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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1CD40 it is the complementary color #5E32BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1CD40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1CD40 shade: #A6CD3B, #B7DF4E, #C8F161, #D9FF74 and #EAFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1CD40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1CD40 shade: #A1CD40, #90BB2D, #7FA91A, #6E9707 and #5D8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1CD40 shade: #A1CD40, #C7CD40, #CDAD40, #CD8740 and #CD6140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1CD40 shade: #A1CD40, #7BCD40, #55CD40, #40CD51 and #40CD77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1CD40 shade matches the following richer shades: #A1CD40, #A9E12D and #B0F419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1CD40 shade: #A1CD40, #9ABA53, #93A767, #8B937A and #84808E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1CD40 shade: #CDAC40, #C9CD40, #A3CD40, #7DCD40 and #58CD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1CD40 shade: #729526, #8BB62E, #A1CD40, #B1D661 and #C1DE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1CD40 shade: #A1CD40, #40CD87 and #BF40CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1CD40 shade: #A1CD40, #40A3CD and #CD40A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1CD40 shade: #A1CD40, #40CD87, #6A40CD and #CD4087

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1CD40 shade: #A1CD40, #40CDB1, #6A40CD and #CD405C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

Complementary color

CMYK 51 / 74 / 0 / 25

HEX #5E32BF

RGB 94 50 191

HSL 258.72, 0.59%, 0.47%

LAB 34.85, 51.99, -66.75

 

CMYK 19 / 0 / 71 / 20

HEX #A6CD3B

RGB 166 205 59

HSL 76.03, 0.59%, 0.52%

LAB 77.33, -32.83, 64.58

 

CMYK 18 / 0 / 65 / 13

HEX #B7DF4E

RGB 183 223 78

HSL 76.55, 0.69%, 0.59%

LAB 83.65, -33.32, 64.22

 

CMYK 17 / 0 / 60 / 5

HEX #C8F161

RGB 200 241 97

HSL 77.08, 0.84%, 0.66%

LAB 89.88, -33.69, 63.51

 

CMYK 15 / 0 / 55 / 0

HEX #D9FF74

RGB 217 255 116

HSL 76.4, 1%, 0.73%

LAB 94.96, -32.14, 61.38

 

CMYK 8 / 0 / 47 / 0

HEX #EAFF87

RGB 234 255 135

HSL 70.5, 1%, 0.76%

LAB 96.31, -23.99, 54.66

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 23 / 0 / 76 / 27

HEX #90BB2D

RGB 144 187 45

HSL 78.17, 0.61%, 0.45%

LAB 70.64, -33.96, 62.39

 

CMYK 25 / 0 / 85 / 34

HEX #7FA91A

RGB 127 169 26

HSL 77.62, 0.73%, 0.38%

LAB 64.13, -33.24, 61.54

 

CMYK 27 / 0 / 95 / 41

HEX #6E9707

RGB 110 151 7

HSL 77.08, 0.91%, 0.31%

LAB 57.52, -32.28, 59.23

 

CMYK 30 / 0 / 100 / 48

HEX #5D8500

RGB 93 133 0

HSL 78.05, 1%, 0.26%

LAB 50.81, -30.99, 54.73

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 3 / 0 / 69 / 20

HEX #C7CD40

RGB 199 205 64

HSL 62.55, 0.59%, 0.53%

LAB 79.71, -19.11, 65.91

 

CMYK 0 / 16 / 69 / 20

HEX #CDAD40

RGB 205 173 64

HSL 46.38, 0.59%, 0.53%

LAB 71.72, -0.15, 57.99

 

CMYK 0 / 34 / 69 / 20

HEX #CD8740

RGB 205 135 64

HSL 30.21, 0.59%, 0.53%

LAB 62.23, 20.37, 47.96

 

CMYK 0 / 53 / 69 / 20

HEX #CD6140

RGB 205 97 64

HSL 14.04, 0.59%, 0.53%

LAB 53.92, 40.48, 38.65

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 40 / 0 / 69 / 20

HEX #7BCD40

RGB 123 205 64

HSL 94.89, 0.59%, 0.53%

LAB 74.98, -48.25, 59.57

 

CMYK 59 / 0 / 69 / 20

HEX #55CD40

RGB 85 205 64

HSL 111.06, 0.59%, 0.53%

LAB 73.52, -59.22, 57.6

 

CMYK 69 / 0 / 60 / 20

HEX #40CD51

RGB 64 205 81

HSL 127.23, 0.59%, 0.53%

LAB 73.12, -61.95, 49.91

 

CMYK 69 / 0 / 42 / 20

HEX #40CD77

RGB 64 205 119

HSL 143.4, 0.59%, 0.53%

LAB 73.6, -56.41, 32.16

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 25 / 0 / 80 / 12

HEX #A9E12D

RGB 169 225 45

HSL 78.67, 0.75%, 0.53%

LAB 83.17, -41.35, 74.46

 

CMYK 28 / 0 / 90 / 4

HEX #B0F419

RGB 176 244 25

HSL 78.63, 0.91%, 0.53%

LAB 88.92, -47.47, 83.58

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 17 / 0 / 55 / 27

HEX #9ABA53

RGB 154 186 83

HSL 78.64, 0.43%, 0.53%

LAB 71.29, -26.81, 47.9

 

CMYK 12 / 0 / 38 / 35

HEX #93A767

RGB 147 167 103

HSL 78.75, 0.27%, 0.53%

LAB 65.61, -17.88, 30.81

 

CMYK 5 / 0 / 17 / 42

HEX #8B937A

RGB 139 147 122

HSL 79.2, 0.1%, 0.53%

LAB 59.67, -7.56, 12.27

 

CMYK 7 / 10 / 0 / 44

HEX #84808E

RGB 132 128 142

HSL 257.14, 0.06%, 0.53%

LAB 54.34, 4.35, -7

 

CMYK 0 / 16 / 69 / 20

HEX #CDAC40

RGB 205 172 64

HSL 45.96, 0.59%, 0.53%

LAB 71.46, 0.38, 57.73

 

CMYK 2 / 0 / 69 / 20

HEX #C9CD40

RGB 201 205 64

HSL 61.7, 0.59%, 0.53%

LAB 79.87, -18.28, 66.11

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 39 / 0 / 69 / 20

HEX #7DCD40

RGB 125 205 64

HSL 94.04, 0.59%, 0.53%

LAB 75.07, -47.59, 59.7

 

CMYK 57 / 0 / 69 / 20

HEX #58CD40

RGB 88 205 64

HSL 109.79, 0.59%, 0.53%

LAB 73.62, -58.48, 57.73

 

CMYK 23 / 0 / 74 / 42

HEX #729526

RGB 114 149 38

HSL 78.92, 0.59%, 0.37%

LAB 57.28, -28.54, 51.31

 

CMYK 24 / 0 / 75 / 29

HEX #8BB62E

RGB 139 182 46

HSL 78.97, 0.6%, 0.45%

LAB 68.85, -33.58, 60.25

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 17 / 0 / 55 / 16

HEX #B1D661

RGB 177 214 97

HSL 78.97, 0.59%, 0.61%

LAB 80.91, -29.93, 52.96

 

CMYK 13 / 0 / 41 / 13

HEX #C1DE82

RGB 193 222 130

HSL 78.91, 0.58%, 0.69%

LAB 84.58, -24.23, 41.91

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 69 / 0 / 34 / 20

HEX #40CD87

RGB 64 205 135

HSL 150.21, 0.59%, 0.53%

LAB 73.87, -53.42, 24.22

 

CMYK 7 / 69 / 0 / 20

HEX #BF40CD

RGB 191 64 205

HSL 294.04, 0.59%, 0.53%

LAB 50.86, 67.91, -48.36

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 69 / 20 / 0 / 20

HEX #40A3CD

RGB 64 163 205

HSL 197.87, 0.59%, 0.53%

LAB 63.09, -15.36, -29.85

 

CMYK 0 / 69 / 20 / 20

HEX #CD40A3

RGB 205 64 163

HSL 317.87, 0.59%, 0.53%

LAB 51.03, 64.71, -23.5

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 69 / 0 / 34 / 20

HEX #40CD87

RGB 64 205 135

HSL 150.21, 0.59%, 0.53%

LAB 73.87, -53.42, 24.22

 

CMYK 48 / 69 / 0 / 20

HEX #6A40CD

RGB 106 64 205

HSL 257.87, 0.59%, 0.53%

LAB 39.81, 50.73, -66.75

 

CMYK 0 / 69 / 34 / 20

HEX #CD4087

RGB 205 64 135

HSL 329.79, 0.59%, 0.53%

LAB 49.97, 61.22, -8.43

 

CMYK 21 / 0 / 69 / 20

HEX #A1CD40

RGB 161 205 64

HSL 78.72, 0.59%, 0.53%

LAB 77.05, -34.49, 62.35

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB1

RGB 64 205 177

HSL 168.09, 0.59%, 0.53%

LAB 74.78, -43.88, 3.08

 

CMYK 48 / 69 / 0 / 20

HEX #6A40CD

RGB 106 64 205

HSL 257.87, 0.59%, 0.53%

LAB 39.81, 50.73, -66.75

 

CMYK 0 / 69 / 55 / 20

HEX #CD405C

RGB 205 64 92

HSL 348.09, 0.59%, 0.53%

LAB 48.78, 57.14, 15.91

 

Description

Color code: HEX #A1CD40 | qconv.com Color code: HEX #A1CD40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 205 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 205 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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