57%

LAB 62.54, -11.44, 3.87

 

CMYK 68 / 0 / 73 / 11

HEX #49E43E

RGB 73 228 62

HSL 116.02, 0.75%, 0.57%

LAB 80.32, -69.67, 65.23

 

CMYK 73 / 0 / 58 / 11

HEX #3EE45F

RGB 62 228 95

HSL 131.93, 0.75%, 0.57%

LAB 80.37, -68.29, 52.05

 

CMYK 73 / 0 / 39 / 11

HEX #3EE48B

RGB 62 228 139

HSL 147.83, 0.75%, 0.57%

LAB 80.95, -61.59, 31.62

 

CMYK 73 / 0 / 19 / 11

HEX #3EE4B8

RGB 62 228 184

HSL 164.1, 0.75%, 0.57%

LAB 81.82, -52.08, 9.48

 

CMYK 73 / 0 / 0 / 11

HEX #3EE4E4

RGB 62 228 228

HSL 180, 0.75%, 0.57%

LAB 82.97, -40.6, -12.12

 

CMYK 87 / 0 / 45 / 28

HEX #18B764

RGB 24 183 100

HSL 148.68, 0.77%, 0.41%

LAB 65.73, -56.85, 31.61

 

CMYK 87 / 0 / 45 / 14

HEX #1DDB78

RGB 29 219 120

HSL 148.74, 0.77%, 0.49%

LAB 77.45, -65.31, 36.53

 

CMYK 73 / 0 / 38 / 11

HEX #3EE48D

RGB 62 228 141

HSL 148.55, 0.75%, 0.57%

LAB 80.98, -61.22, 30.65

 

CMYK 58 / 0 / 30 / 9

HEX #62E9A3

RGB 98 233 163

HSL 148.89, 0.75%, 0.65%

LAB 83.71, -52.67, 23.21

 

CMYK 44 / 0 / 23 / 7

HEX #86EEB8

RGB 134 238 184

HSL 148.85, 0.75%, 0.73%

LAB 86.84, -42.19, 16.87

 

CMYK 73 / 0 / 38 / 10

HEX #3EE58E

RGB 62 229 142

HSL 148.74, 0.76%, 0.57%

LAB 81.3, -61.4, 30.57

 

CMYK 73 / 49 / 0 / 11

HEX #3E75E4

RGB 62 117 228

HSL 220.12, 0.75%, 0.57%

LAB 51.09, 19.43, -61.7

 

CMYK 0 / 68 / 73 / 11

HEX #E4493E

RGB 228 73 62

HSL 3.98, 0.75%, 0.57%

LAB 53.61, 59.19, 40.39

 

CMYK 73 / 0 / 38 / 10

HEX #3EE58E

RGB 62 229 142

HSL 148.74, 0.76%, 0.57%

LAB 81.3, -61.4, 30.57

 

CMYK 39 / 73 / 0 / 11

HEX #8B3EE4

RGB 139 62 228

HSL 267.83, 0.75%, 0.57%

LAB 44.99, 63.23, -71.33

 

CMYK 0 / 39 / 73 / 11

HEX #E48B3E

RGB 228 139 62

HSL 27.83, 0.75%, 0.57%

LAB 65.99, 27.74, 53.74

 

CMYK 73 / 0 / 38 / 10

HEX #3EE58E

RGB 62 229 142

HSL 148.74, 0.76%, 0.57%

LAB 81.3, -61.4, 30.57

 

CMYK 73 / 49 / 0 / 11

HEX #3E75E4

RGB 62 117 228

HSL 220.12, 0.75%, 0.57%

LAB 51.09, 19.43, -61.7

 

CMYK 0 / 73 / 34 / 11

HEX #E43E96

RGB 228 62 150

HSL 328.19, 0.75%, 0.57%

LAB 54.18, 69.77, -10.66

 

CMYK 0 / 24 / 73 / 11

HEX #E4AD3E

RGB 228 173 62

HSL 40.12, 0.75%, 0.57%

LAB 74.02, 9.64, 61.89

 

CMYK 73 / 0 / 38 / 10

HEX #3EE58E

RGB 62 229 142

HSL 148.74, 0.76%, 0.57%

LAB 81.3, -61.4, 30.57

 

CMYK 73 / 71 / 0 / 11

HEX #3E43E4

RGB 62 67 228

HSL 238.19, 0.75%, 0.57%

LAB 38.97, 50.19, -81.47

 

CMYK 0 / 73 / 34 / 11

HEX #E43E96

RGB 228 62 150

HSL 328.19, 0.75%, 0.57%

LAB 54.18, 69.77, -10.66

 

CMYK 0 / 2 / 73 / 11

HEX #E4DF3E

RGB 228 223 62

HSL 58.19, 0.75%, 0.57%

LAB 86.81, -16.01, 74.26

 

Description

Color code: HEX #3EE58E | qconv.com Color code: HEX #3EE58E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 229 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 229 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 38% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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