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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FAD36 it is the complementary color #C052C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FAD36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FAD36 shade: #44AD31, #55BF44, #66D157, #77E36A and #88F57D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FAD36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FAD36 shade: #3FAD36, #2E9B23, #1D8910, #0C7700 and #006500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FAD36 shade: #40AE37, #60AE37, #80AE37, #A0AE37 and #AE9C37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FAD36 shade: #40AE37, #37AE4E, #37AE6E, #37AE8E and #37AEAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FAD36 shade matches the following richer shades: #40AE37, #30C024 and #20D311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FAD36 shade: #40AE37, #4F9B49, #5F895C, #6F766E and #7F6481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FAD36 shade: #80AE37, #60AE37, #41AE37, #37AE4C and #37AE6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FAD36 shade: #296F23, #348F2D, #40AE37, #52C549 and #70CF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FAD36 shade: #3FAD36, #37A0AE and #AE3770

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FAD36 shade: #3FAD36, #3741AE and #AE3741

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FAD36 shade: #3FAD36, #37A0AE, #A437AE and #AE4537

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FAD36 shade: #3FAD36, #377CAE, #A437AE and #AE6837

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 69 / 32

HEX #3FAD36

RGB 63 173 54

HSL 115.46, 0.52%, 0.45%

LAB 62.68, -53.85, 49.91

 

Complementary color

CMYK 4 / 59 / 0 / 21

HEX #C052C9

RGB 192 82 201

HSL 295.46, 0.52%, 0.55%

LAB 53.45, 60.06, -41.96

 

CMYK 61 / 0 / 72 / 32

HEX #44AD31

RGB 68 173 49

HSL 110.81, 0.56%, 0.44%

LAB 62.79, -53.12, 52.04

 

CMYK 55 / 0 / 64 / 25

HEX #55BF44

RGB 85 191 68

HSL 111.71, 0.49%, 0.51%

LAB 69.19, -53.74, 51.31

 

CMYK 51 / 0 / 58 / 18

HEX #66D157

RGB 102 209 87

HSL 112.62, 0.57%, 0.58%

LAB 75.52, -54.06, 50.28

 

CMYK 48 / 0 / 53 / 11

HEX #77E36A

RGB 119 227 106

HSL 113.55, 0.68%, 0.65%

LAB 81.78, -54.18, 49.12

 

CMYK 44 / 0 / 49 / 4

HEX #88F57D

RGB 136 245 125

HSL 114.5, 0.86%, 0.73%

LAB 87.98, -54.18, 47.91

 

CMYK 64 / 0 / 69 / 32

HEX #3FAD36

RGB 63 173 54

HSL 115.46, 0.52%, 0.45%

LAB 62.68, -53.85, 49.91

 

CMYK 70 / 0 / 77 / 39

HEX #2E9B23

RGB 46 155 35

HSL 114.5, 0.63%, 0.37%

LAB 56.23, -52.74, 50.35

 

CMYK 79 / 0 / 88 / 46

HEX #1D8910

RGB 29 137 16

HSL 113.55, 0.79%, 0.3%

LAB 49.73, -50.89, 49.74

 

CMYK 90 / 0 / 100 / 53

HEX #0C7700

RGB 12 119 0

HSL 113.95, 1%, 0.23%

LAB 43.17, -48, 47.49

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 63 / 0 / 68 / 32

HEX #40AE37

RGB 64 174 55

HSL 115.46, 0.52%, 0.45%

LAB 63.04, -53.89, 49.89

 

CMYK 45 / 0 / 68 / 32

HEX #60AE37

RGB 96 174 55

HSL 99.33, 0.52%, 0.45%

LAB 64.19, -45.06, 51.45

 

CMYK 26 / 0 / 68 / 32

HEX #80AE37

RGB 128 174 55

HSL 83.19, 0.52%, 0.45%

LAB 65.86, -33.63, 53.71

 

CMYK 8 / 0 / 68 / 32

HEX #A0AE37

RGB 160 174 55

HSL 67.06, 0.52%, 0.45%

LAB 68.04, -20.58, 56.64

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 63 / 0 / 68 / 32

HEX #40AE37

RGB 64 174 55

HSL 115.46, 0.52%, 0.45%

LAB 63.04, -53.89, 49.89

 

CMYK 68 / 0 / 55 / 32

HEX #37AE4E

RGB 55 174 78

HSL 131.6, 0.52%, 0.45%

LAB 63.04, -53.1, 39.43

 

CMYK 68 / 0 / 37 / 32

HEX #37AE6E

RGB 55 174 110

HSL 147.73, 0.52%, 0.45%

LAB 63.52, -47.71, 23.52

 

CMYK 68 / 0 / 18 / 32

HEX #37AE8E

RGB 55 174 142

HSL 163.87, 0.52%, 0.45%

LAB 64.19, -40.56, 6.93

 

CMYK 68 / 0 / 0 / 32

HEX #37AEAE

RGB 55 174 174

HSL 180, 0.52%, 0.45%

LAB 65.07, -31.89, -9.58

 

CMYK 63 / 0 / 68 / 32

HEX #40AE37

RGB 64 174 55

HSL 115.46, 0.52%, 0.45%

LAB 63.04, -53.89, 49.89

 

CMYK 75 / 0 / 81 / 25

HEX #30C024

RGB 48 192 36

HSL 115.38, 0.68%, 0.45%

LAB 68.35, -64.3, 61.61

 

CMYK 85 / 0 / 92 / 17

HEX #20D311

RGB 32 211 17

HSL 115.36, 0.85%, 0.45%

LAB 74.15, -72.58, 70.54

 

CMYK 63 / 0 / 68 / 32

HEX #40AE37

RGB 64 174 55

HSL 115.46, 0.52%, 0.45%

LAB 63.04, -53.89, 49.89

 

CMYK 49 / 0 / 53 / 39

HEX #4F9B49

RGB 79 155 73

HSL 115.61, 0.36%, 0.45%

LAB 57.64, -40.49, 35.57

 

CMYK 31 / 0 / 33 / 46

HEX #5F895C

RGB 95 137 92

HSL 116, 0.2%, 0.45%

LAB 53.06, -23.91, 19.64

 

CMYK 6 / 0 / 7 / 54

HEX #6F766E

RGB 111 118 110

HSL 112.5, 0.04%, 0.45%

LAB 48.84, -4.27, 3.49

 

CMYK 2 / 22 / 0 / 49

HEX #7F6481

RGB 127 100 129

HSL 295.86, 0.13%, 0.45%

LAB 45.92, 16.3, -11.99

 

CMYK 26 / 0 / 68 / 32

HEX #80AE37

RGB 128 174 55

HSL 83.19, 0.52%, 0.45%

LAB 65.86, -33.63, 53.71

 

CMYK 45 / 0 / 68 / 32

HEX #60AE37

RGB 96 174 55

HSL 99.33, 0.52%, 0.45%

LAB 64.19, -45.06, 51.45

 

CMYK 63 / 0 / 68 / 32

HEX #41AE37

RGB 65 174 55

HSL 114.96, 0.52%, 0.45%

LAB 63.07, -53.66, 49.93

 

CMYK 68 / 0 / 56 / 32

HEX #37AE4C

RGB 55 174 76

HSL 130.59, 0.52%, 0.45%

LAB 63.02, -53.37, 40.38

 

CMYK 68 / 0 / 38 / 32

HEX #37AE6C

RGB 55 174 108

HSL 146.72, 0.52%, 0.45%

LAB 63.48, -48.11, 24.55

 

CMYK 63 / 0 / 68 / 56

HEX #296F23

RGB 41 111 35

HSL 115.26, 0.52%, 0.29%

LAB 41.16, -37.75, 34.74

 

CMYK 64 / 0 / 69 / 44

HEX #348F2D

RGB 52 143 45

HSL 115.71, 0.52%, 0.37%

LAB 52.47, -46.32, 42.65

 

CMYK 63 / 0 / 68 / 32

HEX #40AE37

RGB 64 174 55

HSL 115.46, 0.52%, 0.45%

LAB 63.04, -53.89, 49.89

 

CMYK 58 / 0 / 63 / 23

HEX #52C549

RGB 82 197 73

HSL 115.65, 0.52%, 0.53%

LAB 71.01, -56.21, 51.16

 

CMYK 46 / 0 / 50 / 19

HEX #70CF68

RGB 112 207 104

HSL 115.34, 0.52%, 0.61%

LAB 75.49, -48.38, 42.36

 

CMYK 64 / 0 / 69 / 32

HEX #3FAD36

RGB 63 173 54

HSL 115.46, 0.52%, 0.45%

LAB 62.68, -53.85, 49.91

 

CMYK 68 / 8 / 0 / 32

HEX #37A0AE

RGB 55 160 174

HSL 187.06, 0.52%, 0.45%

LAB 60.79, -24.99, -16.02

 

CMYK 0 / 68 / 36 / 32

HEX #AE3770

RGB 174 55 112

HSL 331.26, 0.52%, 0.45%

LAB 42.61, 53.17, -5.94

 

CMYK 64 / 0 / 69 / 32

HEX #3FAD36

RGB 63 173 54

HSL 115.46, 0.52%, 0.45%

LAB 62.68, -53.85, 49.91

 

CMYK 68 / 63 / 0 / 32

HEX #3741AE

RGB 55 65 174

HSL 234.96, 0.52%, 0.45%

LAB 33.24, 32.2, -59.45

 

CMYK 0 / 68 / 63 / 32

HEX #AE3741

RGB 174 55 65

HSL 354.96, 0.52%, 0.45%

LAB 41.39, 48.89, 21.61

 

CMYK 64 / 0 / 69 / 32

HEX #3FAD36

RGB 63 173 54

HSL 115.46, 0.52%, 0.45%

LAB 62.68, -53.85, 49.91

 

CMYK 68 / 8 / 0 / 32

HEX #37A0AE

RGB 55 160 174

HSL 187.06, 0.52%, 0.45%

LAB 60.79, -24.99, -16.02

 

CMYK 6 / 68 / 0 / 32

HEX #A437AE

RGB 164 55 174

HSL 294.96, 0.52%, 0.45%

LAB 43.77, 59.77, -41.84

 

CMYK 0 / 60 / 68 / 32

HEX #AE4537

RGB 174 69 55

HSL 7.06, 0.52%, 0.45%

LAB 43.55, 42.05, 30.31

 

CMYK 64 / 0 / 69 / 32

HEX #3FAD36

RGB 63 173 54

HSL 115.46, 0.52%, 0.45%

LAB 62.68, -53.85, 49.91

 

CMYK 68 / 29 / 0 / 32

HEX #377CAE

RGB 55 124 174

HSL 205.21, 0.52%, 0.45%

LAB 49.84, -5.3, -32.89

 

CMYK 6 / 68 / 0 / 32

HEX #A437AE

RGB 164 55 174

HSL 294.96, 0.52%, 0.45%

LAB 43.77, 59.77, -41.84

 

CMYK 0 / 40 / 68 / 32

HEX #AE6837

RGB 174 104 55

HSL 24.71, 0.52%, 0.45%

LAB 50.89, 23.68, 38.81

 

Description

Color code: HEX #3FAD36 | qconv.com Color code: HEX #3FAD36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 173 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 173 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 69 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 69% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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