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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0E3AF it is the complementary color #5F1C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0E3AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0E3AF shade: #A5E3AA, #B6F5BD, #C7FFD0, #D8FFE3 and #E9FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0E3AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0E3AF shade: #A0E3AF, #8FD19C, #7EBF89, #6DAD76 and #5C9B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0E3AF shade: #A0E2AF, #A3E2A0, #B5E2A0, #C7E2A0 and #D9E2A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0E3AF shade: #A0E2AF, #A0E2C1, #A0E2D3, #A0E0E2 and #A0CEE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0E3AF shade matches the following richer shades: #A0E2AF, #96ECAA and #8CF6A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0E3AF shade: #A0E2AF, #AAD8B5, #B4CFBA, #BEC5BF and #C8BBC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0E3AF shade: #B5E2A0, #A4E2A0, #A0E2AF, #A0E2C0 and #A0E2D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0E3AF shade: #61CF79, #80D994, #A0E2AF, #C0ECCA and #E0F5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0E3AF shade: #A0E3AF, #A0C7E2 and #E2A0AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0E3AF shade: #A0E3AF, #AFA0E2 and #E2AFA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0E3AF shade: #A0E3AF, #A0C7E2, #E2A0D4 and #E2BCA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0E3AF shade: #A0E3AF, #A0B3E2, #E2A0D4 and #E2D0A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 23 / 11

HEX #A0E3AF

RGB 160 227 175

HSL 133.43, 0.54%, 0.76%

LAB 84.74, -31.41, 18.8

 

Complementary color

CMYK 0 / 71 / 16 / 63

HEX #5F1C50

RGB 95 28 80

HSL 313.43, 0.54%, 0.24%

LAB 23.14, 36.61, -16.22

 

CMYK 27 / 0 / 25 / 11

HEX #A5E3AA

RGB 165 227 170

HSL 124.84, 0.53%, 0.77%

LAB 84.91, -30.7, 21.68

 

CMYK 26 / 0 / 23 / 4

HEX #B6F5BD

RGB 182 245 189

HSL 126.67, 0.76%, 0.84%

LAB 91.2, -30.48, 20.72

 

CMYK 22 / 0 / 18 / 0

HEX #C7FFD0

RGB 199 255 208

HSL 129.64, 1%, 0.89%

LAB 95.25, -26.5, 16.79

 

CMYK 15 / 0 / 11 / 0

HEX #D8FFE3

RGB 216 255 227

HSL 136.92, 1%, 0.92%

LAB 96.68, -17.7, 9.22

 

CMYK 9 / 0 / 4 / 0

HEX #E9FFF6

RGB 233 255 246

HSL 155.45, 1%, 0.96%

LAB 98.23, -8.78, 1.84

 

CMYK 30 / 0 / 23 / 11

HEX #A0E3AF

RGB 160 227 175

HSL 133.43, 0.54%, 0.76%

LAB 84.74, -31.41, 18.8

 

CMYK 32 / 0 / 25 / 18

HEX #8FD19C

RGB 143 209 156

HSL 131.82, 0.42%, 0.69%

LAB 78.37, -31.67, 19.79

 

CMYK 34 / 0 / 28 / 25

HEX #7EBF89

RGB 126 191 137

HSL 130.15, 0.34%, 0.62%

LAB 71.9, -31.93, 20.84

 

CMYK 37 / 0 / 32 / 32

HEX #6DAD76

RGB 109 173 118

HSL 128.44, 0.28%, 0.55%

LAB 65.32, -32.2, 21.96

 

CMYK 41 / 0 / 36 / 39

HEX #5C9B63

RGB 92 155 99

HSL 126.67, 0.26%, 0.48%

LAB 58.62, -32.46, 23.17

 

CMYK 29 / 0 / 23 / 11

HEX #A0E2AF

RGB 160 226 175

HSL 133.64, 0.53%, 0.76%

LAB 84.46, -30.94, 18.41

 

CMYK 28 / 0 / 29 / 11

HEX #A3E2A0

RGB 163 226 160

HSL 117.27, 0.53%, 0.76%

LAB 84.34, -32.54, 26.05

 

CMYK 20 / 0 / 29 / 11

HEX #B5E2A0

RGB 181 226 160

HSL 100.91, 0.53%, 0.76%

LAB 85.38, -26.48, 27.64

 

CMYK 12 / 0 / 29 / 11

HEX #C7E2A0

RGB 199 226 160

HSL 84.55, 0.53%, 0.76%

LAB 86.54, -20.1, 29.4

 

CMYK 4 / 0 / 29 / 11

HEX #D9E2A0

RGB 217 226 160

HSL 68.18, 0.53%, 0.76%

LAB 87.82, -13.48, 31.33

 

CMYK 29 / 0 / 23 / 11

HEX #A0E2AF

RGB 160 226 175

HSL 133.64, 0.53%, 0.76%

LAB 84.46, -30.94, 18.41

 

CMYK 29 / 0 / 15 / 11

HEX #A0E2C1

RGB 160 226 193

HSL 150, 0.53%, 0.76%

LAB 84.85, -27.56, 9.52

 

CMYK 29 / 0 / 7 / 11

HEX #A0E2D3

RGB 160 226 211

HSL 166.36, 0.53%, 0.76%

LAB 85.29, -23.87, 0.66

 

CMYK 29 / 1 / 0 / 11

HEX #A0E0E2

RGB 160 224 226

HSL 181.82, 0.53%, 0.76%

LAB 85.14, -19.58, -7.48

 

CMYK 29 / 9 / 0 / 11

HEX #A0CEE2

RGB 160 206 226

HSL 198.18, 0.53%, 0.76%

LAB 80.24, -10.4, -14.78

 

CMYK 29 / 0 / 23 / 11

HEX #A0E2AF

RGB 160 226 175

HSL 133.64, 0.53%, 0.76%

LAB 84.46, -30.94, 18.41

 

CMYK 36 / 0 / 28 / 7

HEX #96ECAA

RGB 150 236 170

HSL 133.95, 0.69%, 0.76%

LAB 86.69, -39.47, 24

 

CMYK 43 / 0 / 33 / 4

HEX #8CF6A4

RGB 140 246 164

HSL 133.58, 0.85%, 0.76%

LAB 89, -47.7, 30.13

 

CMYK 29 / 0 / 23 / 11

HEX #A0E2AF

RGB 160 226 175

HSL 133.64, 0.53%, 0.76%

LAB 84.46, -30.94, 18.41

 

CMYK 21 / 0 / 16 / 15

HEX #AAD8B5

RGB 170 216 181

HSL 134.35, 0.37%, 0.76%

LAB 82.38, -21.83, 12.4

 

CMYK 13 / 0 / 10 / 19

HEX #B4CFBA

RGB 180 207 186

HSL 133.33, 0.22%, 0.76%

LAB 80.67, -13.05, 7.4

 

CMYK 4 / 0 / 3 / 23

HEX #BEC5BF

RGB 190 197 191

HSL 128.57, 0.06%, 0.76%

LAB 78.83, -3.52, 2.16

 

CMYK 0 / 7 / 1 / 22

HEX #C8BBC5

RGB 200 187 197

HSL 313.85, 0.11%, 0.76%

LAB 77.19, 6.38, -3.39

 

CMYK 20 / 0 / 29 / 11

HEX #B5E2A0

RGB 181 226 160

HSL 100.91, 0.53%, 0.76%

LAB 85.38, -26.48, 27.64

 

CMYK 27 / 0 / 29 / 11

HEX #A4E2A0

RGB 164 226 160

HSL 116.36, 0.53%, 0.76%

LAB 84.39, -32.21, 26.13

 

CMYK 29 / 0 / 23 / 11

HEX #A0E2AF

RGB 160 226 175

HSL 133.64, 0.53%, 0.76%

LAB 84.46, -30.94, 18.41

 

CMYK 29 / 0 / 15 / 11

HEX #A0E2C0

RGB 160 226 192

HSL 149.09, 0.53%, 0.76%

LAB 84.83, -27.76, 10.01

 

CMYK 29 / 0 / 7 / 11

HEX #A0E2D2

RGB 160 226 210

HSL 165.45, 0.53%, 0.76%

LAB 85.26, -24.08, 1.15

 

CMYK 53 / 0 / 42 / 19

HEX #61CF79

RGB 97 207 121

HSL 133.09, 0.53%, 0.6%

LAB 75.17, -49.93, 33.36

 

CMYK 41 / 0 / 32 / 15

HEX #80D994

RGB 128 217 148

HSL 133.48, 0.54%, 0.68%

LAB 79.81, -41.26, 25.84

 

CMYK 29 / 0 / 23 / 11

HEX #A0E2AF

RGB 160 226 175

HSL 133.64, 0.53%, 0.76%

LAB 84.46, -30.94, 18.41

 

CMYK 19 / 0 / 14 / 7

HEX #C0ECCA

RGB 192 236 202

HSL 133.64, 0.54%, 0.84%

LAB 89.61, -20.66, 11.84

 

CMYK 9 / 0 / 7 / 4

HEX #E0F5E5

RGB 224 245 229

HSL 134.29, 0.51%, 0.92%

LAB 94.66, -9.78, 5.34

 

CMYK 30 / 0 / 23 / 11

HEX #A0E3AF

RGB 160 227 175

HSL 133.43, 0.54%, 0.76%

LAB 84.74, -31.41, 18.8

 

CMYK 29 / 12 / 0 / 11

HEX #A0C7E2

RGB 160 199 226

HSL 204.55, 0.53%, 0.76%

LAB 78.35, -6.73, -17.63

 

CMYK 0 / 29 / 24 / 11

HEX #E2A0AC

RGB 226 160 172

HSL 349.09, 0.53%, 0.76%

LAB 72.42, 26.18, 3.62

 

CMYK 30 / 0 / 23 / 11

HEX #A0E3AF

RGB 160 227 175

HSL 133.43, 0.54%, 0.76%

LAB 84.74, -31.41, 18.8

 

CMYK 23 / 29 / 0 / 11

HEX #AFA0E2

RGB 175 160 226

HSL 253.64, 0.53%, 0.76%

LAB 69.29, 19.1, -31.37

 

CMYK 0 / 23 / 29 / 11

HEX #E2AFA0

RGB 226 175 160

HSL 13.64, 0.53%, 0.76%

LAB 75.68, 16.48, 14.84

 

CMYK 30 / 0 / 23 / 11

HEX #A0E3AF

RGB 160 227 175

HSL 133.43, 0.54%, 0.76%

LAB 84.74, -31.41, 18.8

 

CMYK 29 / 12 / 0 / 11

HEX #A0C7E2

RGB 160 199 226

HSL 204.55, 0.53%, 0.76%

LAB 78.35, -6.73, -17.63

 

CMYK 0 / 29 / 6 / 11

HEX #E2A0D4

RGB 226 160 212

HSL 312.73, 0.53%, 0.76%

LAB 73.59, 32.56, -16.69

 

CMYK 0 / 17 / 29 / 11

HEX #E2BCA0

RGB 226 188 160

HSL 25.45, 0.53%, 0.76%

LAB 78.85, 9.55, 19.26

 

CMYK 30 / 0 / 23 / 11

HEX #A0E3AF

RGB 160 227 175

HSL 133.43, 0.54%, 0.76%

LAB 84.74, -31.41, 18.8

 

CMYK 29 / 21 / 0 / 11

HEX #A0B3E2

RGB 160 179 226

HSL 222.73, 0.53%, 0.76%

LAB 73.03, 4.06, -25.72

 

CMYK 0 / 29 / 6 / 11

HEX #E2A0D4

RGB 226 160 212

HSL 312.73, 0.53%, 0.76%

LAB 73.59, 32.56, -16.69

 

CMYK 0 / 8 / 29 / 11

HEX #E2D0A0

RGB 226 208 160

HSL 43.64, 0.53%, 0.76%

LAB 83.87, -0.93, 26.14

 

Description

Color code: HEX #A0E3AF | qconv.com Color code: HEX #A0E3AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 227 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 227 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 23 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 23% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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