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Color name
HEX #A29D33

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A29D33 it is the complementary color #5D62CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A29D33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A29D33 shade: #A79D2E, #B8AF41, #C9C154, #DAD367 and #EBE57A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A29D33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A29D33 shade: #A29D33, #918B20, #80790D, #6F6700 and #5E5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A29D33 shade: #A29D33, #A27F33, #A26133, #A24333 and #A23333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A29D33 shade: #A29D33, #89A233, #6BA233, #4DA233 and #33A237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A29D33 shade matches the following richer shades: #A29D33, #B4AD22 and #C5BD10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A29D33 shade: #A29D33, #918E44, #807E56, #6E6E67 and #5D5E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A29D33 shade: #A26133, #A27F33, #A29D33, #8AA233 and #6CA233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A29D33 shade: #64601F, #837F29, #A29D33, #C1BB3D and #CBC65C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A29D33 shade: #A29D33, #33A244 and #7033A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A29D33 shade: #A29D33, #33A29D and #9D33A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A29D33 shade: #A29D33, #33A244, #3338A2 and #A23392

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A29D33 shade: #A29D33, #33A265, #3338A2 and #A23370

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

Complementary color

CMYK 54 / 52 / 0 / 20

HEX #5D62CC

RGB 93 98 204

HSL 237.3, 0.52%, 0.58%

LAB 46.21, 28.17, -55.86

 

CMYK 0 / 6 / 72 / 35

HEX #A79D2E

RGB 167 157 46

HSL 55.04, 0.57%, 0.42%

LAB 63.78, -9.25, 56.07

 

CMYK 0 / 5 / 65 / 28

HEX #B8AF41

RGB 184 175 65

HSL 55.46, 0.48%, 0.49%

LAB 70.34, -10.21, 55.54

 

CMYK 0 / 4 / 58 / 21

HEX #C9C154

RGB 201 193 84

HSL 55.9, 0.52%, 0.56%

LAB 76.8, -11, 54.65

 

CMYK 0 / 3 / 53 / 15

HEX #DAD367

RGB 218 211 103

HSL 56.35, 0.61%, 0.63%

LAB 83.16, -11.65, 53.6

 

CMYK 0 / 3 / 48 / 8

HEX #EBE57A

RGB 235 229 122

HSL 56.81, 0.74%, 0.7%

LAB 89.44, -12.19, 52.47

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 0 / 4 / 78 / 43

HEX #918B20

RGB 145 139 32

HSL 56.81, 0.64%, 0.35%

LAB 56.67, -10.16, 53.69

 

CMYK 0 / 5 / 90 / 50

HEX #80790D

RGB 128 121 13

HSL 56.35, 0.82%, 0.28%

LAB 49.85, -8.84, 52.61

 

CMYK 0 / 7 / 100 / 56

HEX #6F6700

RGB 111 103 0

HSL 55.68, 1%, 0.22%

LAB 42.88, -7.19, 49.43

 

CMYK 0 / 10 / 100 / 63

HEX #5E5500

RGB 94 85 0

HSL 54.26, 1%, 0.18%

LAB 35.75, -5.16, 43.52

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 0 / 22 / 69 / 36

HEX #A27F33

RGB 162 127 51

HSL 41.08, 0.52%, 0.42%

LAB 55.17, 5.19, 45.06

 

CMYK 0 / 40 / 69 / 36

HEX #A26133

RGB 162 97 51

HSL 24.86, 0.52%, 0.42%

LAB 47.58, 22.19, 36.75

 

CMYK 0 / 59 / 69 / 36

HEX #A24333

RGB 162 67 51

HSL 8.65, 0.52%, 0.42%

LAB 41.11, 38.3, 29.25

 

CMYK 0 / 69 / 69 / 36

HEX #A23333

RGB 162 51 51

HSL 0, 0.52%, 0.42%

LAB 38.35, 45.66, 25.93

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 15 / 0 / 69 / 36

HEX #89A233

RGB 137 162 51

HSL 73.51, 0.52%, 0.42%

LAB 62.84, -24.54, 52.39

 

CMYK 34 / 0 / 69 / 36

HEX #6BA233

RGB 107 162 51

HSL 89.73, 0.52%, 0.42%

LAB 60.96, -36.43, 49.85

 

CMYK 52 / 0 / 69 / 36

HEX #4DA233

RGB 77 162 51

HSL 105.95, 0.52%, 0.42%

LAB 59.58, -46.4, 47.97

 

CMYK 69 / 0 / 66 / 36

HEX #33A237

RGB 51 162 55

HSL 122.16, 0.52%, 0.42%

LAB 58.81, -52.39, 45.2

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 0 / 4 / 81 / 29

HEX #B4AD22

RGB 180 173 34

HSL 57.12, 0.68%, 0.42%

LAB 69.26, -12.37, 65.45

 

CMYK 0 / 4 / 92 / 23

HEX #C5BD10

RGB 197 189 16

HSL 57.35, 0.85%, 0.42%

LAB 75.02, -13.55, 74.45

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 0 / 2 / 53 / 43

HEX #918E44

RGB 145 142 68

HSL 57.66, 0.36%, 0.42%

LAB 57.83, -9.42, 39.33

 

CMYK 0 / 2 / 33 / 50

HEX #807E56

RGB 128 126 86

HSL 57.14, 0.2%, 0.42%

LAB 52.04, -5.93, 22.1

 

CMYK 0 / 0 / 6 / 57

HEX #6E6E67

RGB 110 110 103

HSL 60, 0.03%, 0.42%

LAB 46.24, -1.39, 3.9

 

CMYK 23 / 22 / 0 / 53

HEX #5D5E78

RGB 93 94 120

HSL 237.78, 0.13%, 0.42%

LAB 40.72, 5.71, -14.75

 

CMYK 0 / 40 / 69 / 36

HEX #A26133

RGB 162 97 51

HSL 24.86, 0.52%, 0.42%

LAB 47.58, 22.19, 36.75

 

CMYK 0 / 22 / 69 / 36

HEX #A27F33

RGB 162 127 51

HSL 41.08, 0.52%, 0.42%

LAB 55.17, 5.19, 45.06

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 15 / 0 / 69 / 36

HEX #8AA233

RGB 138 162 51

HSL 72.97, 0.52%, 0.42%

LAB 62.91, -24.12, 52.49

 

CMYK 33 / 0 / 69 / 36

HEX #6CA233

RGB 108 162 51

HSL 89.19, 0.52%, 0.42%

LAB 61.02, -36.06, 49.93

 

CMYK 0 / 4 / 69 / 61

HEX #64601F

RGB 100 96 31

HSL 56.52, 0.53%, 0.26%

LAB 39.87, -7.28, 36.31

 

CMYK 0 / 3 / 69 / 49

HEX #837F29

RGB 131 127 41

HSL 57.33, 0.52%, 0.34%

LAB 52.02, -9.57, 45.3

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 0 / 3 / 68 / 24

HEX #C1BB3D

RGB 193 187 61

HSL 57.27, 0.52%, 0.5%

LAB 74.33, -12.77, 61.51

 

CMYK 0 / 2 / 55 / 20

HEX #CBC65C

RGB 203 198 92

HSL 57.3, 0.52%, 0.58%

LAB 78.38, -12.11, 52.84

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 69 / 0 / 58 / 36

HEX #33A244

RGB 51 162 68

HSL 129.19, 0.52%, 0.42%

LAB 58.94, -50.85, 39.38

 

CMYK 31 / 69 / 0 / 36

HEX #7033A2

RGB 112 51 162

HSL 272.97, 0.52%, 0.42%

LAB 34.84, 47.31, -49.4

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 69 / 0 / 3 / 36

HEX #33A29D

RGB 51 162 157

HSL 177.3, 0.52%, 0.42%

LAB 60.76, -31.65, -6.48

 

CMYK 3 / 69 / 0 / 36

HEX #9D33A2

RGB 157 51 162

HSL 297.3, 0.52%, 0.42%

LAB 41.44, 57.56, -38.47

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 69 / 0 / 58 / 36

HEX #33A244

RGB 51 162 68

HSL 129.19, 0.52%, 0.42%

LAB 58.94, -50.85, 39.38

 

CMYK 69 / 65 / 0 / 36

HEX #3338A2

RGB 51 56 162

HSL 237.3, 0.52%, 0.42%

LAB 29.76, 33.15, -57.94

 

CMYK 0 / 69 / 10 / 36

HEX #A23392

RGB 162 51 146

HSL 308.65, 0.52%, 0.42%

LAB 41.41, 56.1, -28.82

 

CMYK 0 / 3 / 69 / 36

HEX #A29D33

RGB 162 157 51

HSL 57.3, 0.52%, 0.42%

LAB 63.37, -11.2, 53.56

 

CMYK 69 / 0 / 38 / 36

HEX #33A265

RGB 51 162 101

HSL 147.03, 0.52%, 0.42%

LAB 59.42, -45.41, 22.89

 

CMYK 69 / 65 / 0 / 36

HEX #3338A2

RGB 51 56 162

HSL 237.3, 0.52%, 0.42%

LAB 29.76, 33.15, -57.94

 

CMYK 0 / 69 / 31 / 36

HEX #A23370

RGB 162 51 112

HSL 327.03, 0.52%, 0.42%

LAB 39.95, 51.25, -10.15

 

Description

Color code: HEX #A29D33 | qconv.com Color code: HEX #A29D33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 157 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 157 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 69 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 69% 36% C M Y K

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Provide designers and agencies with accurate color values.

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