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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A10FF4 it is the complementary color #5EF00B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A10FF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A10FF4 shade: #A60FEF, #B721FF, #C833FF, #D945FF and #EA57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A10FF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A10FF4 shade: #A10FF4, #9000E1, #7F00CE, #6E00BB and #5D00A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A10FF4 shade: #A110F3, #DE10F3, #F310CB, #F3108E and #F31050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A10FF4 shade: #A110F3, #6310F3, #2610F3 and #1010F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A10FF4 shade matches the following richer shades: #A110F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A10FF4 shade: #A110F3, #9B24DF, #9638CB, #904CB7 and #8B61A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A10FF4 shade: #2710F3, #6310F3, #A010F3, #DD10F3 and #F310CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A10FF4 shade: #6F07A9, #8809D0, #A110F3, #B037F5 and #C05FF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A10FF4 shade: #A10FF4, #F31036 and #10F345

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A10FF4 shade: #A10FF4, #F3A010 and #10F3A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A10FF4 shade: #A10FF4, #F31036, #63F310 and #10F3CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A10FF4 shade: #A10FF4, #F32E10, #63F310 and #10D5F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 94 / 0 / 4

HEX #A10FF4

RGB 161 15 244

HSL 278.25, 0.91%, 0.51%

LAB 44.87, 82.53, -80.45

 

Complementary color

CMYK 61 / 0 / 95 / 6

HEX #5EF00B

RGB 94 240 11

HSL 98.25, 0.91%, 0.49%

LAB 84.34, -71.29, 80.08

 

CMYK 31 / 94 / 0 / 6

HEX #A60FEF

RGB 166 15 239

HSL 280.45, 0.88%, 0.5%

LAB 45.19, 82.16, -77.07

 

CMYK 28 / 87 / 0 / 0

HEX #B721FF

RGB 183 33 255

HSL 280.54, 1%, 0.56%

LAB 49.95, 84.48, -78.17

 

CMYK 22 / 80 / 0 / 0

HEX #C833FF

RGB 200 51 255

HSL 283.82, 1%, 0.6%

LAB 53.89, 82.76, -71.66

 

CMYK 15 / 73 / 0 / 0

HEX #D945FF

RGB 217 69 255

HSL 287.74, 1%, 0.64%

LAB 58.25, 80.3, -64.49

 

CMYK 8 / 66 / 0 / 0

HEX #EA57FF

RGB 234 87 255

HSL 292.5, 1%, 0.67%

LAB 62.95, 77.33, -56.83

 

CMYK 34 / 94 / 0 / 4

HEX #A10FF4

RGB 161 15 244

HSL 278.25, 0.91%, 0.51%

LAB 44.87, 82.53, -80.45

 

CMYK 36 / 100 / 0 / 12

HEX #9000E1

RGB 144 0 225

HSL 278.4, 1%, 0.44%

LAB 40.19, 78.56, -77.45

 

CMYK 38 / 100 / 0 / 19

HEX #7F00CE

RGB 127 0 206

HSL 276.99, 1%, 0.4%

LAB 35.92, 73.06, -73.6

 

CMYK 41 / 100 / 0 / 27

HEX #6E00BB

RGB 110 0 187

HSL 275.29, 1%, 0.37%

LAB 31.58, 67.48, -69.68

 

CMYK 45 / 100 / 0 / 34

HEX #5D00A8

RGB 93 0 168

HSL 273.21, 1%, 0.33%

LAB 27.17, 61.81, -65.67

 

CMYK 34 / 93 / 0 / 5

HEX #A110F3

RGB 161 16 243

HSL 278.33, 0.9%, 0.51%

LAB 44.83, 82.21, -79.96

 

CMYK 9 / 93 / 0 / 5

HEX #DE10F3

RGB 222 16 243

HSL 294.45, 0.9%, 0.51%

LAB 54.42, 90.42, -63.94

 

CMYK 0 / 93 / 16 / 5

HEX #F310CB

RGB 243 16 203

HSL 310.57, 0.9%, 0.51%

LAB 55.82, 88.39, -38.81

 

CMYK 0 / 93 / 42 / 5

HEX #F3108E

RGB 243 16 142

HSL 326.7, 0.9%, 0.51%

LAB 53.36, 81.96, -6.84

 

CMYK 0 / 93 / 67 / 5

HEX #F31050

RGB 243 16 80

HSL 343.08, 0.9%, 0.51%

LAB 51.84, 77.83, 28.52

 

CMYK 34 / 93 / 0 / 5

HEX #A110F3

RGB 161 16 243

HSL 278.33, 0.9%, 0.51%

LAB 44.83, 82.21, -79.96

 

CMYK 59 / 93 / 0 / 5

HEX #6310F3

RGB 99 16 243

HSL 261.94, 0.9%, 0.51%

LAB 36.92, 76.59, -93.27

 

CMYK 84 / 93 / 0 / 5

HEX #2610F3

RGB 38 16 243

HSL 245.81, 0.9%, 0.51%

LAB 32.38, 74.08, -100.95

 

CMYK 93 / 93 / 0 / 5

HEX #1010F3

RGB 16 16 243

HSL 240, 0.9%, 0.51%

LAB 31.7, 73.76, -102.11

 

CMYK 34 / 93 / 0 / 5

HEX #A110F3

RGB 161 16 243

HSL 278.33, 0.9%, 0.51%

LAB 44.83, 82.21, -79.96

 

CMYK 34 / 93 / 0 / 5

HEX #A110F3

RGB 161 16 243

HSL 278.33, 0.9%, 0.51%

LAB 44.83, 82.21, -79.96

 

CMYK 30 / 84 / 0 / 13

HEX #9B24DF

RGB 155 36 223

HSL 278.18, 0.75%, 0.51%

LAB 43.59, 73.71, -70.67

 

CMYK 26 / 72 / 0 / 20

HEX #9638CB

RGB 150 56 203

HSL 278.37, 0.59%, 0.51%

LAB 43.69, 62.1, -59.05

 

CMYK 21 / 58 / 0 / 28

HEX #904CB7

RGB 144 76 183

HSL 278.13, 0.43%, 0.51%

LAB 44.97, 47.13, -45.4

 

CMYK 14 / 40 / 0 / 36

HEX #8B61A2

RGB 139 97 162

HSL 278.77, 0.26%, 0.51%

LAB 47.81, 29.33, -28.61

 

CMYK 84 / 93 / 0 / 5

HEX #2710F3

RGB 39 16 243

HSL 246.08, 0.9%, 0.51%

LAB 32.42, 74.1, -100.88

 

CMYK 59 / 93 / 0 / 5

HEX #6310F3

RGB 99 16 243

HSL 261.94, 0.9%, 0.51%

LAB 36.92, 76.59, -93.27

 

CMYK 34 / 93 / 0 / 5

HEX #A010F3

RGB 160 16 243

HSL 278.06, 0.9%, 0.51%

LAB 44.68, 82.1, -80.2

 

CMYK 9 / 93 / 0 / 5

HEX #DD10F3

RGB 221 16 243

HSL 294.19, 0.9%, 0.51%

LAB 54.25, 90.26, -64.21

 

CMYK 0 / 93 / 16 / 5

HEX #F310CD

RGB 243 16 205

HSL 310.04, 0.9%, 0.51%

LAB 55.92, 88.63, -39.8

 

CMYK 34 / 96 / 0 / 34

HEX #6F07A9

RGB 111 7 169

HSL 278.52, 0.92%, 0.35%

LAB 30.39, 62.79, -60.88

 

CMYK 35 / 96 / 0 / 18

HEX #8809D0

RGB 136 9 208

HSL 278.29, 0.92%, 0.43%

LAB 37.81, 73.34, -71.61

 

CMYK 34 / 93 / 0 / 5

HEX #A110F3

RGB 161 16 243

HSL 278.33, 0.9%, 0.51%

LAB 44.83, 82.21, -79.96

 

CMYK 28 / 78 / 0 / 4

HEX #B037F5

RGB 176 55 245

HSL 278.21, 0.9%, 0.59%

LAB 50.16, 75.75, -72.28

 

CMYK 22 / 62 / 0 / 3

HEX #C05FF7

RGB 192 95 247

HSL 278.29, 0.9%, 0.67%

LAB 58.14, 63.14, -60.42

 

CMYK 34 / 94 / 0 / 4

HEX #A10FF4

RGB 161 15 244

HSL 278.25, 0.91%, 0.51%

LAB 44.87, 82.53, -80.45

 

CMYK 0 / 93 / 78 / 5

HEX #F31036

RGB 243 16 54

HSL 349.96, 0.9%, 0.51%

LAB 51.49, 76.85, 43.34

 

CMYK 93 / 0 / 72 / 5

HEX #10F345

RGB 16 243 69

HSL 134.01, 0.9%, 0.51%

LAB 84.3, -79.7, 66.62

 

CMYK 34 / 94 / 0 / 4

HEX #A10FF4

RGB 161 15 244

HSL 278.25, 0.91%, 0.51%

LAB 44.87, 82.53, -80.45

 

CMYK 0 / 34 / 93 / 5

HEX #F3A010

RGB 243 160 16

HSL 38.06, 0.9%, 0.51%

LAB 72.38, 21.65, 74.57

 

CMYK 93 / 0 / 34 / 5

HEX #10F3A0

RGB 16 243 160

HSL 158.06, 0.9%, 0.51%

LAB 85.38, -66.67, 26.81

 

CMYK 34 / 94 / 0 / 4

HEX #A10FF4

RGB 161 15 244

HSL 278.25, 0.91%, 0.51%

LAB 44.87, 82.53, -80.45

 

CMYK 0 / 93 / 78 / 5

HEX #F31036

RGB 243 16 54

HSL 349.96, 0.9%, 0.51%

LAB 51.49, 76.85, 43.34

 

CMYK 59 / 0 / 93 / 5

HEX #63F310

RGB 99 243 16

HSL 98.06, 0.9%, 0.51%

LAB 85.4, -71.03, 80.51

 

CMYK 93 / 0 / 16 / 5

HEX #10F3CD

RGB 16 243 205

HSL 169.96, 0.9%, 0.51%

LAB 86.32, -56.33, 4.85

 

CMYK 34 / 94 / 0 / 4

HEX #A10FF4

RGB 161 15 244

HSL 278.25, 0.91%, 0.51%

LAB 44.87, 82.53, -80.45

 

CMYK 0 / 81 / 93 / 5

HEX #F32E10

RGB 243 46 16

HSL 7.93, 0.9%, 0.51%

LAB 53, 71.03, 61.76

 

CMYK 59 / 0 / 93 / 5

HEX #63F310

RGB 99 243 16

HSL 98.06, 0.9%, 0.51%

LAB 85.4, -71.03, 80.51

 

CMYK 93 / 12 / 0 / 5

HEX #10D5F3

RGB 16 213 243

HSL 187.93, 0.9%, 0.51%

LAB 78.56, -32.32, -26.81

 

Description

Color code: HEX #A10FF4 | qconv.com Color code: HEX #A10FF4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 15 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 15 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 94 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 94% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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