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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3E880 it is the complementary color #5C177F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3E880. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3E880 shade: #A8E87B, #B9FA8E, #CAFFA1, #DBFFB4 and #ECFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3E880. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3E880 shade: #A3E880, #92D66D, #81C45A, #70B247 and #5FA034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3E880 shade: #A4E882, #BFE882, #DBE882, #E8D982 and #E8BD82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3E880 shade: #A4E882, #88E882, #82E896, #82E8B2 and #82E8CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3E880 shade matches the following richer shades: #A4E882 and #A0F476

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3E880 shade: #A4E882, #A8DC8D, #ACD099, #B0C4A5 and #B4B8B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3E880 shade: #DCE882, #C0E882, #A5E882, #8AE882 and #82E894

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3E880 shade: #71DB3C, #8BE15F, #A4E882, #BDEEA4 and #D6F4C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3E880 shade: #A3E880, #82E8D8 and #E882CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3E880 shade: #A3E880, #82A5E8 and #E882A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3E880 shade: #A3E880, #82E8D8, #C482E8 and #E88291

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3E880 shade: #A3E880, #82D8E8, #C482E8 and #E89182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 45 / 9

HEX #A3E880

RGB 163 232 128

HSL 99.81, 0.69%, 0.71%

LAB 85.53, -39.87, 43.71

 

Complementary color

CMYK 28 / 82 / 0 / 50

HEX #5C177F

RGB 92 23 127

HSL 279.81, 0.69%, 0.29%

LAB 25.02, 47.25, -43.88

 

CMYK 28 / 0 / 47 / 9

HEX #A8E87B

RGB 168 232 123

HSL 95.23, 0.7%, 0.7%

LAB 85.74, -38.76, 46.44

 

CMYK 26 / 0 / 43 / 2

HEX #B9FA8E

RGB 185 250 142

HSL 96.11, 0.92%, 0.77%

LAB 91.97, -38.69, 45.29

 

CMYK 21 / 0 / 37 / 0

HEX #CAFFA1

RGB 202 255 161

HSL 93.83, 1%, 0.82%

LAB 94.59, -32.69, 39.59

 

CMYK 14 / 0 / 29 / 0

HEX #DBFFB4

RGB 219 255 180

HSL 88.8, 1%, 0.85%

LAB 95.95, -24.19, 32.13

 

CMYK 7 / 0 / 22 / 0

HEX #ECFFC7

RGB 236 255 199

HSL 80.36, 1%, 0.89%

LAB 97.42, -15.5, 24.75

 

CMYK 30 / 0 / 45 / 9

HEX #A3E880

RGB 163 232 128

HSL 99.81, 0.69%, 0.71%

LAB 85.53, -39.87, 43.71

 

CMYK 32 / 0 / 49 / 16

HEX #92D66D

RGB 146 214 109

HSL 98.86, 0.56%, 0.63%

LAB 79.22, -39.96, 44.88

 

CMYK 34 / 0 / 54 / 23

HEX #81C45A

RGB 129 196 90

HSL 97.92, 0.47%, 0.56%

LAB 72.82, -40, 46.03

 

CMYK 37 / 0 / 60 / 30

HEX #70B247

RGB 112 178 71

HSL 97.01, 0.43%, 0.49%

LAB 66.32, -39.95, 47.1

 

CMYK 41 / 0 / 68 / 37

HEX #5FA034

RGB 95 160 52

HSL 96.11, 0.51%, 0.42%

LAB 59.73, -39.76, 47.95

 

CMYK 29 / 0 / 44 / 9

HEX #A4E882

RGB 164 232 130

HSL 100, 0.69%, 0.71%

LAB 85.61, -39.28, 42.85

 

CMYK 18 / 0 / 44 / 9

HEX #BFE882

RGB 191 232 130

HSL 84.12, 0.69%, 0.71%

LAB 87.19, -29.73, 45.17

 

CMYK 6 / 0 / 44 / 9

HEX #DBE882

RGB 219 232 130

HSL 67.65, 0.69%, 0.71%

LAB 89.1, -19.17, 47.96

 

CMYK 0 / 6 / 44 / 9

HEX #E8D982

RGB 232 217 130

HSL 51.18, 0.69%, 0.71%

LAB 86.2, -6.62, 44.57

 

CMYK 0 / 19 / 44 / 9

HEX #E8BD82

RGB 232 189 130

HSL 34.71, 0.69%, 0.71%

LAB 79.13, 7.87, 35.58

 

CMYK 29 / 0 / 44 / 9

HEX #A4E882

RGB 164 232 130

HSL 100, 0.69%, 0.71%

LAB 85.61, -39.28, 42.85

 

CMYK 41 / 0 / 44 / 9

HEX #88E882

RGB 136 232 130

HSL 116.47, 0.69%, 0.71%

LAB 84.26, -48.18, 40.84

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 44 / 0 / 23 / 9

HEX #82E8B2

RGB 130 232 178

HSL 148.24, 0.69%, 0.71%

LAB 84.83, -41.77, 17.15

 

CMYK 44 / 0 / 12 / 9

HEX #82E8CD

RGB 130 232 205

HSL 164.12, 0.69%, 0.71%

LAB 85.44, -36.09, 3.87

 

CMYK 29 / 0 / 44 / 9

HEX #A4E882

RGB 164 232 130

HSL 100, 0.69%, 0.71%

LAB 85.61, -39.28, 42.85

 

CMYK 34 / 0 / 52 / 4

HEX #A0F476

RGB 160 244 118

HSL 100, 0.85%, 0.71%

LAB 88.68, -47.25, 52.27

 

CMYK 29 / 0 / 44 / 9

HEX #A4E882

RGB 164 232 130

HSL 100, 0.69%, 0.71%

LAB 85.61, -39.28, 42.85

 

CMYK 24 / 0 / 36 / 14

HEX #A8DC8D

RGB 168 220 141

HSL 99.49, 0.53%, 0.71%

LAB 82.61, -30.93, 33.54

 

CMYK 17 / 0 / 26 / 18

HEX #ACD099

RGB 172 208 153

HSL 99.27, 0.37%, 0.71%

LAB 79.72, -21.96, 23.49

 

CMYK 10 / 0 / 16 / 23

HEX #B0C4A5

RGB 176 196 165

HSL 98.71, 0.21%, 0.71%

LAB 76.94, -12.53, 13.29

 

CMYK 2 / 0 / 4 / 28

HEX #B4B8B1

RGB 180 184 177

HSL 94.29, 0.05%, 0.71%

LAB 74.29, -2.69, 3.05

 

CMYK 5 / 0 / 44 / 9

HEX #DCE882

RGB 220 232 130

HSL 67.06, 0.69%, 0.71%

LAB 89.18, -18.79, 48.07

 

CMYK 17 / 0 / 44 / 9

HEX #C0E882

RGB 192 232 130

HSL 83.53, 0.69%, 0.71%

LAB 87.26, -29.37, 45.26

 

CMYK 29 / 0 / 44 / 9

HEX #A5E882

RGB 165 232 130

HSL 99.41, 0.69%, 0.71%

LAB 85.67, -38.94, 42.93

 

CMYK 41 / 0 / 44 / 9

HEX #8AE882

RGB 138 232 130

HSL 115.29, 0.69%, 0.71%

LAB 84.34, -47.59, 40.97

 

CMYK 44 / 0 / 36 / 9

HEX #82E894

RGB 130 232 148

HSL 130.59, 0.69%, 0.71%

LAB 84.28, -47.18, 31.83

 

CMYK 48 / 0 / 73 / 14

HEX #71DB3C

RGB 113 219 60

HSL 100, 0.69%, 0.55%

LAB 78.75, -57.15, 64.74

 

CMYK 38 / 0 / 58 / 12

HEX #8BE15F

RGB 139 225 95

HSL 99.69, 0.68%, 0.63%

LAB 81.93, -48.54, 54.49

 

CMYK 29 / 0 / 44 / 9

HEX #A4E882

RGB 164 232 130

HSL 100, 0.69%, 0.71%

LAB 85.61, -39.28, 42.85

 

CMYK 21 / 0 / 31 / 7

HEX #BDEEA4

RGB 189 238 164

HSL 99.73, 0.69%, 0.79%

LAB 89.23, -28.83, 30.86

 

CMYK 12 / 0 / 18 / 4

HEX #D6F4C7

RGB 214 244 199

HSL 100, 0.67%, 0.87%

LAB 93.07, -17.75, 18.47

 

CMYK 30 / 0 / 45 / 9

HEX #A3E880

RGB 163 232 128

HSL 99.81, 0.69%, 0.71%

LAB 85.53, -39.87, 43.71

 

CMYK 44 / 0 / 7 / 9

HEX #82E8D8

RGB 130 232 216

HSL 170.59, 0.69%, 0.71%

LAB 85.71, -33.57, -1.51

 

CMYK 0 / 44 / 11 / 9

HEX #E882CE

RGB 232 130 206

HSL 315.29, 0.69%, 0.71%

LAB 67.71, 49.18, -22.23

 

CMYK 30 / 0 / 45 / 9

HEX #A3E880

RGB 163 232 128

HSL 99.81, 0.69%, 0.71%

LAB 85.53, -39.87, 43.71

 

CMYK 44 / 29 / 0 / 9

HEX #82A5E8

RGB 130 165 232

HSL 219.41, 0.69%, 0.71%

LAB 67.64, 5.32, -37.48

 

CMYK 0 / 44 / 29 / 9

HEX #E882A5

RGB 232 130 165

HSL 339.41, 0.69%, 0.71%

LAB 66.4, 43.16, -1.16

 

CMYK 30 / 0 / 45 / 9

HEX #A3E880

RGB 163 232 128

HSL 99.81, 0.69%, 0.71%

LAB 85.53, -39.87, 43.71

 

CMYK 44 / 0 / 7 / 9

HEX #82E8D8

RGB 130 232 216

HSL 170.59, 0.69%, 0.71%

LAB 85.71, -33.57, -1.51

 

CMYK 16 / 44 / 0 / 9

HEX #C482E8

RGB 196 130 232

HSL 278.82, 0.69%, 0.71%

LAB 64.59, 43.25, -41.85

 

CMYK 0 / 44 / 38 / 9

HEX #E88291

RGB 232 130 145

HSL 351.18, 0.69%, 0.71%

LAB 65.88, 40.7, 9.41

 

CMYK 30 / 0 / 45 / 9

HEX #A3E880

RGB 163 232 128

HSL 99.81, 0.69%, 0.71%

LAB 85.53, -39.87, 43.71

 

CMYK 44 / 7 / 0 / 9

HEX #82D8E8

RGB 130 216 232

HSL 189.41, 0.69%, 0.71%

LAB 81.67, -21.9, -15.99

 

CMYK 16 / 44 / 0 / 9

HEX #C482E8

RGB 196 130 232

HSL 278.82, 0.69%, 0.71%

LAB 64.59, 43.25, -41.85

 

CMYK 0 / 38 / 44 / 9

HEX #E89182

RGB 232 145 130

HSL 8.82, 0.69%, 0.71%

LAB 68.76, 31.23, 21.83

 

Description

Color code: HEX #A3E880 | qconv.com Color code: HEX #A3E880 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 232 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 232 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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