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Color name
HEX #A15D75

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A15D75 it is the complementary color #5EA28A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A15D75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A15D75 shade: #A65D70, #B76F83, #C88196, #D993A9 and #EAA5BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A15D75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A15D75 shade: #A15D75, #904B62, #7F394F, #6E273C and #5D1529

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A15D75 shade: #A15D75, #A15D62 and #A15D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A15D75 shade: #A15D75, #A15D87, #A15D9A, #965DA1 and #845DA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A15D75 shade matches the following richer shades: #A15D75, #B6486F, #CB3369, #DF1F63 and #F40A5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A15D75 shade: #A15D75, #8D717B, #788681, #649A87 and #4FAF8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A15D75 shade: #A15D9B, #A15D88, #A15D76, #A15D63 and #A1685D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A15D75 shade: #6D3E4F, #874E62, #A15D75, #B0778B and #C091A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A15D75 shade: #A15D75, #A1965D and #5D91A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A15D75 shade: #A15D75, #76A15D and #5D76A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A15D75 shade: #A15D75, #A1965D, #5DA188 and #5D68A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A15D75 shade: #A15D75, #98A15D, #5DA188 and #665DA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

Complementary color

CMYK 42 / 0 / 15 / 36

HEX #5EA28A

RGB 94 162 138

HSL 158.82, 0.27%, 0.5%

LAB 61.7, -27.35, 5.76

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 0 / 39 / 28 / 28

HEX #B76F83

RGB 183 111 131

HSL 343.33, 0.33%, 0.58%

LAB 55.15, 31.12, 1.22

 

CMYK 0 / 36 / 25 / 22

HEX #C88196

RGB 200 129 150

HSL 342.25, 0.39%, 0.65%

LAB 61.81, 30.26, 0.19

 

CMYK 0 / 32 / 22 / 15

HEX #D993A9

RGB 217 147 169

HSL 341.14, 0.48%, 0.71%

LAB 68.38, 29.47, -0.72

 

CMYK 0 / 29 / 20 / 8

HEX #EAA5BC

RGB 234 165 188

HSL 340, 0.62%, 0.78%

LAB 74.85, 28.74, -1.55

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 0 / 48 / 32 / 44

HEX #904B62

RGB 144 75 98

HSL 340, 0.32%, 0.43%

LAB 40.97, 31.81, -0.23

 

CMYK 0 / 55 / 38 / 50

HEX #7F394F

RGB 127 57 79

HSL 341.14, 0.38%, 0.36%

LAB 33.99, 32.74, 1.29

 

CMYK 0 / 65 / 45 / 57

HEX #6E273C

RGB 110 39 60

HSL 342.25, 0.48%, 0.29%

LAB 27, 33.53, 3.29

 

CMYK 0 / 77 / 56 / 64

HEX #5D1529

RGB 93 21 41

HSL 343.33, 0.63%, 0.22%

LAB 20.14, 33.83, 6.17

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 0 / 42 / 39 / 37

HEX #A15D62

RGB 161 93 98

HSL 355.59, 0.27%, 0.5%

LAB 47.35, 28.33, 9.24

 

CMYK 0 / 42 / 42 / 37

HEX #A15D5D

RGB 161 93 93

HSL 0, 0.27%, 0.5%

LAB 47.23, 27.74, 12.08

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 0 / 42 / 16 / 37

HEX #A15D87

RGB 161 93 135

HSL 322.94, 0.27%, 0.5%

LAB 48.45, 33.69, -11.37

 

CMYK 0 / 42 / 4 / 37

HEX #A15D9A

RGB 161 93 154

HSL 306.18, 0.27%, 0.5%

LAB 49.18, 37.03, -21.57

 

CMYK 7 / 42 / 0 / 37

HEX #965DA1

RGB 150 93 161

HSL 290.29, 0.27%, 0.5%

LAB 48.12, 34.88, -27.46

 

CMYK 18 / 42 / 0 / 37

HEX #845DA1

RGB 132 93 161

HSL 274.41, 0.27%, 0.5%

LAB 46.05, 29.25, -30.83

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 0 / 60 / 39 / 29

HEX #B6486F

RGB 182 72 111

HSL 338.73, 0.43%, 0.5%

LAB 46.61, 48.22, 0.72

 

CMYK 0 / 75 / 48 / 20

HEX #CB3369

RGB 203 51 105

HSL 338.68, 0.6%, 0.5%

LAB 47.08, 62.2, 5.53

 

CMYK 0 / 86 / 56 / 13

HEX #DF1F63

RGB 223 31 99

HSL 338.75, 0.76%, 0.5%

LAB 48.97, 72, 12.42

 

CMYK 0 / 96 / 62 / 4

HEX #F40A5D

RGB 244 10 93

HSL 338.72, 0.92%, 0.5%

LAB 52.11, 79.22, 21.04

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 0 / 20 / 13 / 45

HEX #8D717B

RGB 141 113 123

HSL 338.57, 0.11%, 0.5%

LAB 50.57, 12.73, -1.34

 

CMYK 10 / 0 / 4 / 47

HEX #788681

RGB 120 134 129

HSL 158.57, 0.06%, 0.5%

LAB 54.69, -6.14, 0.94

 

CMYK 35 / 0 / 12 / 40

HEX #649A87

RGB 100 154 135

HSL 158.89, 0.21%, 0.5%

LAB 59.5, -22.27, 4.32

 

CMYK 55 / 0 / 19 / 31

HEX #4FAF8D

RGB 79 175 141

HSL 158.75, 0.38%, 0.5%

LAB 65.16, -36.61, 8.95

 

CMYK 0 / 42 / 4 / 37

HEX #A15D9B

RGB 161 93 155

HSL 305.29, 0.27%, 0.5%

LAB 49.22, 37.22, -22.1

 

CMYK 0 / 42 / 16 / 37

HEX #A15D88

RGB 161 93 136

HSL 322.06, 0.27%, 0.5%

LAB 48.49, 33.86, -11.92

 

CMYK 0 / 42 / 27 / 37

HEX #A15D76

RGB 161 93 118

HSL 337.94, 0.27%, 0.5%

LAB 47.9, 31.03, -2.01

 

CMYK 0 / 42 / 39 / 37

HEX #A15D63

RGB 161 93 99

HSL 354.71, 0.27%, 0.5%

LAB 47.37, 28.45, 8.68

 

CMYK 0 / 35 / 42 / 37

HEX #A1685D

RGB 161 104 93

HSL 9.71, 0.27%, 0.5%

LAB 49.82, 21.53, 15.65

 

CMYK 0 / 43 / 28 / 57

HEX #6D3E4F

RGB 109 62 79

HSL 338.3, 0.27%, 0.34%

LAB 32.39, 22.96, -1.37

 

CMYK 0 / 42 / 27 / 47

HEX #874E62

RGB 135 78 98

HSL 338.95, 0.27%, 0.42%

LAB 40.38, 26.71, -1.24

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 0 / 32 / 21 / 31

HEX #B0778B

RGB 176 119 139

HSL 338.95, 0.27%, 0.58%

LAB 56.37, 25.27, -1.76

 

CMYK 0 / 24 / 16 / 25

HEX #C091A1

RGB 192 145 161

HSL 339.57, 0.27%, 0.66%

LAB 64.99, 20.22, -1.51

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 0 / 7 / 42 / 37

HEX #A1965D

RGB 161 150 93

HSL 50.29, 0.27%, 0.5%

LAB 61.81, -4.36, 31.49

 

CMYK 42 / 10 / 0 / 37

HEX #5D91A1

RGB 93 145 161

HSL 194.12, 0.27%, 0.5%

LAB 57.22, -12.99, -13.9

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 27 / 0 / 42 / 37

HEX #76A15D

RGB 118 161 93

HSL 97.94, 0.27%, 0.5%

LAB 61.77, -27.32, 30.78

 

CMYK 42 / 27 / 0 / 37

HEX #5D76A1

RGB 93 118 161

HSL 217.94, 0.27%, 0.5%

LAB 49.32, 2.48, -25.99

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 0 / 7 / 42 / 37

HEX #A1965D

RGB 161 150 93

HSL 50.29, 0.27%, 0.5%

LAB 61.81, -4.36, 31.49

 

CMYK 42 / 0 / 16 / 37

HEX #5DA188

RGB 93 161 136

HSL 157.94, 0.27%, 0.5%

LAB 61.3, -27.59, 6.31

 

CMYK 42 / 35 / 0 / 37

HEX #5D68A1

RGB 93 104 161

HSL 230.29, 0.27%, 0.5%

LAB 45.36, 11, -32.17

 

CMYK 0 / 42 / 27 / 37

HEX #A15D75

RGB 161 93 117

HSL 338.82, 0.27%, 0.5%

LAB 47.87, 30.88, -1.45

 

CMYK 6 / 0 / 42 / 37

HEX #98A15D

RGB 152 161 93

HSL 67.94, 0.27%, 0.5%

LAB 64.12, -13.99, 34.26

 

CMYK 42 / 0 / 16 / 37

HEX #5DA188

RGB 93 161 136

HSL 157.94, 0.27%, 0.5%

LAB 61.3, -27.59, 6.31

 

CMYK 37 / 42 / 0 / 37

HEX #665DA1

RGB 102 93 161

HSL 247.94, 0.27%, 0.5%

LAB 43.1, 20.32, -35.67

 

Description

Color code: HEX #A15D75 | qconv.com Color code: HEX #A15D75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 93 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 93 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 27 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 27% 37% C M Y K

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Provide designers and agencies with accurate color values.

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