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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A07F63 it is the complementary color #5F809C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A07F63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A07F63 shade: #A57F5E, #B69171, #C7A384, #D8B597 and #E9C7AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A07F63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A07F63 shade: #A07F63, #8F6D50, #7E5B3D, #6D492A and #5C3717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A07F63 shade: #A07F64, #A06F64 and #A06464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A07F63 shade: #A07F64, #A08F64, #A09F64, #8FA064 and #7FA064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A07F63 shade matches the following richer shades: #A07F64, #B47D4F, #C87C3B, #DC7A27 and #F07813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A07F63 shade: #A07F64, #8B8178, #77828C, #6384A0 and #4F86B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A07F63 shade: #A06469, #A06F64, #A07F64, #A08F64 and #A09F64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A07F63 shade: #6E5743, #876B53, #A07F64, #AF947D and #BFA997

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A07F63 shade: #A07F63, #79A064 and #6764A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A07F63 shade: #A07F63, #64A07F and #7F64A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A07F63 shade: #A07F63, #79A064, #6485A0 and #8B64A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A07F63 shade: #A07F63, #67A064, #6485A0 and #9D64A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 38 / 37

HEX #A07F63

RGB 160 127 99

HSL 27.54, 0.24%, 0.51%

LAB 55.64, 8.73, 20.06

 

Complementary color

CMYK 39 / 18 / 0 / 39

HEX #5F809C

RGB 95 128 156

HSL 207.54, 0.24%, 0.49%

LAB 52.14, -4.27, -18.72

 

CMYK 0 / 23 / 43 / 35

HEX #A57F5E

RGB 165 127 94

HSL 27.89, 0.28%, 0.51%

LAB 56.07, 10.24, 23.57

 

CMYK 0 / 20 / 38 / 29

HEX #B69171

RGB 182 145 113

HSL 27.83, 0.32%, 0.58%

LAB 62.83, 9.47, 22.28

 

CMYK 0 / 18 / 34 / 22

HEX #C7A384

RGB 199 163 132

HSL 27.76, 0.37%, 0.65%

LAB 69.47, 8.81, 21.1

 

CMYK 0 / 16 / 30 / 15

HEX #D8B597

RGB 216 181 151

HSL 27.69, 0.45%, 0.72%

LAB 76, 8.24, 20

 

CMYK 0 / 15 / 27 / 9

HEX #E9C7AA

RGB 233 199 170

HSL 27.62, 0.59%, 0.79%

LAB 82.42, 7.74, 18.98

 

CMYK 0 / 21 / 38 / 37

HEX #A07F63

RGB 160 127 99

HSL 27.54, 0.24%, 0.51%

LAB 55.64, 8.73, 20.06

 

CMYK 0 / 24 / 44 / 44

HEX #8F6D50

RGB 143 109 80

HSL 27.62, 0.28%, 0.44%

LAB 48.71, 9.52, 21.39

 

CMYK 0 / 28 / 52 / 51

HEX #7E5B3D

RGB 126 91 61

HSL 27.69, 0.35%, 0.37%

LAB 41.62, 10.49, 22.88

 

CMYK 0 / 33 / 61 / 57

HEX #6D492A

RGB 109 73 42

HSL 27.76, 0.44%, 0.3%

LAB 34.36, 11.72, 24.54

 

CMYK 0 / 40 / 75 / 64

HEX #5C3717

RGB 92 55 23

HSL 27.83, 0.6%, 0.23%

LAB 26.93, 13.31, 26.33

 

CMYK 0 / 21 / 38 / 37

HEX #A07F64

RGB 160 127 100

HSL 27, 0.24%, 0.51%

LAB 55.66, 8.85, 19.52

 

CMYK 0 / 31 / 38 / 37

HEX #A06F64

RGB 160 111 100

HSL 11, 0.24%, 0.51%

LAB 51.57, 17.98, 13.93

 

CMYK 0 / 38 / 38 / 37

HEX #A06464

RGB 160 100 100

HSL 0, 0.24%, 0.51%

LAB 48.89, 24.25, 10.2

 

CMYK 0 / 21 / 38 / 37

HEX #A07F64

RGB 160 127 100

HSL 27, 0.24%, 0.51%

LAB 55.66, 8.85, 19.52

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 0 / 1 / 38 / 37

HEX #A09F64

RGB 160 159 100

HSL 59, 0.24%, 0.51%

LAB 64.31, -8.82, 30.94

 

CMYK 11 / 0 / 38 / 37

HEX #8FA064

RGB 143 160 100

HSL 77, 0.24%, 0.51%

LAB 63.26, -16.24, 29.32

 

CMYK 21 / 0 / 38 / 37

HEX #7FA064

RGB 127 160 100

HSL 93, 0.24%, 0.51%

LAB 62.15, -22.47, 27.65

 

CMYK 0 / 21 / 38 / 37

HEX #A07F64

RGB 160 127 100

HSL 27, 0.24%, 0.51%

LAB 55.66, 8.85, 19.52

 

CMYK 0 / 31 / 56 / 29

HEX #B47D4F

RGB 180 125 79

HSL 27.33, 0.4%, 0.51%

LAB 57.01, 16.26, 33.43

 

CMYK 0 / 38 / 71 / 22

HEX #C87C3B

RGB 200 124 59

HSL 27.66, 0.56%, 0.51%

LAB 58.98, 23.96, 46.67

 

CMYK 0 / 45 / 82 / 14

HEX #DC7A27

RGB 220 122 39

HSL 27.51, 0.72%, 0.51%

LAB 61.03, 32.54, 58.3

 

CMYK 0 / 50 / 92 / 6

HEX #F07813

RGB 240 120 19

HSL 27.42, 0.88%, 0.51%

LAB 63.35, 41.14, 67.46

 

CMYK 0 / 21 / 38 / 37

HEX #A07F64

RGB 160 127 100

HSL 27, 0.24%, 0.51%

LAB 55.66, 8.85, 19.52

 

CMYK 0 / 7 / 14 / 45

HEX #8B8178

RGB 139 129 120

HSL 28.42, 0.08%, 0.51%

LAB 54.6, 2.16, 6.23

 

CMYK 15 / 7 / 0 / 45

HEX #77828C

RGB 119 130 140

HSL 208.57, 0.08%, 0.51%

LAB 53.79, -1.84, -6.76

 

CMYK 38 / 18 / 0 / 37

HEX #6384A0

RGB 99 132 160

HSL 207.54, 0.24%, 0.51%

LAB 53.7, -4.32, -18.64

 

CMYK 56 / 26 / 0 / 29

HEX #4F86B4

RGB 79 134 180

HSL 207.33, 0.4%, 0.51%

LAB 54.04, -4.54, -29.73

 

CMYK 0 / 38 / 34 / 37

HEX #A06469

RGB 160 100 105

HSL 355, 0.24%, 0.51%

LAB 49.02, 24.9, 7.39

 

CMYK 0 / 31 / 38 / 37

HEX #A06F64

RGB 160 111 100

HSL 11, 0.24%, 0.51%

LAB 51.57, 17.98, 13.93

 

CMYK 0 / 21 / 38 / 37

HEX #A07F64

RGB 160 127 100

HSL 27, 0.24%, 0.51%

LAB 55.66, 8.85, 19.52

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 0 / 1 / 38 / 37

HEX #A09F64

RGB 160 159 100

HSL 59, 0.24%, 0.51%

LAB 64.31, -8.82, 30.94

 

CMYK 0 / 21 / 39 / 57

HEX #6E5743

RGB 110 87 67

HSL 27.91, 0.24%, 0.35%

LAB 38.79, 6.4, 15.22

 

CMYK 0 / 21 / 39 / 47

HEX #876B53

RGB 135 107 83

HSL 27.69, 0.24%, 0.43%

LAB 47.35, 7.59, 17.68

 

CMYK 0 / 21 / 38 / 37

HEX #A07F64

RGB 160 127 100

HSL 27, 0.24%, 0.51%

LAB 55.66, 8.85, 19.52

 

CMYK 0 / 15 / 29 / 31

HEX #AF947D

RGB 175 148 125

HSL 27.6, 0.24%, 0.59%

LAB 63.16, 6.54, 15.91

 

CMYK 0 / 12 / 21 / 25

HEX #BFA997

RGB 191 169 151

HSL 27, 0.24%, 0.67%

LAB 70.65, 5.08, 12.2

 

CMYK 0 / 21 / 38 / 37

HEX #A07F63

RGB 160 127 99

HSL 27.54, 0.24%, 0.51%

LAB 55.64, 8.73, 20.06

 

CMYK 24 / 0 / 38 / 37

HEX #79A064

RGB 121 160 100

HSL 99, 0.24%, 0.51%

LAB 61.76, -24.71, 27.08

 

CMYK 36 / 38 / 0 / 37

HEX #6764A0

RGB 103 100 160

HSL 243, 0.24%, 0.51%

LAB 44.99, 16, -32.1

 

CMYK 0 / 21 / 38 / 37

HEX #A07F63

RGB 160 127 99

HSL 27.54, 0.24%, 0.51%

LAB 55.64, 8.73, 20.06

 

CMYK 38 / 0 / 21 / 37

HEX #64A07F

RGB 100 160 127

HSL 147, 0.24%, 0.51%

LAB 61.12, -27.02, 11.14

 

CMYK 21 / 38 / 0 / 37

HEX #7F64A0

RGB 127 100 160

HSL 267, 0.24%, 0.51%

LAB 47.19, 23.31, -28.5

 

CMYK 0 / 21 / 38 / 37

HEX #A07F63

RGB 160 127 99

HSL 27.54, 0.24%, 0.51%

LAB 55.64, 8.73, 20.06

 

CMYK 24 / 0 / 38 / 37

HEX #79A064

RGB 121 160 100

HSL 99, 0.24%, 0.51%

LAB 61.76, -24.71, 27.08

 

CMYK 38 / 17 / 0 / 37

HEX #6485A0

RGB 100 133 160

HSL 207, 0.24%, 0.51%

LAB 54.05, -4.61, -18.1

 

CMYK 13 / 38 / 0 / 37

HEX #8B64A0

RGB 139 100 160

HSL 279, 0.24%, 0.51%

LAB 48.44, 27.14, -26.46

 

CMYK 0 / 21 / 38 / 37

HEX #A07F63

RGB 160 127 99

HSL 27.54, 0.24%, 0.51%

LAB 55.64, 8.73, 20.06

 

CMYK 36 / 0 / 38 / 37

HEX #67A064

RGB 103 160 100

HSL 117, 0.24%, 0.51%

LAB 60.73, -31.07, 25.53

 

CMYK 38 / 17 / 0 / 37

HEX #6485A0

RGB 100 133 160

HSL 207, 0.24%, 0.51%

LAB 54.05, -4.61, -18.1

 

CMYK 2 / 38 / 0 / 37

HEX #9D64A0

RGB 157 100 160

HSL 297, 0.24%, 0.51%

LAB 50.48, 33, -23.15

 

Description

Color code: HEX #A07F63 | qconv.com Color code: HEX #A07F63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 127 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 127 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 38 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 38% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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