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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0525A it is the complementary color #5FADA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0525A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0525A shade: #A55255, #B66468, #C7767B, #D8888E and #E99AA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0525A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0525A shade: #A0525A, #8F4047, #7E2E34, #6D1C21 and #5C0A0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0525A shade: #9E5159 and #9E5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0525A shade: #9E5159, #9E516E, #9E5182, #9E5197 and #90519E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0525A shade matches the following richer shades: #9E5159, #B13E49, #C42A3A, #D8172B and #EB031B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0525A shade: #9E5159, #8A6468, #777878, #648B87 and #509F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0525A shade: #9E5183, #9E516E, #9E515A, #9E5D51 and #9E7151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0525A shade: #67353A, #824349, #9E5159, #B1676F and #BF8389

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0525A shade: #A0525A, #979E51 and #51799E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0525A shade: #A0525A, #5A9E51 and #515A9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0525A shade: #A0525A, #979E51, #519E95 and #57519E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0525A shade: #A0525A, #809E51, #519E95 and #6E519E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 44 / 37

HEX #A0525A

RGB 160 82 90

HSL 353.85, 0.32%, 0.47%

LAB 44.58, 33.05, 10.19

 

Complementary color

CMYK 45 / 0 / 5 / 32

HEX #5FADA5

RGB 95 173 165

HSL 173.85, 0.32%, 0.53%

LAB 65.78, -26.03, -3.39

 

CMYK 0 / 50 / 48 / 35

HEX #A55255

RGB 165 82 85

HSL 357.83, 0.34%, 0.48%

LAB 45.21, 34.43, 14.2

 

CMYK 0 / 45 / 43 / 29

HEX #B66468

RGB 182 100 104

HSL 357.07, 0.36%, 0.55%

LAB 51.9, 33.33, 12.47

HEX #B66468

CMYK 0 / 41 / 38 / 22

HEX #C7767B

RGB 199 118 123

HSL 356.3, 0.42%, 0.62%

LAB 58.54, 32.29, 10.99

HEX #C7767B

CMYK 0 / 37 / 34 / 15

HEX #D8888E

RGB 216 136 142

HSL 355.5, 0.51%, 0.69%

LAB 65.09, 31.33, 9.71

HEX #D8888E

CMYK 0 / 34 / 31 / 9

HEX #E99AA1

RGB 233 154 161

HSL 354.68, 0.64%, 0.76%

LAB 71.56, 30.45, 8.57

HEX #E99AA1

CMYK 0 / 49 / 44 / 37

HEX #A0525A

RGB 160 82 90

HSL 353.85, 0.32%, 0.47%

LAB 44.58, 33.05, 10.19

 

CMYK 0 / 55 / 50 / 44

HEX #8F4047

RGB 143 64 71

HSL 354.68, 0.38%, 0.41%

LAB 37.77, 34.14, 12.1

 

CMYK 0 / 63 / 59 / 51

HEX #7E2E34

RGB 126 46 52

HSL 355.5, 0.47%, 0.34%

LAB 30.97, 35.17, 14.53

 

CMYK 0 / 74 / 70 / 57

HEX #6D1C21

RGB 109 28 33

HSL 356.3, 0.59%, 0.27%

LAB 24.29, 35.86, 17.79

 

CMYK 0 / 89 / 85 / 64

HEX #5C0A0E

RGB 92 10 14

HSL 357.07, 0.8%, 0.2%

LAB 18.03, 35.56, 21.64

 

CMYK 0 / 49 / 44 / 38

HEX #9E5159

RGB 158 81 89

HSL 353.77, 0.32%, 0.47%

LAB 44.05, 32.71, 10.01

 

CMYK 0 / 49 / 49 / 38

HEX #9E5151

RGB 158 81 81

HSL 0, 0.32%, 0.47%

LAB 43.87, 31.86, 14.64

 

CMYK 0 / 49 / 44 / 38

HEX #9E5159

RGB 158 81 89

HSL 353.77, 0.32%, 0.47%

LAB 44.05, 32.71, 10.01

 

CMYK 0 / 49 / 30 / 38

HEX #9E516E

RGB 158 81 110

HSL 337.4, 0.32%, 0.47%

LAB 44.63, 35.34, -2.01

 

CMYK 0 / 49 / 18 / 38

HEX #9E5182

RGB 158 81 130

HSL 321.82, 0.32%, 0.47%

LAB 45.31, 38.34, -13.16

 

CMYK 0 / 49 / 4 / 38

HEX #9E5197

RGB 158 81 151

HSL 305.45, 0.32%, 0.47%

LAB 46.16, 41.96, -24.48

 

CMYK 9 / 49 / 0 / 38

HEX #90519E

RGB 144 81 158

HSL 289.09, 0.32%, 0.47%

LAB 44.64, 39.05, -31.17

 

CMYK 0 / 49 / 44 / 38

HEX #9E5159

RGB 158 81 89

HSL 353.77, 0.32%, 0.47%

LAB 44.05, 32.71, 10.01

 

CMYK 0 / 65 / 59 / 31

HEX #B13E49

RGB 177 62 73

HSL 354.26, 0.48%, 0.47%

LAB 43.17, 47.49, 19.12

 

CMYK 0 / 79 / 70 / 23

HEX #C42A3A

RGB 196 42 58

HSL 353.77, 0.65%, 0.47%

LAB 43.8, 59.85, 29.78

 

CMYK 0 / 89 / 80 / 15

HEX #D8172B

RGB 216 23 43

HSL 353.78, 0.81%, 0.47%

LAB 46.16, 68.92, 42.25

 

CMYK 0 / 99 / 89 / 8

HEX #EB031B

RGB 235 3 27

HSL 353.79, 0.97%, 0.47%

LAB 49.26, 75.34, 54.51

 

CMYK 0 / 49 / 44 / 38

HEX #9E5159

RGB 158 81 89

HSL 353.77, 0.32%, 0.47%

LAB 44.05, 32.71, 10.01

 

CMYK 0 / 28 / 25 / 46

HEX #8A6468

RGB 138 100 104

HSL 353.68, 0.16%, 0.47%

LAB 46.33, 15.97, 3.8

 

CMYK 1 / 0 / 0 / 53

HEX #777878

RGB 119 120 120

HSL 180, 0%, 0.47%

LAB 50.35, -0.37, -0.14

 

CMYK 28 / 0 / 3 / 45

HEX #648B87

RGB 100 139 135

HSL 173.85, 0.16%, 0.47%

LAB 54.99, -14.37, -2.23

 

CMYK 50 / 0 / 5 / 38

HEX #509F97

RGB 80 159 151

HSL 173.92, 0.33%, 0.47%

LAB 60.55, -26.28, -3.31

 

CMYK 0 / 49 / 17 / 38

HEX #9E5183

RGB 158 81 131

HSL 321.04, 0.32%, 0.47%

LAB 45.35, 38.51, -13.71

 

CMYK 0 / 49 / 30 / 38

HEX #9E516E

RGB 158 81 110

HSL 337.4, 0.32%, 0.47%

LAB 44.63, 35.34, -2.01

 

CMYK 0 / 49 / 43 / 38

HEX #9E515A

RGB 158 81 90

HSL 352.99, 0.32%, 0.47%

LAB 44.08, 32.82, 9.43

 

CMYK 0 / 41 / 49 / 38

HEX #9E5D51

RGB 158 93 81

HSL 9.35, 0.32%, 0.47%

LAB 46.57, 25.21, 18.29

 

CMYK 0 / 28 / 49 / 38

HEX #9E7151

RGB 158 113 81

HSL 24.94, 0.32%, 0.47%

LAB 51.47, 13.81, 24.75

 

CMYK 0 / 49 / 44 / 60

HEX #67353A

RGB 103 53 58

HSL 354, 0.32%, 0.31%

LAB 28.73, 22.87, 6.93

 

CMYK 0 / 48 / 44 / 49

HEX #824349

RGB 130 67 73

HSL 354.29, 0.32%, 0.39%

LAB 36.44, 27.64, 8.68

 

CMYK 0 / 49 / 44 / 38

HEX #9E5159

RGB 158 81 89

HSL 353.77, 0.32%, 0.47%

LAB 44.05, 32.71, 10.01

 

CMYK 0 / 42 / 37 / 31

HEX #B1676F

RGB 177 103 111

HSL 353.51, 0.32%, 0.55%

LAB 52.06, 30.6, 8.45

 

CMYK 0 / 31 / 28 / 25

HEX #BF8389

RGB 191 131 137

HSL 354, 0.32%, 0.63%

LAB 60.88, 23.95, 6.15

 

CMYK 0 / 49 / 44 / 37

HEX #A0525A

RGB 160 82 90

HSL 353.85, 0.32%, 0.47%

LAB 44.58, 33.05, 10.19

 

CMYK 4 / 0 / 49 / 38

HEX #979E51

RGB 151 158 81

HSL 65.45, 0.32%, 0.47%

LAB 63.03, -14.12, 39.08

 

CMYK 49 / 23 / 0 / 38

HEX #51799E

RGB 81 121 158

HSL 208.83, 0.32%, 0.47%

LAB 49.37, -3.38, -24.22

 

CMYK 0 / 49 / 44 / 37

HEX #A0525A

RGB 160 82 90

HSL 353.85, 0.32%, 0.47%

LAB 44.58, 33.05, 10.19

 

CMYK 43 / 0 / 49 / 38

HEX #5A9E51

RGB 90 158 81

HSL 112.99, 0.32%, 0.47%

LAB 59.18, -37.3, 33.48

 

CMYK 49 / 43 / 0 / 38

HEX #515A9E

RGB 81 90 158

HSL 232.99, 0.32%, 0.47%

LAB 40.46, 15.71, -38.18

 

CMYK 0 / 49 / 44 / 37

HEX #A0525A

RGB 160 82 90

HSL 353.85, 0.32%, 0.47%

LAB 44.58, 33.05, 10.19

 

CMYK 4 / 0 / 49 / 38

HEX #979E51

RGB 151 158 81

HSL 65.45, 0.32%, 0.47%

LAB 63.03, -14.12, 39.08

 

CMYK 49 / 0 / 6 / 38

HEX #519E95

RGB 81 158 149

HSL 172.99, 0.32%, 0.47%

LAB 60.22, -26.07, -2.65

 

CMYK 45 / 49 / 0 / 38

HEX #57519E

RGB 87 81 158

HSL 244.68, 0.32%, 0.47%

LAB 38.52, 22.93, -41.25

 

CMYK 0 / 49 / 44 / 37

HEX #A0525A

RGB 160 82 90

HSL 353.85, 0.32%, 0.47%

LAB 44.58, 33.05, 10.19

 

CMYK 19 / 0 / 49 / 38

HEX #809E51

RGB 128 158 81

HSL 83.38, 0.32%, 0.47%

LAB 61.34, -23.54, 36.63

 

CMYK 49 / 0 / 6 / 38

HEX #519E95

RGB 81 158 149

HSL 172.99, 0.32%, 0.47%

LAB 60.22, -26.07, -2.65

 

CMYK 30 / 49 / 0 / 38

HEX #6E519E

RGB 110 81 158

HSL 262.6, 0.32%, 0.47%

LAB 40.68, 29.1, -37.66

 

Description

Color code: HEX #A0525A | qconv.com Color code: HEX #A0525A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 82 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 82 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 44 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 44% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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