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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A23875 it is the complementary color #5DC78A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A23875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A23875 shade: #A73870, #B84A83, #C95C96, #DA6EA9 and #EB80BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A23875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A23875 shade: #A23875, #912662, #80144F, #6F023C and #5E0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A23875 shade: #A33775, #A33758, #A3373B and #A33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A23875 shade: #A33775, #A33792, #9737A3, #7A37A3 and #5D37A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A23875 shade matches the following richer shades: #A33775, #B52678, #C6147B and #D8027D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A23875 shade: #A33775, #914973, #7F5B70, #6E6D6D and #5C7E6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A23875 shade: #9637A3, #A33793, #A33776, #A33759 and #A3373D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A23875 shade: #652249, #842D5F, #A33775, #BF458B and #C9639E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A23875 shade: #A23875, #A37A37 and #37A1A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A23875 shade: #A23875, #76A337 and #3776A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A23875 shade: #A23875, #A37A37, #37A364 and #3761A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A23875 shade: #A23875, #A39A37, #37A364 and #3740A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 28 / 36

HEX #A23875

RGB 162 56 117

HSL 325.47, 0.49%, 0.43%

LAB 40.89, 49.82, -11.84

 

Complementary color

CMYK 53 / 0 / 31 / 22

HEX #5DC78A

RGB 93 199 138

HSL 145.47, 0.49%, 0.57%

LAB 72.9, -44.55, 21.45

 

CMYK 0 / 66 / 33 / 35

HEX #A73870

RGB 167 56 112

HSL 329.73, 0.5%, 0.44%

LAB 41.55, 50.68, -7.65

 

CMYK 0 / 60 / 29 / 28

HEX #B84A83

RGB 184 74 131

HSL 328.91, 0.44%, 0.51%

LAB 47.91, 50.38, -9.46

 

CMYK 0 / 54 / 25 / 21

HEX #C95C96

RGB 201 92 150

HSL 328.07, 0.5%, 0.57%

LAB 54.32, 49.82, -10.89

 

CMYK 0 / 50 / 22 / 15

HEX #DA6EA9

RGB 218 110 169

HSL 327.22, 0.59%, 0.64%

LAB 60.71, 49.12, -12.07

 

CMYK 0 / 46 / 20 / 8

HEX #EB80BC

RGB 235 128 188

HSL 326.36, 0.73%, 0.71%

LAB 67.07, 48.37, -13.07

 

CMYK 0 / 65 / 28 / 36

HEX #A23875

RGB 162 56 117

HSL 325.47, 0.49%, 0.43%

LAB 40.89, 49.82, -11.84

 

CMYK 0 / 74 / 32 / 43

HEX #912662

RGB 145 38 98

HSL 326.36, 0.58%, 0.36%

LAB 34.58, 49.63, -9.71

 

CMYK 0 / 84 / 38 / 50

HEX #80144F

RGB 128 20 79

HSL 327.22, 0.73%, 0.29%

LAB 28.52, 48.49, -6.77

 

CMYK 0 / 98 / 46 / 56

HEX #6F023C

RGB 111 2 60

HSL 328.07, 0.96%, 0.22%

LAB 22.82, 46.09, -2.76

 

CMYK 0 / 100 / 56 / 63

HEX #5E0029

RGB 94 0 41

HSL 333.83, 1%, 0.18%

LAB 18.1, 40.58, 3.31

 

CMYK 0 / 66 / 28 / 36

HEX #A33775

RGB 163 55 117

HSL 325.56, 0.5%, 0.43%

LAB 40.9, 50.54, -11.8

 

CMYK 0 / 66 / 46 / 36

HEX #A33758

RGB 163 55 88

HSL 341.67, 0.5%, 0.43%

LAB 39.95, 47.18, 4.94

 

CMYK 0 / 66 / 64 / 36

HEX #A3373B

RGB 163 55 59

HSL 357.78, 0.5%, 0.43%

LAB 39.3, 44.78, 22.23

 

CMYK 0 / 66 / 66 / 36

HEX #A33737

RGB 163 55 55

HSL 0, 0.5%, 0.43%

LAB 39.23, 44.52, 24.61

 

CMYK 0 / 66 / 28 / 36

HEX #A33775

RGB 163 55 117

HSL 325.56, 0.5%, 0.43%

LAB 40.9, 50.54, -11.8

 

CMYK 0 / 66 / 10 / 36

HEX #A33792

RGB 163 55 146

HSL 309.44, 0.5%, 0.43%

LAB 42.15, 54.77, -27.66

 

CMYK 7 / 66 / 0 / 36

HEX #9737A3

RGB 151 55 163

HSL 293.33, 0.5%, 0.43%

LAB 41.15, 54.7, -39.6

 

CMYK 25 / 66 / 0 / 36

HEX #7A37A3

RGB 122 55 163

HSL 277.22, 0.5%, 0.43%

LAB 36.96, 47.84, -46.53

 

CMYK 43 / 66 / 0 / 36

HEX #5D37A3

RGB 93 55 163

HSL 261.11, 0.5%, 0.43%

LAB 33.36, 41.46, -52.53

 

CMYK 0 / 66 / 28 / 36

HEX #A33775

RGB 163 55 117

HSL 325.56, 0.5%, 0.43%

LAB 40.9, 50.54, -11.8

 

CMYK 0 / 79 / 34 / 29

HEX #B52678

RGB 181 38 120

HSL 325.59, 0.65%, 0.43%

LAB 42.1, 61.77, -11.54

 

CMYK 0 / 90 / 38 / 22

HEX #C6147B

RGB 198 20 123

HSL 325.28, 0.82%, 0.43%

LAB 44.14, 69.92, -10

 

CMYK 0 / 99 / 42 / 15

HEX #D8027D

RGB 216 2 125

HSL 325.51, 0.98%, 0.43%

LAB 47.14, 75.85, -6.38

 

CMYK 0 / 66 / 28 / 36

HEX #A33775

RGB 163 55 117

HSL 325.56, 0.5%, 0.43%

LAB 40.9, 50.54, -11.8

 

CMYK 0 / 50 / 21 / 43

HEX #914973

RGB 145 73 115

HSL 325, 0.33%, 0.43%

LAB 41.25, 35.79, -10.31

 

CMYK 0 / 28 / 12 / 50

HEX #7F5B70

RGB 127 91 112

HSL 325, 0.17%, 0.43%

LAB 43.01, 18.34, -6.08

 

CMYK 0 / 1 / 1 / 57

HEX #6E6D6D

RGB 110 109 109

HSL 0, 0%, 0.43%

LAB 46.12, 0.39, 0.13

 

CMYK 27 / 0 / 15 / 51

HEX #5C7E6B

RGB 92 126 107

HSL 146.47, 0.16%, 0.43%

LAB 49.81, -16.32, 6.47

 

CMYK 8 / 66 / 0 / 36

HEX #9637A3

RGB 150 55 163

HSL 292.78, 0.5%, 0.43%

LAB 40.99, 54.46, -39.85

 

CMYK 0 / 66 / 10 / 36

HEX #A33793

RGB 163 55 147

HSL 308.89, 0.5%, 0.43%

LAB 42.19, 54.93, -28.19

 

CMYK 0 / 66 / 28 / 36

HEX #A33776

RGB 163 55 118

HSL 325, 0.5%, 0.43%

LAB 40.94, 50.67, -12.36

 

CMYK 0 / 66 / 45 / 36

HEX #A33759

RGB 163 55 89

HSL 341.11, 0.5%, 0.43%

LAB 39.98, 47.28, 4.35

 

CMYK 0 / 66 / 63 / 36

HEX #A3373D

RGB 163 55 61

HSL 356.67, 0.5%, 0.43%

LAB 39.34, 44.91, 21.04

 

CMYK 0 / 66 / 28 / 60

HEX #652249

RGB 101 34 73

HSL 325.07, 0.5%, 0.26%

LAB 24.93, 34.58, -8.69

 

CMYK 0 / 66 / 28 / 48

HEX #842D5F

RGB 132 45 95

HSL 325.52, 0.49%, 0.35%

LAB 33.15, 42.53, -10.16

 

CMYK 0 / 66 / 28 / 36

HEX #A33775

RGB 163 55 117

HSL 325.56, 0.5%, 0.43%

LAB 40.9, 50.54, -11.8

 

CMYK 0 / 64 / 27 / 25

HEX #BF458B

RGB 191 69 139

HSL 325.57, 0.49%, 0.51%

LAB 48.51, 55.73, -13.27

 

CMYK 0 / 51 / 21 / 21

HEX #C9639E

RGB 201 99 158

HSL 325.29, 0.49%, 0.59%

LAB 55.9, 47.53, -13.19

 

CMYK 0 / 65 / 28 / 36

HEX #A23875

RGB 162 56 117

HSL 325.47, 0.49%, 0.43%

LAB 40.89, 49.82, -11.84

 

CMYK 0 / 25 / 66 / 36

HEX #A37A37

RGB 163 122 55

HSL 37.22, 0.5%, 0.43%

LAB 54.01, 8.7, 41.91

 

CMYK 66 / 1 / 0 / 36

HEX #37A1A3

RGB 55 161 163

HSL 181.11, 0.5%, 0.43%

LAB 60.73, -28.81, -9.9

 

CMYK 0 / 65 / 28 / 36

HEX #A23875

RGB 162 56 117

HSL 325.47, 0.49%, 0.43%

LAB 40.89, 49.82, -11.84

 

CMYK 28 / 0 / 66 / 36

HEX #76A337

RGB 118 163 55

HSL 85, 0.5%, 0.43%

LAB 61.93, -32.4, 49.4

 

CMYK 66 / 28 / 0 / 36

HEX #3776A3

RGB 55 118 163

HSL 205, 0.5%, 0.43%

LAB 47.51, -5.59, -30.12

 

CMYK 0 / 65 / 28 / 36

HEX #A23875

RGB 162 56 117

HSL 325.47, 0.49%, 0.43%

LAB 40.89, 49.82, -11.84

 

CMYK 0 / 25 / 66 / 36

HEX #A37A37

RGB 163 122 55

HSL 37.22, 0.5%, 0.43%

LAB 54.01, 8.7, 41.91

 

CMYK 66 / 0 / 39 / 36

HEX #37A364

RGB 55 163 100

HSL 145, 0.5%, 0.43%

LAB 59.82, -45.26, 23.99

 

CMYK 66 / 40 / 0 / 36

HEX #3761A3

RGB 55 97 163

HSL 216.67, 0.5%, 0.43%

LAB 41.23, 7.34, -40.03

 

CMYK 0 / 65 / 28 / 36

HEX #A23875

RGB 162 56 117

HSL 325.47, 0.49%, 0.43%

LAB 40.89, 49.82, -11.84

 

CMYK 0 / 6 / 66 / 36

HEX #A39A37

RGB 163 154 55

HSL 55, 0.5%, 0.43%

LAB 62.65, -8.93, 51.18

 

CMYK 66 / 0 / 39 / 36

HEX #37A364

RGB 55 163 100

HSL 145, 0.5%, 0.43%

LAB 59.82, -45.26, 23.99

 

CMYK 66 / 61 / 0 / 36

HEX #3740A3

RGB 55 64 163

HSL 235, 0.5%, 0.43%

LAB 32.09, 28.93, -54.74

 

Description

Color code: HEX #A23875 | qconv.com Color code: HEX #A23875 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 56 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 56 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 28 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 28% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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