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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02673 it is the complementary color #5FD98C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02673. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A02673 shade: #A5266E, #B63881, #C74A94, #D85CA7 and #E96EBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02673. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A02673 shade: #A02673, #8F1460, #7E024D, #6D003A and #5C0027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A02673 shade: #A12573, #A12552, #A12531 and #A12525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A02673 shade: #A12573, #A12594, #8C25A1, #6A25A1 and #4925A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A02673 shade matches the following richer shades: #A12573, #B11577 and #C1057C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A02673 shade: #A12573, #91356F, #80456B, #705666 and #606662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A02673 shade: #8C25A1, #A12594, #A12573, #A12553 and #A12532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A02673 shade: #5E1643, #7F1D5B, #A12573, #C22D8B and #D3459F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A02673 shade: #A02673, #A16B25 and #25A19C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A02673 shade: #A02673, #73A125 and #2573A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A02673 shade: #A02673, #A16B25, #25A153 and #255BA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A02673 shade: #A02673, #A19025, #25A153 and #2536A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 28 / 37

HEX #A02673

RGB 160 38 115

HSL 322.13, 0.62%, 0.39%

LAB 38.02, 55.81, -14.99

 

Complementary color

CMYK 56 / 0 / 35 / 15

HEX #5FD98C

RGB 95 217 140

HSL 142.13, 0.62%, 0.61%

LAB 78.43, -51.18, 27.91

 

CMYK 0 / 77 / 33 / 35

HEX #A5266E

RGB 165 38 110

HSL 325.98, 0.63%, 0.4%

LAB 38.74, 56.51, -10.66

 

CMYK 0 / 69 / 29 / 29

HEX #B63881

RGB 182 56 129

HSL 325.24, 0.53%, 0.47%

LAB 44.74, 57.11, -13.06

 

CMYK 0 / 63 / 26 / 22

HEX #C74A94

RGB 199 74 148

HSL 324.48, 0.53%, 0.54%

LAB 50.89, 57.12, -14.9

 

CMYK 0 / 57 / 23 / 15

HEX #D85CA7

RGB 216 92 167

HSL 323.71, 0.61%, 0.6%

LAB 57.12, 56.77, -16.37

 

CMYK 0 / 53 / 20 / 9

HEX #E96EBA

RGB 233 110 186

HSL 322.93, 0.74%, 0.67%

LAB 63.36, 56.22, -17.58

 

CMYK 0 / 76 / 28 / 37

HEX #A02673

RGB 160 38 115

HSL 322.13, 0.62%, 0.39%

LAB 38.02, 55.81, -14.99

 

CMYK 0 / 86 / 33 / 44

HEX #8F1460

RGB 143 20 96

HSL 322.93, 0.75%, 0.32%

LAB 32.22, 54.23, -12.03

 

CMYK 0 / 98 / 39 / 51

HEX #7E024D

RGB 126 2 77

HSL 323.71, 0.97%, 0.25%

LAB 26.78, 51.39, -8.1

 

CMYK 0 / 100 / 47 / 57

HEX #6D003A

RGB 109 0 58

HSL 328.07, 1%, 0.21%

LAB 22.15, 45.85, -2.42

 

CMYK 0 / 100 / 58 / 64

HEX #5C0027

RGB 92 0 39

HSL 334.57, 1%, 0.18%

LAB 17.56, 39.9, 3.93

 

CMYK 0 / 77 / 29 / 37

HEX #A12573

RGB 161 37 115

HSL 322.26, 0.63%, 0.39%

LAB 38.09, 56.38, -14.87

 

CMYK 0 / 77 / 49 / 37

HEX #A12552

RGB 161 37 82

HSL 338.23, 0.63%, 0.39%

LAB 36.95, 52.84, 4.4

 

CMYK 0 / 77 / 70 / 37

HEX #A12531

RGB 161 37 49

HSL 354.19, 0.63%, 0.39%

LAB 36.22, 50.5, 24.51

 

CMYK 0 / 77 / 77 / 37

HEX #A12525

RGB 161 37 37

HSL 0, 0.63%, 0.39%

LAB 36.05, 49.95, 31.66

 

CMYK 0 / 77 / 29 / 37

HEX #A12573

RGB 161 37 115

HSL 322.26, 0.63%, 0.39%

LAB 38.09, 56.38, -14.87

 

CMYK 0 / 77 / 8 / 37

HEX #A12594

RGB 161 37 148

HSL 306.29, 0.63%, 0.39%

LAB 39.64, 61, -32.82

 

CMYK 13 / 77 / 0 / 37

HEX #8C25A1

RGB 140 37 161

HSL 289.84, 0.63%, 0.39%

LAB 36.88, 58.73, -45.32

 

CMYK 34 / 77 / 0 / 37

HEX #6A25A1

RGB 106 37 161

HSL 273.39, 0.63%, 0.39%

LAB 31.72, 52.19, -53.91

 

CMYK 55 / 77 / 0 / 37

HEX #4925A1

RGB 73 37 161

HSL 257.42, 0.63%, 0.39%

LAB 27.61, 46.83, -60.8

 

CMYK 0 / 77 / 29 / 37

HEX #A12573

RGB 161 37 115

HSL 322.26, 0.63%, 0.39%

LAB 38.09, 56.38, -14.87

 

CMYK 0 / 88 / 33 / 31

HEX #B11577

RGB 177 21 119

HSL 322.31, 0.79%, 0.39%

LAB 39.94, 64.61, -14.27

 

CMYK 0 / 97 / 36 / 24

HEX #C1057C

RGB 193 5 124

HSL 322.02, 0.95%, 0.39%

LAB 42.61, 70.61, -13.02

 

CMYK 0 / 77 / 29 / 37

HEX #A12573

RGB 161 37 115

HSL 322.26, 0.63%, 0.39%

LAB 38.09, 56.38, -14.87

 

CMYK 0 / 63 / 23 / 43

HEX #91356F

RGB 145 53 111

HSL 322.17, 0.46%, 0.39%

LAB 37.32, 45.19, -13.78

 

CMYK 0 / 46 / 16 / 50

HEX #80456B

RGB 128 69 107

HSL 321.36, 0.3%, 0.39%

LAB 37.67, 30.7, -10.98

 

CMYK 0 / 23 / 9 / 56

HEX #705666

RGB 112 86 102

HSL 323.08, 0.13%, 0.39%

LAB 39.68, 13.64, -5.07

 

CMYK 6 / 0 / 4 / 60

HEX #606662

RGB 96 102 98

HSL 140, 0.03%, 0.39%

LAB 42.57, -3.16, 1.45

 

CMYK 13 / 77 / 0 / 37

HEX #8C25A1

RGB 140 37 161

HSL 289.84, 0.63%, 0.39%

LAB 36.88, 58.73, -45.32

 

CMYK 0 / 77 / 8 / 37

HEX #A12594

RGB 161 37 148

HSL 306.29, 0.63%, 0.39%

LAB 39.64, 61, -32.82

 

CMYK 0 / 77 / 29 / 37

HEX #A12573

RGB 161 37 115

HSL 322.26, 0.63%, 0.39%

LAB 38.09, 56.38, -14.87

 

CMYK 0 / 77 / 48 / 37

HEX #A12553

RGB 161 37 83

HSL 337.74, 0.63%, 0.39%

LAB 36.98, 52.93, 3.8

 

CMYK 0 / 77 / 69 / 37

HEX #A12532

RGB 161 37 50

HSL 353.71, 0.63%, 0.39%

LAB 36.23, 50.56, 23.91

 

CMYK 0 / 77 / 29 / 63

HEX #5E1643

RGB 94 22 67

HSL 322.5, 0.62%, 0.23%

LAB 21.43, 36.83, -10.05

 

CMYK 0 / 77 / 28 / 50

HEX #7F1D5B

RGB 127 29 91

HSL 322.04, 0.63%, 0.31%

LAB 29.78, 46.93, -12.79

 

CMYK 0 / 77 / 29 / 37

HEX #A12573

RGB 161 37 115

HSL 322.26, 0.63%, 0.39%

LAB 38.09, 56.38, -14.87

 

CMYK 0 / 77 / 28 / 24

HEX #C22D8B

RGB 194 45 139

HSL 322.15, 0.62%, 0.47%

LAB 45.92, 65.18, -17.15

 

CMYK 0 / 67 / 25 / 17

HEX #D3459F

RGB 211 69 159

HSL 321.97, 0.62%, 0.55%

LAB 52.52, 63.9, -18.77

 

CMYK 0 / 76 / 28 / 37

HEX #A02673

RGB 160 38 115

HSL 322.13, 0.62%, 0.39%

LAB 38.02, 55.81, -14.99

 

CMYK 0 / 34 / 77 / 37

HEX #A16B25

RGB 161 107 37

HSL 33.87, 0.63%, 0.39%

LAB 49.77, 15.34, 45.83

 

CMYK 77 / 0 / 3 / 37

HEX #25A19C

RGB 37 161 156

HSL 177.58, 0.63%, 0.39%

LAB 60.14, -33.27, -6.86

 

CMYK 0 / 76 / 28 / 37

HEX #A02673

RGB 160 38 115

HSL 322.13, 0.62%, 0.39%

LAB 38.02, 55.81, -14.99

 

CMYK 29 / 0 / 77 / 37

HEX #73A125

RGB 115 161 37

HSL 82.26, 0.63%, 0.39%

LAB 61.02, -33.84, 55.28

 

CMYK 77 / 29 / 0 / 37

HEX #2573A1

RGB 37 115 161

HSL 202.26, 0.63%, 0.39%

LAB 45.94, -7.25, -31.44

 

CMYK 0 / 76 / 28 / 37

HEX #A02673

RGB 160 38 115

HSL 322.13, 0.62%, 0.39%

LAB 38.02, 55.81, -14.99

 

CMYK 0 / 34 / 77 / 37

HEX #A16B25

RGB 161 107 37

HSL 33.87, 0.63%, 0.39%

LAB 49.77, 15.34, 45.83

 

CMYK 77 / 0 / 48 / 37

HEX #25A153

RGB 37 161 83

HSL 142.26, 0.63%, 0.39%

LAB 58.52, -50.57, 31.26

 

CMYK 77 / 43 / 0 / 37

HEX #255BA1

RGB 37 91 161

HSL 213.87, 0.63%, 0.39%

LAB 38.64, 7.7, -43.01

 

CMYK 0 / 76 / 28 / 37

HEX #A02673

RGB 160 38 115

HSL 322.13, 0.62%, 0.39%

LAB 38.02, 55.81, -14.99

 

CMYK 0 / 11 / 77 / 37

HEX #A19025

RGB 161 144 37

HSL 51.77, 0.63%, 0.39%

LAB 59.58, -5.38, 55.18

 

CMYK 77 / 0 / 48 / 37

HEX #25A153

RGB 37 161 83

HSL 142.26, 0.63%, 0.39%

LAB 58.52, -50.57, 31.26

 

CMYK 77 / 66 / 0 / 37

HEX #2536A1

RGB 37 54 161

HSL 231.77, 0.63%, 0.39%

LAB 28.39, 32.38, -59.61

 

Description

Color code: HEX #A02673 | qconv.com Color code: HEX #A02673 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 38 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 38 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 28 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 28% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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