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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A23387 it is the complementary color #5DCC78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A23387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A23387 shade: #A73382, #B84595, #C957A8, #DA69BB and #EB7BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A23387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A23387 shade: #A23387, #912174, #800F61, #6F004E and #5E003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A23387 shade: #A23387, #A23369, #A2334B and #A23333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A23387 shade: #A23387, #9F33A2, #8133A2, #6333A2 and #4533A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A23387 shade matches the following richer shades: #A23387, #B42290 and #C51099

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A23387 shade: #A23387, #91447E, #805675, #6E676D and #5D7864

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A23387 shade: #8133A2, #9F33A2, #A23388, #A2336B and #A2334D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A23387 shade: #641F53, #83296D, #A23387, #C13DA1 and #CB5CB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A23387 shade: #A23387, #A26333 and #33A290

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A23387 shade: #A23387, #88A233 and #3388A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A23387 shade: #A23387, #A26333, #33A24D and #3372A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A23387 shade: #A23387, #A28533, #33A24D and #3351A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

Complementary color

CMYK 54 / 0 / 41 / 20

HEX #5DCC78

RGB 93 204 120

HSL 134.59, 0.52%, 0.58%

LAB 74.11, -49.87, 32.46

 

CMYK 0 / 69 / 22 / 35

HEX #A73382

RGB 167 51 130

HSL 319.14, 0.53%, 0.43%

LAB 41.52, 55.04, -18.81

 

CMYK 0 / 63 / 19 / 28

HEX #B84595

RGB 184 69 149

HSL 318.26, 0.45%, 0.5%

LAB 47.77, 55.09, -20.48

 

CMYK 0 / 57 / 16 / 21

HEX #C957A8

RGB 201 87 168

HSL 317.37, 0.51%, 0.56%

LAB 54.09, 54.77, -21.77

 

CMYK 0 / 52 / 14 / 15

HEX #DA69BB

RGB 218 105 187

HSL 316.46, 0.6%, 0.63%

LAB 60.42, 54.23, -22.81

 

CMYK 0 / 48 / 12 / 8

HEX #EB7BCE

RGB 235 123 206

HSL 315.54, 0.74%, 0.7%

LAB 66.74, 53.58, -23.68

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 0 / 77 / 20 / 43

HEX #912174

RGB 145 33 116

HSL 315.54, 0.63%, 0.35%

LAB 34.74, 53.72, -20.9

 

CMYK 0 / 88 / 24 / 50

HEX #800F61

RGB 128 15 97

HSL 316.46, 0.79%, 0.28%

LAB 28.89, 51.88, -18.06

 

CMYK 0 / 100 / 30 / 56

HEX #6F004E

RGB 111 0 78

HSL 317.84, 1%, 0.22%

LAB 23.44, 48.5, -14.16

 

CMYK 0 / 100 / 37 / 63

HEX #5E003B

RGB 94 0 59

HSL 322.34, 1%, 0.18%

LAB 18.78, 42.37, -8.53

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 0 / 69 / 35 / 36

HEX #A23369

RGB 162 51 105

HSL 330.81, 0.52%, 0.42%

LAB 39.7, 50.39, -6.15

 

CMYK 0 / 69 / 54 / 36

HEX #A2334B

RGB 162 51 75

HSL 347.03, 0.52%, 0.42%

LAB 38.82, 47.34, 11.53

 

CMYK 0 / 69 / 69 / 36

HEX #A23333

RGB 162 51 51

HSL 0, 0.52%, 0.42%

LAB 38.35, 45.66, 25.93

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 2 / 69 / 0 / 36

HEX #9F33A2

RGB 159 51 162

HSL 298.38, 0.52%, 0.42%

LAB 41.76, 58.03, -37.94

 

CMYK 20 / 69 / 0 / 36

HEX #8133A2

RGB 129 51 162

HSL 282.16, 0.52%, 0.42%

LAB 37.19, 51.09, -45.5

 

CMYK 39 / 69 / 0 / 36

HEX #6333A2

RGB 99 51 162

HSL 265.95, 0.52%, 0.42%

LAB 33.2, 44.57, -52.15

 

CMYK 57 / 69 / 0 / 36

HEX #4533A2

RGB 69 51 162

HSL 249.73, 0.52%, 0.42%

LAB 30.01, 38.96, -57.48

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 0 / 81 / 20 / 29

HEX #B42290

RGB 180 34 144

HSL 314.79, 0.68%, 0.42%

LAB 42.55, 65.52, -25.59

 

CMYK 0 / 92 / 22 / 23

HEX #C51099

RGB 197 16 153

HSL 314.59, 0.85%, 0.42%

LAB 45, 73.53, -26.99

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 0 / 53 / 13 / 43

HEX #91447E

RGB 145 68 126

HSL 314.81, 0.36%, 0.42%

LAB 40.67, 40.23, -17.97

 

CMYK 0 / 33 / 9 / 50

HEX #805675

RGB 128 86 117

HSL 315.71, 0.2%, 0.42%

LAB 42.05, 22.63, -10.56

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 23 / 0 / 17 / 53

HEX #5D7864

RGB 93 120 100

HSL 135.56, 0.13%, 0.42%

LAB 47.85, -14.16, 7.81

 

CMYK 20 / 69 / 0 / 36

HEX #8133A2

RGB 129 51 162

HSL 282.16, 0.52%, 0.42%

LAB 37.19, 51.09, -45.5

 

CMYK 2 / 69 / 0 / 36

HEX #9F33A2

RGB 159 51 162

HSL 298.38, 0.52%, 0.42%

LAB 41.76, 58.03, -37.94

 

CMYK 0 / 69 / 16 / 36

HEX #A23388

RGB 162 51 136

HSL 314.05, 0.52%, 0.42%

LAB 40.94, 54.56, -23.46

 

CMYK 0 / 69 / 34 / 36

HEX #A2336B

RGB 162 51 107

HSL 329.73, 0.52%, 0.42%

LAB 39.77, 50.63, -7.3

 

CMYK 0 / 69 / 52 / 36

HEX #A2334D

RGB 162 51 77

HSL 345.95, 0.52%, 0.42%

LAB 38.87, 47.52, 10.33

 

CMYK 0 / 69 / 17 / 61

HEX #641F53

RGB 100 31 83

HSL 314.78, 0.53%, 0.26%

LAB 24.68, 37.24, -15.77

 

CMYK 0 / 69 / 17 / 49

HEX #83296D

RGB 131 41 109

HSL 314.67, 0.52%, 0.34%

LAB 32.95, 46.04, -19.44

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 0 / 68 / 17 / 24

HEX #C13DA1

RGB 193 61 161

HSL 314.55, 0.52%, 0.5%

LAB 48.57, 62.46, -26.27

 

CMYK 0 / 55 / 13 / 20

HEX #CB5CB0

RGB 203 92 176

HSL 314.59, 0.52%, 0.58%

LAB 55.57, 54.25, -24.13

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 0 / 39 / 69 / 36

HEX #A26333

RGB 162 99 51

HSL 25.95, 0.52%, 0.42%

LAB 48.06, 21.06, 37.29

 

CMYK 69 / 0 / 11 / 36

HEX #33A290

RGB 51 162 144

HSL 170.27, 0.52%, 0.42%

LAB 60.39, -35.28, 0.3

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 16 / 0 / 69 / 36

HEX #88A233

RGB 136 162 51

HSL 74.05, 0.52%, 0.42%

LAB 62.77, -24.95, 52.3

 

CMYK 69 / 16 / 0 / 36

HEX #3388A2

RGB 51 136 162

HSL 194.05, 0.52%, 0.42%

LAB 52.86, -16.83, -21.26

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 0 / 39 / 69 / 36

HEX #A26333

RGB 162 99 51

HSL 25.95, 0.52%, 0.42%

LAB 48.06, 21.06, 37.29

 

CMYK 69 / 0 / 52 / 36

HEX #33A24D

RGB 51 162 77

HSL 134.05, 0.52%, 0.42%

LAB 59.05, -49.58, 35.06

 

CMYK 69 / 30 / 0 / 36

HEX #3372A2

RGB 51 114 162

HSL 205.95, 0.52%, 0.42%

LAB 46.11, -4.24, -31.74

 

CMYK 0 / 69 / 17 / 36

HEX #A23387

RGB 162 51 135

HSL 314.59, 0.52%, 0.42%

LAB 40.89, 54.41, -22.92

 

CMYK 0 / 18 / 69 / 36

HEX #A28533

RGB 162 133 51

HSL 44.32, 0.52%, 0.42%

LAB 56.78, 1.83, 46.76

 

CMYK 69 / 0 / 52 / 36

HEX #33A24D

RGB 51 162 77

HSL 134.05, 0.52%, 0.42%

LAB 59.05, -49.58, 35.06

 

CMYK 69 / 50 / 0 / 36

HEX #3351A2

RGB 51 81 162

HSL 223.78, 0.52%, 0.42%

LAB 36.36, 16.7, -47.23

 

Description

Color code: HEX #A23387 | qconv.com Color code: HEX #A23387 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 51 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 51 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 17 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 17% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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