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Color name
HEX #A254C8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A254C8 it is the complementary color #5DAB37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A254C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A254C8 shade: #A754C3, #B866D6, #C978E9, #DA8AFC and #EB9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A254C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A254C8 shade: #A254C8, #9142B5, #8030A2, #6F1E8F and #5E0C7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A254C8 shade: #A255C8, #C155C8, #C855AF, #C85590 and #C85572

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A254C8 shade: #A255C8, #8355C8, #6455C8 and #5555C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A254C8 shade matches the following richer shades: #A255C8, #A843DA, #AF31EC and #B51FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A254C8 shade: #A255C8, #9C67B5, #9679A3, #8F8C91 and #899E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A254C8 shade: #6455C8, #8355C8, #A155C8, #C055C8 and #C855B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A254C8 shade: #773199, #8F3BB8, #A255C8, #B374D2 and #C493DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A254C8 shade: #A254C8, #C85564 and #55C874

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A254C8 shade: #A254C8, #C8A155 and #55C8A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A254C8 shade: #A254C8, #C85564, #7BC855 and #55C8B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A254C8 shade: #A254C8, #C86855, #7BC855 and #55B4C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 58 / 0 / 22

HEX #A254C8

RGB 162 84 200

HSL 280.34, 0.51%, 0.56%

LAB 49.73, 51.33, -47.54

 

Complementary color

CMYK 46 / 0 / 68 / 33

HEX #5DAB37

RGB 93 171 55

HSL 100.34, 0.51%, 0.44%

LAB 63.12, -44.79, 50.28

 

CMYK 14 / 57 / 0 / 24

HEX #A754C3

RGB 167 84 195

HSL 284.86, 0.48%, 0.55%

LAB 50.09, 51.56, -44.04

 

CMYK 14 / 52 / 0 / 16

HEX #B866D6

RGB 184 102 214

HSL 283.93, 0.58%, 0.62%

LAB 56.63, 50.88, -44.4

 

CMYK 14 / 48 / 0 / 9

HEX #C978E9

RGB 201 120 233

HSL 283.01, 0.72%, 0.69%

LAB 63.12, 50.13, -44.67

 

CMYK 13 / 45 / 0 / 1

HEX #DA8AFC

RGB 218 138 252

HSL 282.11, 0.95%, 0.76%

LAB 69.55, 49.35, -44.88

 

CMYK 8 / 39 / 0 / 0

HEX #EB9CFF

RGB 235 156 255

HSL 287.88, 1%, 0.81%

LAB 75.24, 45.43, -37.5

 

CMYK 19 / 58 / 0 / 22

HEX #A254C8

RGB 162 84 200

HSL 280.34, 0.51%, 0.56%

LAB 49.73, 51.33, -47.54

 

CMYK 20 / 64 / 0 / 29

HEX #9142B5

RGB 145 66 181

HSL 281.22, 0.47%, 0.48%

LAB 43.14, 51.92, -47.14

 

CMYK 21 / 70 / 0 / 36

HEX #8030A2

RGB 128 48 162

HSL 282.11, 0.54%, 0.41%

LAB 36.58, 52.19, -46.5

 

CMYK 22 / 79 / 0 / 44

HEX #6F1E8F

RGB 111 30 143

HSL 283.01, 0.65%, 0.34%

LAB 30.14, 51.82, -45.44

 

CMYK 24 / 90 / 0 / 51

HEX #5E0C7C

RGB 94 12 124

HSL 283.93, 0.82%, 0.27%

LAB 23.99, 50.21, -43.62

 

CMYK 19 / 58 / 0 / 22

HEX #A255C8

RGB 162 85 200

HSL 280.17, 0.51%, 0.56%

LAB 49.92, 50.83, -47.24

 

CMYK 4 / 58 / 0 / 22

HEX #C155C8

RGB 193 85 200

HSL 296.35, 0.51%, 0.56%

LAB 54.03, 58.78, -40.45

 

CMYK 0 / 58 / 13 / 22

HEX #C855AF

RGB 200 85 175

HSL 313.04, 0.51%, 0.56%

LAB 53.89, 56.47, -26.17

 

CMYK 0 / 58 / 28 / 22

HEX #C85590

RGB 200 85 144

HSL 329.22, 0.51%, 0.56%

LAB 52.72, 52, -9.76

 

CMYK 0 / 58 / 43 / 22

HEX #C85572

RGB 200 85 114

HSL 344.87, 0.51%, 0.56%

LAB 51.83, 48.47, 6.79

 

CMYK 19 / 58 / 0 / 22

HEX #A255C8

RGB 162 85 200

HSL 280.17, 0.51%, 0.56%

LAB 49.92, 50.83, -47.24

 

CMYK 35 / 58 / 0 / 22

HEX #8355C8

RGB 131 85 200

HSL 264, 0.51%, 0.56%

LAB 46.3, 43.19, -53.22

 

CMYK 50 / 58 / 0 / 22

HEX #6455C8

RGB 100 85 200

HSL 247.83, 0.51%, 0.56%

LAB 43.33, 36.28, -58.17

 

CMYK 58 / 58 / 0 / 22

HEX #5555C8

RGB 85 85 200

HSL 240, 0.51%, 0.56%

LAB 42.15, 33.36, -60.13

 

CMYK 19 / 58 / 0 / 22

HEX #A255C8

RGB 162 85 200

HSL 280.17, 0.51%, 0.56%

LAB 49.92, 50.83, -47.24

 

CMYK 23 / 69 / 0 / 15

HEX #A843DA

RGB 168 67 218

HSL 280.13, 0.67%, 0.56%

LAB 48.76, 64.33, -59.35

 

CMYK 26 / 79 / 0 / 7

HEX #AF31EC

RGB 175 49 236

HSL 280.43, 0.83%, 0.56%

LAB 48.72, 75.69, -69.58

 

CMYK 29 / 88 / 0 / 0

HEX #B51FFE

RGB 181 31 254

HSL 280.36, 0.99%, 0.56%

LAB 49.45, 84.41, -78.44

 

CMYK 19 / 58 / 0 / 22

HEX #A255C8

RGB 162 85 200

HSL 280.17, 0.51%, 0.56%

LAB 49.92, 50.83, -47.24

 

CMYK 14 / 43 / 0 / 29

HEX #9C67B5

RGB 156 103 181

HSL 280.77, 0.35%, 0.56%

LAB 51.96, 35.37, -33.1

 

CMYK 8 / 26 / 0 / 36

HEX #9679A3

RGB 150 121 163

HSL 281.43, 0.19%, 0.56%

LAB 54.87, 19.21, -18.23

 

CMYK 1 / 3 / 0 / 43

HEX #8F8C91

RGB 143 140 145

HSL 276, 0.02%, 0.56%

LAB 58.64, 2.09, -2.27

 

CMYK 13 / 0 / 20 / 38

HEX #899E7F

RGB 137 158 127

HSL 100.65, 0.14%, 0.56%

LAB 62.76, -13.37, 13.77

 

CMYK 50 / 58 / 0 / 22

HEX #6455C8

RGB 100 85 200

HSL 247.83, 0.51%, 0.56%

LAB 43.33, 36.28, -58.17

 

CMYK 35 / 58 / 0 / 22

HEX #8355C8

RGB 131 85 200

HSL 264, 0.51%, 0.56%

LAB 46.3, 43.19, -53.22

 

CMYK 20 / 58 / 0 / 22

HEX #A155C8

RGB 161 85 200

HSL 279.65, 0.51%, 0.56%

LAB 49.79, 50.58, -47.44

 

CMYK 4 / 58 / 0 / 22

HEX #C055C8

RGB 192 85 200

HSL 295.83, 0.51%, 0.56%

LAB 53.89, 58.52, -40.68

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 22 / 68 / 0 / 40

HEX #773199

RGB 119 49 153

HSL 280.38, 0.51%, 0.4%

LAB 34.84, 47.76, -43.92

 

CMYK 22 / 68 / 0 / 28

HEX #8F3BB8

RGB 143 59 184

HSL 280.32, 0.51%, 0.48%

LAB 41.89, 55.34, -50.92

 

CMYK 19 / 58 / 0 / 22

HEX #A255C8

RGB 162 85 200

HSL 280.17, 0.51%, 0.56%

LAB 49.92, 50.83, -47.24

 

CMYK 15 / 45 / 0 / 18

HEX #B374D2

RGB 179 116 210

HSL 280.21, 0.51%, 0.64%

LAB 58.72, 41.25, -38.89

 

CMYK 11 / 33 / 0 / 14

HEX #C493DC

RGB 196 147 220

HSL 280.27, 0.51%, 0.72%

LAB 67.85, 31.47, -30.13

 

CMYK 19 / 58 / 0 / 22

HEX #A254C8

RGB 162 84 200

HSL 280.34, 0.51%, 0.56%

LAB 49.73, 51.33, -47.54

 

CMYK 0 / 58 / 50 / 22

HEX #C85564

RGB 200 85 100

HSL 352.17, 0.51%, 0.56%

LAB 51.49, 47.11, 14.68

 

CMYK 58 / 0 / 42 / 22

HEX #55C874

RGB 85 200 116

HSL 136.17, 0.51%, 0.56%

LAB 72.56, -50.82, 32.45

 

CMYK 19 / 58 / 0 / 22

HEX #A254C8

RGB 162 84 200

HSL 280.34, 0.51%, 0.56%

LAB 49.73, 51.33, -47.54

 

CMYK 0 / 20 / 58 / 22

HEX #C8A155

RGB 200 161 85

HSL 39.65, 0.51%, 0.56%

LAB 68.33, 5.5, 44.46

 

CMYK 58 / 0 / 20 / 22

HEX #55C8A1

RGB 85 200 161

HSL 159.65, 0.51%, 0.56%

LAB 73.42, -41.89, 9.83

 

CMYK 19 / 58 / 0 / 22

HEX #A254C8

RGB 162 84 200

HSL 280.34, 0.51%, 0.56%

LAB 49.73, 51.33, -47.54

 

CMYK 0 / 58 / 50 / 22

HEX #C85564

RGB 200 85 100

HSL 352.17, 0.51%, 0.56%

LAB 51.49, 47.11, 14.68

 

CMYK 39 / 0 / 58 / 22

HEX #7BC855

RGB 123 200 85

HSL 100.17, 0.51%, 0.56%

LAB 73.66, -44.29, 49.26

 

CMYK 58 / 0 / 8 / 22

HEX #55C8B8

RGB 85 200 184

HSL 171.65, 0.51%, 0.56%

LAB 74, -36.31, -1.78

 

CMYK 19 / 58 / 0 / 22

HEX #A254C8

RGB 162 84 200

HSL 280.34, 0.51%, 0.56%

LAB 49.73, 51.33, -47.54

 

CMYK 0 / 48 / 58 / 22

HEX #C86855

RGB 200 104 85

HSL 9.91, 0.51%, 0.56%

LAB 54.9, 36.36, 27.98

 

CMYK 39 / 0 / 58 / 22

HEX #7BC855

RGB 123 200 85

HSL 100.17, 0.51%, 0.56%

LAB 73.66, -44.29, 49.26

 

CMYK 58 / 10 / 0 / 22

HEX #55B4C8

RGB 85 180 200

HSL 190.43, 0.51%, 0.56%

LAB 68.57, -22.22, -18.63

 

Description

Color code: HEX #A254C8 | qconv.com Color code: HEX #A254C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 84 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 84 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 58 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 58% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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