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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FEEEC it is the complementary color #C01113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FEEEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FEEEC shade: #44EEE7, #55FFFA, #66FFFF, #77FFFF and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FEEEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FEEEC shade: #3FEEEC, #2EDCD9, #1DCAC6, #0CB8B3 and #00A6A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FEEEC shade: #3EEEEC, #3EEEBC, #3EEE8D, #3EEE5E and #4EEE3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FEEEC shade: #3EEEEC, #3EC0EE, #3E91EE, #3E62EE and #3E3EEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FEEEC shade matches the following richer shades: #3EEEEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FEEEC shade: #3EEEEC, #4FDDDB, #60CCCB, #71BBBA and #82AAAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FEEEC shade: #3EEE8D, #3EEEBC, #3EEEEB, #3EC2EE and #3E93EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FEEEC shade: #11C8C6, #18EAE8, #3EEEEC, #64F1EF and #8AF4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FEEEC shade: #3FEEEC, #5E3EEE and #EEA53E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FEEEC shade: #3FEEEC, #EB3EEE and #EEEB3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FEEEC shade: #3FEEEC, #5E3EEE, #EE3E41 and #CEEE3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FEEEC shade: #3FEEEC, #933EEE, #EE3E41 and #99EE3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 1 / 7

HEX #3FEEEC

RGB 63 238 236

HSL 179.31, 0.84%, 0.59%

LAB 86.14, -42.73, -11.61

 

Complementary color

CMYK 0 / 91 / 90 / 25

HEX #C01113

RGB 192 17 19

HSL 359.31, 0.84%, 0.41%

LAB 40.66, 63.03, 47.67

 

CMYK 71 / 0 / 3 / 7

HEX #44EEE7

RGB 68 238 231

HSL 177.53, 0.83%, 0.6%

LAB 86.08, -43.54, -9.06

 

CMYK 67 / 0 / 2 / 0

HEX #55FFFA

RGB 85 255 250

HSL 178.24, 1%, 0.67%

LAB 91.84, -43.78, -10.37

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 74 / 0 / 1 / 7

HEX #3FEEEC

RGB 63 238 236

HSL 179.31, 0.84%, 0.59%

LAB 86.14, -42.73, -11.61

 

CMYK 79 / 0 / 1 / 14

HEX #2EDCD9

RGB 46 220 217

HSL 178.97, 0.71%, 0.52%

LAB 80.05, -41.71, -10.65

 

CMYK 86 / 0 / 2 / 21

HEX #1DCAC6

RGB 29 202 198

HSL 178.61, 0.75%, 0.45%

LAB 73.92, -40.4, -9.61

 

CMYK 93 / 0 / 3 / 28

HEX #0CB8B3

RGB 12 184 179

HSL 178.26, 0.88%, 0.38%

LAB 67.74, -38.75, -8.44

 

CMYK 100 / 0 / 4 / 35

HEX #00A6A0

RGB 0 166 160

HSL 177.83, 1%, 0.33%

LAB 61.49, -36.71, -7.16

 

CMYK 74 / 0 / 1 / 7

HEX #3EEEEC

RGB 62 238 236

HSL 179.32, 0.84%, 0.59%

LAB 86.12, -42.83, -11.63

 

CMYK 74 / 0 / 21 / 7

HEX #3EEEBC

RGB 62 238 188

HSL 162.95, 0.84%, 0.59%

LAB 84.9, -55.16, 11.76

 

CMYK 74 / 0 / 41 / 7

HEX #3EEE8D

RGB 62 238 141

HSL 146.93, 0.84%, 0.59%

LAB 84.02, -64.81, 34.66

 

CMYK 74 / 0 / 61 / 7

HEX #3EEE5E

RGB 62 238 94

HSL 130.91, 0.84%, 0.59%

LAB 83.43, -71.64, 56.02

 

CMYK 67 / 0 / 74 / 7

HEX #4EEE3E

RGB 78 238 62

HSL 114.55, 0.84%, 0.59%

LAB 83.5, -71.93, 68.45

 

CMYK 74 / 0 / 1 / 7

HEX #3EEEEC

RGB 62 238 236

HSL 179.32, 0.84%, 0.59%

LAB 86.12, -42.83, -11.63

 

CMYK 74 / 19 / 0 / 7

HEX #3EC0EE

RGB 62 192 238

HSL 195.68, 0.84%, 0.59%

LAB 72.82, -20.2, -32.9

 

CMYK 74 / 39 / 0 / 7

HEX #3E91EE

RGB 62 145 238

HSL 211.7, 0.84%, 0.59%

LAB 59.39, 5.94, -53.99

 

CMYK 74 / 59 / 0 / 7

HEX #3E62EE

RGB 62 98 238

HSL 227.73, 0.84%, 0.59%

LAB 46.89, 34.94, -74.14

 

CMYK 74 / 74 / 0 / 7

HEX #3E3EEE

RGB 62 62 238

HSL 240, 0.84%, 0.59%

LAB 38.97, 56.13, -87.13

 

CMYK 74 / 0 / 1 / 7

HEX #3EEEEC

RGB 62 238 236

HSL 179.32, 0.84%, 0.59%

LAB 86.12, -42.83, -11.63

 

CMYK 74 / 0 / 1 / 7

HEX #3EEEEC

RGB 62 238 236

HSL 179.32, 0.84%, 0.59%

LAB 86.12, -42.83, -11.63

 

CMYK 64 / 0 / 1 / 13

HEX #4FDDDB

RGB 79 221 219

HSL 179.15, 0.68%, 0.59%

LAB 81.01, -37.71, -10.23

 

CMYK 53 / 0 / 0 / 20

HEX #60CCCB

RGB 96 204 203

HSL 179.44, 0.51%, 0.59%

LAB 76.06, -31.08, -8.97

 

CMYK 40 / 0 / 1 / 27

HEX #71BBBA

RGB 113 187 186

HSL 179.19, 0.35%, 0.59%

LAB 71.28, -23.22, -6.76

 

CMYK 24 / 0 / 0 / 33

HEX #82AAAA

RGB 130 170 170

HSL 180, 0.19%, 0.59%

LAB 66.82, -13.43, -4.43

 

CMYK 74 / 0 / 41 / 7

HEX #3EEE8D

RGB 62 238 141

HSL 146.93, 0.84%, 0.59%

LAB 84.02, -64.81, 34.66

 

CMYK 74 / 0 / 21 / 7

HEX #3EEEBC

RGB 62 238 188

HSL 162.95, 0.84%, 0.59%

LAB 84.9, -55.16, 11.76

 

CMYK 74 / 0 / 1 / 7

HEX #3EEEEB

RGB 62 238 235

HSL 178.98, 0.84%, 0.59%

LAB 86.09, -43.11, -11.15

 

CMYK 74 / 18 / 0 / 7

HEX #3EC2EE

RGB 62 194 238

HSL 195, 0.84%, 0.59%

LAB 73.4, -21.23, -32.01

 

CMYK 74 / 38 / 0 / 7

HEX #3E93EE

RGB 62 147 238

HSL 211.02, 0.84%, 0.59%

LAB 59.95, 4.75, -53.09

 

CMYK 92 / 0 / 1 / 22

HEX #11C8C6

RGB 17 200 198

HSL 179.34, 0.84%, 0.43%

LAB 73.22, -40.12, -10.65

 

CMYK 90 / 0 / 1 / 8

HEX #18EAE8

RGB 24 234 232

HSL 179.43, 0.83%, 0.51%

LAB 84.41, -44.97, -12.12

 

CMYK 74 / 0 / 1 / 7

HEX #3EEEEC

RGB 62 238 236

HSL 179.32, 0.84%, 0.59%

LAB 86.12, -42.83, -11.63

 

CMYK 59 / 0 / 1 / 5

HEX #64F1EF

RGB 100 241 239

HSL 179.15, 0.83%, 0.67%

LAB 87.9, -38.13, -10.47

 

CMYK 43 / 0 / 0 / 4

HEX #8AF4F3

RGB 138 244 243

HSL 179.43, 0.83%, 0.75%

LAB 90.13, -30.89, -9.11

 

CMYK 74 / 0 / 1 / 7

HEX #3FEEEC

RGB 63 238 236

HSL 179.31, 0.84%, 0.59%

LAB 86.14, -42.73, -11.61

 

CMYK 61 / 74 / 0 / 7

HEX #5E3EEE

RGB 94 62 238

HSL 250.91, 0.84%, 0.59%

LAB 41.21, 59.32, -83.36

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 74 / 0 / 1 / 7

HEX #3FEEEC

RGB 63 238 236

HSL 179.31, 0.84%, 0.59%

LAB 86.14, -42.73, -11.61

 

CMYK 1 / 74 / 0 / 7

HEX #EB3EEE

RGB 235 62 238

HSL 298.98, 0.84%, 0.59%

LAB 59.23, 83.12, -53.31

 

CMYK 0 / 1 / 74 / 7

HEX #EEEB3E

RGB 238 235 62

HSL 58.98, 0.84%, 0.59%

LAB 90.75, -17.74, 78.23

 

CMYK 74 / 0 / 1 / 7

HEX #3FEEEC

RGB 63 238 236

HSL 179.31, 0.84%, 0.59%

LAB 86.14, -42.73, -11.61

 

CMYK 61 / 74 / 0 / 7

HEX #5E3EEE

RGB 94 62 238

HSL 250.91, 0.84%, 0.59%

LAB 41.21, 59.32, -83.36

 

CMYK 0 / 74 / 73 / 7

HEX #EE3E41

RGB 238 62 65

HSL 358.98, 0.84%, 0.59%

LAB 54.03, 66.28, 39.69

 

CMYK 13 / 0 / 74 / 7

HEX #CEEE3E

RGB 206 238 62

HSL 70.91, 0.84%, 0.59%

LAB 89.21, -32.11, 75.95

 

CMYK 74 / 0 / 1 / 7

HEX #3FEEEC

RGB 63 238 236

HSL 179.31, 0.84%, 0.59%

LAB 86.14, -42.73, -11.61

 

CMYK 38 / 74 / 0 / 7

HEX #933EEE

RGB 147 62 238

HSL 268.98, 0.84%, 0.59%

LAB 46.74, 66.9, -74.09

 

CMYK 0 / 74 / 73 / 7

HEX #EE3E41

RGB 238 62 65

HSL 358.98, 0.84%, 0.59%

LAB 54.03, 66.28, 39.69

 

CMYK 36 / 0 / 74 / 7

HEX #99EE3E

RGB 153 238 62

HSL 88.98, 0.84%, 0.59%

LAB 86.14, -51.78, 71.93

 

Description

Color code: HEX #3FEEEC | qconv.com Color code: HEX #3FEEEC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 238 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 238 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 1 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 1% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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